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Malaysian Hip Hop
The Malaysian hip hop is a hip hop music performed in Malaysia. A few acts initially began performing within a limited urban demographic mostly in English, but the genre was only began to be taken seriously nationwide by rhyming in the Malay(sian) language for a wider reach as the Malaysian music market is fragmented by language. History Malaysian hip hop music started in the late 1980s and early 1990s with rap groups such as KRU, 4U2C, NICO (later Nico G), Naughtius Maximus, and HQA. Their so-called "rap music" was not accepted by the mainstream media which was dominated by government-owned stations; 4U2C gathered a cult following despite this while other acts had to change to a more pop-ish sound. In 1991, local rapper HQA released the classic album ''Baguvix''. At around the same time, another group called Krash Kozz was the only group to introduce the new jack swing hip hop sound to Malaysian listeners, but they disbanded after their third album, ''New Jack The Street Bea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hip Hop Music
Hip-hop or hip hop (originally disco rap) is a popular music Music genre, genre that emerged in the early 1970s from the African Americans, African-American community of New York City. The style is characterized by its synthesis of a wide range of musical techniques. Hip-hop includes rapping often enough that the terms can be used synonymously. However, "hip-hop" more properly denotes an entire hip-hop culture, subculture. Other key markers of the genre are the disc jockey, turntablism, scratching, beatboxing, and hip hop production, instrumental tracks. Cultural interchange has always been central to the hip-hop genre. It simultaneously borrows from its social environment while commenting on it. The hip-hop genre and culture emerged from block parties in ethnic minority neighborhoods of New York City, particularly The Bronx, Bronx. DJs began expanding the instrumental Break (music), breaks of popular records when they noticed how excited it would make the crowds. The extend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sentimental Ballad
A sentimental ballad is an emotional style of music that often deals with romantic and intimate relationships, and to a lesser extent, loneliness, death, war, drug abuse, politics and religion, usually in a poignant but solemn manner. Ballads are generally melodic enough to capture the listener's attention. Sentimental ballads are found in most music genres, such as pop, R&B, soul, country, folk, rock and electronic music. Usually slow in tempo, ballads tend to have a lush musical arrangement which emphasizes the song's melody and harmonies. Characteristically, ballads use acoustic instruments such as guitars, pianos, saxophones, and sometimes an orchestral set. Many modern mainstream ballads tend to feature synthesizers, drum machines and even, to some extent, a dance rhythm. Sentimental ballads had their origins in the early Tin Pan Alley music industry of the later 19th century. Initially known as "tear-jerkers" or "drawing-room ballads", they were generally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Malaysia
Music of Malaysia is the generic term for music that has been created in various genres in Malaysia. A great variety of genres in Malaysian music reflects the specific cultural groups within multiethnic Malaysian society: Malay, Javanese and other cultures in overlap with the neighbouring Indonesian archipelago, Arabic, Chinese, Indian, Dayak, Kadazan-Dusun, Bajau, Orang Asli, Melanau, Kristang and others. In general, music of Malaysia may be categorised as classical, folk, syncretic (or acculturated music), popular and contemporary art music. Classical and folk music emerged during the pre-colonial period and exists in the form of vocal, dance and theatrical music such as '' Nobat'', '' Mak Yong'', '' Mak Inang'', '' Dikir barat'', '' Ulek mayang'' and ''Menora''. The syncretic music developed during the post-Portuguese period (17th century) and contains elements from both local music and foreign elements of Arabian, Persian, Indian, Chinese and Western musical and thea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kartel Records
Kartel Records Sdn Bhd is a Malaysian hip-hop record label, dealing predominantly in hip hop music, hip-hop/contemporary R&B, R&B music, founded by rapper/entrepreneur Joe Flizzow in 2005. In 2008, Kartel Records entered into a distribution agreement with Sony Music Entertainment Malaysia, enabling the record label to market its artists to a wider audience. History Beginnings After years of being signed to EMI Malaysia as an artist and member of Malaysia's hip-hop duo Too Phat, Joe Flizzow decided to take control of his music career by forming his own record label. This gave birth to Kartel Records in 2005. Rebirth Into Reality The label's first release was ''Rebirth into Reality'' by Too Phat in 2005, jointly owned and in partnership with EMI Malaysia. This hugely successful release instantly made Kartel Records an award-winning label, taking the Best Local English Album and Best Album Cover awards at the 2006 Anugerah Industri Muzik (AIM). ''President'' In 2008, Kartel Records ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Positive Tone
Positive Tone Sdn. Bhd. was a Malaysian record label, established in 1993 by Jeff Siah and Kenny Tay. The label's first release is Leonard Tan's debut album. After Paul Moss and Ahmad Izham Omar joined Positive Tone, the label become one of Malaysia's top recording companies. In 1998, Positive Tone was acquired by EMI Malaysia, after the 1997 Asian financial crisis. Some of the company's famous act includes Too Phat, Poetic Ammo, Reefa, VE, Ruffedge, Juliet The Orange, Nicestupidplayground and Innuendo. The label was closed in 2003, and all Positive Tone artists was absorbed into EMI Malaysia. As part of EMI's withdrawal from Southeast Asia market in 2008, EMI Malaysia was closed. The compilation album ''Best of Positive Tone'' was the last album to be released by EMI Malaysia. See also * List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with mark ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EMI International
EMI Group Limited (formerly EMI Group plc until 2007; originally an initialism for Electric and Musical Industries, also referred to as EMI Records or simply EMI) was a British transnational conglomerate founded in March 1931 in London. At the time of its acquisition by Universal Music in 2012, it was the fourth largest business group and record label conglomerate in the music industry, and was one of the "Big Four" record companies (now the " Big Three"). Its labels included EMI Records, Parlophone, Virgin Records, and Capitol Records, which are now referenced under Universal Music due to their acquisition with the exception of Parlophone, as it is now owned by Warner Music. EMI was listed on the London Stock Exchange, and was also once a constituent of the FTSE 100 Index, but faced financial problems and US$4 billion in debt, leading to its acquisition by Citigroup in February 2011. Citigroup's ownership was temporary, as EMI announced in November 2011 that it would se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Too Phat
Too Phat was a Malaysian hip hop music, hip-hop duo, composed of rappers Joe Flizzow (born Johan Ishak in Kuala Lumpur; 16 October 1979) and Malique (born Malique Ibrahim in Johor Bahru; 21 August 1977). Career Joe Flizzow and Malique first knew each other in a hip-hop Online chat, chat group in 1998. In the late of same decade, both them and Kevin Felix @ Doctah'K formed a musical trio who later became a duo under the Positive Tone label. Their first big break came in 1999 when their first singles, ''Li'l Fingaz'' and ''Too Phat Baby'' entered normal rotation on local English-language radio. On the back of the success of these first singles, work soon began on an album entitled ''whuttadilly?''. So far, ''Plan B'' has sold over 4,500,000 copies, earning double platinum status in Malaysia. The music video for a track from ''Plan B'', "Just a Friend", was produced in collaboration with Maxis Hotlink and debuted on Malaysian television channel NTV7. The video features cameo appe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malaysian Indian
Indo-Malaysians are Malaysian of South Asian ancestry. Most are descendants of those who migrated from India to British Malaya from the mid-19th to the mid-20th centuries. Most Malaysian Indians are ethnic Tamils; smaller groups include the Malayalees, Telugus and Punjabis. Malaysian Indians form the fifth-largest community of Overseas Indians in the world. In Malaysia, they represent the third-largest group, constituting 7% of the Malaysian population, after the Bumiputera (combined grouping of ethnic Malays and other indigenous groups) and the Chinese. They are usually referred to simply as "Indians" in English, ''Orang India'' in Malay, "''Yin du ren''" in Chinese. Malaysia's Indian population is notable for its class stratification, with a significant elite and a large low income group within its fold. Malaysian Indians large percentage of professionals per capita by constituting 15.5% of Malaysia's professionals in 1999 has been reduced with substantial populatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yogi B
Balakrishna Ganeshan Yogeswaran Veerasingam (born December 14, 1974), popularly known by his stage name Yogi B or Yogi B., is a Malaysian Tamil rapper and music producer. He is noted for his pioneering contributions to the Tamil hip-hop genre. Early life Yogeswaran Veerasingam was born on December 14,1974, in Kuala Lumpur, Malaysia, and grew up in a multicultural environment that would later influence his musical career. Raised in an Indian Tamil-speaking family, Yogeswaran's early exposure to diverse languages and cultural traditions played a crucial role in shaping his unique musical style. His grandfather, Kumaraswamy, was a notable Dravidian leader in Malaysia, known for his advocacy and impact within the Dravidian movement. Career Poetic Ammo Yogi B founded the Malaysian hip-hop group Poetic Ammo in the mid-1990s. Besides Yogi B, it consisted of Chandrakumar Balakrishnan (aka Land Slyde), Nicholas Ong (aka Point Blanc), and Sashi Kumar Balakrishnan (aka C. Loco). Alt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Ammo
Poetic Ammo (previously known as PMO or Poetic Ammunition) was a Malaysian rap/hip-hop group. It consisted of Yogeswaran Veerasingam ( aka Yogi B), Chandrakumar Balakrishnan (aka Land Slyde), Nicholas Ong (aka Point Blanc), and Sashi Kumar Balakrishnan (aka C. Loco). Although most of the group's songs were written in English, the group also released tracks in Malay, Tamil, and Cantonese. Beginning The group was founded by Yogeswaran Veerasingam (aka Yogi B) in 1990. It was originally known as Poetic Ammunition, aka PMO, with the original members Yogi B and Anand, aka McEna. PMO released a two-song single with Kenny Music (Kenny Remy Martin), "Run" and "Only You", released under Positive Tone. Anand later left PMO and Yogi B started a talent search for new members. That is where brothers Landsylde and C Loco together with Point Blanc from Ipoh joined him. They became known as Poetic Ammo. Achievements Their first album, entitled ''It's a Nice Day to be Alive'', was releas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malaysian Music
Music of Malaysia is the generic term for music that has been created in various genres in Malaysia. A great variety of genres in Malaysian music reflects the specific cultural groups within multiethnic Malaysian society: Malay, Javanese and other cultures in overlap with the neighbouring Indonesian archipelago, Arabic, Chinese, Indian, Dayak, Kadazan-Dusun, Bajau, Orang Asli, Melanau, Kristang and others. In general, music of Malaysia may be categorised as classical, folk, syncretic (or acculturated music), popular and contemporary art music. Classical and folk music emerged during the pre-colonial period and exists in the form of vocal, dance and theatrical music such as ''Nobat'', '' Mak Yong'', '' Mak Inang'', '' Dikir barat'', '' Ulek mayang'' and ''Menora''. The syncretic music developed during the post-Portuguese period (17th century) and contains elements from both local music and foreign elements of Arabian, Persian, Indian, Chinese and Western musical and theat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio Televisyen Malaysia
Radio Televisyen Malaysia (, Jawi: ; abbreviated as RTM, stylised as rtm), also known as the Department of Broadcasting, Malaysia (; Jawi: ) is the national public broadcaster of Malaysia, headquartered at Angkasapuri, Kuala Lumpur. Established on 1 April 1946 as Radio Malaya, it is the first and the oldest broadcaster in the country. After Malaysia was formed on 16 September 1963, Radio Malaya was renamed Radio Malaysia. On 28 December that year, television service in Malaysia began with the establishment of Televisyen Malaysia. RTM came into its current state with its present name in 1969 when it merged its radio and television services to form the present-day broadcast department. As of 2021, RTM employs over 4,000 staff in total, of whom approximately 2,000 are in public-sector broadcasting, including part-time, flexible as well as fixed contract staff. Its work is formerly funded principally by an annual television licence fee which is charged to all Malaysian house ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
