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Machine Gun (Jimi Hendrix Song)
"Machine Gun" is a song written by American musician Jimi Hendrix, and originally recorded for the 1970 ''Band of Gypsys'' album, with Billy Cox and Buddy Miles. It is a lengthy, loosely defined (Jam session, jam-based) protest of the Vietnam War. At a performance in Berkeley, California, Hendrix introduced the song: Hendrix's 12-minute performance of "Machine Gun" for the ''Band of Gypsys'' is often lauded as his greatest, and is considered a stunning display of guitar virtuosity. Hendrix's long guitar solos and percussive riffs combine with controlled feedback to simulate the sounds of a battlefield, such as helicopters, dropping bombs, explosions, machine guns, and the screams and cries of those wounded or grieving. Although a proper studio recording was never realized, several live recordings exist. Origins Hendrix debuted "Machine Gun" in September 1969 in a performance on ''The Dick Cavett Show''. He was backed by drummer Mitch Mitchell, bassist Cox, and conga player Jum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimi Hendrix
James Marshall "Jimi" Hendrix (born Johnny Allen Hendrix; November 27, 1942September 18, 1970) was an American singer-songwriter and musician. He is widely regarded as one of the greatest and most influential guitarists of all time. Inducted into the Rock and Roll Hall of Fame in 1992 as a part of his band, the Jimi Hendrix Experience, the institution describes him as "arguably the greatest instrumentalist in the history of rock music." Born in Seattle, Washington, Hendrix began playing guitar at age 15. In 1961, he enlisted in the US Army, but was discharged the following year. Soon afterward, he moved to Clarksville, then Nashville, Tennessee, and began playing gigs on the Chitlin' Circuit, earning a place in the Isley Brothers' backing band and later with Little Richard, with whom he continued to work through mid-1965. He then played with Curtis Knight and the Squires. Hendrix moved to England in late 1966, after bassist Chas Chandler of the Animals became his ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodstock
The Woodstock Music and Art Fair, commonly referred to as Woodstock, was a music festival held from August 15 to 18, 1969, on Max Yasgur's dairy farm in Bethel, New York, southwest of the town of Woodstock, New York, Woodstock. Billed as "an Age of Aquarius, Aquarian Exposition: 3 Days of Peace & Music" and alternatively referred to as the Woodstock Rock Festival, it attracted an audience of more than 460,000. Thirty-two acts performed outdoors despite overcast and sporadic rain. It was one of the largest music festivals in history and became synonymous with the counterculture of the 1960s. The festival has become widely regarded as a pivotal moment in popular music history, as well as a defining event for the Silent Generation, silent and Baby boomers, baby boomer generations. The event's significance was reinforced by Woodstock (film), a 1970 documentary film, an accompanying Woodstock: Music from the Original Soundtrack and More, soundtrack album, and a Woodstock (song), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hit Factory
The Hit Factory is a recording studio in New York City owned and operated by Troy Germano. History In 1969, songwriter Jerry Ragavoy opened a recording studio in New York City and named it ''The Hit Factory.'' On March 6, 1975, Edward Germano, a singer, record producer, and one of the principal owners of the Record Plant Studios New York, purchased The Hit Factory (located at 353 West 48th Street) from Ragavoy. Germano incorporated The Hit Factory into a business, redesigned its studios, and created the logo it uses to this day. At that time, The Hit Factory consisted of 2 studios; Studio A2 and Studio A6. Eventually, a third was added, Studio A5. Notable albums from this location include Songs in the Key of Life by Stevie Wonder, One-Trick Pony by Paul Simon, Fear of Music by Talking Heads, Voices by Hall & Oates, Bat Out of Hell by Meat Loaf, Foreigner by Foreigner (band), I'm in You by Peter Frampton, Peter Gabriel ("Scratch") by Peter Gabriel, Emotional Rescue by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live At The Isle Of Wight
Live at the Isle of Wight 1970, Live at the Isle of Wight Festival 1970, or Live at the Isle of Wight may refer to: * ''Live at the Isle of Wight 1970'' (Leonard Cohen album) (2009) * ''Live at the Isle of Wight Festival 1970'' (The Doors album) (2018) * ''Live at the Isle of Wight Festival 1970'' (Emerson, Lake & Palmer album) (1997) * '' Live Isle of Wight '70'', a 1991 album by Jimi Hendrix * '' Blue Wild Angel: Live at the Isle of Wight'', a 2002 album by Jimi Hendrix * '' Nothing Is Easy: Live at the Isle of Wight 1970'', a 2004 album by Jethro Tull * ''Live at the Isle of Wight Festival 1970'' (The Moody Blues album) (2008) * ''Live at the Isle of Wight'' (Taste album) (1971) * ''Live at the Isle of Wight Festival 1970'' (The Who album) (1996) ** ''Live at the Isle of Wight Festival 1970'' (film) (1998) See also *Isle of Wight Festival 1970 The Isle of Wight Festival 1970 was a music festival held between 26 and 30 August 1970 at Afton Down, an area on the western ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live At Berkeley
''Live at Berkeley'' is a live album by American rock musician Jimi Hendrix. It documents his second performance at the Berkeley Community Theatre on May 30, 1970, and was released by MCA Records on September 16, 2003. Background Hendrix performed in Berkeley about one month into his The Cry of Love Tour with bassist Billy Cox and drummer Mitch Mitchell. The set list was fairly typical for the toura mix of popular tunes and some newer material. "Hey Joe", " Foxey Lady", " Purple Haze", and " Voodoo Child (Slight Return)" had been in Hendrix's concert repertoire since he first recorded them. " Machine Gun" was released two months earlier on the live '' Band of Gypsys'' album, and " Hey Baby (New Rising Sun)" was in development for his planned fourth studio album. Portions of some of these songs were included in the 1971 concert film ''Jimi Plays Berkeley''. Critical reception Rob Fawcett of BBC Music called ''Live at Berkeley'' "the strongest newly-released Hendrix mater ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Fillmore East First Show
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live At The Fillmore East (Jimi Hendrix Album)
''Live at the Fillmore East'' is a posthumous live album by Jimi Hendrix released on February 23, 1999. The album documents Hendrix's performances with the Band of Gypsys at the Fillmore East on December 31, 1969, and January 1, 1970. It is drawn from the same performances as, and can be seen as an extended complement to, the album '' Band of Gypsys'' (1970), consisting mostly of songs not on the original album. The album peaked at No. 77 on the Canadian RPM Album charts. Since its original release, additional recordings from the Fillmore East performances have been issued on '' West Coast Seattle Boy: The Jimi Hendrix Anthology'' (2010), '' Machine Gun: The Fillmore East First Show'' (2013), and '' Songs for Groovy Children: The Fillmore East Concerts'' (2019). Track listing All details are taken from the original MCA Records CD liner notes. All tracks written by Jimi Hendrix, except where noted. Personnel * Jimi Hendrix James Marshall "Jimi" Hendrix (born Johnny ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Feedback
Audio feedback (also known as acoustic feedback, simply as feedback) is a positive feedback situation that may occur when an acoustic path exists between an audio output (for example, a loudspeaker) and its audio input (for example, a microphone or guitar pickup). In this example, a signal received by the microphone is amplified and passed out of the loudspeaker. The sound from the loudspeaker can then be received by the microphone again, amplified further, and then passed out through the loudspeaker again. The frequency of the resulting howl is determined by resonance frequencies in the microphone, amplifier, and loudspeaker, the acoustics of the room, the directional pick-up and emission patterns of the microphone and loudspeaker, and the distance between them. The principles of audio feedback were first discovered by Danish scientist Søren Absalon Larsen, hence it is also known as the Larsen effect. Feedback is almost always considered undesirable when it occurs with a si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octavia (effects Pedal)
The Octavia was an effects pedal designed for Jimi Hendrix by his sound technician, Roger Mayer. It reproduces the input signal from a guitar one octave higher in pitch, and mixes it with the original and added distortion fuzz. Effect The Octavia consisted of an analog electronic circuit, which included a frequency doubler, envelope generator, and amplitude modulator, together with additional frequency-shaping filter circuitry. The effect generated varied depending on use. For example, a clean tone from an electric guitar produced ring modulated overtones (as heard on the guitar solo in " Who Knows" by Jimi Hendrix.) History The effect was used by Jimi Hendrix, and can be heard in guitar solos on the song "Purple Haze "Purple Haze" is a song written by Jimi Hendrix and released as the second single by the Jimi Hendrix Experience on March 17, 1967, in the United Kingdom. The song features his inventive guitar playing, which uses the signature Hendrix chord a ...". Hendrix ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Univibe
The Uni-Vibe, also marketed as the Jax Vibra-Chorus,Harry Shapiro, Michael Heatley, Roger Mayer''Jimi Hendrix Gear'', page 120 Voyageur Press is a footpedal-operated phaser or phase shifter for creating chorus and vibrato simulations for electric organ or guitar. Designed by audio engineer Fumio Mieda, it was introduced in the 1960s by Japanese company Shin-ei (at the time Honey) originally branded as the Vibra-Chorus. The effect (now named Uni-Vibe) was modified to have easier access to its fuse, and a speed control foot pedal was added. It was later released in North America by Univox in 1968. It is commonly thought the Uni-Vibe is intended to emulate the "Doppler sound" of a Leslie speaker. However Fumio Mieda revealed in an interview the effect was based on hearing radio signals (like Radio Moscow) undergoing “atmospheric modulation”. The effect has made its mark on tracks like Robin Trower's "Bridge of Sighs", Jimi Hendrix's " Machine Gun" and Pink Floyd's " Breathe". ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fuzz Face
The Fuzz Face is an effects pedal for electric guitar, used also by some electric bass players. It is designed to produce a distorted sound referred to as "fuzz", originally achieved through accident such as broken electrical components or damaged speakers. History Arbiter Electronics Ltd. first issued the Fuzz Face in 1966. Later units bear the "Dallas Arbiter", "Dallas Music Industries Ltd.", "CBS/Arbiter Ltd." or "Dunlop Manufacturing Inc." name. The earliest units used germanium transistors. Silicon transistors were used in later editions of the pedal. Silicon transistors provided for a more stable operation, but have a different, harsher sound. The electronics are contained in a circular-shaped metal housing. Ivor Arbiter "got the idea for the round shape when he one day saw a microphone stand with a cast iron base". The design was originally intended to be used as a microphone base for guitarists who sang. The pedal uses two knobs, one for volume, and one for the amou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wah-wah Pedal
A wah-wah pedal, or simply wah pedal, is a type of effects pedal designed for electric guitar that alters the timbre of the input signal to create a distinctive sound, mimicking the human voice saying the onomatopoeic name "wah-wah". The pedal sweeps a band-pass filter up and down in frequency to create a spectral glide. The wah-wah effect originated in the 1920s, with trumpet or trombone players finding they could produce an expressive crying tone by moving a mute in, and out of the instrument's bell. This was later simulated with electronic circuitry for the electric guitar when the wah-wah pedal was invented. It is controlled by movement of the player's foot on a rocking pedal connected to a potentiometer. Wah-wah effects may be used without moving the treadle as a fixed filter to alter an instrument’s timbre (known as a "cocked-wah"), or to create a "wacka-wacka" funk-styled rhythm for rhythm guitar playing. An auto-wah pedal uses an envelope follower to control th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
