|
Made In The Shade
''Made in the Shade'', released in 1975, is the fourth official compilation album by the Rolling Stones, and the first under their Atlantic Records contract. It covers material from ''Sticky Fingers'' (1971), '' Exile on Main St.'' (1972), ''Goats Head Soup'' (1973) and '' It's Only Rock 'n' Roll'' (1974). Background The Stones had two previous "official" compilation albums on Decca Records, ''Big Hits (High Tide and Green Grass)'' in 1966 and '' Through the Past, Darkly (Big Hits Vol. 2)'' in 1969. In addition, 1971's '' Hot Rocks 1964–1971'' and 1972's '' More Hot Rocks (Big Hits & Fazed Cookies)'' were released by Allen Klein's ABKCO Records without The Rolling Stones' authorisation. The material on ''Made in the Shade'' surveys the highlights from the band's first four post-Decca/London era thus far, with no new material. Although ''Made in the Shade'' bought The Rolling Stones time to deliver their next studio album (they were midway through recording ''Black and Blue'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rolling Stones
The Rolling Stones are an English Rock music, rock band formed in London in 1962. Active for over six decades, they are one of the most popular, influential, and enduring bands of the Album era, rock era. In the early 1960s, the band pioneered the gritty, rhythmically driven sound that came to define hard rock. Their first stable line-up consisted of vocalist Mick Jagger, guitarist Keith Richards, multi-instrumentalist Brian Jones, bassist Bill Wyman, and drummer Charlie Watts. During their early years, Jones was the primary leader. Andrew Loog Oldham became their manager in 1963 and encouraged them to write their own songs. The Jagger–Richards, Jagger–Richards partnership soon became the band's primary songwriting and creative force. Rooted in blues and early rock and roll, the Rolling Stones started out playing Cover version, covers and were at the forefront of the British Invasion in 1964, becoming identified with the youthful counterculture of the 1960s. They then f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Rocks 1964–1971
''Hot Rocks 1964–1971'' is a compilation album by the Rolling Stones released by London Records in December 1971. It became the Rolling Stones' best-selling release of their career and an enduring and popular retrospective. The album includes a mixture of hit singles, such as " Jumping Jack Flash", B-sides such as " Play with Fire", and album tracks such as " Under My Thumb" and " Gimme Shelter", the last of which has become one of the Rolling Stones' most popular and highly regarded songs. The album artwork depicts five nested silhouettes of the band members' profiles taken by rock photographer Ron Raffaelli in 1969. A photograph of the band at Swarkestone Hall Pavilion, taken by Michael Joseph in 1968, was printed on the back cover of the vinyl release. The album is the best selling of the numerous Decca/ ABKCO releases after the Rolling Stones lost control of their pre-1971 catalogue to their former manager Allen Klein. As with all of such releases, the Stones had no co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Christgau
Robert Thomas Christgau ( ; born April 18, 1942) is an American music journalist and essayist. Among the most influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. He was the chief music critic and senior editor for ''The Village Voice'' for 37 years, during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for '' Esquire'', '' Creem'', '' Newsday'', '' Playboy'', ''Rolling Stone'', '' Billboard'', NPR, '' Blender'', and '' MSN Music;'' he was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world—when he talks, people listen." Christgau is best known for his terse, letter-graded capsule album reviews, composed in a concentrated, fragmente ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine to convey the popularity of an artist or groups of artists. Sometimes, a recording act is remembered for its " number ones" that outperformed all other albums during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, acquiring its existing name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985), ''Billboard'' Top Pop Albums (1985–1991), and ''Billboard'' 200 Top Albums (1991–1992). The chart is based mostly on sales—both at retail and digital – of albums in the United States. The weekly sales period was Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, the tracking week begins on Friday (to coincide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Albums Chart
The Official Albums Chart is the United Kingdom's industry-recognised national record chart for album, albums. Entries are ranked by sales and audio streaming. It was published for the first time on 22 July 1956 and is compiled every week by the Official Charts Company (OCC) on Fridays (previously Sundays). It is broadcast on BBC Radio 1 (top 5) and found on the OCC website as a Top 100 or on ''UKChartsPlus'' as a Top 200, with positions continuing until all sales have been tracked in data only available to industry insiders. However, even though number 100 was classed as a hit album (as in the case of ''The Guinness Book of British Hit Albums'') in the 1980s until January 1989, since the compilations were removed, this definition was changed to Top 75 with follow-up books such as ''The Virgin Book of British Hit Albums'' only including this data. As of 2021, Since 1983, the OCC generally provides a public charts for hits and weeks up to the Top 100. Business customers can require a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metamorphosis (Rolling Stones Album)
''Metamorphosis'' is the third compilation album of the Rolling Stones music released by former manager Allen Klein's ABKCO Records (who usurped control of the band's Decca/London material in 1970) after the band's departure from Decca and Klein. Released in 1975, ''Metamorphosis'' centres on outtakes and alternate versions of well-known songs recorded from 1964 to 1970. History After the release of ''Hot Rocks 1964–1971'' in 1971, an album titled ''Necrophilia'' was compiled with the aid of Andrew Loog Oldham for release as a follow-up compilation, featuring many previously unreleased (or, more accurately, discarded) outtakes from the Rolling Stones' Decca/London period. While that project failed to materialise—with ''More Hot Rocks (Big Hits & Fazed Cookies)'' being released in its place—most of the unreleased songs were held over for a future project. In February 1974, to give it an air of authority, Bill Wyman involved himself in compiling an album he entitled ''Bl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Hull (critic)
Tom Hull is an American music critic, web designer, and former software developer. Hull began writing criticism for ''The Village Voice'' in the mid 1970s under the mentorship of its music editor Robert Christgau, but left the field to pursue a career in software design and engineering during the 1980s and 1990s, which earned him the majority of his life's income. In the 2000s, he returned to music reviewing and wrote a jazz column for ''The Village Voice'' in the manner of Christgau's "Consumer Guide", alongside contributions to '' Seattle Weekly'', '' The New Rolling Stone Album Guide'', NPR Music, and the webzine ''Static Multimedia''. Hull's jazz-focused database and blog ''Tom Hull – on the Web'' hosts his reviews and information on albums he has surveyed, as well as writings on books, politics, and movies. It shares a functional, low-graphic design with Christgau's website, which Hull also created and maintains as its webmaster. Education Hull attended Wichita Sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ticknor & Fields
Ticknor and Fields was an American publishing company based in Boston, Massachusetts. Founded as a bookstore in 1832, the business published many 19th-century American authors, including Ralph Waldo Emerson, Nathaniel Hawthorne, Henry James, Henry Wadsworth Longfellow, Harriet Beecher Stowe, Henry David Thoreau, and Mark Twain. It also became an early publisher of '' The Atlantic Monthly'' and '' North American Review''. The firm was named after founder William Davis Ticknor and apprentice James T. Fields, although the names of additional business partners would come and go, notably that of James R. Osgood in the firm's later years. Financial problems led Osgood to merge the company with the publishing firm of Henry Oscar Houghton in 1878, forming a precursor to the modern publisher Houghton Mifflin Harcourt. Houghton Mifflin revived the Ticknor and Fields name as an imprint from 1979 to 1989. Company history Early years In 1832 William Davis Ticknor and John Allen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Albums Of The Seventies
''Christgau's Record Guide: Rock Albums of the Seventies'' is a music reference book by American music journalist and essayist Robert Christgau. It was first published in October 1981 by Ticknor & Fields. The book compiles approximately 3,000 of Christgau's capsule album reviews, most of which were originally written for his "Consumer Guide" column in ''The Village Voice'' throughout the 1970s. The entries feature annotated details about each record's release and cover a variety of genres related to rock music. Christgau's reviews are informed by an interest in the aesthetic and political dimensions of popular music, a belief that it could be consumed intelligently, and a desire to communicate his ideas to readers in an entertaining, provocative, and compact way. Many of the older reviews were rewritten for the guide to reflect his changed perspective and matured stylistic approach. He undertook an intense preparation process for the book during 1979 and 1980, which temporarily ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All-Music Guide and AMG) is an American online database, online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on Musical artist, musicians and Musical ensemble, bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All-Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar, and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as compact discs (CDs) replaced LP record, LPs and cassette (format), cassettes as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it, he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rolling Stones Tour Of The Americas '75
Rolling is a type of motion that combines rotation (commonly, of an axially symmetric object) and translation of that object with respect to a surface (either one or the other moves), such that, if ideal conditions exist, the two are in contact with each other without sliding. Rolling where there is no sliding is referred to as ''pure rolling''. By definition, there is no sliding when there is a frame of reference in which all points of contact on the rolling object have the same velocity as their counterparts on the surface on which the object rolls; in particular, for a frame of reference in which the rolling plane is at rest (see animation), the instantaneous velocity of all the points of contact (for instance, a generating line segment of a cylinder) of the rolling object is zero. In practice, due to small deformations near the contact area, some sliding and energy dissipation occurs. Nevertheless, the resulting rolling resistance is much lower than sliding friction, and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Recordings
London Recordings (or London Records and London Music Stream) is a British record label that marketed records in the United States, Canada, and Latin America for Decca Records from 1947 to 1980 before becoming semi-independent. The London name – as London American Recordings, often shortened to London American – was also used by British Decca in the UK market, for releases taken from American labels, which British Decca licensed. The label is owned by Because Music, which also owns most of the label's 1980s and 1990s UK catalogue. History London arose from the split in ownership between the British and American branches of Decca Records. The American branch of London Records released British Decca records in the U.S., as British Decca could not use the "Decca" name there as well as vice-versa. The label was noted for classical albums made in then state-of-the-art stereophonic sound, and such artists as Georg Solti, Joan Sutherland, and Luciano Pavarotti. In a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
