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Madhyamvyayoga
'' Madhyamavyayoga'' or ''Madhyama Vyāyoga'' (Hindi: मध्यमव्यायोग), (''The Middle One'') is a Sanskrit play attributed to Bhāsa, a famous Sanskrit poet. There is no consensus regarding when the play was written, and it has been dated variously from 475 BCE to the 11th century CE. The Sanskrit poet Nannaya, who lived around 400 AD, has mentioned Bhasa in his works, and this suggests Bhasa may have lived around 350 AD. However, many scholars disagree, and opine that Bhasa lived around the 7th to 8th centuries CE, placing the play's creation within the same time period. Madhyama Vyayoga focuses on the name confusion between the priest Keshav Das's middle son and the middle Pandava prince Bhima. Also, the reunion of Bhima and Ghatotkach as father and son take place. While the characters in this tale are taken from the ''Mahabharata'', this particular incidence is solely a product of Bhasa. Madhyamavyayoga falls under a particular type of Sanskrit drama call ...
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Urubhanga
''Urubhanga'' or ''Urubhangam'', (Devanagari: ऊरुभङ्गम्), ( en, The Breaking of the Thighs, italic=yes) is a Sanskrit play written by Bhasa in the 2nd or 3rd century CE. Based on the well-known epic, the ''Mahābhārata'', by Vyasa, ''Urubhanga'' focuses on the story of the character Duryodhana during and after his fight with Bhima. Although ''Urubhanga'' contains the same core storyline as that in the ''Mahābhārata'', Bhasa's altering of certain aspects results in a different presentation of the story. The most extreme of these alterations is Bhasa's portrayal of Duryodhana, who, in the ''Mahābhārata'', is viewed as a villain, but in ''Urubhanga'' is given more human qualities. Bhasa's presentation of Duryodhana's side of the tale adds certain tragic elements to the play. Synopsis ''Urubhanga'' is derived from the famous epic ''Mahabharata''. Although portrayed as a villain in the original play, the protagonist Duryodhana is presented in a different lig ...
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Hindi
Hindi (Devanāgarī: or , ), or more precisely Modern Standard Hindi (Devanagari: ), is an Indo-Aryan languages, Indo-Aryan language spoken chiefly in the Hindi Belt region encompassing parts of North India, northern, Central India, central, East India, eastern, and Western India, western India. Hindi has been described as a standard language, standardised and Sanskrit#Influence on other languages, Sanskritised Register (sociolinguistics), register of the Hindustani language, which itself is based primarily on the Old Hindi, Khariboli dialect of Delhi and neighbouring areas of North India. Hindi, written in the Devanagari script, is one of the two official languages of the Government of India, along with Indian English, English. It is an languages with official status in India, official language in nine states and three union territory, union territories and an additional official language in three other states. Hindi is also one of the 22 languages with official status in ...
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Hidimbi
Hiḍimbī (Sanskrit: , IAST: ''Hiḍimbī''), or Hiḍimbā, is the rakshasi wife of the Pandava Bhima and the mother of Ghatotkacha in the ''Mahābhārata''. She meets Bhima in the 9th sub-parva (Hidimva-vadha Parva) of the Adi Parva. She is also referred to as Bhuṭanadevī or Pallavī. Hiḍimbi and Bhīma The story begins in the Lākṣāgṛha of the Mahābhārata after the Pāṇḍavās reached a dense forest. Exhausted from their travels, they all fell asleep at night, except for Bhīma who kept watch. In the same forest lived Hiḍimbi and her brother Hiḍimbā, a very powerful rakshasa. He smelled the Pāṇḍavās at a distance and as usual asked the Hiḍimbī to lure the well-built Bhīma into a trap so he could eat him. Hiḍimbī confronted Bhīma and instead fell in love with him. She assumed the form of a very beautiful lady and approached Bhīma, expressing her desire to marry him by revealing her true identity, as well as her brother's intent ...
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Sanskrit Plays
Sanskrit (; attributively , ; nominalization, nominally , , ) is a classical language belonging to the Indo-Aryan languages, Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had Trans-cultural diffusion, diffused there from the northwest in the late Bronze Age#South Asia, Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a lingua franca, link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting impact on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Indo-Aryan lang ...
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Sanskrit Literature
Sanskrit literature broadly comprises all literature in the Sanskrit language. This includes texts composed in the earliest attested descendant of the Proto-Indo-Aryan language known as Vedic Sanskrit, texts in Classical Sanskrit as well as some mixed and non-standard forms of Sanskrit. Literature in the older language begins with the composition of the Ṛg·veda between about 1500 and 1000 BCE, followed by other Vedic works right up to the time of the grammarian Pāṇini around 6th or 4th century BCE (after which Classical Sanskrit texts gradually became the norm). Vedic Sanskrit is the language of the extensive liturgical works of the Vedic religion, while Classical Sanskrit is the language of many of the prominent texts associated with the major Indian religions, especially Hinduism, but also Buddhism, and Jainism. Some Sanskrit Buddhist texts are also composed in a version of Sanskrit often called Buddhist Hybrid Sanskrit or Buddhistic Sanskrit, which contains ma ...
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Mattavilasa
''Mattavilasa Prahasana'' (Devanagari:मत्तविलासप्रहसन), ( en, A Farce of Drunken Sport) is a short one-act Sanskrit play. It is one of the two great one act plays written by Pallava King Mahendravarman I (571– 630CE) in the beginning of the seventh century in Tamil Nadu.Bhat and Lockwood, pg. 51 ''Mattavilasa Prahasana'' is a satire that pokes fun at the peculiar aspects of the heretic Kapalika and Pasupata Saivite sects, Buddhists and Jainism. The setting of the play is Kanchipuram, the capital city of the Pallava kingdom in the seventh century. The play revolves around the drunken antics of a Kapalika mendicant, Satyasoma, his woman, Devasoma, and the loss and recovery of their skull-bowl. The cast of characters consists of ''Kapali'' or Satysoma, an unorthodox Saivite mendicant, ''Devasoma'', Satysoma’s female partner, a ''Buddhist Monk'', whose name is Nagasena, ''Pasupata'', a member of another unorthodox Saivite order and a ''Madman''. T ...
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Padmabhushan
The Padma Bhushan is the third-highest civilian award in the Republic of India, preceded by the Bharat Ratna and the Padma Vibhushan and followed by the Padma Shri. Instituted on 2 January 1954, the award is given for "distinguished service of a high order...without distinction of race, occupation, position or sex." The award criteria include "service in any field including service rendered by Government servants" including doctors and scientists, but exclude those working with the public sector undertakings. , the award has been bestowed on 1270 individuals, including twenty-four posthumous and ninety-seven non-citizen recipients. The Padma Awards Committee is constituted every year by the Prime Minister of India and the recommendations for the award are submitted between 1 May and 15 September. The recommendations are received from all the state and the union territory governments, as well as from Ministries of the Government of India, Bharat Ratna and Padma Vibhushan awa ...
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National School Of Drama In Delhi
National School of Drama (NSD) is a theatre training institute situated at New Delhi, India. It is an autonomous organization under Ministry of Culture, Government of India. It was set up in 1959 by the Sangeet Natak Akademi and became an independent school in 1975. In 2005, it was granted deemed university status, but in 2011 it was revoked. Paresh Rawal is the current Chairperson of National School of Drama (NSD). History The origins of the school can be traced back to a seminar in 1954, where the idea of a Central institution for theatre was mooted, subsequently, a draft scheme was prepared in 1955, and the Sangeet Natak Akademi, which had Jawaharlal Nehru as its president, started drawing plans for the institution. Meanwhile, elsewhere in Delhi, Bharatiya Natya Sangh (BNS) with assistance from UNESCO, independently established the 'Asian Theatre Institute' (ATI) on 20 January 1958, and in July 1958, ATI was taken over by the Sangeet Natak Akademi (SNA), India's National ...
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Bellary Raghava
Bellary Raghava (Telugu: బళ్ళారి రాఘవ; born ''Tadipatri Raghavacharyulu''; 2 August 1880 – 16 April 1946) was an Indian playwright and actor, known for his works predominantly in Telugu theatre and cinema.M.L. Narasimharao (2002) ''Nooruguru Telugu Pramukhulu''. Vepachedu Educational Foundation Inc. His uncle Dharmavaram Ramakrishnamacharyulu was a pioneering dramatist in Telugu, and initiated him on the stage. Raghava was also associated with another dramatist from Bellary, Kolachalam Srinivasa Rao. His students include female artists like ''Sarojini Kopparapu'', ''Padmavati Kommuri'', ''Annapurna Kakinada'', and male artists like ''Vasudevarao K.S.'', ''Apparao Basavaraju'' and '' Banda Kanakalingeshwara Rao''. Early life Raghava studied at Bellary High School and at Christian College, Madras. He then practiced law after graduating from Madras Law College in 1905. Aged 12, he founded Shakespeare Club in Bellary and played in Shakespeare dramas. Ragh ...
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Brahmin
Brahmin (; sa, ब्राह्मण, brāhmaṇa) is a varna as well as a caste within Hindu society. The Brahmins are designated as the priestly class as they serve as priests ( purohit, pandit, or pujari) and religious teachers (guru or acharya). The other three varnas are the Kshatriya, Vaishya and Shudra. The traditional occupation of Brahmins is that of priesthood at the Hindu temples or at socio-religious ceremonies, and rite of passage rituals such as solemnising a wedding with hymns and prayers.James Lochtefeld (2002), Brahmin, The Illustrated Encyclopedia of Hinduism, Vol. 1: A–M, Rosen Publishing, , page 125 Traditionally, the Brahmins are accorded the highest ritual status of the four social classes. Their livelihood is prescribed to be one of strict austerity and voluntary poverty ("A Brahmin should acquire what just suffices for the time, what he earns he should spend all that the same day"). In practice, Indian texts suggest that some Brahmins hist ...
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