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Mallikarjuna Temple, Basaralu
The Mallikarjuna temple, dedicated to the Hindu god Shiva, is in Basaralu, a small town in the Mandya district, Karnataka state, India. Basaralu is close to Nagamangala and about 65 km from the culturally important city of Mysore. The temple was built by Harihara Dhannayaka around 1234 A.D. during the rule of the Hoysala Empire King Vira Narasimha II.Foekema (1996), p43 This temple is protected as a monument of national importance by the Archaeological Survey of India. Temple plan Overview The temple is highly ornate example of Hoysala architecture. The temple plan is that of a ''trikuta'' (three shrined),Foekema (1996), p25 though only the middle one has a superstructure (tower or ''Sikhara, shikhara'') and a ''sukhanasi'' (nose or tower over the Vestibule (architecture), vestibule).Foekema (1996), p22Foekema (1996), pp43-45Kamath (2001), p134 The three shrines are connected by a common hall (''mantapa'') which is unique in that it mixes characteristics of an open and a c ...
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Mandya District
Mandya district is an administrative district of Karnataka, India. The district Mandya was carved out of larger Mysore district in the year 1939. Mandya is the main town in Mandya district. As of 2011, the district population was 1,808,680 (of which 16.03% was urban). Geography Mandya district is located between north latitude 12°13' to 13°04' N and east longitude 76°19' to 77°20' E. It is bounded by Mysore district to the west and southwest, Tumkur district to the northeast, Chamrajnagar district to the south, Hassan district to the northwest, and Ramanagar district to the east. It has an area of . The administrative center of Mandya district is Mandya City. Rivers Mandya District has five rivers: Kaveri River and four tributaries main Hemavathi, Shimsha, Lokapavani, Veeravaishnavi. Administrative divisions Mandya district consists of 7 taluks grouped under 2 subdivisions. The Mandya subdivision comprises Mandya, Maddur and Malavalli taluks, while the Pandava ...
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Hoysala Architecture
Hoysala architecture is the building style in Hindu temple architecture developed under the rule of the Hoysala Empire between the 11th and 14th centuries, in the region known today as Karnataka, a States and territories of India, state of India. Hoysala influence was at its peak in the 13th century, when it dominated the Deccan Plateau, Southern Deccan Plateau region. Large and small temples built during this era remain as examples of the Hoysala architectural style, including the Chennakeshava Temple, Belur, Chennakesava Temple at Belur, Karnataka, Belur, the Hoysaleswara Temple at Halebidu, and the Chennakesava Temple at Somanathapura, Kesava Temple at Somanathapura.Hardy (1995), pp. 243–245Foekema (1996), p. 47, p. 59, p. 87 These three temples were accorded UNESCO world heritage site status in 2023. Other examples of Hoysala craftsmanship are the temples at Veera Narayana Temple, Belavadi, Belavadi, Amrutesvara Temple, Amruthapura, Amruthapura, Lakshminarayana Temple (Hosa ...
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Belur, Karnataka
Belur () is a town and tehsil, taluk in Hassan district in the state of Karnataka, India. The town is renowned for its Chennakeshava Temple, Belur, Chennakeshava Temple dedicated to Vishnu, one of the finest examples of Hoysala architecture and the largest Hindu temple complex that has survived from pre-14th-century Karnata-Dravida tradition. It has been a Vaishnava Hindu pilgrimage center since at least the 12th century. It was also the first capital of the Hoysala dynasty, before they built Dwarasamudra (modern Halebid). Belur is also Town Municipal Council and taluka. The Hoysala monuments at Belur and Halebidu have been declared as UNESCO World Heritage Sites in 2023.Permanent Delegation of India to UNESCO (2014)Sacred Ensembles of the Hoysala UNESCO Geography Belur is situated on the banks of Yagachi River in the Hassan district of south Karnataka. It is about northwest of Hassan, Karnataka, Hassan and about west from the famous Hindu and Jain temples' town of Halebid, H ...
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Close Up Of Molding Panel Frieze In The Mallikarjuna Temple At Basaralu
Close may refer to: Music * ''Close'' (Kim Wilde album), 1988 * ''Close'' (Marvin Sapp album), 2017 * ''Close'' (Sean Bonniwell album), 1969 * "Close" (Sub Focus song), 2014 * "Close" (Nick Jonas song), 2016 * "Close" (Rae Sremmurd song), 2018 * "Close" (Jade Eagleson song), 2020 * "Close (to the Edit)", a 1984 song by Art of Noise * "Close", song by Aaron Lines from ''Living Out Loud'' * "Close", song by AB6IX from ''Mo' Complete: Have A Dream'' * "Close", song by Drumsound & Bassline Smith from ''Wall of Sound'' * "Close", song by Rascal Flatts from ''Unstoppable'' * "Close", song by Soul Asylum from ''Candy from a Stranger'' * "Close", song by Westlife from '' Coast to Coast'' * "Close", song by French electronic group Telepopmusik and English vocalist Deborah Anderson, from their album ''Angel Milk'' Other uses * Close (surname) * Cathedral close, the area surrounding a cathedral, typically occupied by buildings associated with it * ''Close'' (2019 film), an action thri ...
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Molding Frieze And Wall Panel Relief Under Eves In The Mallikarjuna Temple At Basaralu
Moulding or molding may refer to: * Molding (decorative) or coving, a decorative feature along walls and ceilings, formed from marble, plaster, wood, stone etc. * Molding (process), in manufacturing * Automotive molding * Mold (cooking implement) A mould (British English) or mold (American English), is a container used in various techniques of food preparation to shape the finished Dish (food), dish. The term may also refer to a finished dish made in said container (e.g. a jello mold). Typ ... See also * Mold (other) {{disambiguation ...
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Close Up Rear Profile Of Mallikarjuna Temple At Basaralu, Mandya District
Close may refer to: Music * ''Close'' (Kim Wilde album), 1988 * ''Close'' (Marvin Sapp album), 2017 * ''Close'' (Sean Bonniwell album), 1969 * "Close" (Sub Focus song), 2014 * "Close" (Nick Jonas song), 2016 * "Close" (Rae Sremmurd song), 2018 * "Close" (Jade Eagleson song), 2020 * "Close (to the Edit)", a 1984 song by Art of Noise * "Close", song by Aaron Lines from ''Living Out Loud'' * "Close", song by AB6IX from ''Mo' Complete: Have A Dream'' * "Close", song by Drumsound & Bassline Smith from ''Wall of Sound'' * "Close", song by Rascal Flatts from ''Unstoppable'' * "Close", song by Soul Asylum from ''Candy from a Stranger'' * "Close", song by Westlife from '' Coast to Coast'' * "Close", song by French electronic group Telepopmusik and English vocalist Deborah Anderson, from their album ''Angel Milk'' Other uses * Close (surname) * Cathedral close, the area surrounding a cathedral, typically occupied by buildings associated with it * ''Close'' (2019 film), an action thr ...
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Pradakshina
Parikrama or Pradakshina is clockwise circumambulation of sacred entities, and the path along which this is performed, as practiced in the Indic religions – Hinduism, Buddhism, Sikhism and Jainism. In Buddhism, it refers only to the path along which this is performed. In Indic religions, the parikrama is typically done after completion of traditional worship ( puja) and after paying homage to the deity. Parikrama must be done with dhyāna (spiritual contemplation and meditation). In Hinduism, parikrama of religious deities in a temple, sacred rivers, sacred hills and a close cluster of temples as a symbol of prayer is an integral part of Hindu worship.http://www.hindunet.org/faq/fom-serv/cache/31.html Why do we perform Pradakshina or Parikrama?http://www.hinduism.co.za/kaabaa.htm Kaaba a Hindu Temple?Hindus invariably circumambulate around their deities Hindu temple architecture include various Pradakshina paths. There could a parikrama path surrounding the chief deity ...
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Circumambulation
Circumambulation (from Latin ''circum'' around and ''ambulātus ''to walk) is the act of moving around a sacred object or idol. Circumambulation of temples or deity images is an integral part of Hindu and Buddhist devotional practice (known in Sanskrit as ''Parikrama, pradakśiṇā''). It is also present in other religions, including Christianity, Judaism, and Islam. Indian religions In many Hindu temples, the temple structure reflects the symbolism of the Hindu association of the spiritual transition from daily life to spiritual perfection as a journey through stages. Passageways for circumambulation are present through which worshipers move in a clockwise direction, starting at the sanctuary doorway and moving inward toward the sanctum sanctorum, inner sanctum where the deity is enshrined. This is a translation of the spiritual concept of transition through levels in life into bodily movements by the worshipers as they move inwardly through ambulatory halls to the most sac ...
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Jagati (temple)
In Hindu temple architecture, the jagati is the raised surface of the platform or terrace upon which Hindu, Jain, and Buddhist temples are built. This feature is one of the five features that can be seen in temples of the Hoysalas. This feature is seen in temples such as the temples of Khajuraho. It is often not seen in temples enclosed by walls. The jagati lies on a platform or base called ''adhiṣṭhāna'' (among other terms from various languages) which adds to its height. The sides of the adhishthana are often ornamented with relief sculptures, or deep-cut mouldings. In English this may be called by terms from Western Greco-Roman classical architecture including base, plinth and socle. Not all adhisthana lead to a jagati platform; some just follow the walls of the temple buildings, except where there are steps up to the floor level of the temple. The jagati also allows for ritual circumambulation, i.e. the walking of devotees around the shrine, which is important ...
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Nāga
In various Asian religious traditions, the Nāgas () are a divine, or semi-divine, race of half-human, half-serpent beings that reside in the netherworld (Patala), and can occasionally take human or part-human form, or are so depicted in art. Furthermore, nāgas are also known as Dragon, dragons and Water spirit, water spirits. A female nāga is called a Nagin, or a Naiṇī Devī, Nagini. According to legend, they are the children of the sage Kashyapa and Kadru. Rituals devoted to these supernatural beings have been taking place throughout South Asia for at least 2,000 years. They are principally depicted in three forms: as entirely human with snakes on the heads and necks, as common serpents, or as half-human, half-snake beings in Hinduism and Buddhism. ''Nagaraja'' is the title given to the king of the nāgas. Narratives of these beings hold cultural significance in the mythological traditions of many South Asian and Southeast Asian cultures, and within Hinduism and Buddhism ...
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Surya
Surya ( ; , ) is the Sun#Dalal, Dalal, p. 399 as well as the solar deity in Hinduism. He is traditionally one of the major five deities in the Smarta tradition, Smarta tradition, all of whom are considered as equivalent deities in the Panchayatana puja and a means to realise Brahman. Other names of Surya in ancient Indian literature include Āditya, Arka, Bhānu, Savitṛ, Pūṣan, Ravi, Mārtāṇḍa, Mitra, Bhāskara, Prabhākara, Kathiravan, and Vivasvat.#Dalal, Dalal, pp. 5, 311 The iconography of Surya is often depicted riding a chariot harnessed by horses, often seven in number which represent the seven colours of visible light, and the seven days of the week. During the medieval period, Surya was worshipped in tandem with Brahma during the day, Shiva at noon, and Vishnu in the evening. In some ancient texts and art, Surya is presented syncretically with Indra, Ganesha, and others. Surya as a deity is also found in the arts and literature of Buddhism and Jainism. Surya ...
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Linga
A lingam ( , lit. "sign, symbol or mark"), sometimes referred to as linga or Shiva linga, is an abstract or aniconic representation of the Hindu god Shiva in Shaivism. The word ''lingam'' is found in the Upanishads and epic literature, where it means a "mark, sign, emblem, characteristic", the "evidence, proof, symptom" of Shiva and Shiva's power. The lingam of the Shaivism tradition is a short cylindrical pillar-like symbol of Shiva, made of stone, metal, gem, wood, clay or precious stones. It is often represented within a disc-shaped platform, the '' yoni'' – its feminine counterpart, consisting of a flat element, horizontal compared to the vertical lingam, and designed to allow liquid offerings to drain away for collection. The ''lingam'' is an emblem of generative and destructive power. While rooted in representations of the male sexual organ, the ''lingam'' is regarded as the "outward symbol" of the "formless reality", the symbolization of merging of the 'primordial ...
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