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Malchiostro Annunciation
''Malchiostro Annunciation'' is a painting by the Italian Renaissance artist Titian, completed around 1520, and housed in the Cathedral of Treviso, northern Italy. The Malchiostro Chapel, located to the right of the high altar of the Cathedral of Treviso, near the sacristy, was commissioned by Broccardo Malchiostro, secretary of the bishop and humanist Bernardo de' Rossi. Designed by Tullio of Antonio Lombardo, it was completed in 1519 and frescoed by Il Pordenone until 1520. The decoration was completed in around 1523, and this ''Annunciation'' was executed by Titian around that period, perhaps with the help of Paris Bordone. The face of the donor was possibly repainted after 1526. Lorenzo Lotto was inspired by this work for his ''Recanati Annunciation The ''Recanati Annunciation'' (Italian: ''Annunciazione di Recanati'') is an oil-on-canvas painting by the Italian Renaissance painter Lorenzo Lotto, executed around 1534 and housed in the Civic Museum of Villa Colloredo Mels ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italian (Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante's '' Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Western artists. His career was successful from the start, and he became sought after by patrons, initially from Venice and its possessions, then joined by the north Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Treviso
Treviso ( , ; vec, Trevixo) is a city and ''comune'' in the Veneto region of northern Italy. It is the capital of the province of Treviso and the municipality has 84,669 inhabitants (as of September 2017). Some 3,000 live within the Venetian walls (''le Mura'') or in the historical and monumental center; some 80,000 live in the urban center while the city hinterland has a population of approximately 170,000. The city is home to the headquarters of clothing retailer Benetton, Sisley, Stefanel, Geox, Diadora and Lotto Sport Italia, appliance maker De'Longhi, and bicycle maker Pinarello. Treviso is also known for being the original production area of Prosecco wine and radicchio, and is thought to have been the origin of the popular Italian dessert Tiramisù. History Ancient era Some believe that Treviso derived its name from the Celtic word "tarvos" mixed with the Latin ending "isium" forming "Tarvisium", of the tarvos. Tarvos means bull in Celtic mythology, thou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Treviso Cathedral
Treviso Cathedral ( it, Duomo di Treviso, Cattedrale di San Pietro Apostolo) is a Roman Catholic cathedral in Treviso, Veneto, northern Italy, dedicated to Saint Peter. It is the seat of the bishop of Treviso. History The church originates from the 6th century and stands in an area where during the Ancient Roman period there were a temple, a theatre and possibly some baths. In the 11th-12th centuries the church was remodelled in Romanesque style. In 1768 it was demolished and rebuilt in Neoclassical style, only the crypt remaining from the previous edifice. The current façade dates from 1836. Treviso Cathedral was involved in the Good Friday bombing of 7 April 1944, having part of its library damaged by fire. Description Sights in the interior include the Malchiostro Chapel, designed by Tullio and Antonio Lombardo, which was frescoed by Il Pordenone and which houses the ''Malchiostro Annunciation'' by Titian and two canvasses by Paris Bordone. The large fresco of ''Immaculate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacristy
A sacristy, also known as a vestry or preparation room, is a room in Christian churches for the keeping of vestments (such as the alb and chasuble) and other church furnishings, sacred vessels, and parish records. The sacristy is usually located inside the church, but in some cases it is an annex or separate building (as in some monasteries). In most older churches, a sacristy is near a side altar, or more usually behind or on a side of the main altar. In newer churches the sacristy is often in another location, such as near the entrances to the church. Some churches have more than one sacristy, each of which will have a specific function. Often additional sacristies are used for maintaining the church and its items, such as candles and other materials. Description The sacristy is also where the priest and attendants vest and prepare before the service. They will return there at the end of the service to remove their vestments and put away any of the vessels used duri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardo De' Rossi
Bernardo de' Rossi (26 August 1468 – 28 June 1527) was an Italian bishop and patron of the arts. Biography Rossi was the son of a feudal family of the area of Parma, at a young age he received the archdeaconate of Padua and the Abbey of St. Crisogonus in Zadar. On 4 Apr 1487, thanks to the support of the Republic of Venice, he was appointed Bishop of Belluno. On 16 Aug 1499, he was appointed as bishop of Treviso. Here he held a small court, featuring artists such as Lorenzo Lotto, who painted a portrait of him around 1505. In 1503, de' Rossi entered into conflict with the Venetian podestà of Treviso, Girolamo Contarini. In September of that year a plot set against him by the Onigo family failed as it was discovered before its application. In 1509, after further controversies with the Venetian authorities, he was forced to leave the diocese, and moved to Rome (1510). In 1522 he returned to the ancestral field of San Secondo Parmense, fighting against members of his fami ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tullio Lombardo
Tullio Lombardo (c. 1455 – November 17, 1532), also known as Tullio Solari, was an Italian Renaissance sculptor. He was the brother of Antonio Lombardo and son of Pietro Lombardo. The Lombardo family worked together to sculpt famous Catholic churches and tombs. The church of Santi Giovanni e Paolo contains the Monument to Doge Pietro Mocenigo, executed with his father and brother, and the Monument to Doge Andrea Vendramin, See also Pope-Hennessy and other standard works. an evocation of a Roman triumphal arch encrusted with decorative figures. Tullio also likely completed the funereal monument to in the Church of Santi Aposto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Lombardo (sculptor)
Antonio Lombardo (c.1458–1516) was an Italian Renaissance sculptor. Lombardo was born in Venice, the brother of Tullio Lombardo and son of Pietro Lombardo. The Lombardo (family), Lombardo family worked together to sculpt church decorations and tombs. He died in Ferrara, where he worked as marble master for Duke Alfonso I of Ferrara, Alfonso I. Lombardo also worked in bronze, and his output encompasses secular and mythological subjects as well as sacred pieces. His 1505 marble relief of Anthony of Padua, St. Anthony making a new-born child speak in defense of its mother's honor, in the Basilica of Saint Anthony of Padua, has been cited as his masterpiece. References Italian Renaissance sculptors 1450s births 1516 deaths Republic of Venice artists 15th-century Italian sculptors Italian male sculptors 16th-century Italian sculptors {{Italy-sculptor-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Pordenone
Pordenone, Il Pordenone in Italian, is the byname of Giovanni Antonio de’ Sacchis (c. 1484 – 14 January 1539), an Italian Mannerist painter, loosely of the Venetian school. Vasari, his main biographer, wrongly identifies him as Giovanni Antonio Licinio. He painted in several cities in northern Italy "with speed, vigor, and deliberate coarseness of expression and execution—intended to shock". He appears to have visited Rome, and learnt from its High Renaissance masterpieces, but lacked a good training in anatomical drawing. Like Polidoro da Caravaggio, he was one of the artists often commissioned to paint the exteriors of buildings; of such work at most a shadow survives after centuries of weather. Michelangelo is said to have approved of one palace facade in 1527; it is now only known from a preparatory drawing. Much of his work was lost when the Doge's Palace in Venice was largely destroyed by fires in 1574 and 1577. A number of fresco cycles survive, for exampl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Bordone
Paris Bordone (Paris Paschalinus Bordone; 5 July 1500 – 19 January 1571) was an Italian painter of the Venetian Renaissance who, despite training with Titian, maintained a strand of Mannerist complexity and provincial vigor. Biography Bordone was born in Treviso, but had moved to Venice by late adolescence. He apprenticed briefly and unhappily (according to Vasari) with Titian. Vasari may have met the elder Bordone. Bordone's works of the 1520s include the ''Holy Family'' in Florence, ''Sacra Conversazione with Donor'' (Glasgow), and ''Holy Family with St. Catherine'' (Hermitage Museum). The ''St. Ambrose and a Donor'' (1523) is now in the Pinacoteca di Brera. In 1525–26, Bordone painted an altarpiece for the church of S. Agostino in Crema, a ''Madonna with St. Christopher and St George'' (now in the Palazzo Tadini collection at Lovere). A second altarpiece, ''Pentecost'', is also in the Pinacoteca di Brera. In 1534–35, he painted his large-scale masterpiece for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Lotto
Lorenzo Lotto (c. 1480 – 1556/57) was an Italian painter, draughtsman, and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists. Overview During his lifetime Lotto was a well-respected painter and certainly popular in Northern Italy; he is traditionally included in the Venetian School, but his independent career actually places him outside the Venetian art scene. He was certainly not as highly regarded in Venice as in the other towns where he worked, for he had a stylistic individuality, even an idiosyncratic style (although it fits w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recanati Annunciation
The ''Recanati Annunciation'' (Italian: ''Annunciazione di Recanati'') is an oil-on-canvas painting by the Italian Renaissance painter Lorenzo Lotto, executed around 1534 and housed in the Civic Museum of Villa Colloredo Mels, Recanati, Italy. History The work may date to the artist's sojourn in Venice, from where it would be shipped to the Marche around 1527. Otherwise, it may date to a later period when Looto moved there to execute other works. Today it is generally assigned to a date after the ''Crucifixion'' of Monte San Giusto (1533–1534). The commissioners were perhaps the Brotherhood of the Recanati Traders, who moved to a new seat in 1533 and would therefore use the work for the latter's decoration. The canvas is mentioned for the first time in 1601. Description The painting depicts a bedroom where an Annunciation takes place following an unusual scheme: the angel is on the right, holding a white lily, and has got in from a loggia which opens to a garden (the ''hort ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
