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Madhuvanti
Madhuvanti is a raga used in Indian classical music. It is a Hindustani music raga, which is reported to have been borrowed into Carnatic music,''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras and is structurally similar to Multani. This Raga is based on Todi Thaat (Mode). It is a romantic raga based on the foundation, eternity and colors of love. ''Madhu'' literally means ''honey''. It is a very sweet raga with a very simple philosophy of love and romance. Hindustani music Madhuvanti's notes are N S Mg M P N S'(Mg in meend) while ascending and all the swaras, S' N D P M g R S, in the descent. (notations M - , g-). Madhuvanti belongs to thaat Todi. Time Madhuvanti is played after 4 pm before 8 pm. Rasa Madhuvanti expresses a gentle loving sentiment. It depicts the sringaar rasa, used to express the love of an individual towards his or her beloved. Carnatic music ...
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Dharmavati Scale
Dharmavati is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 59th ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called ''Dhaamavati'' in Muthuswami Dikshitar school of Carnatic music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras ''Madhuvanti'' is the nearest Hindustani music scale to ''Dharmavati''. Raga Dharmavati was introduced in Hindustani music in vocal style for the first time by late Pandit Samaresh Chawdhury ( disciple of Pandit Ravi Shankar) Structure and Lakshana It is the 5th rāgam in the 10th ''chakra Disi''. The mnemonic name is ''Disi-Ma''. The mnemonic phrase is ''sa ri gi mi pa dhi nu''. Its structure (ascending and descending scale) is as follows (see ''Swara#Svaras in Carnatic music, swaras in Carnatic music'' for details on below notation and terms): *Arohana, : *Avarohana, : ...
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Todi (thaat)
Todi () is one of the ten basic thaats of Hindustani music from the Indian subcontinent. It is also the name of a raga within this thaat. Description Todi has Komal Rishab, Gandhar, and Dhaivat, as well as Teevra Madhyam. The Todi (raga), Todi raga represents the mood of delighted adoration with a gentle, loving sentiment and it's traditionally performed in the late morning. Ragas Ragas in Todi Thaat: *Miyan Ki Todi/Todi (raga), Todi/Darbari Todi *Gujari Todi *Madhuvanti/Madhuvanti, Ambika *Multani (raga), Multani *Bholamukhi *Chaya Todi *Chandra Jyoti *Kokila Panchami *Asha Todi *Anjani Todi References

{{reflist Hindustani music theory ...
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Patdeep
Patdeep or Patdip (पटदीप), is a Hindustani classical raga from the Kafi Thaat. Theory Aroha and Avaroha Notation: S r R g G M Ḿ P d D n N S Lower case indicates 'komal' or flat notes, " indicates higher (third) octave, ' indicates lower (first) octave *Aroha: N' S g m P N S' * Avaroha: S" N D P, m P g, m g R S The raag has Komal Ga. It is an Audava-Sampoorna raga, implying that it has 5 notes in Arohana and 7 in Avarohana. Raag Patdeep is formed when pure N is taken instead of komal n in Raag Bhimpalasi. Patdeep is essentially Gowrimanohari sans rishaba and dhaivata in ascent. Vadi and Samavadi * Vadi: Pa * Samavadi: Sa Pakad or Chalan * Pakad or Chalan: N' S g M P (M) g, M g R S, g M P N S" D P, M P g, M g R S. Film songs Language : Marathi Language : Hindi Language: Malayalam Language:Tamil Songs composed in Gourimanohari (Carnatic) which is equivalent to Patdeep Language : Telugu Below song is a traditional saint T ...
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Multani (raga)
Multani is a Hindustani classical music, Hindustani classical raga. The newer raga Madhuvanti was inspired by Multani. Multani belongs to Todi Thaat. It is generally sung in the third prahar of the day, that is, around 1 PM to 4 PM. Re, Ga, Dha and Ma . Re and Dha should be weak, and should be included only in Avarohi phrases. Vadi (music), Vadi: Pa Samvadi: Sa Arohana Avarohana Pakad In Avaroh that is in descending order, the Sangati of Ma (svara), Madhyama and Gandhara is shown often. This is the characteristics of Rag Multani. In Aroh, Raga start from Mandra Nishad, just like N S g or N S M g. As there is Komal Rushabh in this Rag, it is Sandhi prakash rag. References External links More details about raga MultaniSRA on Raga MultaniRajan Parrikar on Multani
Hindustani ragas {{India-music-stub ...
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Rosappu Ravikkaikari
''Rosappu Ravikkaikari'' () is a 1979 Indian Tamil language, Tamil-language historical romance film directed by Devaraj–Mohan. A remake of the 1978 Kannada film ''Parasangada Gendethimma'', itself based on Srikrishna Alanahalli's novella of the same name, the film stars Sivakumar, Unni Mary, Deepa and Sivachandran, with Vinu Chakravarthy and R. Nagarathnamma in supporting roles. Set in British Raj, British-ruled India, it revolves around a modern woman who cannot tolerate her rustic husband and her mother-in-law and engages in an extramarital affair. ''Rosappu Ravikkaikari'' was produced by Thirupur Mani of Vivekananda Pictures, and is the 100th film of Sivakumar as an actor. It is the debut of screenwriter Vijay Krishnaraj (credited as Krishna), and Chakravarthy as an actor in Tamil cinema. Filming took place between February and March 1979, in places including Yercaud. The music was composed by Ilaiyaraaja, editing was handled by T. P. Sekar and cinematography by R. N. K. Pra ...
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Thaat
A ''thaat'' () is a "parent scale" in North Indian or Hindustani music. It is the Hindustani equivalent of the term '' Melakartha raga'' of Carnatic music. The concept of the ''thaat'' is not exactly equivalent to the western musical scale because the primary function of a ''thaat'' is not as a tool for music composition, but rather as a basis for classification of ragas. There is not necessarily strict compliance between a raga and its parent ''thaat''; a raga said to 'belong' to a certain ''thaat'' need not allow all the notes of the ''thaat'', and might allow other notes. ''Thaats'' are generally accepted to be heptatonic by definition. The term ''thaat'' is also used to refer to the frets of stringed instruments like the sitar and the veena. It is also used to denote the posture adopted by a Kathak dancer at the beginning of their performance. History The modern ''thaat'' system was created by Vishnu Narayan Bhatkhande (1860–1936), an influential musicologist ...
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Kasethan Kadavulada
''Kasethan Kadavulada'' () is a 1972 Indian Tamil-language heist comedy film written and directed by Chithralaya Gopu. The film stars Muthuraman and Lakshmi, with M. R. R. Vasu, Thengai Srinivasan, Srikanth, Moorthy, Manorama, Rama Prabha and Jayakumari in supporting roles. It focuses on a young man (Muthuraman) collaborating with his cousin (Srikanth) and friend (Srinivasan) to steal money from his stingy stepmother (Manorama). ''Kasethan Kadavulada'', based on Gopu's play of the same name is the directorial debut of Gopu, and was produced by AVM Productions. Muthuraman and Moorthy reprise their roles from the play. The music was composed by M. S. Viswanathan, cinematography was handled by K. S. Bhaskar, and editing by R. G. Gopu. ''Kasethan Kadavulada'' was released on 19 May 1972. The film became a commercial success, with Srinivasan's role as a fake godman becoming immensely popular. A remake with the same name was released in 2023. Plot Lakshmi is a dominating ...
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Vani Jayaram
Vani Jairam (born Kalaivani; 30 November 1945 – 4 February 2023) was an Indian playback singer in Indian cinema. She is fondly referred to as the "'' Meera of modern India''" Vani's career started in 1971 and has spanned over five decades. She did playback for over one thousand Indian movies recording over 20,000 songs. In addition, she recorded thousands of devotionals and private albums and also participated in numerous solo concerts in India and abroad. Renowned for her vocal range and easy adaptability to any difficult composition, Vani has often been the choice for several composers across India from the 1970s until the late 1990s. She has sung in several Indian languages languages including Kannada, Tamil, Hindi, Telugu, Malayalam, Marathi, Odia, Sanskrit, Gujarati, Haryanvi, Assamese, Tulu, Kashmiri, Bhojpuri, Marwari, Urdu, Konkani, Punjabi and Bengali languages. Vani is the youngest artist to be awarded the "Sangeet Peet Samman". She won the National Film ...
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Manmadha Leelai (1976 Film)
''Manmadha Leelai'' () is a 1976 Indian Tamil-language romantic sex comedy film written and directed by K. Balachander. The film stars Kamal Haasan and Aalam. A number of actresses debuted on Tamil industry through this film, including Hema Chaudhary, Jaya Prada, Y. Vijaya among others. It was released on 27 February 1976. Though the film was criticised for its bold content when it was released, it has received cult status with passing years and is considered a trendsetter. Plot The film explores the life journey of a wannabe womaniser Madhu and his attempted affairs with various women where he fails invariably, including those who are married. The main conflict is between Madhu and his wife Rekha. The many women he flirts with and those who flirt with him are doing so for many different reasons. One has a drunkard husband who has no interest in her; another is merely living her fantasy of being in an extramarital relationship through phone; and another is an ultra-moder ...
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Gnana Paravai
''Gnana Paravai'' ( ''Bird of Wisdom'') is a 1991 Indian Tamil-language film, directed by Vietnam Veedu Sundaram. The film stars Sivaji Ganesan Villupuram. Chinnaiya Manrayar Ganesamoorthy (1 October 1928 – 21 July 2001), better known by his stage name Sivaji Ganesan, was an Indian actor and film producer. He was mainly active in Tamil cinema during the latter half of the 20th centur ..., Harish Kumar, Sasikala and Manorama. It was released on 11 January 1991. Plot The film is about an old man, Sivaji, who can tell the character and the future of a person by just looking in their eyes. Giri is a rich student who spends a lot of money on his friends. He falls in love with Sivaji's daughter Aruna, but Aruna rejects him and humiliates him. Giri decides to not give up. Later, Aruna and her friend Rajeswari go on a picnic with their classmates. Giri's friend Aandavar doesn't want to see Giri and Aruna together, for fear that Giri won't spend any more money on his friends ...
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Alaigal (film)
''Alaigal'' () is a 1973 Indian Tamil-language film written, produced and directed by Sridhar. The film stars Vishnuvardhan and Chandrakala. It was the first Tamil film of Vishnuvardhan. Plot Cast Production After the average response to his previous film '' Avalukendru Or Manam'' (1971), Sridhar decided to make a Tamil- Telugu bilingual titled ''Thulasi'' () with A. V. M. Rajan starring in Tamil and Sobhan Babu in Telugu. Sridhar developed a story from the Hindi film '' Aadmi'' (1939) and the American film ''Waterloo Bridge'' (1931), retaining only the basic premise. However, after canning , he decided to drop the film, uncertain whether the audience would accept a film with anti-sentimental elements. Sridhar restarted the same film with changes in the script and cast. The title was changed to ''Alaigal'', with Kannada actor Vishnuvardhan in the lead which marked his debut in Tamil cinema. Soundtrack The music was composed by M. S. Viswanathan, while the lyric ...
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