Malaysian Music
Music of Malaysia is the generic term for music that has been created in various genres in Malaysia. A great variety of genres in Malaysian music reflects the specific cultural groups within multiethnic Malaysian society: Malay, Javanese and other cultures in overlap with the neighbouring Indonesian archipelago, Arabic, Chinese, Indian, Dayak, Kadazan-Dusun, Bajau, Orang Asli, Melanau, Kristang and others. In general, music of Malaysia may be categorised as classical, folk, syncretic (or acculturated music), popular and contemporary art music. Classical and folk music emerged during the pre-colonial period and exists in the form of vocal, dance and theatrical music such as ''Nobat'', '' Mak Yong'', '' Mak Inang'', '' Dikir barat'', '' Ulek mayang'' and ''Menora''. The syncretic music developed during the post-Portuguese period (17th century) and contains elements from both local music and foreign elements of Arabian, Persian, Indian, Chinese and Western musical and theat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mak Inang
Mak Inang ( Jawi: مق عناڠ) is a traditional Malay dance that originated from the time of Malacca Sultanate The Malacca Sultanate (; Jawi script: ) was a Malay sultanate based in the modern-day state of Malacca, Malaysia. Conventional historical thesis marks as the founding year of the sultanate by King of Singapura, Parameswara, also known as I .... The dance is accompanied by a unique music which is believed to have been composed by the order of Sultan Mahmud Shah of Malacca. In the past, both song and dance were taught to the ''Inang'' of the palace ("singer dancers") for them to perform it during royal functions. The dance’s movements and its music are so graceful and have all the qualities for court performances. Mak Inang dance is also known as Si Kembang Cina, reflecting the existence of Chinese influence in its music. Nowadays, the dance is refined and called with its modern name " Inang", and usually performed in social functions like wedding recept ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Wayang Kulit
( ) is a traditional form of shadow puppetry originally found in the cultures of Java and Bali in Indonesia. In a performance, the puppet figures are rear-projected on a taut linen screen with a coconut oil (or electric) light. The (shadow artist) manipulates carved leather figures between the lamp and the screen to bring the shadows to life. The narratives of often have to do with the major theme of good vs. evil. is one of the many different forms of theatre found in Indonesia; the others include , , , , and . is among the best known, offering a unique combination of ritual, lesson and entertainment. On November 7, 2003, UNESCO designated the flat leather shadow puppet (), the flat wooden puppet (), and the three-dimensional wooden puppet () theatre, as a Masterpieces of the Oral and Intangible Heritage of Humanity, Masterpiece of the Oral and Intangible Heritage of Humanity. In return for the acknowledgment, UNESCO required Indonesians to preserve the tradition. E ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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East Malaysia
East Malaysia (), or the Borneo States, also known as Malaysian Borneo, is the part of Malaysia on and near the island of Borneo, the world's third-largest island. East Malaysia comprises the states of Sabah, Sarawak, and the Federal Territory of Labuan. The small independent nation of Brunei comprises two enclaves in Sarawak. To the south and southeast is the Indonesian portion of Borneo, Kalimantan. East Malaysia lies to the east of Peninsular Malaysia (also known as the States of Malaya), the part of the country on the Malay Peninsula. The two are separated by the South China Sea. East Malaysia is less populated and has fewer developed settlements than West Malaysia. While West Malaysia contains the country's major cities (Kuala Lumpur, Johor Bahru, and George Town, Penang, George Town), East Malaysia is larger and much more abundant in natural resources, particularly oil and gas reserves. In the pan-regional style, city status is reserved for only a few settlements, includi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Peninsular Malaysia
Peninsular Malaysia, historically known as Malaya and also known as West Malaysia or the Malaysian Peninsula, is the western part of Malaysia that comprises the southern part of the Malay Peninsula on Mainland Southeast Asia and the list of islands of Malaysia, nearby islands. Its area totals approximately , which is nearly 40% of the total area of the country; the other 60% is in East Malaysia on the island of Borneo. It shares a land border with Thailand to the north and a maritime border with Singapore to the south. Across the Strait of Malacca to the west lies the island of Sumatra, and across the South China Sea to the east lie the Natuna Islands of Indonesia. At its southern tip, across the Strait of Johor, lies the island country of Singapore. Most of Peninsular Malaysia's interior is forested, mountainous and rural; the majority of Malaysia's population and economy are concentrated on the coastal western half, which is where the country's prominent urban areas are located ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bangsawan
''Bangsawan'' ( Jawi: بڠساون) is a type of traditional Malay opera or theatre performed by a troupe and accompanied by music and sometimes dances. The ''bangsawan'' theatrical performance encompasses music, dance, and drama. It is widely spread in the Malay cultural realm in Malaysia, Indonesia, Singapore, and Brunei. The artform is indigenous to the Malay Peninsula, Riau Islands, Sumatra, and coastal Borneo. Etymology In the Malay language, ''bangsawan'' means "nobleman". ''Bangsa'' means "nation", "race", from the Sanskrit word ''vamsa,'' which means "family", "dynasty". The suffix -''wan'' comes from the Sanskrit suffix -''vant''. A person is called bangsawan if he is descended from royal family (kings, princes, etc.). The theatre is called ''bangsawan'' because it is most often depicting the legends and stories of Malay nobles that took place in '' istana'' (Malay palaces and courts). There was another category of noblemen in Indonesia, precisely in Java, called ' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Boria (theatre)
Boria ( Jawi: بوريا) is a form of Malay theatre of Indian origin which has through adaptive processes, become the one and only theatre of Malay community in Penang, Malaysia History Records on the origin of Boria are fairly limited but it was first mentioned by H.T. Haughton in 1897 which according to him, it was first brought to Penang in 1845 by the Muslim soldiers of 21st Madras Regiment. It was originally played to celebrate the annual Shiite festival, the Mourning of Muharram. In 1910, R.J Wilkinson, a Straits Civil Service officer and a noted scholar of Malay studies, made a comparison between the boria of Madras and Penang, and established that the resemblance was only in name, for the show as then known in Penang had evolved to a totally different form. The performance A typical Boria troupe consists of a leader, a chorus, comedians and musicians. The performance normally begins with a short comic sketches and followed by a song-dance routine featuring a juxtap ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jikey
Overview Jikey ( Jawi: جيكيي) is a traditional Malay dance drama that is popular in Kedah and Perlis, Malaysia. The dance drama is known as Yike in Cambodia and Likay in Thailand. It is also popular in southern provinces of Satun and Phuket. History It is believed to have originated from the singing of zikir among the Malays, before it developed into a secular theatre after the late 19th century. The Jikey performance also has strong influence from other Malay performing arts like Mak Yong, Hadrah, Bangsawan and Mek Mulung. Description The main elements of Jikey are improvised dialogue, music and dance, and local legends formed the main repertoire with considerable emphasis placed on slapstick comedy. The Jikey music consists of both instrumental and singing. The main characters are comedians, kings and warriors, and a form of ''leitmotif'' is involved as various characters in the drama are identified with specific elements in the music. A complete theatr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Joget
Joget (Jawi script, Jawi: جوڬيت) is a traditional Malays (ethnic group), Malay dance that originated in Malacca in the colonial era. It was influenced by the Portugal, Portuguese dance of Branyo which is believed to have been spread to Malacca during the spice trade. In Malacca, joget dance is better known as ''Chakunchak''. The dance is one of the most popular folk dances in Malaysia that is normally performed by couples in cultural festivals, weddings and other social functions. Joget gained popularity among the Malay community in Singapore after its introduction in 1942. The dance is of the Portuguese roots and is accompanied by an ensemble consisting of a violin of Western world, a knobbed gong of Asia, a ''flute'' (optional), and at least two ''rebana'' or ''gendang'' of Maritime Southeast Asia. The tempo of Joget music is fairly quick, with a feeling of teasing and playing between the partners. The music emphasizes duple- and triple-beat division, both in alternation ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mata-kantiga
Mata-kantiga (from old Portuguese, literally meaning, “kill the song”) is a Malay genre of music of Portuguese origin, very similar to other Portuguese folk music, like the Desgarrada (Portugal), to Repente, Cururu and Trova (Brazil). Cultivated mainly in the area of Malacca (in Malaysia), it's a type of song where a man and a woman change improvised verses, divided generally in three types: romantic (''cantigas de amigo'', Portuguese for "songs of friendship"), mock (''cantigas de mal dizer'', Portuguese for "songs of ill-saying") and miscellaneous. In the old days, some couples participated in sung duels and each partner used different verses ''mata-kantiga'' to seduce or to mock the other while the remaining hearing audience danced another sort of Malay music, also of Portuguese origin, called Branyo. Mata-kantiga was accompanied by the violin, rebana (small tambourine) and drum (of double face, Portuguese style). Currently in disuse, its last great exponent was the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ghazal
''Ghazal'' is a form of amatory poem or ode, originating in Arabic poetry that often deals with topics of spiritual and romantic love. It may be understood as a poetic expression of both the pain of loss, or separation from the beloved, and the beauty of love in spite of that pain. The ghazal form is ancient, tracing its origins to 7th-century Arabic poetry. It spread into the Indian subcontinent in the 12th century due to the influence of Sufi mystics and the courts of the new Ghurid Sultanate, Islamic Sultanate, and is now most prominently a form of poetry of many languages of South Asia and Languages of Turkey, Turkey. A poem of ghazal commonly consists of five to fifteen couplets, which are independent, but are linked – abstractly, in their theme; and more strictly in their poetic form. The structural requirements of ghazal are similar in stringency to those of the Petrarchan sonnet. In style and content, due to its highly allusive nature, ghazal has proved capable of a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Zapin
''Zapin'' ( Jawi: زافين) is one of the most popular dance and musical forms in traditional Malay performing arts. Dance movements are choreographed to melodies, which are performed using musical instruments such as the gambus (short-necked lute), accordion, and rebana. It is believed to have been introduced by Persian and Arab Muslim missionaries from the Middle East to the Malay Archipelago around the fourteenth century, where back then only males were allowed to perform; nowadays, female dancers are included. It used to be performed exclusively for religious ceremonies but through the years it has become a form of traditional entertainment, hence the participation of female dancers is allowed. Instruments The dancers usually perform in pairs and are accompanied by musicians playing the Accordion, Violin, Gambus, Gendang, Marwas/Marawis, and Rebana. Distributions Presently, zapin remains an integral part of the regional Malay performing arts scene, particularly in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |