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''M. Choufleuri restera chez lui le... '' (''Mr. Cauliflower will be at home on... '') is an opéra bouffe, or
operetta Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its s ...
, in one act by Jacques Offenbach and the Duc de Morny (under the pseudonym "M. de St Rémy"). The
French French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with Franc ...
libretto is also credited to Morny, though Ludovic Halévy,
Hector-Jonathan Crémieux Hector-Jonathan Crémieux (10 November 1828 – 30 September 1893) was a French librettist and playwright. His best-known work is his collaboration with Ludovic Halévy for Jacques Offenbach's ''Orphée aux Enfers'', known in English as '' Orp ...
, and Morny's secretary Ernest L'Épine probably contributed to the text as well. The plot provided many opportunities for Offenbach to indulge in his lighthearted musical parodies of well-known opera melodies and formulas, especially a grand trio in which Italian belcanto is imitated and a comic solo for the manservant. Also, the young lovers secretly communicate using musical quotes.


Performance history

''M. Choufleuri'' was first performed privately at the Présidence du Corps Législatif, Palais Bourbon, Paris on 31 May 1861 in the presence of Napoleon III. The first public performance was given at the Théâtre des Bouffes Parisiens, Paris on 14 September 1861. The Duc de Mornay was the monarch's illegitimate brother and a senior government official, which may explain some of the laudatory reviews of his work. In ''Le Figaro'', however, Henri Rochefort wrote: :How fortunate is this author whose participation in a frightful ''coup d'etat'' has saved him from the necessity of living by the pen! If one of us dared bring such an inept production to a theatrical director, he would forthwith have been seized and thrown into the den of the theater's old hag ushers, whose instructions would have been to beat him to death with footstools. The one-hour work is still performed, especially by amateur companies, since it is not particularly challenging vocally. ''M. Choufleuri restera chez lui'' was performed as part of a triple bill entitled ‘Vive Offenbach’ with '' Pomme d'api'' and '' Mesdames de la Halle'' at the Paris
Opéra-Comique The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne ...
in December 1979, revived the following year and in 1983, with a recording in 1982. There was a production at La Monnaie, Brussels under Patrick Davin in February 2007.


Roles


Synopsis

:Place: Paris :Time: January 24, 1833 The newly-rich but culturally ignorant M. Choufleuri invites the upper crust of Paris to a private party and "musical soiree" (at his bourgeois drawing-room, furnished in vulgar taste) by celebrated real life Italian opera singers: soprano Henriette Sontag, tenor Giovanni Battista Rubini, and baritone Antonio Tamburini. All three become indisposed at the last minute. In the meantime, Choufleuri's daughter, Ernestine, has been secretly seeing a young bassoonist, composer and singer, Chrysodule Babylas. When she asked her father to invite the young man to the soiree, Choufleuri had refused, saying that a poor musician is not a worthy suitor for her. Now, Ernestine saves the day by impersonating Sontag and insisting that Babylas impersonate Rubini, and that Choufleuri himself masquerade as Tamburini (after all, the young couple explain, baritones don't need to speak much, they just oom-pah-pah – but Choufleuri should try to stay on key). Despite Choufleuri's lazy and incompetent Flemish servant, Petermann, the deception works – the guests are impressed by the great "Italian" singers (who all speak in Italian accents and sing in pig-Italian), and Choufleuri rewards Babylas with his daughter's hand in marriage (especially since Babylas has demanded this, plus 50,000 Francs dowry, in order to keep quiet about the fraud).Libretto
from Boosey & Hawkes


Recordings


Recordings may be found on operadis-opera-discography.org.uk


References

;Notes ;Sources * *Lamb, Andrew, "''M. Choufleuri restera chez lui le . . .''" in ''The
New Grove Dictionary of Opera ''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volu ...
'', ed. Stanley Sadie (London, 1992) ' *Williams, Roger L. ''Gaslight and Shadow: The World of Napoleon III'' (NY: Macmillan, 1957)


External links

*
Libretto as originally submitted for censorship
{{DEFAULTSORT:M. Choufleuri Restera Chez Lui Le . . . Operas by Jacques Offenbach French-language operas Operas Opéras bouffes 1861 operas Operas set in Paris One-act operas