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M. Choufleuri Restera Chez Lui Le . . .
''M. Choufleuri restera chez lui le... '' (''Mr. Cauliflower will be at home on... '') is an opéra bouffe, or operetta, in one act by Jacques Offenbach and the Duc de Morny (under the pseudonym "M. de St Rémy"). The French libretto is also credited to Morny, though Ludovic Halévy, Hector-Jonathan Crémieux, and Morny's secretary Ernest L'Épine probably contributed to the text as well. The plot provided many opportunities for Offenbach to indulge in his lighthearted musical parodies of well-known opera melodies and formulas, especially a grand trio in which Italian belcanto is imitated and a comic solo for the manservant. Also, the young lovers secretly communicate using musical quotes. Performance history ''M. Choufleuri'' was first performed privately at the Présidence du Corps Législatif, Palais Bourbon, Paris on 31 May 1861 in the presence of Napoleon III. The first public performance was given at the Théâtre des Bouffes Parisiens, Paris on 14 September ...
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Jacques Offenbach By Nadar
Ancient and noble French family names, Jacques, Jacq, or James are believed to originate from the Middle Ages in the historic northwest Brittany region in France, and have since spread around the world over the centuries. To date, there are over one hundred identified noble families related to the surname by the Nobility & Gentry of Great Britain & Ireland. Origins The origin of this surname ultimately originates from the Latin, Jacobus which belongs to an unknown progenitor. Jacobus comes from the Hebrew name, Yaakov, which translates as "one who follows" or "to follow after". Ancient history A French knight returning from the Crusades in the Holy Lands probably adopted the surname from "Saint Jacques" (or "James the Greater"). James the Greater was one of Jesus' Twelve Apostles, and is believed to be the first martyred apostle. Being endowed with this surname was an honor at the time and it is likely that the Church allowed it because of acts during the Crusades. Indeed ...
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Mesdames De La Halle
''Mesdames de la Halle'' is an opérette bouffe in one act by Jacques Offenbach, with a libretto by Armand Lapointe. It was first performed at the Théâtre des Bouffes Parisiens, Paris on 3 March 1858. and was the first work of Offenbach's at the Bouffes with a chorus and a large cast.Yon, Jean-Claude. ''Jacques Offenbach.'' Editions Gallimard, Paris, 2000. Gänzl describes the piece as "a delicious piece of Parisian bouffonerie" Gänzl K. ''The Encyclopaedia of the Musical Theatre.'' Blackwell, Oxford, 1994. Performance history Bouffes on tour staged ''Mesdames de la Halle'' in Vienna with Lucille Tostée as Croûte-au-pot, then in Budapest, where a Hungarian version soon followed. It was performed in Berlin in 1858, Brussels in 1860, and Monte Carlo in 1908.Loewenberg A. ''Annals of Opera''. London, John Calder, 1978. It was also produced at the Théâtre des Arts on 3 April 1913, conducted by Gabriel Grovlez, with a cast including Lucy Vauthrin, Marcelle Devries and Maurice ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles o ...
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Léonce (actor)
Édouard-Théodore Nicole (1823 – 19 February 1900), known as Léonce, was a 19th-century French actor and singer. Biography Léonce was born in Paris. After studying law, he made his stage debut at the Théâtre de Belleville. He also played the cello. In the 1850s, he was engaged at the Théâtre des Bouffes-Parisiens by Jacques Offenbach and sang many roles in the works of Offenbach and Hervé. After some time at the Théâtre de l'Athenée, he played in the premieres of '' Tromb-al-ca-zar'', '' Croquefer'', '' Orphée aux Enfers'', '' Mesdames de la Halle'' and '' Monsieur Choufleuri''. For several years, he appeared at the Théâtre des Variétés including in '' Les brigands'', '' Le docteur Ox'', '' La Vie parisienne'' and '' La Périchole''. After an unwise investment in a café, he ended his life in poverty. He died at Raincy on 19 February 1900. Theatre ; Comedian-singer *1858: '' Mesdames de la Halle'', une opérette bouffe de Jacques Offenbach - create ...
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Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were ...
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Lise Tautin
Lise Tautin (born Louise Vaissière,Yon, Jean-Claude. ''Jacques Offenbach.'' Editions Gallimard, Paris, 2000. Yvetot in 1834, died Bologna, May 1874), was a French soprano, associated with the opéra-bouffe in Paris in the middle of the 19th century, particularly the works of Offenbach.Gänzl K. ''The Encyclopaedia of the Musical Theatre.'' Blackwell, Oxford, 1994. Life and career Having been spotted by Offenbach at the Grand Théâtre de Lyon, Tautin made her debut with the Bouffes-Parisiens as Aspasie in '' Une demoiselle en loterie'' in July 1857 and was a big success with critics and the audiences. She also sang Fanchette in ''Le mariage aux lanternes'' (1857), Crout-ou-pôt in '' Mesdames de la Halle'' (1858), Minette in '' La chatte métamorphosée en femme'' 1858 - her incarnation of both girl and cat was praised, and Eurydice in '' Orphée aux Enfers'' (1858 and 1860 revival), where her ‘Hymne a Bacchus’ was encored, or often sung three times at each performance ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Désiré (baritone)
Amable Courtecuisse (29 December 1823 – 7 September 1873), whose stage name was Désiré, was a French baritone, who is particularly remembered for creating many comic roles in the works of the French operetta composer Jacques Offenbach. Kutsch, K. J.; Riemens, Leo. '' Großes Sängerlexikon'' (fourth edition, in German), p. 1130. K. G. Saur, Munich, 2003. .Gänzl K. ''The Encyclopedia of the Musical Theatre.'' Blackwell, Oxford, 1994. . Life and career He was born in Lille or a nearby village of it, and studied the bassoon, singing, and declamation at the Lille Conservatory. His first appearances were at small theatres in Belgium and northern France beginning in 1845. In 1847, he arrived at the Théâtre Montmartre in Paris where he met Hervé. He asked Hervé to provide him with a musical sketch (drawn from Cervantes' novel ''Don Quixote''), in which the tall and thin Hervé as the Don was pitted against the short and plump Désiré as Sancho Pança. The sketch inspired ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the ave ...
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France
France (), officially the French Republic ( ), is a country primarily located in Western Europe. It also comprises of overseas regions and territories in the Americas and the Atlantic, Pacific and Indian Oceans. Its metropolitan area extends from the Rhine to the Atlantic Ocean and from the Mediterranean Sea to the English Channel and the North Sea; overseas territories include French Guiana in South America, Saint Pierre and Miquelon in the North Atlantic, the French West Indies, and many islands in Oceania and the Indian Ocean. Due to its several coastal territories, France has the largest exclusive economic zone in the world. France borders Belgium, Luxembourg, Germany, Switzerland, Monaco, Italy, Andorra, and Spain in continental Europe, as well as the Netherlands, Suriname, and Brazil in the Americas via its overseas territories in French Guiana and Saint Martin. Its eighteen integral regions (five of which are overseas) span a combined area of ...
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Brussels
Brussels (french: Bruxelles or ; nl, Brussel ), officially the Brussels-Capital Region (All text and all but one graphic show the English name as Brussels-Capital Region.) (french: link=no, Région de Bruxelles-Capitale; nl, link=no, Brussels Hoofdstedelijk Gewest), is a region of Belgium comprising 19 municipalities, including the City of Brussels, which is the capital of Belgium. The Brussels-Capital Region is located in the central portion of the country and is a part of both the French Community of Belgium and the Flemish Community, but is separate from the Flemish Region (within which it forms an enclave) and the Walloon Region. Brussels is the most densely populated region in Belgium, and although it has the highest GDP per capita, it has the lowest available income per household. The Brussels Region covers , a relatively small area compared to the two other regions, and has a population of over 1.2 million. The five times larger metropolitan area of Brussel ...
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La Monnaie
The Royal Theatre of La Monnaie (french: Théâtre Royal de la Monnaie, italic=no, ; nl, Koninklijke Muntschouwburg, italic=no; both translating as the "Royal Theatre of the Mint") is an opera house in central Brussels, Belgium. The National Opera of Belgium, a federal institution, takes the name of this theatre in which it is housed—La Monnaie in French or De Munt in Dutch—referring both to the building as well as the opera company. As Belgium's leading opera house, it is one of the few cultural institutions which receive financial support from the Federal Government of Belgium. Other opera houses in Belgium, such as the Vlaamse Opera and the Opéra Royal de Wallonie, are funded by regional governments. La Monnaie is located on the Place de la Monnaie/Muntplein, not far from the Rue Neuve/Nieuwstraat and the Place de Brouckère/De Brouckèreplein. The current edifice is the third theatre on the site. The facade dates from 1818 with major alterations made in 1856 and 1 ...
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