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Maddalam And Chenda Keli
In Carnatic music, Maddala Keli or Maddalapattu is a musical genre featuring a set of '' maddalam'' drums as the main instrument – not ''chenda'' drums – with support from a row of ''ilathalam''. A Maddala Keli work with five ''maddalam'' players is called ''Panchamaddalakeli''; with ten players, ''Dashamaddalakeli''. It sticks mainly to an eight-beat rhythmic cycle called ''Chembada'' or ''adi talam''. It also has a segment called ''Kooru'', where rhythmic cycles can be the six-beat ''panchari'' (''pancharikkooru''), the 14-beat ''adantha'' (''adantha-kkooru'') and the ten-beat ''chamba'' (''chambakkooru''). Scholars say the ensemble of thayambaka was developed from maddala keli. See also * Pandi Melam * Panchari melam * Panchavadyam * Kathakali ''Kathakali'' (International Alphabet of Sanskrit Transliteration, IAST: Kathakaḷi ) is a traditional form of Indian Classical Dance, and one of the most complex forms of Theatre of India, Indian theatre. It is a p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Music
Carnatic music (known as or in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, Telangana and southern Odisha. It is one of three main subgenres of Indian classical music that evolved from ancient Hindu texts and traditions, particularly the Samaveda. (The other two are Hindustani music and Odissi music.) The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulae), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnatic and Hindustani music. Although improvisation plays an important role, Carnatic music is mainly sung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maddalam
The maddalam or madhalam (Malayalam: മദ്ദളം) is a drum made out of the wood of the jackfruit tree. It has two sides for playing, made out of leather, and has different kind of sounds on each side. The maddalam is a heavy instrument which is hung around the waist of the person playing, and the player stands all the while to perform. The maddalam is a vital instrument in traditional Kerala percussion ensembles like Panchavadyam, Keli and Kathakali orchestra. Except for the central projection, the Maddalam resembles a Mridangam in shape. Etymology The name Madhalam is derived from the word ''Mardhalam'' which means 'one which receives pressure'. In Sanskrit the instrument is called as Mardhalam. Using style In ancient times Madhalam was played by suspending it from the neck of the player and later in the 1920s Madhalam maestro Venkichan Swamy changed the style to the way it was suspended from the waist of the player. See also * Pandi Melam * Panchari melam * Tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chenda
The Chenda (, ) is a cylindrical percussion instrument originating in the state of Kerala and widely used in Tulu Nadu of Karnataka in India. In Tulu Nadu (Coastal Karnataka), it is known as ''chende''. The instrument is strongly associated with the cultural identity of both Kerala and Tulu Nadu. Traditionally, it is used by the Malayar ethnic groups in Kerala. According to their mythology, Lord Shiva blessed them with both the chenda and Witchcraft, matravadham, which are considered synonymous in their mantravadha tradition, where sound plays a central role. This instrument is famous for its loud and rigid sound. A Chenda has two sides, the left side called "Edamthala" (ഇടം തല)(Left Head) and the right side "Valamthala" (വലം തല)(Right Head). The "Edamthala" is made of only one/two layer of cow skin and the "Valamthala" will have a five/seven layer skin, so as to have a Bass (sound), bass sound. The skin are dried in the shade and fastened on wooden rin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ilathalam
Elathalam (or Ilathalam) is a musical instrument from Kerala in southern India. It is made completely of bronze and resembles a miniature pair of cymbals, played by holding one part in the left hand and banging the other cymbal against it. Although small in size, it is thicker than common cymbals, with a distinct chime. Elathalam is never a lead instrument, but is used in a number of ethnic Kerala percussion ensembles including Panchavadyam, Chenda The Chenda (, ) is a cylindrical percussion instrument originating in the state of Kerala and widely used in Tulu Nadu of Karnataka in India. In Tulu Nadu (Coastal Karnataka), it is known as ''chende''. The instrument is strongly associat ... melam, Thayambaka and Kailaya vathiyam, as well as by a second singer on a Kathakali stage and providing the beat in Kuzhal Pattu and Kombu Pattu. See also * Pandi Melam * Panchari melam * Thayambaka * Panchavadyam Arts of Kerala Percussion instruments {{Cymbal-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thayambaka
Thayambaka or tayambaka is a type of solo chenda performance that developed in the south Indian state of Kerala, in which the main player at the centre improvises rhythmically on the beats of half-a-dozen or a few more chenda and ilathalam players around. Performance A thayambaka performance on the chenda has thus its focus on the stick-and-palm rolls produced on the itantala (treble) of the chenda, while the rhythm is laid by his fellow instrumentalists on the (bass) and (cymbals). Thayambaka, believed to have flourished during the feudal era, spans an average of 90 minutes. It begins at a slow pace before scaling on to a medium tempo and eventually culminating in high, frenzied speed. It has a skeletal pattern on which the performance progresses, but the main performer has the liberty to improvise and innovate to showcase his grip of rhythm, finesse of techniques and cerebral brilliance. In fact, thayambaka is one chenda concert that allows maximum individual freedom to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pandi Melam
Pandi melam is a classical percussion concert or melam (ensemble) led by the ethnic Kerala instrument called the chenda and accompanied by ilathalam (cymbals), kuzhal and Kombu. A full-length Pandi, a melam based on a thaalam ( taal) with seven beats, lasts more than two-and-a-half hours, and is canonically performed outside temples. It has basically four stages, each of them with rhythmic cycles (thaalavattam) totalling 56, 28, 14 and seven respectively. The most celebrated Pandi Melam is staged inside a temple compound at the ''Vadakkunnathan'' shrine's precincts in the central Kerala town of Thrissur. For the last several years, Peruvanam Kuttan Marar is the lead conductor for this symphony of drums known as ''Elanjithara Melam''. Elsewhere, like in the pooram festivals of Aarattupuzha and Peruvanam near Thrissur and the rest of central and northern Kerala, it is performed outside temples. Another ensemble called Panchari Melam, which is similar to Pandi going by the k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panchari Melam
Panchari Melam is a percussion ensemble, performed during Temple Festivals of Kerala, temple festivals in Kerala, India. Panchari Melam (or simply panchari), is one of the major forms of Chenda Melam (ethnic drum ensemble), and is the best-known and most popular in the ''kshetram vadyam'' (temple percussion) genre. Panchari Melam, comprising instruments like Chenda, Ilathalam, Kombu (instrument), Kombu and Kuzhal, is performed during many temple festivals in central Kerala, where it is presented in arguably the most classical manner. Panchari is also traditionally performed, albeit with a touch of subtle regional difference, in north Kerala (Malabar) and south-central Kerala (Kochi). Of late, its charm has led to its performance even in temples in Kerala's deep south. Panchari is a six-beat thaalam (tala (music), taal) with equivalents like Roopakam in south Indian Carnatic music and Daadra in the northern Hindustani classical. Another Chenda Melam which comes close to Panchar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panchavadyam
Panchavadyam (Malayalam: പഞ്ചവാദ്യം), literally meaning an orchestra of five instruments, is basically a temple art form that has evolved in Kerala. Of the five instruments, four — timila, maddalam, ilathalam and idakka — belong to the percussion category, while the fifth, kombu, is a wind instrument. Much like any chenda melam, panchavadyam is characterised by a pyramid-like rhythmic structure with a constantly increasing tempo coupled with a proportional decrease in the number of beats in cycles. However, in contrast to a chenda melam, panchavadyam uses different instruments (though ilathalam and kompu are common to both), is not related very closely to any temple ritual and, most importantly, permits much personal improvisation while filling up the rhythmic beats on the timila, maddalam and idakka. Panchavadyam bases itself on the seven-beat thripuda (also spelt thripuda) thaalam ( taal) but amusingly sticks to the pattern of the eight-beat chemp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathakali
''Kathakali'' (International Alphabet of Sanskrit Transliteration, IAST: Kathakaḷi ) is a traditional form of Indian Classical Dance, and one of the most complex forms of Theatre of India, Indian theatre. It is a play of verses. These verses are called Kathakali literature or ''Aattakatha (performance), Attakatha''. Mostly played in the courts of kings and temple festivals. Hence it is known as suvarna art forms. This performance uses the ''navarasas'' from the Natya Shastra text, authored by sage Bharata. Makeup and costumes are unique and large. It represents one of Kerala's traditional theater artforms. It is native to the Malayalam-speaking state of Kerala and is almost entirely practiced by Malayali people. Kathakali is closely related to a more ancient theater artform of Kerala called ''Kutiyattam'' which is the only surviving specimen of the ancient Sanskrit theatre, thought to have originated around the beginning of the common era, and is officially recognized by UN ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drums
The drum is a member of the percussion instrument, percussion group of musical instruments. In the Hornbostel–Sachs classification system, it is a membranophones, membranophone. Drums consist of at least one Acoustic membrane, membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound. There is usually a resonant head on the underside of the drum. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years. Drums may be played individually, with the player using a single drum, and some drums such as the djembe are almost always played in this way. Others are normally played in a set of two or more, all played by one player, such as bongo drums and timpani. A number of different drums together ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asian Percussion Instruments
Asian may refer to: * Items from or related to the continent of Asia: ** Asian people, people in or descending from Asia ** Asian culture, the culture of the people from Asia ** Asian cuisine, food based on the style of food of the people from Asia ** Asian (cat), a cat breed similar to the Burmese but in a range of different coat colors and patterns * Asii (also Asiani), a historic Central Asian ethnic group mentioned in Roman-era writings * Asian option, a type of option contract in finance * Asyan, a village in Iran See also * * * East Asia * South Asia * Southeast Asia Southeast Asia is the geographical United Nations geoscheme for Asia#South-eastern Asia, southeastern region of Asia, consisting of the regions that are situated south of China, east of the Indian subcontinent, and northwest of the Mainland Au ... * Asiatic (other) {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Musical Instruments
Musical instruments of the Indian subcontinent can be broadly classified according to the Hornbostel–Sachs system into four categories: chordophones (string instruments), aerophones (wind instruments), membranophones (drums) and idiophones (non-drum percussion instruments). Chordophones Plucked string instrument, Plucked strings Bowed strings • Chikara • Dhantara • Dilruba • Ektara violin • Esraj • Kamaicha • Kingri (string instrument) • Mayuri Vina or Taus • Onavillu • Behala (violin type) • Pena (musical instrument) • Pinaka vina • Pulluvan Veena - one stringed violin • Ravanahatha • Sarangi • Classical Sarangi • Sarinda • Tar Shehnai • Taus • Villu Paatu - arched bow instrument Other string instruments * Gethu or Jhallari – struck tanpura * Gubguba or Jamuku (khamak) * Pulluvan kutam * Santoor – Hammered dulcimer Aerophones Single reed *Pepa (musical instrument), Pepa *Pungi or Pungi, Been Double reed * Kuzhal * Mukhavina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
