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Marathi Cinema
Marathi cinema is the segment of Cinema of India, Indian cinema dedicated to the production of motion pictures in the Marathi language, which is widely spoken in the state of Maharashtra. It is based out of Mumbai. It is the oldest film industry in India and one of the leaders in filmmaking in the Indian film industry. ''Raja Harishchandra'', directed by Dadasaheb Phalke and released in 1913, was the first Marathi-language film ever made, and was also India's first full-length feature film. The claim is disputed and some claim that Dadasaheb Torne's ''Shree Pundalik'' (1912) was the first film made in Maharashtra. The first Marathi talkie film was ''Ayodhyecha Raja'', released in 1932, one year after ''Alam Ara'', the first Hindi talkie film. All Marathi films until then were silent films with intertitles. Pinjara (film), ''Pinjara'' (1972), directed by V Shantaram, V. Shantaram, was first colour film in Marathi cinema. Kolhapur was a centre for film production during the 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Government Of Maharashtra
The Government of Maharashtra is the executive branch of the Indian states of india, state of Maharashtra. The government is led by the List of chief ministers of Maharashtra, chief minister (currently Devendra Fadnavis since 5 December 2024) who selects the council of ministers and is appointed by the Governor of Maharashtra. The state has had a BJP-led government since 2024 Maharashtra Legislative Assembly election, 2024. The chief minister and his council of ministers form the cabinet of maharashtra which is responsible for overseeing the administration of the state, policy formulation, etc. Ministers are Responsible government, responsible to the Maharashtra Legislature, House in which they sit; they make statements in that House and take questions from members of that House. For most senior ministers, this is usually the directly elected Maharashtra Legislative Assembly, Legislative Assembly rather than the indirectly elected Maharashtra Legislative Council, Legislative Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindi Cinema
Hindi cinema, popularly known as Bollywood and formerly as Bombay cinema, is primarily produced in Mumbai. The popular term Bollywood is a portmanteau of "Bombay" (former name of Mumbai) and "Cinema of the United States, Hollywood". The industry, producing films in the Hindi language, is a part of the larger Indian cinema industry, which also includes Cinema of South India, South Indian cinema and other smaller Cinema of India#Cinema by language, film industries. The term 'Bollywood', often mistakenly used to refer to Indian cinema as a whole, only refers to Hindi-language films, with Indian cinema being an umbrella term that includes all the Cinema of India#Cinema by language, film industries in the country, each offering films in diverse languages and styles. In 2017, Indian cinema produced 1,986 feature films, of which the largest number, 364, have been in Hindi. In 2022, Hindi cinema represented 33% of box office revenue, followed by Telugu cinema, Telugu and Tamil cine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thriller Film
Thriller film, also known as suspense film or suspense thriller, is a broad film genre that evokes excitement and suspense in the audience. The suspense element found in most films' plots is particularly exploited by the filmmaker in this genre. Tension is created by delaying what the audience sees as inevitable, and is built through situations that are menacing or where escape seems impossible. The cover-up of important information from the viewer, and fight and chase scenes are common methods. Life is typically threatened in a thriller film, such as when the protagonist does not realize that they are entering a dangerous situation. Thriller films' characters conflict with each other or with an outside force, which can sometimes be abstract. The protagonist is usually set against a problem, such as an escape, a goal, mission, or a mystery. Screenwriter and scholar Eric R. Williams identifies thriller films as one of eleven super-genres in his Screenwriters Taxonomy, screenwriter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comedy Film
The comedy film is a film genre that emphasizes humor. These films are designed to amuse audiences and make them laugh. Films in this genre typically have a happy ending, with dark comedy being an exception to this rule. Comedy is one of the oldest genres in film, and it is derived from classical comedy in theatre. Some of the earliest silent films were slapstick comedies, which often relied on visual depictions, such as sight gags and pratfalls, so they could be enjoyed without requiring sound. To provide drama and excitement to silent movies, live music was played in sync with the action on the screen, on pianos, organs, and other instruments. When sound films became more prevalent during the 1920s, comedy films grew in popularity, as laughter could result from both burlesque situations but also from humorous dialogue. Comedy, compared with other film genres, places more focus on individual star actors, with many former stand-up comics transitioning to the film industry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Mythology
Hindu mythology refers to the collection of myths associated with Hinduism, derived from various Hindu texts and traditions. These myths are found in sacred texts such as the Vedas, the Itihasas (the ''Mahabharata'' and the ''Ramayana''), and the Puranas. They also appear in regional and ethnolinguistic texts, including the Bengali ''Mangal Kavya'' and the Tamil '' Periya Puranam'' and ''Divya Prabandham''. Additionally, Hindu myths are also found in widely translated fables like the ''Panchatantra'' and the '' Hitopadesha'', as well as in Southeast Asian texts influenced by Hindu traditions. Meaning of "myth" Myth is a genre of folklore or theology consisting primarily of narratives that play a fundamental role in a society, such as foundational tales or origin myths. For folklorists, historians, philosophers or theologians this is very different from the use of "myth" simply indicating that something is not true. Instead, the truth value of a myth is not a def ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kolhapur
Kolhapur () is a city on the banks of the Panchganga River in the southern part of the Indian state of Maharashtra. Kolhapur is one of the most significant cities in South Maharashtra and has been a hub of historical, religious, and cultural activities for centuries. It is famous for its unique food culture, including its signature Kolhapuri cuisine. The city is situated in the western part of Maharashtra and is often referred to as "Dakshin Kashi" or "Mahateerth". It boasts a rich history, which has given it various other names, including Kollagiri, Kolladigiripattan and Kollpur, all meaning "valley" Around 2 CE Kolhapur's name was 'Kuntal'. Kolhapur is known as Dakshin Kashi''' or Kashi of the South because of its spiritual history and the antiquity of its shrine Mahalaxmi, better known as Ambabai. The region is known for the production of the famous handcrafted and braided leather slippers called Kolhapuri chappal, which received the Geographical Indication designatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
V Shantaram
Shantaram Rajaram Vankudre (18 November 1901 – 30 October 1990), also known as V. Shantaram or Shantaram Bapu, was an Indian film director, producer, screenwriter, and actor known for his work in Hindi and Marathi films. He is best known for films such as (1946), '' Amar Bhoopali'' (1951), ''Jhanak Jhanak Payal Baaje'' (1955), ''Do Aankhen Barah Haath'' (1957), '' Navrang'' (1959), '' Duniya Na Mane'' (1937), '' Pinjara'' (1972), ''Chani'', ''Iye Marathiche Nagari'' and ''Zunj''. Career V. Shantaram started his film career doing odd jobs in Maharashtra Film Co. owned by Baburao Painter at Kolhapur. He went on to debut as an actor in the silent film ''Surekha Haran'' in 1921. Shantaram, fondly known as ''Annasaheb (अण्णासाहेब)'', had an illustrious career as a filmmaker for almost seven decades. He was one of the early filmmakers to realize the efficacy of the film medium as an instrument of social change and used it successfully to advocate humanism on o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinjara (film)
''Pinjara'' (; ) is a 1972 Indian Marathi cinema, Marathi-language film directed and produced by V. Shantaram, starring Shriram Lagoo and Sandhya Shantaram, Sandhya in the lead roles. In 1972, the film was also released in Hindi with the same title. Set in the Tamasha folk musical theatre of Maharashtra, the film is about a morally righteous school teacher, Lagoo, who wants to reform a Tamasha performer, played by Sandhya, but ends up falling in love with her. It is an adaptation of Heinrich Mann's 1905 novel ''Professor Unrat'' (''Professor Garbage''). The film is known for its music and dance numbers with music by Ram Kadam. The lead actress is Sandhya, known for her dancing prowess. It is also the film debut of noted theatre actor Shriram Lagoo. The film was remade by Shantaram in Hindi with same cast and title, and even the songs like "Mala Lagali Kunachi Uchaki", which were a big hit in the Marathi version, were re-recorded in the Hindi version. This was the last major film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intertitle
In films and videos, an intertitle, also known as a title card, is a piece of filmed, printed text edited into the midst of (hence, ''inter-'') the photographed action at various points. Intertitles used to convey character dialogue are referred to as "dialogue intertitles", and those used to provide related descriptive/narrative material are referred to as "expository intertitles". In modern usage, the terms refer to similar text and logo material inserted at or near the start or end of films and television shows. Silent film era In the silent film era, intertitles were mostly called "subtitles", but also "leaders", "Caption (text), captions", "titles", and "headings", prior to being named intertitles, and often had Art Nouveau, Art Deco motifs. They were a mainstay of silent films once the films became of sufficient length and detail to necessitate dialogue or narration to make sense of the enacted or documented events. ''The British Film Catalogue'' credits the 1898 film ''Our ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silent Film
A silent film is a film without synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of inter- title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era, which existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in larger cities, an orchestra—would play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
