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Lux Film
Lux Film was an Italian film distribution (and later production) company founded by Riccardo Gualino in 1934. Gualino was an anti-fascist businessman who had clashed with the regime of Mussolini in 1931 and had been forced into internal exile on the island of Lipari.Gian Piero Brunetta, Jeremy Parzen ''The History of Italian Cinema: a Guide to Italian Film From its Origins to the Twenty-First Century'', 2009, Princeton & Woodstock: Princeton University Press, p. 71, 117 Founded in 1934, the Turin-based company specialised in distributing non-Italian films during its first few years. Relocating in Rome in 1940, Lux began making its own films around this time, with the aim of its output being "low risk and low budget by packaging high-quality art films with cultural content". Unlike the studio system current in Hollywood at the time, the company did not have its own studios, but financed, distributed, and exhibited projects which others brought to it with 'fixed-price contracts' whe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riccardo Gualino
Riccardo Gualino (25 March 1879 – 6 June 1964) was an Italian business magnate and art collector. He was also a patron and an important film producer. His first business empire was based on lumber from Eastern Europe and included forest concessions, lumber mills, ships and warehouses. The highly leveraged structure collapsed in 1912–13. Gualino was also involved in manufacturing and distributing cement, and during World War I (1914–18) built and operated cargo ships carrying goods such as coal from the United States to Europe. After the war he was engaged in many enterprises, some in partnership with Giovanni Agnelli of FIAT. His activities included banking, manufacture of rayon, confectionery, chemicals and artificial leather. The Italian economy weakened after a currency revaluation in 1926. Gualino became involved in risky speculations with the French financier Albert Oustric. Their joint enterprises could not survive the world economic crisis of 1929. Gualino failed agai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bandit (1946 Film)
''The Bandit'' () is a 1946 Italian drama crime film directed by Alberto Lattuada and starring Anna Magnani, Amedeo Nazzari and Carla Del Poggio. It was shot on location in Turin. Nazzari won the Nastro d'Argento as Best Actor for his performance. The film was entered into the 1946 Cannes Film Festival. Plot A contingent of Italian prisoners of war arrive on a train from Germany after World War II to Turin. The city where Ernesto (played by Nazzari) lives has been bombed, his mother is dead and his sister has gone missing. State help for returning veterans is scant and bureaucracy rampant. Ernesto tries to get an honest job, but fails. After finding a lost purse and meeting the dangerously seductive Lidia (played by Anna Magnani), Ernesto discovers the whereabouts of his lost sister (played by Carla del Poggio), who has turned to prostitution to survive during the war years. He unwittingly causes her death, kills her pimp, escapes capture with Lidia's help and joins her gangst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Distributors Of Italy
A film, also known as a movie or motion picture, is a work of Visual arts, visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, Sound film, synchronized with sound and (less commonly) other sensory stimulations. Etymology and alternative terms The name "film" originally referred to the thin layer of photochemical emulsion on the celluloid strip that used to be the actual Recording medium, medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including "picture", "picture show", "moving picture", "photoplay", and "flick". The most common term in the United States is "movie", while in Europe, "film" is preferred. Archaic terms include "animated pictures" and "animated photography". "Flick" is, in general a slang term, first recorded in 1926. It originates in the verb flicker, owing to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Senso (film)
''Senso'' is a 1954 Italian historical melodrama film directed and co-written by Luchino Visconti, based on Camillo Boito's novella of the same name. Set during the Third Italian War of Independence, the film follows the Italian Contessa Livia Serpieri (Alida Valli), who has an affair with the Austrian Lieutenant Franz Mahler ( Farley Granger). It was Visconti's first color film. The word ''senso'' is Italian for "sense," "feeling," or "lust." The title refers to the delight Livia experiences while reflecting on her affair with a handsome lieutenant, in spite of her political convictions. In 2008, the film was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978." Plot The film is set in Italy around 1866, the year the Italian-Austrian war of unification would see the Veneto and most of Friuli-Venezia Giulia united to Italy after the Seven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luchino Visconti
Luchino Visconti di Modrone, Count of Lonate Pozzolo (; 2 November 1906 – 17 March 1976) was an Italian filmmaker, theatre and opera director, and screenwriter. He was one of the fathers of Italian neorealism, cinematic neorealism, but later moved towards luxurious, sweeping epics dealing with themes of beauty, decadence, death, and European history, especially the decay of the nobility and the bourgeoisie. Critic Jonathan Jones (journalist), Jonathan Jones wrote that “no one did as much to shape Italian cinema as Luchino Visconti.” Born into a Milanese Visconti di Modrone, noble family with close ties to the artistic world, Visconti began his career in France as an assistant director to Jean Renoir. His 1943 directorial debut, , was condemned by the Fascist Italy (1922–1943), Fascist regime for its unvarnished depictions of working-class characters, but is today renowned as a pioneering work of Italian cinema, generally regarded as the first neorealist film. During Wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ulysses (1955 Film)
''Ulysses'' () is a 1954 fantasy-adventure film based on Homer's epic poem ''Odyssey''. The film was directed by Mario Camerini, who co-wrote the screenplay with writer Franco Brusati. The original choice for director was Georg Wilhelm Pabst but he quit at the last minute.''Dino de Laurentiis Obituary'', ''The Guardian'', 11 November 2010 The film's cinematographer Mario Bava co-directed the cyclops Polyphemus segment (uncredited). In the film Silvana Mangano plays two roles, as Penelope, the faithful wife of Ulysses and the sorceress Circe. American star Kirk Douglas plays the Greek hero, Ulysses, while Anthony Quinn plays Antinous. Plot The palace of Ulysses, king of Ithaca, is beleaguered by a horde of suitors wooing his wife Penelope after his failure to return from the war against the city of Troy. Penelope has promised under pressure to marry one of her many suitors, who under the leadership of Antinous squander her husband's wealth and land. She holds them off by tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Legion Of Decency
The National Legion of Decency, also known as the Catholic Legion of Decency, was an American Catholic group founded in 1934 by the Archbishop of Cincinnati, John T. McNicholas, as an organization dedicated to identifying objectionable content in motion pictures on behalf of Catholic audiences. Members were asked to pledge to patronize only those motion pictures which did not "offend decency and Christian morality". The concept soon gained support from other churches. Condemnation by the Legion would often diminish a film's chances for success because it meant the population of Catholics, some twenty million strong at the time (plus their Protestant allies), would avoid attending any screening of the film. The efforts to help parishioners avoid films with objectionable content sometimes backfired when it was found that they helped draw attention to those films. Although the Legion was often envisioned as a bureaucratic arm of the Catholic Church, it instead was little more than a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Production Code Administration
The Motion Picture Association (MPA) is an American trade association representing the five major film studios of the United States, the mini-major Amazon MGM Studios, as well as the video streaming services Netflix and Amazon Prime Video. Founded in 1922 as the Motion Picture Producers and Distributors of America (MPPDA) and known as the Motion Picture Association of America (MPAA) from 1945 until September 2019, its original goal was to ensure the viability of the American film industry. In addition, the MPA established guidelines for film content which resulted in the creation of the Motion Picture Production Code in 1930. This code, also known as the Hays Code, was replaced by a voluntary film rating system in 1968, which is managed by the Classification and Rating Administration (CARA). The MPA has advocated for the motion picture and television industry, with the goals of promoting effective copyright protection, expanding market access and has worked to curb copyright ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Neorealism
Italian neorealism (), also known as the Golden Age of Italian Cinema, was a national film movement characterized by stories set amongst the poor and the working class. They are filmed on location, frequently with non-professional actors. They primarily address the difficult economic and moral conditions of post-World War II Italy, representing changes in the Italian psyche and conditions of everyday life, including poverty, oppression, injustice and desperation. Italian Neorealist filmmakers used their films to tell stories that explored the contemporary daily life and struggles of Italians in the post-war period. Italian neorealist films have become explanatory discourse for future generations to understand the history of Italy during a specific period through the storytelling of social life in the context, reflecting the documentary and communicative nature of the film. Some people believe that neorealistic films evolved from Soviet montage films. But in reality, compared to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bitter Rice
''Bitter Rice'' ( ) is a 1949 Italian neorealist crime drama film directed and co-written by Giuseppe De Santis, produced by Dino De Laurentiis, and starring Vittorio Gassman, Doris Dowling, Silvana Mangano, and Raf Vallone. The story follows a pair of fugitives, who hide among the rice fields of northern Italy. The Italian title of the film is based on a pun; since the Italian word '' riso'' can mean either "rice" or "laughter", can be taken to mean either "bitter laughter" or "bitter rice". Released by Lux Film, ''Bitter Rice'' was a commercial success in Europe and the United States. It was nominated for the Palme d'Or at the 1949 Cannes Film Festival, and was nominated for the 1950 Academy Award for Best Story. In 2008, the film was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978." Plot In an effort to escape the law, two small-tim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Figlia Del Capitano
LA most frequently refers to Los Angeles, the second most populous city in the United States of America. La, LA, or L.A. may also refer to: Arts and entertainment Music *La (musical note), or A, the sixth note *"L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson *''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 *The La's, an English rock band *L.A. Reid, a prominent music producer *Yung L.A., a rapper *Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 *"La", a song by Australian-Israeli singer-songwriter Old Man River *''La'', a Les Gordon album Other media * l(a, a poem by E. E. Cummings *La (Tarzan), fictional queen of the lost city of Opar (Tarzan) *''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel *LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mario Camerini
Mario Camerini (6 February 1895 – 4 February 1981) was an Italian film director and screenwriter. Camerini began his career in the film industry in 1920, working for his cousin the director Augusto Genina. Camerini went on to direct his own films at Cines Studios. He made the most well-known films in Italy during the 1930s, most of them comedies starring Vittorio De Sica. He directed about fifty films until 1972, including 1954's Ulysses (1954 film), ''Ulysses'' with American stars Kirk Douglas and Anthony Quinn, one of the first Europe/US film co-productions. He died in 1981 in Gardone Riviera, Gardone Rivera. Selected filmography * ''Wally (1923 film), Wally'' (1923) *''Jolly clown da circo'' (1923) * ''The House of Pulcini'' (1924) * ''Voglio tradire mio marito'' (1925) * ''Saetta, principe per un giorno'' (1925) * ''Maciste against the Sheik'' (1925) * ''Kif Tebbi'' (1928) * ''Rails (film), Rails'' (1929) * ''Figaro and His Great Day'' (1931) * ''The Last Adventure (1932 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
