Marcello Fogolino
Marcello Fogolino (active 1510–1548) was an Italian painter of the Renaissance or Mannerist style. Originally from San Vito in the Friuli, he worked early in his life he worked in Vicenza, under the painter Bartolomeo Montagna. He was also influenced by Giovanni Speranza and Pordenone. Returning to Friuli in 1520–21, he came to reflect the painterly style of ''Il Pordenone''. He completed a painting of ''Saints Francis and John the Baptist with Prophet Daniel'' for the Duomo in Pordenone. He was banished from Venetian territories, along with his brother the architect Matteo, for complicity in a murder in 1527, and went to Trento. In Trento, he befriended the bishop Bernardo Clesio, which gave the brothers some protection. It appears that they became informants for the Venetian Republic, and finally were allowed to return to the Veneto. [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Marcello Fogolino- Palazzo Thiene
Marcello is a common masculine Italian given name. It is a variant of Marcellus (name), Marcellus. The Spanish and Portuguese version of the name is Marcelo, differing in having only one "l", while the Greek form is Markellos. Etymology The name originally means ''like a hammer''. It is originally the adjectival form of ''Marcus,'' which means ''hammer''; the -el suffix was in times of archaic Latin the adjectival form. People with given name * Marcello Abbado (1926–2020), Italian pianist * Marcello Boldrini (1890–1969), Italian statistician * Marcello Borges (born 1997), American soccer player * Marcello Caetano (1906–1980), Portuguese politician * Marcello Campolonghi (born 1975), Italian footballer * Marcello Castellini (born 1973), Italian footballer * Marcello Cerruti (1808–1896), Italian diplomat and politician * Marcello Ciorciolini (1922–2011), Italian director and screenwriter * Marcello Dudovich (1878–1962), Italian painter and illustrator * Marcello Fabbri ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Trento
Trento ( or ; Ladin and lmo, Trent; german: Trient ; cim, Tria; , ), also anglicized as Trent, is a city on the Adige River in Trentino-Alto Adige/Südtirol in Italy. It is the capital of the autonomous province of Trento. In the 16th century, the city was the location of the Council of Trent. Formerly part of Austria and Austria-Hungary, it was annexed by Italy in 1919. With 118,142 inhabitants, Trento is the third largest city in the Alps and second largest in the historical region of Tyrol. Trento is an educational, scientific, financial and political centre in Trentino-Alto Adige/Südtirol, in Tyrol and Northern Italy in general. The city contains a picturesque Medieval and Renaissance historic centre, with ancient buildings such as Trento Cathedral and the Castello del Buonconsiglio. Together with other Alpine towns Trento engages in the Alpine Town of the Year Association for the implementation of the Alpine Convention to achieve sustainable development in the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
16th-century Italian Painters
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Mannerist Painters
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Palazzo Sardagna
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, whereas a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Villa Salvotti
A villa is a type of house that was originally an ancient Roman upper class country house. Since its origins in the Roman villa, the idea and function of a villa have evolved considerably. After the fall of the Roman Republic, villas became small farming compounds, which were increasingly fortified in Late Antiquity, sometimes transferred to the Church for reuse as a monastery. Then they gradually re-evolved through the Middle Ages into elegant upper-class country homes. In the Early Modern period, any comfortable detached house with a garden near a city or town was likely to be described as a villa; most survivals have now been engulfed by suburbia. In modern parlance, "villa" can refer to various types and sizes of residences, ranging from the suburban semi-detached double villa to, in some countries, especially around the Mediterranean, residences of above average size in the countryside. Roman Roman villas included: * the ''villa urbana'', a suburban or country seat t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Castello Malpaga
The Malpaga Castle (Italian: ''Castello di Malpaga'') is a castle in the communal territory of Cavernago, a village in the province of Bergamo, northern Italy. Its main features are the interior rooms frescoed by the Renaissance painter Il Romanino. An early medieval castle had been in ruins after a raid in the 1440s. In 1456, the condottiero and nobleman Bartolomeo Colleoni acquired the ruined castle from the commune of Bergamo. He enlarged and enriched it not only as a military base for his troops, but also as a seigneurial residence, in the typical Italian Renaissance fashion. The castle layout is square, surrounded by two lines of walls and a ditch. The first line, now disappeared, included the stables and the barracks. The walls are characterized by merlons. The castle's internal walls are almost entirely frescoed, although some of them have deteriorated or been vandalized. Some frescoes celebrate the 1474 visit of King Christian I of Denmark and the sumptuous hospitality gi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Castel Buonconsiglio
Buonconsiglio Castle ( it, Castello del Buonconsiglio) is a castle in Trento, northern Italy. History The castle originated from a fortified building that was erected in the 13th century next to the city's walls. This first building was called Castelvecchio ("Old Castle"), and was the seat of the Bishopric of Trent from the 13th century onwards to the end of the 18th century. The castle is composed of a series of buildings of different eras, enclosed by a circle of walls in a slightly elevated position above the town. The, as called, Castelvecchio is the oldest and most dominant building of the entire housing development. The Magno Palazzo is the sixteenth expansion in the forms of the Italian Renaissance, wanted by the Prince Bishop and Cardinal Bernardo Clesio (1485-1539), the third part, in the southern end of the complex is the known Eagle tower, which preserves the famous Cycle of the Months, one of the most fascinating pictorial cycles of profane late Middle Ages. Bisho ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Il Pordenone
Pordenone, Il Pordenone in Italian, is the byname of Giovanni Antonio de’ Sacchis (c. 1484 – 14 January 1539), an Italian Mannerist painter, loosely of the Venetian school. Vasari, his main biographer, wrongly identifies him as Giovanni Antonio Licinio. He painted in several cities in northern Italy "with speed, vigor, and deliberate coarseness of expression and execution—intended to shock". He appears to have visited Rome, and learnt from its High Renaissance masterpieces, but lacked a good training in anatomical drawing. Like Polidoro da Caravaggio, he was one of the artists often commissioned to paint the exteriors of buildings; of such work at most a shadow survives after centuries of weather. Michelangelo is said to have approved of one palace facade in 1527; it is now only known from a preparatory drawing. Much of his work was lost when the Doge's Palace in Venice was largely destroyed by fires in 1574 and 1577. A number of fresco cycles survive, for exampl ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Marcello Fogolino Virgen Con El Niño Y Santos Rijksmuseum
Marcello is a common masculine Italian given name. It is a variant of Marcellus. The Spanish and Portuguese version of the name is Marcelo, differing in having only one "l", while the Greek form is Markellos. Etymology The name originally means ''like a hammer''. It is originally the adjectival form of ''Marcus,'' which means ''hammer''; the -el suffix was in times of archaic Latin the adjectival form. People with given name * Marcello Abbado (1926–2020), Italian pianist * Marcello Boldrini (1890–1969), Italian statistician * Marcello Borges (born 1997), American soccer player * Marcello Caetano (1906–1980), Portuguese politician * Marcello Campolonghi (born 1975), Italian footballer * Marcello Castellini (born 1973), Italian footballer * Marcello Cerruti (1808–1896), Italian diplomat and politician * Marcello Ciorciolini (1922–2011), Italian director and screenwriter * Marcello Dudovich (1878–1962), Italian painter and illustrator * Marcello Fabbri (1923–2015), ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Pordenone
Pordenone (; Venetian and fur, Pordenon) is the main ''comune'' of Pordenone province of northeast Italy in the Friuli Venezia Giulia region. The name comes from Latin ''Portus Naonis'', meaning 'port on the Noncello (Latin ''Naon'') River'. History Pordenone was created at the beginning of the High Middle Ages as a river port on the Noncello, with the name ''Portus Naonis.'' In the area, however, there were already villas and agricultural settlements from the Roman age, especially in the area of the town of Torre. Between 1257 and 1270 Pordenone was conquered by Ottokar II of Bohemia, who was eventually defeated in 1277, when the city was brought back to the Empire, under Rodolph I of Habsburg. In 1278, after having been administrated by several feudatories, the city was handed over to the Habsburg family, forming an Austrian enclave within the territory of the Patriarchal State of Friuli. In the 14th century, Pordenone grew substantially due to the flourishing river t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Giovanni Speranza (Renaissance Painter)
Giovanni Speranza (c. 1470 – 1540s) was an Italian painter. He was born and was active in Vicenza, where he was a follower of Benedetto Montagna. His exact birth and death years are not confirmed with one claiming he was born in 1480 and died in 1546. He is mentioned briefly by Giorgio Vasari, in his entry on Jacopo Sansovino. He later claims both Montagna and Speranza were pupils of Andrea Mantegna. Volume 1, by Joseph Archer Crowe, Giovanni Battista Cavalcaselle, page 421. It is unclear if he is related to the Baroque painter Giovanni Battista Speranza Giovanni may ref ...
[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |