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Manganiyar
The Manganiar are a Muslim community found in the Thar Desert region of Rajasthan, India; mostly in the districts of Barmer and Jaisalmer, and in the districts of Tharparkar and Sanghar in the bordering province of Sindh in Pakistan. They are known for various compositions describing stories focused on humans, nature, and salvation. They, along with the Langha community, are known for their folk music. They are groups of hereditary professional musicians whose music has been supported by wealthy landlords and aristocrats for generations. Some of their ragas have originated in the Thar and are not found in north Indian classical tradition. Etymology Manganhar originated from the words ''mangan'', which means "to beg", and ''hār'' which means "a garland of flowers.". A lengend is also among the people :- In that prophet's house, Bibi Fatema offered a necklace (haar) to a Mirasi named Mangan. From this time onwards they were called the 'Manganhar and the community is now kno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rajasthan
Rajasthan (; Literal translation, lit. 'Land of Kings') is a States and union territories of India, state in northwestern India. It covers or 10.4 per cent of India's total geographical area. It is the List of states and union territories of India by area, largest Indian state by area and the List of states and union territories of India by population, seventh largest by population. It is on India's northwestern side, where it comprises most of the wide and inhospitable Thar Desert (also known as the Great Indian Desert) and shares a border with the Pakistani provinces of Punjab, Pakistan, Punjab to the northwest and Sindh to the west, along the Sutlej-Indus River valley. It is bordered by five other Indian states: Punjab, India, Punjab to the north; Haryana and Uttar Pradesh to the northeast; Madhya Pradesh to the southeast; and Gujarat to the southwest. Its geographical location is 23°3' to 30°12' North latitude and 69°30' to 78°17' East longitude, with the Tropic of Can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mehrangarh Fort
Mehrangarh is a historic fort located in Jodhpur, Rajasthan, India. It stands on a hilltop, rising about above the surrounding plains, and the complex spans 1,200 acres (486 hectares). It was initially built around 1459 by the Rajput ruler of Rathore clan Rao Jodha, though most of the existing structure is from the 17th century built by his successors. The fort has seven gates, which includes main entrance Jai Pol (meaning 'victory gate'), built by Maharaja Man Singh to commemorate his victories over the Jaipur and Bikaner armies in 1806. The Fattehpol (), commemorates victory of Maharaja Ajit Singh over the Mughals. The English writer and Nobel Prize winner, Rudyard Kipling, described the fort as "''a palace that might have been built by Titans and colored by the morning sun.''" Within its boundaries are several palaces known for their intricate carvings and expansive courtyards, a Chamunda Mataji Temple, as well as a museum that houses various relics. A winding road lead ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Langha (tribe)
The Langha are a Muslim community found in the states of Rajasthan and Gujarat in India. They are unrelated to the Langah clan of southern Punjab Punjab (; ; also romanised as Panjāb or Panj-Āb) is a geopolitical, cultural, and historical region in South Asia. It is located in the northwestern part of the Indian subcontinent, comprising areas of modern-day eastern Pakistan and no ... province in Pakistan. References {{DEFAULTSORT:Langha (Tribe) Muslim communities of India ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khayal
Khyal or Khayal (ख़याल / خیال) is a major form of Hindustani classical music in the Indian subcontinent. Its name comes from a Persian language, Persian/Arabic language, Arabic word meaning "imagination". Khyal is associated with romantic poetry, and allows the performer greater freedom of expression than dhrupad and is sung with the tabla instead of the pakhavaj. In khyal, ragas are extensively ornamented, and the style calls for more technical virtuosity. Etymology () is an Urdu word of Arabic origin which means "imagination, thought, ideation, meditation, reflection". Hence khyal connotes the idea of a song that is imaginative and creative in either its nature or execution. The word entered India through the medium of the Persian language, Persian language. Just as the word reflects ideas of imagination and imaginative composition, the musical form is imaginative in conception, artistic and decorative in execution and romantic in appeal.Francis Joseph Steingass� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geet (song)
Geet (song or lyrical poetry) (Hindi:गीत) (Urdu:گیت) in Hindi and in Urdu may refer to any poem set to music that can be sung alone or as a duet or in Choir, chorus. It has remained popular in all parts of the Indian sub-continent particularly in the Hindi and Urdu speaking areas. In its classical form a Geet conforms to Prabandha, a composition bound by Dhatu that comprises Sthayi, Antara (music), Antara, Dhrupad etc.; and Anga that comprises etc. Therefore, it has a beginning part known as Prabandha which is followed by an Udgraah or Dhruv which is its part that is repeatedly sung and cannot be left out. The ending part is known as Aabhog and that part of the geet which is between Dhruv and Aabhog is called Pada or Antara. Famous poet and lyricist Golendra Patel, while defining 'song', has said that "Song is the soulful voice generated by the impact of human sympathy on the string between heart and mind, that is, song is the voice of life in its soulful nature." Dhrupad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sassui Punnhun
''Sassui Punnhun'' or ''Sassi Punnu'' is a traditional Sindhi, Balochi, and Punjabi tragic folktale. Set in Sindh and Makran, the tragedy follows the story of a faithful lover who endures many difficulties while seeking her beloved husband who was separated from her by rivals. It is one of the seven popular tragic romances of Sindh. The other six are '' Umar Marvi'', '' Momal Rano'', '' Sohni Mehar'', '' Lilan Chanesar'', '' Sorath Rai Diyach'', and '' Noori Jam Tamachi''. In Punjab, it is among four of the most popular romances. The other three are ''Heer Ranjha'', '' Sohni Mahiwal'' and ''Mirza Sahiban''. Origins The earliest mention of this tale is in the texts of Qazi Qadan. Later it is mentioned in Karim Jo Risalo of Shah Abdul Karim of Bulri, the great-great-grandfather of the legendary poet of Sindh, Shah Latif of Bhit. The story appears in Shah Jo Risalo and forms part of seven popular tragic romances from Sindh, commonly known as the Seven Queens of Sind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Momal Rano
Momal Rano or (In Sindhi: مومل راڻو) is a romantic tale of Momal and Rano from the Sindhi folklore and Rajasthani folklore. It is a multifaceted story that entails adventure, magic, schemes, beauty, love, ordeals of separation, and above all romantic tragedy. The story also appears in the Shah Jo Risalo and forms part of seven popular tragic romances from Sindh. The other six tales are '' Umar Marvi'', '' Sassui Punnhun'', '' Sohni Mehar'', '' Lilan Chanesar'', ''Noori Jam Tamachi'' and '' Sorath Rai Diyach'' commonly known as the Seven Queens of Sindh. Earlier, apart from Bhittai, several other poets, including Shah Inat Rizvi, wrote verses on this tale and many others after Latif's demise, like Tajal Bewas and Shaikh Ayaz (to quote a few) tried upon the same tale; hence all broadened the perspective of the tale from different angles. Momal-Rano is considered to be one of the most popular folktales in Sindhi and Rajasthani literature. Historical context The story ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Umar Marvi
Umar Marvi is a traditional Sindhi folktale dating back to the 14th century, and first penned by Shah Abdul Karim Bulri in the 16th century. It follows the story of a village girl Marvi, who resists the overtures of a powerful local ruler and the temptation to live in the palace as a queen, preferring to be in a simple rural environment with her own village folk. Origins The story first appears in the text of "Bayan Ul Arifeen", known to the Sindhis as "Karim Jo Risalo" of Shah Abdul Karim of Bulri, the great-great-grandfather of Shah Abdul Latif Bhittai. It then appeared in Shah Jo Risalo and forms part of seven popular tragic romances from Sindh, Pakistan. The other six tales are ''Sassui Punnhun'', '' Sohni Mehar'', '' Lilan Chanesar'', ''Noori Jam Tamachi'', '' Sorath Rai Diyach'' and ''Momal Rano'' commonly known as the Seven Queens of Sindh, or the Seven heroines of Shah Abdul Latif Bhittai. Folklore The protagonist of the story is Marvi, a young Khaskheli girl o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dhola Maru
The Dhola Maru, also known as Dhola Marvani, is the romantic tale of Dhola and Maru in Rajasthan. The Rajasthani version is entirely different from a version found in Chhattisgarh. The folktale can also be found in Punjab. Literature The ''Dhola Maru'' story is deeply rooted in folklore and oral traditions, and it is well-known across Northwestern India: besides Rajasthan, the story is also found in Punjab, Bundelkhand, Uttar Pradesh and Chhattisgarh. The work is available in both prose and poetry form, as well as a mixed form (prose and verse). The tale depicts one of the most mesmerizing chapters of Rajput and Rajasthani history. Editions Scholarship locates at least three recensions of the story: the oldest to date, titled "recension A", from Bikâner; a second one, called "recension B", from author Kuśallābh, from Jodhpur, and a third one, titled "recension C", from a manuscript found in Bikaner, which contains the story in prose and verse form. ''Dhola Maru ri cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarangi
The sārangī is a bowed, short-necked three-stringed instrument played in traditional music from South Asia – Punjabi folk music, Rajasthani folk music, Sindhi folk music, Haryanvi folk music, Braj folk music, and Boro folk music (there known as the ''serja'') – in Pakistan, South India and Bangladesh. It is said to most resemble the sound of the human voice through its ability to imitate vocal ornaments such as '' Gamaks or Gamakam'' (shakes) and '' meends'' (sliding movements). The Nepali sarangi is similar but is a folk instrument, unornate and four-stringed. Playing The repertoire of ''sarangi'' players is traditionally very closely related to vocal music. Nevertheless, a concert with a solo sarangi as the main item will sometimes include a full-scale '' raag'' presentation with an extensive ''alap'' (the unmeasured improvisatory development of the raga) in increasing intensity (''alap'' to ''jor'' to ''jhala'') and several compositions in increasing tempo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rubab (instrument)
The rubab (, ) or robab is a lute-like musical instrumentDavid Courtney, 'Rabab'Chandra & David's Homepage/ref> of Central Asian origin. It is the national musical instrument of Afghanistan and is also commonly played in India and Pakistan, mostly by Pashtuns, Balochis, Sindhis, Kashmiris, and Punjabis. Variants of the rubab include the ''Kabuli rebab'' of Afghanistan, the Uyghur '' rawap'' of Xinjiang, the '' Pamiri rubab'' of Tajikistan, and the North Indian '' seni rebab''. The instrument and its variants spread throughout West, Central, South and Southeast Asia. The Kabuli rebab from Afghanistan derives its name from the Arabic ''rebab'' and is played with a bow while in Central Asia and the Indian subcontinent, the instrument is plucked and is distinctly different in construction. Size variants Components In detail about the strings: Construction The body is carved out of a single piece of wood, with a head covering a hollow bowl which provides the sound-chambe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pabuji
Pabuji is a Folk religion, folk-deity of Rajasthan in India. Pabuji is worshiped in historical region of Rajputana. The Narrative of Pabuji The narrative of Pabuji is sung by the Bhopa poet-singers of Nayak (caste), Nayak community is based according to the tradition on a text, the ''Pabuprakasa''. This text, according to the Bhopas consists of number of episodes of two different types, ''parvaro''s and ''sayl''s. The narrative of Pabuji is found in the ''Nainsi ri Khyat'' (17th century) under the title ''Vata Pabujiri''. Episodes of Pabuji Dhandal Rathore had four children, two sons (Buro and Pabuji) and two daughters (Sonalbai and Pemabai). When he died, both his sons set up court in their village of Kolu; but Pabuji was a god incarnate, born not from Dhandal's wife but from a celestial nymph who had promised him that when he was twelve years old she would return to him in the form of a mare for him to ride. He had four companions: Chando and Dhebo, two brothers of whom Dh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
