|
Make Your Own Kind Of Music
"Make Your Own Kind of Music" is a song by American singer Cass Elliot released in September 1969 by Dunhill Records. It was written by Barry Mann and Cynthia Weil, with production by Steve Barri. In the United States, "Make Your Own Kind of Music" was a Top 40 hit, peaking at number 36 on the Billboard Hot 100, ''Billboard'' Hot 100. Background Elliott recorded "Make Your Own Kind of Music" after she had a hit in the summer of 1969 with "It's Getting Better", another Mann/Weil song and the second single from her second solo album, ''Bubblegum, Lemonade, and... Something for Mama, Bubblegum, Lemonade and... Something for Mama''. That album had been produced by Dunhill Records vice president of artists & repertoire, A&R Steve Barri, who said: "[Since Dunhill] didn't have much success with [the debut Cass Elliot solo album] ''Dream a Little Dream (Cass Elliot album), Dream a Little Dream'' we wanted to get her back on the [upper] charts and we tried to find some commercial songs." ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cass Elliot
Ellen Naomi Cohen (September 19, 1941 – July 29, 1974), known professionally as Cass Elliot, was an American singer. She was also known as "Mama Cass", a name she reportedly disliked. Elliot was a member of the singing group the Mamas & the Papas. After the group broke up, she released five solo albums. Elliot received the Grammy Award for Best Contemporary (R&R) Performance for "Monday, Monday" (1967). In 1998, she was posthumously inducted into the Rock and Roll Hall of Fame for her work with the Mamas & the Papas. Early life and education Ellen Naomi Cohen was born on September 19, 1941, in Baltimore, Maryland, the daughter of Philip (died 1962) and Bess Cohen (née Levine; 1915–1994). All four of her grandparents were Russian-Jewish immigrants. Her family was subject to significant financial stresses and uncertainties during her childhood years. Her father, involved in several business ventures, ultimately succeeded through the development of a lunch wagon in Baltimore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard (magazine)
''Billboard'' (stylized in letter case, lowercase since 2013) is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events and styles related to the music industry. Its Billboard charts, music charts include the Billboard Hot 100, Hot 100, the Billboard 200, 200, and the Billboard Global 200, Global 200, tracking the most popular albums and songs in various music genres. It also hosts events, owns a publishing firm and operates several television shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Las Vegas Strip
The Las Vegas Strip is a stretch of Las Vegas Boulevard in Clark County, Nevada, that is known for its concentration of resort hotels and casinos. The Strip, as it is known, is about long, and is immediately south of the Las Vegas city limits in the unincorporated towns of Paradise and Winchester, but is often referred to simply as "Las Vegas". Many of the largest hotel casino and resort properties in the world are on the Strip. Its hotels, casinos, restaurants, residential high-rises, entertainment offerings, and skyline have established the Strip as one of the most popular and iconic tourist destinations in the world and is one of the driving forces for Las Vegas's economy. Most of the Strip has been designated as an All-American Road, and the North and South Las Vegas Strip routes are classified as Nevada Scenic Byways and National Scenic Byways. Boundaries Historically, casinos that were not in Downtown Las Vegas along Fremont Street sat outside the city limits on L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hal Blaine
Hal Blaine (born Harold Simon Belsky; February 5, 1929 – March 11, 2019) was an American drummer and session musician, thought to be among the most recorded studio drummers in the music industry, claiming over 35,000 sessions and 6,000 singles. His drumming is featured on 150 US top 10 hits, 40 of which went to number one. Born in Holyoke, Massachusetts, Blaine moved with his family to California in 1943 and began playing jazz and big band music before taking up rock and roll session work. He became one of the regulars in Phil Spector's de facto house band, which Blaine nicknamed " the Wrecking Crew". Some of the records Blaine played on include the Ronettes' single " Be My Baby" (1963), which contained a drum beat that became widely imitated, as well as works by popular artists such as Frank Sinatra, Elvis Presley, the Beach Boys, Simon & Garfunkel, the Carpenters, Neil Diamond, and the Byrds. Blaine's workload declined in the 1980s as recording and musical practices changed. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Knechtel
Lawrence William Knechtel (August 4, 1940 – August 20, 2009) was an American keyboard player and bassist who was a member of the Wrecking Crew, a collection of Los Angeles–based session musicians who worked with such renowned artists as Simon & Garfunkel, Duane Eddy, the Beach Boys, the Mamas & the Papas, the Monkees, the Partridge Family, Billy Joel, the Doors, the Byrds, the Grass Roots, Jerry Garcia, and Elvis Presley. He also was a member of the 1970s band Bread. Biography Born in Bell, California, in 1940, Knechtel began his musical education with piano lessons. In 1957, he joined the Los Angeles–based rock and roll band Kip Tyler and the Flips. In August 1959, he joined instrumentalist Duane Eddy as a member of his band the Rebels. After four years on the road with the band, and continuing to work with Eddy in the recording studio, Knechtel became part of the Los Angeles session musician scene, working with Phil Spector as a pianist to help create Spector ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Osborn
Joe Osborn (August 28, 1937 – December 14, 2018Joe Osborn, Wrecking Crew Bassist, Dies at 81 ''Billboard''. Retrieved January 8, 2019.) was an American player known for his work as a in with the Wrecking Crew, and in |
Red Rhodes
Orville J. Rhodes, better known as Red Rhodes or O. J. Rhodes (December 30, 1930 – August 20, 1995), was an American pedal steel guitarist. Early life Rhodes' mother taught him to play the Dobro resonator guitar when he was five years old. When he turned fifteen, he switched to the steel guitar. He was a boxer and an oil company engineer before he settled into music. Career Rhodes moved to Los Angeles in 1960 and became a session musician. Rhodes played pedal steel on many country rock, pop, and rock albums of artists such as The Monkees, Michael Nesmith, James Taylor, The Beach Boys, Seals and Crofts, The Byrds, The Carpenters, Spanky and Our Gang, and many others, as part of the Wrecking Crew studio musicians. He is remembered for his work with former Monkee Michael Nesmith on Nesmith's solo albums in the early 1970s. Rhodes is credited with the "other-worldly" effects created with pedal steel on The Ventures' "futuristic" LP '' The Ventures in Space'', released in 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Deasy
Michael William Deasy (born February 4, 1941) is an American rock and jazz guitarist. As a session musician, he played on numerous hit singles and albums recorded in Los Angeles in the 1960s, 1970s and 1980s. He is sometimes credited as Mike Deasy Sr. Biography He was born and raised in Los Angeles, California, where he learned to play guitar as a child. While still in high school, he played in bands backing visiting musicians such as Ricky Nelson and The Everly Brothers, and also played in Ritchie Valens' touring band with Bruce Johnston, Larry Knechtel, Sandy Nelson, and Jim Horn. After graduating in 1959, he joined Eddie Cochran's band, the Kelly Four, where he played both guitar and baritone sax and made his first recordings.Mike Deasy at Musicians Hall of Fame . Retrieved August 22, 2013 [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RCA Victor
RCA Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Group Corporation. It is one of Sony Music's four flagship labels, alongside Columbia Records (its former longtime rival), Arista Records and Epic Records. The label has released multiple genres of music, including pop, classical, rock, hip hop, afrobeat, electronic, R&B, blues, jazz, and country. The label's name is derived from the initials of its now defunct parent company, the Radio Corporation of America (RCA). After the RCA Corporation was purchased by General Electric in 1986, RCA Records was fully acquired by Bertelsmann in 1987, making it a part of Bertelsmann Music Group (BMG); following the merger of BMG and Sony in 2004, RCA Records became a label of Sony BMG Music Entertainment. In 2008, after the dissolution of Sony/BMG and the restructuring of Sony Music, RCA Records became fully owned by Sony. RCA Records is the corporate successor of the Victor Talking Machine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People Like Us (The Mamas & The Papas Album)
''People Like Us'' is the fifth and final studio album released by the American folk rock vocal group the Mamas and the Papas. Released in November 1971 (three years after the group originally split), the album came to be because the former members of the group were still under contract with Dunhill Records. The group had originally been signed to the label when it was run by their original producer Lou Adler, but by 1971, Dunhill's distributor, ABC Records, had purchased the label and discovered a clause in the group's original contract. According to their contract, the group had to produce one more album, or else be in breach of contract and subject to possible fines up to $1 million (according to Denny Doherty). The album is considered a disappointment by fans and critics with some notable exemptions such as “Snowqueen of Texas” and “Lady Genevieve”. Despite its reputation, it sold moderately well (#84 on the Billboard Pop Albums Chart). It was produced by John Phillips ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Thumb Records
Blue Thumb Records was an American record label founded in 1968 by Bob Krasnow and former A&M Records executives Tommy LiPuma and Don Graham. Blue Thumb's last record was released in 1978. In 1995, the label was revived and remained active until 2005. History Bob Krasnow had been in the record business since the 1950s, working as a promotion man for King Records and also working for Buddah/Kama Sutra Records. Blue Thumb was originally intended by Captain Beefheart to be the name of his backing band. However, Krasnow did not think the name was right for the group. Later Krasnow chose the name for his label. Other acts that appeared on the label include Phil Upchurch, Ben Sidran, Last Poets, Gerry Rafferty, The Credibility Gap, The Crusaders, Hugh Masekela, Sam Lay, Sylvester, Southwind, Robbie Basho, Tom Rapp, Aynsley Dunbar's Retaliation (licensed from UK Liberty Records), Dan Hicks and His Hot Licks, Jimmy Smith, Dave Mason, The Pointer Sisters, The Hoodoo Rhythm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dave Mason & Cass Elliot
''Dave Mason & Cass Elliot'' was the only teaming of artists Dave Mason and Cass Elliot. The album was produced by both Mason and Elliot and recorded in 1970. The album was released by Blue Thumb Records, which was Mason's label at the time. Conception After being introduced by their mutual friend Gram Parsons, Mason and Elliot hit it off and decided to pursue singing together professionally. Elliot, having released two solo albums at that time, missed the collaborative effort of producing music and Mason, who had just arrived in the U.S. after splitting with Traffic, was interested in a fresh collaboration. Originally Elliot was intended to be co-producer with Mason on an intended solo album by the latter: after Elliot sang background for Mason on some sessions the idea of the album being a Mason/Elliot collaboration emerged. Album Despite receiving co-billing with Mason, on several of the songs Elliot's contributions are limited to background vocals, which highlighted a raspy, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
