MPEG-1 Audio Layer III
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MPEG-1 Audio Layer III
MP3 (formally MPEG-1 Audio Layer III or MPEG-2 Audio Layer III) is a coding format for digital audio developed largely by the Fraunhofer Society in Germany under the lead of Karlheinz Brandenburg. It was designed to greatly reduce the amount of data required to represent audio, yet still sound like a faithful reproduction of the original uncompressed audio to most listeners; for example, compared to CD-quality digital audio, MP3 compression can commonly achieve a 75–95% reduction in size, depending on the bit rate. In popular usage, ''MP3'' often refers to files of sound or music recordings stored in the MP3 file format (.mp3) on consumer electronic devices. Originally defined in 1991 as one of the three audio codecs of the MPEG-1 standard (along with MP2 and MP1), it was retained and further extended—defining additional bit rates and support for more audio channels—as the third audio format of the subsequent MPEG-2 standard. MP3 as a file format commonly designat ...
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Karlheinz Brandenburg
Karlheinz Brandenburg (born 20 June 1954) is a German electrical engineer and mathematician. Together with Ernst Eberlein, Heinz Gerhäuser (former Institutes Director of Fraunhofer IIS), Bernhard Grill, Jürgen Herre and Harald Popp (all Fraunhofer IIS), he developed the widespread MP3 method for audio data compression. He is also known for his elementary work in the field of audio coding, perception measurement, wave field synthesis and psychoacoustics. Brandenburg has received numerous national and international research awards, prizes and honors for his work. Since 2000 he has been a professor of electronic media technology at the Technische Universität Ilmenau, Technical University Ilmenau. Brandenburg was significantly involved in the founding of the Fraunhofer Institute for Digital Media Technology (IDMT) and currently serves as its director. Brandenburg has been called the "father of the MP3" format. Biography Brandenburg received a Diplom, Dipl. Ing. degree from Fri ...
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MPEG-1 Audio Layer II
MP2 (formally MPEG-1 Audio Layer II or MPEG-2 Audio Layer II, sometimes incorrectly called Musicam) is a lossy audio compression format. It is standardised as one of the three audio codecs of MPEG-1 alongside MPEG-1 Audio Layer I (MP1) and MPEG-1 Audio Layer III (MP3). The MP2 abbreviation is also used as a common file extension for files containing this type of audio data, or its extended variant MPEG-2 Audio Layer II. MPEG-1 Audio Layer II was developed by Philips, CCETT and IRT as the MUSICAM algorithm, as part of the European-funded Digital Audio Broadcasting (DAB) project. Alongside its use on DAB broadcasts, the codec has been adopted as the standard audio format for Video CD and Super Video CD media, and also for HDV. On the other hand, MP3 (which was developed by a rival collaboration led by Fraunhofer Society called ASPEC) gained more widespread acceptance for PC and Internet applications. MP2 compresses less than MP3, but therefore also has less computational ...
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Napster
Napster was an American proprietary peer-to-peer (P2P) file sharing application primarily associated with digital audio file distribution. Founded by Shawn Fanning and Sean Parker, the platform originally launched on June 1, 1999. Audio shared on the service was typically encoded in the MP3 format. As the software became popular, the company encountered legal difficulties over copyright infringement. Napster ceased operations in 2001 after losing multiple lawsuits and filed for bankruptcy in June 2002. The P2P model employed by Napster involved a centralized database that indexed a complete list of all songs being shared from connected clients. While effective, the service could not function without the central database, which was hosted by Napster and eventually forced to shut down. Following Napster's demise, alternative decentralized methods of P2P file-sharing emerged, including LimeWire, Gnutella, Freenet, FastTrack, I2P, and BitTorrent. Napster's assets were event ...
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File Sharing
File sharing is the practice of distributing or providing access to digital media, such as computer programs, multimedia (audio, images and video), documents or electronic books. Common methods of storage, transmission and dispersion include removable media, centralized servers on computer networks, Internet-based hyperlinked documents, and the use of distributed peer-to-peer networking. File sharing technologies, such as BitTorrent, are integral to modern media piracy, as well as the sharing of scientific data and other free content. History Files were first exchanged on removable media. Computers were able to access remote files using filesystem mounting, bulletin board systems (1978), Usenet (1979), and FTP servers (1970's). Internet Relay Chat (1988) and Hotline (1997) enabled users to communicate remotely through chat and to exchange files. The mp3 encoding, which was standardized in 1991 and substantially reduced the size of audio files, grew to widespread use ...
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Ripping
Ripping is the extraction of digital content from a container, such as a CD, onto a new digital location. Originally, the term meant to rip music from Commodore 64 games. Later, the term was applied to ripping WAV or MP3 files from digital audio CDs, and after that to the extraction of contents from any storage media, including DVD and Blu-ray discs, as well as the extraction of video game sprites. Despite the name, neither the media nor the data is damaged after extraction. Ripping is often used to shift formats, and to edit, duplicate or back up media content. A rip is the extracted content, in its destination format, along with accompanying files, such as a cue sheet or log file from the ripping software. To rip the contents out of a container is different from simply copying the whole container or a file. When creating a copy, nothing looks into the transferred file, nor checks if there is any encryption or not, and raw copy is also not aware of any file format. One ca ...
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Music Piracy
Music piracy is the copying and distributing of recordings of a piece of music for which the rights owners (composer, recording artist, or copyright-holding record company) did not give consent. In the contemporary legal environment, it is a form of copyright infringement, which may be either a civil wrong or a crime depending on jurisdiction. The late 20th and early 21st centuries saw much controversy over the ethics of redistributing media content, how much production and distribution companies in the media were losing, and the very scope of what ought to be considered piracy – and cases involving the piracy of music were among the most frequently discussed in the debate. History In August 1906 ''The Copyright Law for Music Act 1906'', known as the '' T.P. O'Connor Bill'' was passed by the British Parliament, following many of the popular music writers at the time dying in poverty due to extensive piracy during the piracy crisis of sheet music in the early 20th century.Sanjek, ...
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Copyright Infringement
Copyright infringement (at times referred to as piracy) is the use of Copyright#Scope, works protected by copyright without permission for a usage where such permission is required, thereby infringing certain exclusive rights granted to the copyright holder, such as the right to reproduce, distribute, display or perform the protected work, or to produce derivative works. The copyright holder is usually the work's creator, or a publisher or other business to whom copyright has been assigned. Copyright holders routinely invoke legal and technological measures to prevent and penalize copyright infringement. Copyright infringement disputes are usually resolved through direct negotiation, a notice and take down process, or litigation in Civil law (common law), civil court. Egregious or large-scale commercial infringement, especially when it involves counterfeiting, or the fraudulent imitation of a product or brand, is sometimes prosecuted via the criminal justice system. Shifting ...
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Bandwidth (computing)
In computing, bandwidth is the maximum rate of data transfer across a given path. Bandwidth may be characterized as network bandwidth, data bandwidth, or digital bandwidth. This definition of ''bandwidth'' is in contrast to the field of signal processing, wireless communications, modem data transmission, digital communications, and electronics, in which ''bandwidth'' is used to refer to the signal bandwidth measured in hertz, meaning the frequency range between lowest and highest attainable frequency while meeting a well-defined impairment level in signal power. The actual bit rate that can be achieved depends not only on the signal bandwidth but also on the noise on the channel. Network capacity The term ''bandwidth'' sometimes defines the net bit rate ''peak bit rate'', ''information rate'', or physical layer ''useful bit rate'', channel capacity, or the maximum throughput of a logical or physical communication path in a digital communication system. For example, bandwi ...
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Internet
The Internet (or internet) is the Global network, global system of interconnected computer networks that uses the Internet protocol suite (TCP/IP) to communicate between networks and devices. It is a internetworking, network of networks that consists of Private network, private, public, academic, business, and government networks of local to global scope, linked by a broad array of electronic, Wireless network, wireless, and optical networking technologies. The Internet carries a vast range of information resources and services, such as the interlinked hypertext documents and Web application, applications of the World Wide Web (WWW), email, electronic mail, internet telephony, streaming media and file sharing. The origins of the Internet date back to research that enabled the time-sharing of computer resources, the development of packet switching in the 1960s and the design of computer networks for data communication. The set of rules (communication protocols) to enable i ...
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