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Man In A Hammock
''L'Homme au hamac'', also referred to as ''Man in a Hammock'', is a painting created in 1913 by the French artist, theorist and writer Albert Gleizes. The work was exhibited at Moderni Umeni, SVU Mánes, Vystava, Prague, February – March 1914, no. 41; and ''Der Sturm'', Berlin, July – August 1914. The painting was reproduced in Guillaume Apollinaire, ''Paris-Journal'', July 4, 1914 (published again in ''Chroniques d'Art'', 1960. p. 405); and Albert Gleizes, ''L'Épopée'', Le Rouge et le Noir, October 1929, p. 81. Stylistically Gleizes' painting exemplifies the principle of mobile perspective laid out in ''Du "Cubisme"'', written by himself and French painter Jean Metzinger. Evidence suggests that the man reclining in the hammock is indeed Jean Metzinger. Formerly in the collection of Metzinger, the first owner of the painting, ''Man in a Hammock'' forms part of the permanent collection of the Albright-Knox Art Gallery, Buffalo, New York. Description ''Man in a Ham ...
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Albert Gleizes
Albert Gleizes (; 8 December 1881 – 23 June 1953) was a French artist, theoretician, philosopher, a self-proclaimed founder of Cubism and an influence on the School of Paris. Albert Gleizes and Jean Metzinger wrote the first major treatise on Cubism, '' Du "Cubisme"'', 1912. Gleizes was a founding member of the Section d'Or group of artists. He was also a member of '' Der Sturm'', and his many theoretical writings were originally most appreciated in Germany, where especially at the Bauhaus his ideas were given thoughtful consideration. Gleizes spent four crucial years in New York, and played an important role in making America aware of modern art. He was a member of the Society of Independent Artists, founder of the Ernest-Renan Association, and both a founder and participant in the Abbaye de Créteil. Gleizes exhibited regularly at Léonce Rosenberg's ''Galerie de l’Effort Moderne'' in Paris; he was also a founder, organizer and director of Abstraction-Création. From ...
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André Salmon
André Salmon (4 October 1881, Paris – 12 March 1969, Sanary-sur-Mer) was a French poet, art critic and writer. He was one of the early defenders of Cubism, with Guillaume Apollinaire and Maurice Raynal. Biography André Salmon was born in Paris, in the XI arrondissement, the fourth child of Émile-Frédéric Salmon, a sculptor and etcher, and Sophie-Julie Cattiaux, daughter of a founder of the Radical Socialist Party. Often assumed to come from a Jewish family,Peter Y. Medding, ''Studies in Contemporary Jewry: Volume XIV: Coping with Life and Death: Jewish Families in the Twentieth Century'', Oxford University Press (1999), p. 313 they were in fact secular Republicans, frequently in financial difficulty, and moved several times. André Salmon claimed in a letter to the editor of Le Crapouillot, now in a private collection, that his family descended from the Renaissance poet Jean Salmon Macrin, whose position in the court of Francis I may have indicated that his forebears ...
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1913 Paintings
Events January * January 5 – First Balkan War: Battle of Lemnos – Greek admiral Pavlos Kountouriotis forces the Turkish fleet to retreat to its base within the Dardanelles, from which it will not venture for the rest of the war. * January 13 – Edward Carson founds the (first) Ulster Volunteer Force, by unifying several existing loyalist militias to resist home rule for Ireland. * January 23 – 1913 Ottoman coup d'état: Ismail Enver comes to power. * January – Stalin (whose first article using this name is published this month) travels to Vienna to carry out research. Until he leaves on February 16 the city is home simultaneously to him, Hitler, Trotsky and Tito alongside Berg, Freud and Jung and Ludwig Wittgenstein, Ludwig and Paul Wittgenstein. February * February 1 – New York City's Grand Central Terminal, having been rebuilt, reopens as the world's largest railroad station. * February 3 – The 16th Amendment to the Unite ...
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Cubist Paintings
Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. In Cubist artwork, objects are analyzed, broken up and reassembled in an abstracted form—instead of depicting objects from a single viewpoint, the artist depicts the subject from a multitude of viewpoints to represent the subject in a greater context. Cubism has been considered the most influential art movement of the 20th century. The term is broadly used in association with a wide variety of art produced in Paris (Montmartre and Montparnasse) or near Paris (Puteaux) during the 1910s and throughout the 1920s. The movement was pioneered by Pablo Picasso and Georges Braque, and joined by Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, Juan Gris, and Fernand Léger. One primary influence that led to Cubism was the representation of three-dimensional space, three-dimensional form in ...
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Paintings By Albert Gleizes
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ...
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Time
Time is the continued sequence of existence and events that occurs in an apparently irreversible succession from the past, through the present, into the future. It is a component quantity of various measurements used to sequence events, to compare the duration of events or the intervals between them, and to quantify rates of change of quantities in material reality or in the conscious experience. Time is often referred to as a fourth dimension, along with three spatial dimensions. Time has long been an important subject of study in religion, philosophy, and science, but defining it in a manner applicable to all fields without circularity has consistently eluded scholars. Nevertheless, diverse fields such as business, industry, sports, the sciences, and the performing arts all incorporate some notion of time into their respective measuring systems. 108 pages. Time in physics is operationally defined as "what a clock reads". The physical nature of time is a ...
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Gustave Courbet, 1844, Le Rêve (The Hammock), Oil On Canvas, 70
Gustav, Gustaf or Gustave may refer to: *Gustav (name), a male given name of Old Swedish origin Art, entertainment, and media * ''Primeval'' (film), a 2007 American horror film * ''Gustav'' (film series), a Hungarian series of animated short cartoons * Gustav (''Zoids''), a transportation mecha in the ''Zoids'' fictional universe *Gustav, a character in ''Sesamstraße'' *Monsieur Gustav H., a leading character in ''The Grand Budapest Hotel'' Weapons *Carl Gustav recoilless rifle, dubbed "the Gustav" by US soldiers *Schwerer Gustav, 800-mm German siege cannon used during World War II Other uses *Gustav (pigeon), a pigeon of the RAF pigeon service in WWII *Gustave (crocodile), a large male Nile crocodile in Burundi *Gustave, South Dakota *Hurricane Gustav (other), a name used for several tropical cyclones and storms *Gustav, a streetwear clothing brand See also *Gustav of Sweden (other) *Gustav Adolf (other) *Gustave Eiffel (other) * * *Gustavo ...
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Abbaye De Créteil
L'Abbaye de Créteil or Abbaye group (french: Le Groupe de l'Abbaye) was a utopian artistic and literary community founded during the month of October, 1906. It was named after the Créteil Abbey, as most gatherings took place in that suburb of Paris. History In 1905 and early 1906 a group of young artists and poets holding meetings at various locations found that society, the way it was organized, did not take into consideration an environment needed for creative expression, nor the goals it proposed. Founded officially in the autumn of 1906 by the painter Albert Gleizes, and the poets , , Alexandre Mercereau and Charles Vildrac, L'Abbaye de Créteil was a ''phalanstère'', a utopian community. The movement drew its inspiration from the ''Abbaye de Thélème,'' a fictional creation by Rabelais in his novel '' Gargantua''. It was closed down by its members early in 1908. Georges Duhamel and Vildrac settled in Créteil, just to the southeast of Paris, in a house in a p ...
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Alexandre Mercereau
Alexandre Mercereau (22 October 1884, in Paris – 1945) was a French symbolist poet and critic associated with Unanimism and the Abbaye de Créteil. He founded the Villa Médicis Libre, which helped impoverished artists and operated as charitable reformatory for delinquent teenagers. Mercereau's work inspired the revolutionary artistic movement of the early 20th century known as Cubism. Early life and career Born Alexandre Mercereau de la Chaume, he signed his first texts Eshmer-Valdor, a pseudonym he quickly abandoned. In 1901, at sixteen years of age, Mercereau's first verses were published; poetry and criticism in ''Oeuvre d'art international''. In 1904 he co-founded the magazine ''La Vie'', where he became assistant editor, drama critic, and columnist.Jean Metzinger, ''Alexandre Mercereau'', a critical essay published in ''Vers et Prose'', 27 (October–November 1911)
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Grisaille
Grisaille ( or ; french: grisaille, lit=greyed , from ''gris'' 'grey') is a painting executed entirely in shades of grey or of another neutral greyish colour. It is particularly used in large decorative schemes in imitation of sculpture. Many grisailles include a slightly wider colour range. Paintings executed in brown are referred to as '' brunaille'', and paintings executed in green are called '' verdaille''. A grisaille may be executed for its own sake, as an underpainting for an oil painting (in preparation for glazing layers of colour over it) or as a model from which an engraver may work (as was done by Rubens and his school). Full colouring of a subject makes many demands of an artist, and working in grisaille was often chosen as it may be quicker and cheaper than traditional painting, although the effect was sometimes deliberately chosen for aesthetic reasons. Grisaille paintings resemble the drawings, normally in monochrome, that artists from the Renaissance on were ...
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Ochre
Ochre ( ; , ), or ocher in American English, is a natural clay earth pigment, a mixture of ferric oxide and varying amounts of clay and sand. It ranges in colour from yellow to deep orange or brown. It is also the name of the colours produced by this pigment, especially a light brownish-yellow. A variant of ochre containing a large amount of hematite, or dehydrated iron oxide, has a reddish tint known as "red ochre" (or, in some dialects, ruddle). The word ochre also describes clays coloured with iron oxide derived during the extraction of tin and copper. Earth pigments Ochre is a family of earth pigments, which includes yellow ochre, red ochre, purple ochre, sienna, and umber. The major ingredient of all the ochres is iron(III) oxide-hydroxide, known as limonite, which gives them a yellow colour. * Yellow ochre, , is a hydrated iron hydroxide (limonite) also called gold ochre. * Red ochre, , takes its reddish colour from the mineral hematite, which is an anhydrous i ...
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