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Marche Funèbre
A funeral march (' in French, ' in Italian, ' in German, ' in Polish), as a musical genre, is a march, usually in a minor key, in a slow "simple duple" metre, imitating the solemn pace of a funeral procession. Some such marches are often considered appropriate for use during funerals and other sombre occasions, the best-known example being the third movement of Chopin's Piano Sonata No. 2. Handel uses the name dead march, also used for marches played by a military band at military funerals. History Historical origins The custom of accompanying the solemn funeral procession with instrumental music was already present in ancient civilizations in various forms. Both the Greeks and the Etruscans usually employed flute players or, the latter, zither players, as can be deduced for example from the ''Chiusi cippi'' illustrated in Pericle Ducati's work. Among the Romans, the traditional funeral (''funus translaticium'') involved the presence of musicians at the opening of the proc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Genre
A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. Genre is to be distinguished from musical form and musical style, although in practice these terms are sometimes used interchangeably. Music can be divided into genres in numerous ways, sometimes broadly and with polarity, e.g., popular music as opposed to art music or folk music, or, as another example, religious music and secular music. Often, however, classification draws on the proliferation of derivative subgenres, fusion genres, and microgenres that has started to accrue, e.g., screamo, country pop, and mumble rap, respectively. The artistic nature of music means that these classifications are often subjective and controversial, and some may overlap. As genres evolve, novel music is sometimes lumped into existing categories. Definitions Douglass M. Green distinguishes between genre and Musical form, form in his book ''Form in Tonal Music''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alceste (Lully)
''Alceste, ou Le triomphe d'Alcide'' is a ''tragédie en musique'' in a prologue and five acts by Jean-Baptiste Lully. The French-language libretto is by Philippe Quinault, after Euripides' '' Alcestis''. It was first performed on 19 January 1674 at the Théâtre du Palais-Royal by the Paris Opera. The opera was presented in celebration of King Louis XIV's victory against Franche-Comté, and the prologue features nymphs longing for his return from battle. The opera itself concerns Alceste, princess of Iolcos and queen of Thessaly, who in the first act is abducted by Licomède (Lycomedes), king of Scyros, with the aid of his sister Thetis, a sea nymph; Aeolus, the god of the winds; and other supernatural forces. In the battle to rescue her, Alcide (Hercules) is triumphant, but Alceste's husband, Admète ( Admetus), suffers a mortal wound. Apollo agrees to let Admète live if someone will die in his place. Alceste stabs herself to fulfill this requirement, but is rescued from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pantheon, Rome
The Pantheon (, ; ,Although the spelling ''Pantheon'' is standard in English, only ''Pantheum'' is found in classical Latin; see, for example, Pliny, ''Natural History'36.38 "Agrippas Pantheum decoravit Diogenes Atheniensis". See also ''Oxford Latin Dictionary'', s.v. "Pantheum"; ''Oxford English Dictionary'', s.v"Pantheon" "post-classical Latin ''pantheon'' a temple consecrated to all the gods (6th cent.; compare classical Latin ''pantheum'')". ) is an ancient 2nd century Roman temple and, since AD 609, a Catholic church called the Basilica of St. Mary and the Martyrs () in Rome, Italy. It is perhaps the most famous, and architecturally most influential, rotunda. The Pantheon was built on the site of an earlier temple, which had been commissioned by Marcus Vipsanius Agrippa during the reign of Augustus (27 BC – AD 14). After the original burnt down, the present building was ordered by the emperor Hadrian and probably dedicated AD 126. Its date of construction i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Requiem
A Requiem (Latin: ''rest'') or Requiem Mass, also known as Mass for the dead () or Mass of the dead (), is a Mass of the Catholic Church offered for the repose of the souls of the deceased, using a particular form of the Roman Missal. It is usually celebrated in the context of a funeral (where in some countries it is often called a Funeral Mass). Musical settings of the propers of the Requiem Mass are also called Requiems, and the term has subsequently been applied to other musical compositions associated with death, dying, and mourning, even when they lack religious or liturgical relevance. The term is also used for similar ceremonies outside the Catholic Church, especially in Western Rite Orthodox Christianity, the Anglo-Catholic tradition of Anglicanism, and in certain Lutheran churches. A comparable service, with a wholly different ritual form and texts, exists in the Eastern Orthodox and Eastern Catholic churches as well as some Methodist churches. The Mass and i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurerische Trauermusik
The ' (''Masonic Funeral Music'') in C minor, K. 477 (K. 479a), is an orchestral work composed by Wolfgang Amadeus Mozart in 1785 in his capacity as a member of the Freemasons. The autograph manuscript of the work is preserved in the Berlin State Library. History Mozart's own entry into his catalogue under the heading "July 1785" may be an error; he most likely forgot to enter a new heading for November. It was performed during a Masonic funeral service held on 17 November 1785 in memory of two of Mozart's Masonic brethren, Duke Georg August of Mecklenburg-Strelitz and Count Franz Esterházy von Galántha, members of the Viennese aristocracy. The work uses the Gregorian chant psalm-tone, '. The work is scored for 2 oboes, 1 clarinet, 3 basset horns, 1 contrabassoon, 2 horns and strings. The basset horn parts were written for fellow Freemasons Anton David and Vincent Springer. On 20 November 2021 a new arrangement by Giulio Castronovo, created to match the orchestration ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Giroust
François Giroust (10 April 1737 – 28 April 1799) was a French composer. He was born in Paris, where he was the last ''maître'' of the Chapelle royale before the French Revolution. He died, aged 62, at Versailles.John Eby, ''Giroust, François'' iGrove Music Online Biography After having studied at the Notre-Dame de Paris with Louis Homet (1691-1767) until 1748 and afterwards with Antoine Goulet, Giroust got appointed as ''maître de musique'' (Kapellmeister) at the cathedral of Orléans, where he stayed until 1769. He was very much appreciated by his employers. He also became the leader of the music academy of Orléans (1757-1765), which became a big yet temporary success soon after his appointment.Roger Cotte, ''François Giroust, a Versaille musician of the Revolutionary period'', in Malcolm Boyd (ed.), Music and the French Revolution, Cambridge 1992, p. 93-106. Two of his works won both 1st and 2nd place in a contest for composers of the Concert Spirituel, organis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masonic Ritual And Symbolism
Masonic ritual is the scripted words and actions that are spoken or performed during the degree work in a Masonic lodge. Masonic symbolism is that which is used to illustrate the principles which Freemasonry espouses. Masonic ritual has appeared in a number of contexts within literature (for example: " The Man Who Would Be King", by Rudyard Kipling, and '' War and Peace'', by Leo Tolstoy). Purpose Freemasonry is described in its own ritual as a "Beautiful and profound system of morality, veiled in allegories and illustrated by symbols". The symbolism of Freemasonry is found throughout the Masonic lodge, and contains many of the working tools of a medieval or renaissance stonemason. The whole system is transmitted to initiates through the medium of Masonic ritual, which consists of lectures and allegorical plays. Common to all of Freemasonry is the three grade system of ''Craft'' or '' Blue Lodge'' freemasonry, whose allegory is centred on the building of the Temple of Solomon, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samson (Handel)
''Samson'' ( HWV 57) is a three-act oratorio from 1743 by George Frideric Handel, considered to be one of his finest dramatic works. It is usually performed as an oratorio in concert form, but on occasions has also been staged as an opera. The well-known arias "Let the bright Seraphim" (for soprano), "Total eclipse" (for tenor) and "Let their celestial concerts" (the final chorus) are often performed separately in concert. Composition Handel began the composition of ''Samson'' immediately after completing ''Messiah'' on 14 September 1741. It used a libretto by Newburgh Hamilton, based on Milton's '' Samson Agonistes'', which in turn was based on the figure Samson in Chapter 16 of the Book of Judges. Handel completed the first act on 20 September 1741, the second act on 11 October that year, and the whole work on 29 October. Shortly after that he travelled to Dublin to premiere ''Messiah'', returning to London at the end of August 1742 and thoroughly revising ''Samson''. The pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saul (Handel)
''Saul'' (HWV 53) is a dramatic oratorio in three acts written by George Frideric Handel with a libretto by Charles Jennens. Taken from the Books of Samuel, First Book of Samuel, the story of ''Saul'' focuses on the Saul, first king of Israel's relationship with his eventual successor, David—one which turns from admiration to envy and hatred, ultimately leading to the downfall of the eponymous monarch. The work, which Handel composed in 1738, includes the famous "Dead March", a funeral anthem for Saul and his son Jonathan (1 Samuel), Jonathan following their deaths in the Battle of Mount Gilboa at the hands of the Philistines, and some of the composer's most dramatic choral pieces. ''Saul'' premiered successfully at the Her Majesty's Theatre, King's Theatre in London on 16 January 1739, and was revived by Handel in subsequent seasons. Background The German-born Handel had been resident in London since 1712 and had there enjoyed great success as a composer of Italian operas. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel ( ; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well-known for his operas, oratorios, anthems, concerti grossi, and organ concerti. Born in Halle, Germany, Handel spent his early life in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical breakdown, c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis XIV
LouisXIV (Louis-Dieudonné; 5 September 16381 September 1715), also known as Louis the Great () or the Sun King (), was King of France from 1643 until his death in 1715. His verified reign of 72 years and 110 days is the List of longest-reigning monarchs, longest of any monarch in history. An emblem of the Absolutism (European history), age of absolutism in Europe, Louis XIV's legacy includes French colonial empire, French colonial expansion, the conclusion of the Thirty Years' War involving the Habsburgs, and a controlling influence on the Académie royale de peinture et de sculpture, style of fine arts and architecture in France, including the transformation of the Palace of Versailles into a center of royal power and politics. Louis XIV's pageantry and opulence helped define the French Baroque architecture, French Baroque style of art and architecture and promoted his image as absolute ruler of France in the early modern period. Louis XIV began his personal rule of France ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
