Lured
''Lured'' is a 1947 American film noir directed by Douglas Sirk and starring George Sanders, Lucille Ball, Charles Coburn, Cedric Hardwicke, Sir Cedric Hardwicke, and Boris Karloff. The film is a remake of 1939 French film ''Pièges'' directed by Robert Siodmak, which was titled ''Personal Column'' in the United States; ''Personal Column'' was also the title of this film as originally released. It did not enjoy good business under that name – the code administration was concerned that some people thought the film was titled "LURID", so United Artists pulled it from distribution, and subsequently re-released it with the alternate title. The film's sets were designed by the art director Nicolai Remisoff. Plot Sandra Carpenter is an American who came to London in order to perform in a show, but is now working as a taxi dancer. She is upset to find out that her friend and fellow dancer, Lucy Barnard, is missing and believed to be the latest victim of the notorious "Poet Killer," ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pièges
''Personal Column'' () is a 1939 French thriller film directed by Robert Siodmak and starring Maurice Chevalier, Pierre Renoir, Marie Déa and Erich von Stroheim. It was shot at the Joinville Studios in Paris. The film's sets were designed by the art directors Maurice Colasson and Georges Wakhévitch. ''Lured'', an American re-make, directed by Douglas Sirk and starring Lucille Ball, was released in 1947. Plot After one of her fellow taxi dancers is murdered by an unknown man whom she met through a personal advertisement, personal column ad, Adrienne Charpentier is recruited by the police to answer a series of similar adverts to try to track down the killer. She meets and falls in love with the charming nightclub owner and womanizer Robert Fleury, but clues begin to appear that suggest that it is he who is the murderer. Partial cast * Maurice Chevalier as Robert Fleury * Marie Déa as Adrienne Charpentier, la journaliste/the newspaper woman * Pierre Renoir as Brémontier * Erich ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Leo Rosten
Leo Calvin Rosten (Yiddish: ; April 11, 1908 – February 19, 1997) was an American writer and humorist in the fields of scriptwriting, storywriting, journalism, and Yiddish lexicography. Early life Rosten was born into a Yiddish-speaking family in Łódź, Russian Empire (now in Poland), and immigrated to the United States with his family in 1911 when he was three. His parents were Samuel Rosten and Ida Freundlich Rosten, both trade unionists. They opened a knitting shop in the Greater Lawndale area of Chicago, where Rosten and his younger sister grew up among other working-class Jewish families. Like their neighbors, the children spoke both English and Yiddish. Rosten showed an interest in books and language very early and began writing stories when he was only nine. During the Great Depression, when he was unable to find other work, he taught English for recent immigrants at night. These experiences eventually became the source of his most popular works, ''The Education of H ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Michel Michelet
Michel Michelet (July 14, 1894 – December 28, 1995) was a composer of film scores.Mayer & McDonnell p.129 Born as Mikhail Isaakovich Levin to a Jewish family in Kyiv (then in the Russian Empire), he moved to Western Europe before settling in France where he became a celebrated composer. He worked on many films during the 1930s following the introduction of sound film. Following the Nazi invasion of France in 1940, he immigrated to the United States where he continued to work on Hollywood productions including several films noir. Later he provided scores for some European films in the post-war era. He was nominated twice at the 17th Academy Awards for Best Original Score but did not win. Selected filmography * '' Nights of Princes'' (1930) * '' Queen of the Night'' (1931) * '' La Femme d'une nuit'' (1931) * ''That Scoundrel Morin'' (1932) * '' The Abbot Constantine'' (1933) * '' The Faceless Voice'' (1933) * '' The Scandal'' (1934) * '' Skylark'' (1934) * ''Les yeux noirs'' ( ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Joseph Calleia
Joseph Calleia ( ; born Joseph Alexander Caesar Herstall Vincent Calleja, August 4, 1897 – October 31, 1975) was a Maltese-born American actor and singer on the stage and in films, radio and television. After serving in the Merchant Navy (United Kingdom), British Transport Service during World War I, he travelled to the United States and began his career on the stage, initially in musical comedy, but later in original Broadway productions such as ''Broadway (play), Broadway'' (1926), ''The Front Page'' (1928), ''The Last Mile (play), The Last Mile'' (1930), and ''Grand Hotel'' (1930). Calleia became a star with the play ''Small Miracle'' (1934), his first real role as a villain, and he was put under contract by Metro-Goldwyn-Mayer. Calleia excelled as the villain in Hollywood films, but he fought against typecasting and created a succession of darkly mysterious characters edged with humor in films such as ''Algiers (1938 film), Algiers'' (1938), ''Five Came Back'' (1939), ''G ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Taxi Dancer
A taxi dancer is a paid dance partner in a ballroom dance. Taxi dancers work (sometimes for money but not always) on a dance-by-dance basis. When taxi dancing first appeared in taxi-dance halls during the early 20th century in the United States, male patrons typically bought dance tickets for a small sum each. When a patron presented a ticket to a chosen taxi dancer, she danced with him for the length of a song. She earned a commission on every dance ticket she received. Though taxi dancing has for the most part disappeared in the United States, it is still practiced in some other countries. Etymology The term "taxi dancer" comes from the fact that, as with a taxi-cab driver, the dancer's pay is proportional to the time they spend dancing with the customer. Patrons in a taxi-dance hall typically purchased dance tickets for ten cents each, which gave rise to the term "dime-a-dance girl". Other names for a taxi dancer are "dance hostess" and "taxi" (in Argentina). In the 1920s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nicolai Remisoff
Nikolai Vladimirovich Remizov (; in Saint-Petersburg – 4 August 1975 in Riverside County), also known as Nicolai Remisoff, was a Russian and American artist, political cartoonist and art director of American cinema.Millichap p.210-13 He worked a number of times on films directed by fellow Russian Gregory Ratoff. Before the 1917 Revolution he was the leading artist in russian satirical magazines '' Strekoza'' and ', in which he published his cartoons under the pseudonym Re-Mi. Selected filmography * ''Of Mice and Men'' (1939) * '' Captain Caution'' (1940) * '' Turnabout'' (1940) * '' My Life with Caroline'' (1941) * '' The Men in Her Life'' (1941) * ''Broadway Limited'' (1941) * '' Topper Returns'' (1941) * '' The Corsican Brothers'' (1941) * '' Something to Shout About'' (1943) * '' The Heat's On'' (1943) * '' Guest in the House'' (1944) * '' Madame Pimpernel'' (1945) * '' Young Widow'' (1946) * '' The Strange Woman'' (1946) * ''Dishonored Lady'' (1947) * ''Lured'' (1947) * ' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hunt Stromberg
Hunt Stromberg (July 12, 1894 – August 23, 1968) was a film producer during Hollywood's Golden Age. In a prolific 30-year career beginning in 1921, Stromberg produced, wrote, and directed some of Hollywood's most profitable and enduring films, including ''The Thin Man (film), The Thin Man'' series, the Nelson Eddy/Jeanette MacDonald operettas, ''The Women (1939 film), The Women'', and ''The Great Ziegfeld'', which won the Academy Awards, Academy Award for Best Picture of 1936. Early career Hunt Stromberg was born in Louisville, Kentucky, in 1894. Leaving a career as a newspaper reporter and sports writer for the ''St. Louis Times'', he followed an advertising friend into the motion picture industry prior to World War I, becoming publicity director for the Goldwyn Pictures Corporation in New York. In 1918, the company sent Stromberg to California, where he developed an interest in filmmaking; by 1919 he had become the personal representative of industry pioneer Thomas H. Ince, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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William Daniels (cinematographer)
William H. Daniels ASC (December 1, 1901 – June 14, 1970) was a film cinematographer who was best-known as actress Greta Garbo's personal lensman. Daniels served as the cinematographer on all but three of Garbo's films during her tenure at Metro-Goldwyn-Mayer, including '' Torrent'' (1926), '' The Mysterious Lady'' (1928), '' The Kiss'' (1929), ''Anna Christie'' (1930), '' Grand Hotel'' (1932), '' Queen Christina'' (1933), '' Anna Karenina'' (1935), '' Camille'' (1936) and '' Ninotchka'' (1939). Early in his career, Daniels worked regularly with director Erich von Stroheim, providing cinematography for such films as '' The Devil's Pass Key'' (1920) and ''Greed'' (1924). Daniels went on to win an Academy Award for Best Cinematography for his work on '' The Naked City'' (1948). Early years Daniels was born in Cleveland, Ohio, in 1901. He completed his higher education at the University of Southern California (USC). Career His career as a cinematographer extended fifty yea ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Douglas Sirk
Douglas Sirk (born Hans Detlef Sierck; 26 April 1897 – 14 January 1987) was a German film director best known for his work in Hollywood (film industry), Hollywood melodramas of the 1950s. However, he also directed comedies, westerns, and war films. Sirk started his career in Weimar Republic, Germany as a stage and screen director, but he left for Hollywood in 1937 after his Jewish wife was persecuted by the Nazis. In the 1950s, he achieved his greatest commercial success with Melodrama (film genre), film melodramas ''Magnificent Obsession (1954 film), Magnificent Obsession'', ''All That Heaven Allows'', ''Written on the Wind'', ''A Time to Love and a Time to Die'', and ''Imitation of Life (1959 film), Imitation of Life''. While those films were initially panned by critics as sentimental women's pictures, they are today widely regarded by film directors, critics, and scholars as masterpieces. His work is seen as a "critique of the bourgeoisie in general and of 1950s America in p ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Boris Karloff
William Henry Pratt (23 November 1887 – 2 February 1969), known professionally as Boris Karloff () and occasionally billed as Karloff the Uncanny, was a British actor. His portrayal of Frankenstein's monster in the horror film ''Frankenstein (1931 film), Frankenstein'' (1931), his 82nd film, established him as a horror icon, and he reprised the role for the sequels ''Bride of Frankenstein'' (1935) and ''Son of Frankenstein'' (1939). He also appeared as Imhotep (The Mummy), Imhotep in ''The Mummy (1932 film), The Mummy'' (1932), and voiced the Grinch in, as well as narrating, the animated television special of Dr. Seuss' ''How the Grinch Stole Christmas! (TV special), How the Grinch Stole Christmas!'' (1966), which won him a Grammy Award. Aside from his numerous film roles (174 films), Karloff acted in many live stage plays and appeared on dozens of radio and television programs as well. For his contribution to film and television, Karloff was awarded two stars on the Hollywo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lucille Ball
Lucille Désirée Ball (August 6, 1911 – April 26, 1989) was an American actress, comedian, producer, and studio executive. She was recognized by ''Time (magazine), Time'' in 2020 as one of the most influential women of the 20th century for her work in all four of these areas. She was nominated for 13 Primetime Emmy Awards, winning five, and was the recipient of several other accolades, such as the Golden Globe Cecil B. DeMille Award and two stars on the Hollywood Walk of Fame. She earned many honors, including the Women in Film Women in Film Crystal + Lucy Awards#THE CRYSTAL AWARD, Crystal Award, an induction into the Television Hall of Fame, a Kennedy Center Honors, Kennedy Center Honor, and the Governors Award from the Academy of Television Arts & Sciences. Ball's career began in 1929 when she landed work as a model. Shortly thereafter, she began her performing career on Broadway theatre, Broadway using the stage name Diane (or Dianne) Belmont. She later appeared in films i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |