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Maestro Piero
Maestro Piero (Magister Piero or Piero) (born before 1300, died shortly after 1350) was an Italian composer of the late medieval era. He was one of the first composers of the Trecento who is known by name, and probably one of the oldest. He is mainly known for his madrigals. Life No details are known of his life other than what can be inferred from his music, and from an illustration which probably contains his picture. He is depicted as a man of 50–60 years old in a Bolognese illustration from the first half of the 14th century, so he was probably born before 1300. Unlike many of the Trecento composers, he was not a Florentine, since he does not appear in the chronicle by Filippo Villani, which includes all of the musicians active there throughout the 14th century. Piero was possibly from Assisi, and is known to have been in Milan and Verona, employed by the Visconti and della Scala families, respectively; in addition, he may have been in Padua with Antonio della Scala b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Music
Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period. Following the traditional division of the Middle Ages, medieval music can be divided into Early (500–1150), High (1000–1300), and Late (1300–1400) medieval music. Medieval music includes liturgical music used for the church, and secular music, non-religious music; solely vocal music, such as Gregorian chant and choral music (music for a group of singers), solely instrumental music, and music that uses both voices and instruments (typically with the instruments accompanying the voices). Gregorian chant was sung by monks during Catholic Mass. The Mass is a reenactment of Christ's Last Supper, intended to provide a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Death
The Black Death (also known as the Pestilence, the Great Mortality or the Plague) was a bubonic plague pandemic occurring in Western Eurasia and North Africa from 1346 to 1353. It is the most fatal pandemic recorded in human history, causing the deaths of people, peaking in Europe from 1347 to 1351. Bubonic plague is caused by the bacterium '' Yersinia pestis'' spread by fleas, but it can also take a secondary form where it is spread by person-to-person contact via aerosols causing septicaemic or pneumonic plagues. The Black Death was the beginning of the second plague pandemic. The plague created religious, social and economic upheavals, with profound effects on the course of European history. The origin of the Black Death is disputed. The pandemic originated either in Central Asia or East Asia before spreading to Crimea with the Golden Horde army of Jani Beg as he was besieging the Genoese trading port of Kaffa in Crimea (1347). From Crimea, it was most like ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Male Classical Composers
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) The Italian may refer to: * ''The Italian'' (1915 film), a silent film by Reginald Barker * ''The Italian'' (2005 film), a Russian film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1350s Deaths
135 may refer to: *135 (number) *AD 135 *135 BC *135 film 135 film, more popularly referred to as 35 mm film or 35 mm, is a format of photographic film used for still photography. It is a film with a film gauge of loaded into a standardized type of magazine – also referred to as a cas ..., better known as 35 mm film, is a format of photographic film used for still photography * 135 (New Jersey bus) {{numberdis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
13th-century Births
The 13th century was the century which lasted from January 1, 1201 ( MCCI) through December 31, 1300 ( MCCC) in accordance with the Julian calendar. The Mongol Empire was founded by Genghis Khan, which stretched from Eastern Asia to Eastern Europe. The conquests of Hulagu Khan and other Mongol invasions changed the course of the Muslim world, most notably the Siege of Baghdad (1258), the destruction of the House of Wisdom and the weakening of the Mamluks and Rums which, according to historians, caused the decline of the Islamic Golden Age. Other Muslim powers such as the Mali Empire and Delhi Sultanate conquered large parts of West Africa and the Indian subcontinent, while Buddhism witnessed a decline through the conquest led by Bakhtiyar Khilji. The Southern Song dynasty would begin the century as a prosperous kingdom but would eventually be invaded and annexed into the Yuan dynasty of the Mongols. The Kamakura Shogunate of Japan would be invaded by the Mongols. Goryeo r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of The Trecento
The Trecento was a period of vigorous activity in Italy in the arts, including painting, architecture, literature, and music. The music of the Trecento paralleled the achievements in the other arts in many ways, for example, in pioneering new forms of expression, especially in secular song in the vernacular language, Italian. In these regards, the music of the Trecento may seem more to be a Renaissance phenomenon; however, the predominant musical language was more closely related to that of the late Middle Ages, and musicologists generally classify the Trecento as the end of the medieval era. ''Trecento'' means "three hundred" in Italian but is usually used to refer to the 1300s. However, the greatest flowering of music in the Trecento happened late in the century, and the period is usually extended to include music up to around 1420. History Background and early history (to 1330) Very little Italian music remains from the 13th century, so the immediate antecedents of the mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ritornello
A ritornello (Italian; "little return") is a recurring passage in Baroque music for orchestra or chorus. Early history The earliest use of the term "ritornello" in music referred to the final lines of a fourteenth-century madrigal, which were usually in a rhyme scheme and meter that contrasted with the rest of the song. Scholars suggest that the word "ritornello" comes either from the Italian word ''ritorno'' (meaning return), or from ''tornando'' (meaning turnaround or flourish). Literally, in Italian it means "little return". Baroque music The ritornello as a recurring tutti passage can be traced back to the music of sixteenth-century Venetian composer Giovanni Gabrieli. According to Richard Taruskin, these repeating passages are "endemic to the ''concertato'' style" which Gabrieli is credited with developing. The idea of an orchestral ritornello played an important role in the structure of opera in the eighteenth century. The most common form for an aria during the Baroque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canon (music)
In music, a canon is a contrapuntal ( counterpoint-based) compositional technique that employs a melody with one or more imitations of the melody played after a given duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or ''dux''), while the imitative melody, which is played in a different voice, is called the follower (or ''comes''). The follower must imitate the leader, either as an exact replication of its rhythms and intervals or some transformation thereof. Repeating canons in which all voices are musically identical are called rounds—" Row, Row, Row Your Boat" and " Frère Jacques" are popular examples. An accompanied canon is a canon accompanied by one or more additional independent parts that do not imitate the melody. History Medieval and Renaissance During the Middle Ages, Renaissance, and Baroque—that is, through the early 18th century—any kind of imitative musical counterpoints were called fugues, with the strict ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Von Fischer
Kurt von Fischer (25 April 1913 – 27 November 2003) was a Swiss musicologist and classical pianist. Life Fischer wurde was born on 25 April 1913 in Bern as the son of the mycologist Eduard Fischer. Fischer studied piano at the University of the Arts Bern, which he completed in 1935 with a diploma under Franz Josef Hirt. Later he was trained by Czesław Marek. In addition, he studied musicology at the University of Bern and received his doctorate in 1938. From 1939 to 1957 he worked as a teacher at the Bern Conservatory. From 1948 to 1957 he was appointed Privatdozent at the University of Bern. From 1957 to 1979 he taught musicology as ''Ordinarius'' at the University of Zurich, from 1974 to 1976 as Dean. He has also held visiting professorships in Europe, the US and Australia. In addition, he was an honorary member of numerous scientific societies and president of the International Musicological Society from 1967 to 1972. In 1974 he was awarded the Music Prize of the Canton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rossi Codex
The Rossi Codex is a music manuscript collection of the 14th century. The manuscript is presently divided into two sections, one in the Vatican Library and another, smaller section in the Northern Italian town of Ostiglia. The codex contains 37 secular works including madrigals, cacce and, uniquely among trecento sources, monophonic ballatas. The codex is of great interest for trecento musicologists because for many years it was considered the earliest source of fourteenth-century Italian music. Although other pre-1380 sources of secular, polyphonic, Italian music have now been identified, none are nearly so extensive as the Rossi Codex. Structure and history Although the manuscript originally had at least 32 folios, only 18 survive today. The largest part of the Rossi Codex is currently in the Vatican Library (''Biblioteca Apostolica Vaticana, Rossi 215''). This section comprises seven bifolios, ff. 1–8 and ff. 18–21. In the early nineteenth century, it was in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Central Library (Florence)
The National Central Library of Florence ( it, Biblioteca Nazionale Centrale di Firenze, BNCF) is a public national library in Florence, the largest in Italy and one of the most important in Europe, one of the two central libraries of Italy, along with the Biblioteca Nazionale Centrale di Roma. History The library was founded in 1714 when scholar Antonio Magliabechi bequeathed his entire collection of books, encompassing approximately 30,000 volumes, to the city of Florence. By 1743, it was required that a copy of every work published in Tuscany be submitted to the library. Originally known as the Magliabechiana, the library was opened to the public in 1747. Its holdings were combined with those of the in 1861, and by 1885, the library had been renamed as the National Central Library of Florence, or the BNCF. Since 1870, the library has collected copies of all Italian publications. Since 1935, the collections have been housed in a building designed by Cesare Bazzani and V. Mazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madrigal (Trecento)
The Trecento Madrigal is an Italian musical form of the 14th century. It is quite distinct from the madrigal of the Renaissance and early Baroque, with which it shares only the name. The madrigal of the Trecento flourished ca. 1340–1370 with a short revival near 1400. It was a composition for two (or rarely three) voices, sometimes on a pastoral subject. In its earliest development it was simple construction: Francesco da Barberino in 1300 called it a "raw and chaotic singalong". The text of the madrigal is divided into three sections: two strophes called terzetti set to the same music and a concluding section called the ritornello usually in a different meter, creating an aaB form. History The origins of the madrigal are obscure, and debated, with one school of thought seeing it as a secular mutation of the conductus of the ''ars antiqua'', and another seeing it as deriving from 13th-century secular monophonic song with an improvised accompaniment. Little Italian music from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
