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Marcel Cariven
Marcel Auguste Antoine Cariven, (18 April 1894, Toulouse – 5 November 1979, Crosne near Paris)Bibliothèque nationale de France entry for Marcel Cariven accessed 31 January 2015. was a French , particularly associated with light music and with operetta.: ''Dictionnaire des interprètes et de l'interprétation musicale au XXe siècle.'' Éditions Robert Laffont, Paris, 1995 (p890).
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Toulouse
Toulouse ( , ; oc, Tolosa ) is the Prefectures in France, prefecture of the Departments of France, French department of Haute-Garonne and of the larger Regions of France, region of Occitania (administrative region), Occitania. The city is on the banks of the Garonne, River Garonne, from the Mediterranean Sea, from the Atlantic Ocean and from Paris. It is the List of communes in France with over 20,000 inhabitants, fourth-largest city in France after Paris, Marseille and Lyon, with 493,465 inhabitants within its municipal boundaries (2019 census); its Functional area (France), metropolitan area has a population of 1,454,158 inhabitants (2019 census). Toulouse is the central city of one of the 20 Métropole, French Métropoles, with one of the three strongest Population growth, demographic growth (2013-2019). Toulouse is the centre of the European aerospace industry, with the headquarters of Airbus, the SPOT (satellites), SPOT satellite system, ATR (aircraft manufacturer), ATR ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Beydts
Louis Beydts was a French composer, music critic and theatre director, born 29 June 1895 in Bordeaux and died on 15 August 1953 at Caudéran in Gironde. Life and career His father was a wine-merchant who played the flute, while his mother played the piano. At 16, having finished his school studies, he went into the family business. Having learnt the piano and tried some composition, at 18 he studied harmony, counterpoint and fugue with Julien Fernand Vaubourgoin, director of the Bordeaux Conservatoire, although Beydts never enrolled there. Through Vaubourgoin he gained a strict classical harmonic technique.James Stevens. Louis Beydts (1895-1953). '' Opera'', December 1953, Vol.4 No.12, p747. Beydts also studied with André Messager to whom he paid homage in ''Moineau'' with a variation on the theme of the swing duet. During the First World War Beydts was mobilized, only returning to civilian life in 1919, picking up his much-appreciated studies with Vaubourgoin until 1924. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Pasquale
''Don Pasquale'' () is an opera buffa, or comic opera, in three acts by Gaetano Donizetti with an Italian libretto completed largely by Giovanni Ruffini as well as the composer. It was based on a libretto by Angelo Anelli for Stefano Pavesi's opera ''Ser Marcantonio'' written in 1810 but, on the published libretto, the author appears as "M.A." Donizetti so dominated the preparation of the libretto that Ruffini refused to allow his name to be put on the score. This resulted in confusion over the identity of the librettist for more than half a century, but as Herbert Weinstock establishes, it was largely Ruffini's work and, in withholding his name from it as librettist, "Donizetti or is assistantAccursi may have thought that, lacking Ruffini's name, the authorship might as well be assigned to Accursi's initials as to a pseudonym". The opera was first performed on 3 January 1843 by the Théâtre-Italien at the Salle Ventadour in Paris with great success and it is generally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Thill
Georges Thill (14 December 1897 – 17 October 1984) was a French opera singer, often considered to be his country's greatest lyric-dramatic tenor. Born in Paris, his career lasted from 1924 to 1953, peaking during the 1930s. Career A pupil of the Neapolitan tenor Fernando De Lucia (1860–1925), Thill made his opera debut at the Paris Opéra in 1924, and he continued to appear there and at the Opéra-Comique for several decades, undertaking a busy schedule of performances. In addition, he sang throughout Europe and in South America, receiving the acclaim of audiences and critics at La Scala, Milan, the Rome Opera, the Verona Arena, the Vienna State Opera, the Teatro Colón, Buenos Aires, and the Royal Opera House, Covent Garden, London. He also gave 14 performances, of seven roles, across two seasons (1931–1932), at the Metropolitan Opera in New York City; but he had difficulty fitting in with the unfamiliar American cultural environment, experiencing health diffi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera (British Magazine)
''Opera'' is a monthly British magazine devoted to covering all things related to opera. It contains reviews and articles about current opera productions internationally, as well as articles on opera recordings, opera singers, opera companies, opera directors, and opera books. The magazine also contains major features and analysis on individual operas and people associated with opera. The magazine employs a network of international correspondents around the world who write for the magazine. Contributors to the magazine, past and present, include William Ashbrook, Martin Bernheimer, Julian Budden, Rodolfo Celletti, Alan Blyth, Elizabeth Forbes, and J.B. Steane among many others. Format ''Opera'' is printed in A5 size, with colour photos, and consists of around 130 pages. Page numbering is consecutive for a complete year (e.g. September 2009 covers pages 1033–1168). All issues since February 1950 are available online to current subscribers (through Exact Editions). H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Christophe Benoît
Jean-Christophe Benoît (18 March 1925 – 21 February 2019) was a French baritone, who enjoyed a long career in France and francophone countries on the stage, the concert platform and radio and television. He was born in Paris into a professional musical family, and finished his career there as a teacher. Life and career His parents were musicians, and he began young to discover his musical talents. Attending the Paris Conservatoire, his tutors included Olivier Messiaen (harmony), Noel Gallon (counterpoint) and Gabriel Dubois (vocal studies).Alain Pâris: ''Dictionnaire des interprètes et de l'interpretation musicale au XX siècle.'' Éditions Robert Laffont, Paris, 1995 (). Composing at this time, Benoît provided incidental music for Yves Joly's Théâtre de Marionnettes in Paris, while soon establishing a career on the stage and concert platform, his vocal style lending itself toward opéra-comique. In the early 1950s Benoît began studio recording; his Mathurin being de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Fille Du Tambour-major
''La fille du tambour-major'' (''The Drum Major's Daughter'') is an opéra comique in three acts, with music by Jacques Offenbach and words by Alfred Duru and Henri Chivot. It was one of the composer's last works, premiered less than a year before his death. It opened at the Théâtre des Folies-Dramatiques, Paris, on 13 December 1879, and, after a successful initial run, was frequently revived in Paris and internationally, but in recent times has not been among the Offenbach operas most frequently staged. The plot, which has elements in common with Gaetano Donizetti's 1840 comic opera '' La fille du régiment'', depicts a young woman discovering her real identity, renouncing her aristocratic upbringing, and marrying a dashing soldier. Background and first performance After immense success in the 1860s, Offenbach suffered a brief period of unpopularity with the Parisian public in the early 1870s for his association with the fallen Second Empire. His position as the pre-emini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manon
''Manon'' () is an ''opéra comique'' in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel '' L'histoire du chevalier des Grieux et de Manon Lescaut'' by the Abbé Prévost. It was first performed at the Opéra-Comique in Paris on 19 January 1884, with sets designed by Eugène Carpezat (act 1), Auguste Alfred Rubé and Philippe Chaperon (acts 2 and 3), and Jean-Baptiste Lavastre (act 4). Prior to Massenet's work, Halévy (''Manon Lescaut'', ballet, 1830) and Auber (''Manon Lescaut'', opéra comique, 1856) had used the subject for musical stage works. Massenet also wrote a one-act sequel to ''Manon'', '' Le portrait de Manon'' (1894), involving the Chevalier des Grieux as an older man. The composer worked at the score of ''Manon'' at his country home outside Paris and also at a house at The Hague once occupied by Prévost himself. ''Manon'' is Massenet's most popular and enduring opera and, having "quickly conquer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra-Comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Cent Vierges
''Les cent vierges'' (The Hundred Maidens) is an opérette in three acts, with music by Charles Lecocq and a libretto by Clairville (Louis-François Nicolaïe), Clairville, Henri Chivot and Alfred Duru. It was first produced at the Théâtre des Fantaisies-Parisiennes, Brussels, on 16 March 1872. The plot concerns the British government's efforts to ship brides out to a distant colony for the all-male colonists. Two French women are accidentally on board the ship taking the brides out, and are pursued to the island by their husbands. The four French intruders are threatened by the colonial governor, but after plotting and farcical goings-on, all ends satisfactorily. The work was rewritten many years after the deaths of its authors and composer, and staged in a version by Albert Willemetz and André Mouëzy-Éon in Paris in 1942 and 1946. Background During the Second French Empire, Second Empire, Jacques Offenbach had dominated the sphere of comic opera in France, and Lecocq had s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yvonne Printemps
Yvonne Printemps (; born Yvonne Wigniolle; 25 July 1894 – 19 January 1977) was a French singer and actress who achieved stardom on stage and screen in France and internationally. Printemps went on the stage in Paris at the age of 12, and at 21 she was singled out by the actor, director and playwright Sacha Guitry as a leading lady. In 1919 they were married, and worked closely together until 1932, when they divorced. Printemps never remarried, but had a personal and professional partnership with the actor Pierre Fresnay which lasted until his death in 1975. As a performer, Printemps was famed for the quality of her singing voice and for her personal charm. Among those who composed for her were André Messager, Reynaldo Hahn, Noël Coward and Francis Poulenc. Her voice could have led her to an operatic career, but guided by Guitry she concentrated on operette and other types of musical show, along with non-musical plays and films. In addition to her many successes in Paris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Fresnay
Pierre Fresnay (4 April 1897 – 9 January 1975) was a French stage and film actor. Biography Born Pierre Jules Louis Laudenbach, he was encouraged by his uncle, actor Claude Garry, to pursue a career in theater and film. He joined the company at what later was the Théatre de Paris, only to shortly after at the Conservatoire, becoming a pensionnaire of the Comédie-Française in early 1915, returning to it after three years military service in 1919.Obituary: Pierre Fresnay. The Times, 11 January 1975. Before his departure from the Comédie-Française in 1926 Fresnay had played 80 parts in Paris, excelling especially in the works of Alfred de Musset. After playing small roles, in 1915 he was engaged as a pensionnaire without taking an audition at the Comédie-Française, moving up to Mario in '' Le Jeu de l'amour et du hasard'' and the title role in '' Britannicus''. After the armistice he appeared as Clitandre in '' Les Femmes savantes'', as well as other juvenile leads. These in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
