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Madrigal (Fauré)
"Madrigal", Op. 35 is a four-part song by Gabriel Fauré to words by Armand Silvestre, composed in 1883. It is written to be sung by vocal quartet or choir, with piano or – a later addition – an orchestral accompaniment. The song was reused in 1919 in the composer's '' Masques et bergamasques''. Composition Fauré had a liking for Silvestre's poems, and set several of them. This one, titled "Pour un chœur alterné" by the author, is from Silvestre's 1878 collection, ''La chanson des heures''. With its theme of young men and women accusing each other of selfishness and cruelty in affairs of the heart, Fauré set it as a mischievous wedding present for his friend and ex-pupil André Messager, who was the dedicatee. The pianist and scholar Graham Johnson comments that the song has "the wittiness and suggestiveness of a speech by the best man at a wedding."Johnson, pp. 145–146 The opening line of the music quotes a theme by J. S. Bach which may have had some private significa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel Fauré
Gabriel Urbain Fauré (12 May 1845 – 4 November 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his ''Pavane (Fauré), Pavane'', Requiem (Fauré), Requiem, ''Sicilienne (Fauré), Sicilienne'', Fauré Nocturnes, nocturnes for piano and the songs "Trois mélodies, Op. 7 (Fauré), Après un rêve" and "Clair de lune (Fauré), Clair de lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmony, harmonically and melody, melodically complex style. Fauré was born into a cultured but not especially musical family. His talent became clear when he was a young boy. At the age of nine, he was sent to the École Niedermeyer de Paris, École Niedermeyer music college in Paris, where he wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armand Silvestre
Paul Armand Silvestre (18 April 1837 – 19 February 1901) was a 19th-century French poet and ''conteur'' born in Paris. He studied at the École polytechnique with the intention of entering the army, but in 1870, he entered the department of finance. Silvestre had a successful official career, was decorated with the Legion of Honour in 1886, and in 1892, was made inspector of fine arts. Armand Silvestre made his entry into literature as a poet and was reckoned among the Parnassians. Works Armand Silvestre's works were published mainly by Alphonse Lemerre and Gervais Charpentier. Some of his poems were set to music by Gabriel Fauré, under the form of mélodies for one voice and piano (''Le Secret'', ''L'Automne''...). Thirteen of his poems were set by André Messager. Silvestre's poem ''Jours Passés'' was set in music by Léo Delibes under the title ''Regrets''. Jeanne Rivet used Silvestre’s text for her song “Notre Amour.” Poetry *''Rimes neuves et vieil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masques Et Bergamasques
''Masques et bergamasques'', Opus number, Op. 112, is an Suite (music), orchestral suite by Gabriel Fauré. It was arranged by the composer from incidental music he provided for a theatrical entertainment commissioned for Albert I, Prince of Monaco in 1919. The original score contained eight numbers, including two songs for tenor, and a choral passage. These numbers were not included in the published suite, which has four movements. History In 1918 Raoul Gunsbourg, manager of the Opéra de Monte-Carlo, invited Fauré to write a short work for the theatre. The impetus came from Fauré's friend and former teacher Camille Saint-Saëns, who suggested to Prince Albert that he should commission Fauré to write a short work for the Monte Carlo theatre. Fauré's opera ''Pénélope'' (1913) had been premiered there, and although he felt Gunsbourg had not fully appreciated the opera, Fauré accepted the new commission. He was director of the Paris Conservatoire, and his official duties limite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language '' Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Michel Nectoux
Jean-Michel Nectoux (born 20 November 1946) is a French musicologist, particularly noted as an expert on the life and music of Gabriel Fauré. He has published many books on Fauré and other French composers, and has been responsible for major exhibitions in Paris. Life and career Nectoux was born in Le Raincy, a suburb of Paris. From 1964 to 1968 he studied law at the University of Paris, and at the Sorbonne, from 1968 to 1970, he studied musicology with Yves Gérard and musical aesthetics with Vladimir Jankélévitch.Gribenski, Jean"Nectoux, Jean-Michel" ''Grove Music Online'', Oxford University Press, retrieved 14 January 2015 His doctoral thesis was on Gabriel Fauré and the theatre."Jean-Michel Nectoux" ''L'encyclopédie Larousse'', retrieved 14 January 2105 After completing a course in librarianship at th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Messager
André Charles Prosper Messager (; 30 December 1853 – 24 February 1929) was a French composer, organist, pianist and conductor. His compositions include eight ballets and thirty , opérettes and other stage works, among which his ballet (1886) and (1898) have had lasting success; (1897) and (1919) were also popular internationally. Messager took up the piano as a small child and later studied composition with, among others, Camille Saint-Saëns and Gabriel Fauré. He became a major figure in the musical life of Paris and later London, both as a conductor and a composer. Many of his Parisian works were also produced in the West End theatre, West End and some on Broadway theatre, Broadway; the most successful had long runs and numerous international revivals. He wrote two operatic works in English, and his later output included Musical theatre#Early 20th century, musical comedies for Sacha Guitry and Yvonne Printemps. As a conductor, Messager held prominent positions in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graham Johnson (musician)
Graham Johnson OBE (born 10 July 1950) is a British classical pianist and Lieder accompanist. Biography Johnson was born in Bulawayo, Southern Rhodesia. His father played the piano and the saxophone. In 1967, Johnson began studies at the Royal Academy of Music (RAM), where his teachers included Harry Isaacs and John Streets. Johnson has acknowledged a 1972 live recital by Peter Pears and Benjamin Britten as key in directing his musical career ambitions towards being an accompanist. After leaving the RAM in 1972, he continued studies with Gerald Moore and Geoffrey Parsons. The official pianist at Peter Pears's first masterclasses at the Snape Maltings, and so was brought him into contact with Benjamin Britten. In 1976, he formed The Songmakers' Almanac to explore neglected areas of piano-accompanied vocal music, along with founder singers Felicity Lott, Ann Murray, Anthony Rolfe Johnson and Richard Jackson. The Songmakers' Almanac has given over 200 programmes throughout ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aus Tiefer Not Schrei Ich Zu Dir, BWV 38
(Out of deep anguish I call to You), 38, is a church cantata by Johann Sebastian Bach, composed in Leipzig in 1724 for the 21st Sunday after Trinity and first performed on 29 October 1724. It is based on Martin Luther's penitential hymn "", a paraphrase of Psalm 130. The cantata is part of Bach's chorale cantata cycle, which focused on Lutheran hymns. Luther's first and last stanza were retained unchanged: the former set as a chorale fantasia, the latter as a four-part closing chorale. An unknown librettist paraphrased the three inner stanzas as two sets of recitative and aria. Bach scored the cantata for four vocal soloists, a four-part choir, and a Baroque instrumental ensemble of four trombones, two oboes, strings and continuo. The cantata is unusual in its use of the chorale tune not only in the outer movements, but as material for motifs in recitative and aria, once even taking the chorale melody as a continuo line. In keeping with the spirit of the 200-year-old hymn, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Well-Tempered Clavier
''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time ''clavier'' referred to a variety of keyboard instruments, namely the harpsichord, the clavichord and the organ (which operates using air instead of strings), but not excluding the regal and the then newly-invented fortepiano. The modern German spelling for the collection is ' (WTK; ). Bach gave the title ' to a book of preludes and fugues in all 24 keys, major and minor, dated 1722, composed "for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study". Some 20 years later, Bach compiled a second book of the same kind (24 pairs of preludes and fugues), which became known as ''The Well-Tempered Clavier'', Part Two (in German: ''Zweyter Theil'', modern spelling: ''Zweiter Teil''). Modern editions usually refer to both parts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Société Nationale De Musique
Groupe Lactalis S.A. (doing business as Lactalis) is a French multinational dairy products corporation, owned by the Besnier family and based in Laval, Mayenne, France. The company's former name was Besnier S.A. Lactalis is the largest dairy products group in the world, and is the second largest food products group in France, behind Danone. It owns brands such as Parmalat, Président, Kraft Natural Cheese, Siggi's Dairy, Skånemejerier, Rachel's Organic, and Stonyfield Farm. History André Besnier started a small cheesemaking company in 1933 and launched its '' Président'' brand of Camembert in 1968. In 1990, it acquired Group Bridel (2,300 employees, 10 factories, fourth-largest French dairy group) with a presence in 60 countries. In 1992, it acquired United States cheese company Sorrento. In 1999, ''la société Besnier'' became ''le groupe Lactalis'' owned by Belgian holding company BSA International SA. In 2006, they bought Italian group Galbani, and in 2008, bought S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Éditions Alphonse Leduc
The Éditions Alphonse Leduc company is a prominent French Music publisher (popular music), music publishing house specializing in classical music. It was created in Paris in 1841. Since January 2014, Leduc is part of the Wise Music Group (formerly the Music Sales Group). History Éditions Alphonse Leduc is a family business that has been passed down from father to son over five generations. The family is originally from Arnay-le-Duc, in the Burgundy (region), Burgundy region of France. The family musical origins began in Arnay-le-Duc in Burgundy and its first musician, Antoine Girard. Girard was a violinist who left his father's weaving shop to turn his attention to art. His son Charles Girard, who was born in Arnay-le-Duc in 1754, moved to Nantes and was the first full-time musician. The Girards were a large family and its Nantes branch added Leduc to its name, taken from its place of origin Arnay-le-Duc. From then on all of the Girards of this branch were known as Girard- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
