Luigi Canina
Luigi Canina (23 October 1795 – 17 October 1856) was an Italian archaeologist and architect. Together with Giuseppe Valadier, he was a leading figure of archaeologically correct Neoclassicism in early-19 century Rome. He was the second recipient of the Royal Gold Medal, awarded in 1849. In England, he restored interiors at Alnwick Castle, Northumberland. Biography Early life and education Luigi Canina, an Italian architect and archaeologist, was born in Casale Monferrato in 1795. He studied architecture at the University of Turin (1810–12) under Ferdinando Bonsignore and his assistant Giuseppe Talucchi (1782–1863). After serving (1812–14) in the fortress of Alessandria, he resumed his studies and obtained a degree in architecture in 1814. He served a period of apprenticeship under Talucchi, who helped him obtain a three-year grant from the Court of Turin for further study in Rome, where Canina settled in January 1818. He worked on engravings of Roman monuments under t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Casale Monferrato
Casale Monferrato () is a town in the Piedmont region of Northwest Italy, northwestern Italy, in the province of Alessandria. It is situated about east of Turin on the right bank of the Po River, Po, where the river runs at the foot of the Montferrat hills. Beyond the river lies the vast plain of the Po valley. An ancient Roman ''municipium'', the town has been the most important trade and manufacturing centre of the area for centuries. After the fall of the Roman Empire, Casale became a free municipality and, in the 15th and early 16th centuries, served as the capital of the House of Palaiologos. Then in 1536, the town passed to the House of Gonzaga, Gonzagas who fortified it with a large citadel. In the 17th century, Casale was heavily involved in the War of the Mantuan Succession and besieged by French and Spanish troops. During the wars of Italian unification the town was a defensive bulwark against the Austrian Empire. In the 1900s Casale, in the middle of the Turin-Milan-Ge ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Villa Borghese Gardens
Villa Borghese is a landscape garden in Rome, containing a number of buildings, museums (see Galleria Borghese) and attractions. It is the third-largest public park in Rome (80 hectares or 197.7 acres), after the ones of the Villa Doria Pamphili and Villa Ada. The gardens were developed for the Villa Borghese Pinciana ("Borghese villa on the Pincian Hill"), built by the architect Flaminio Ponzio, developing sketches by Scipione Borghese, who used it as a ''villa suburbana'', or party villa, at the edge of Rome, and to house his art collection. The gardens as they are now were remade in the late 19th century. History In 1605 Cardinal Scipione Borghese, nephew of Pope Paul V and patron of Bernini, began turning this former vineyard into the most extensive gardens built in Rome since Antiquity. The vineyard's site is identified with the gardens of Lucullus, the most famous in the late Roman republic. Domenico Savino da Montepulciano was responsible for the layout of the garde ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Acroterion
An acroterion, acroterium, (pl. akroteria) is an architectural ornament placed on a flat pedestal called the ''acroter'' or plinth, and mounted at the apex or corner of the pediment of a building in the classical style. An acroterion placed at the outer angles of the pediment is an ''acroterion angularium'' (' means ‘at the corners’). The acroterion may take a wide variety of forms, such as a statue, tripod, disc, urn, palmette or some other sculpted feature. Acroteria are also found in Gothic architecture. They are sometimes incorporated into furniture designs. Etymology The word comes from the Greek ' ( 'summit, extremity'), from the comparative form of the adjective ἄκρος, ("extreme", "endmost") + -τερος (comparative suffix) + -ιον (substantivizing neuter form of adjectival suffix -ιος). It was Latinized by the Romans as '. ''Acroteria'' is the plural of both the original Greek and the Latin form. According to Webb, during the Hellenistic perio ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tympanum (architecture)
A tympanum ( tympana; from Greek and wiktionary:tympanum#Latin, Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architecture, architectural styles include this element, although it is most commonly associated with Romanesque architecture, Romanesque and Gothic architecture, Gothic architecture. Alternatively, the tympanum may hold an inscription, or in modern times, a clock face. Tympanums in antiquity and the Early Middle Ages Tympanums are by definition inscriptions enclosed by a pediment, however the evolution of tympanums gives them more specific implications. Pediments first emerged early in Classical Greece around 700-480 BCE, with early examples such as the Parthenon remaining famous to this day. Pediments spread across the Hellenistic world with the rest of classical architecture. T ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Portico
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures. Porticos are sometimes topped with pediments. Palladio was a pioneer of using temple-fronts for secular buildings. In the UK, the temple-front applied to The Vyne, Hampshire, was the first portico applied to an English country house. A pronaos ( or ) is the inner area of the portico of a Greek or Roman temple, situated between the portico's colonnade or walls and the entrance to the '' cella'', or shrine. Roman temples commonly had an open pronaos, usually with only columns and no walls, and the pronaos could be as long as the ''cella''. The word ''pronaos'' () is Greek for "before a temple". In Latin, a pronaos is also referred to as an ''anticum'' or ''prodomus''. The pronaos of a Greek a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Oxford University Press
Oxford University Press (OUP) is the publishing house of the University of Oxford. It is the largest university press in the world. Its first book was printed in Oxford in 1478, with the Press officially granted the legal right to print books by decree in 1586. It is the second-oldest university press after Cambridge University Press, which was founded in 1534. It is a department of the University of Oxford. It is governed by a group of 15 academics, the Delegates of the Press, appointed by the Vice Chancellor, vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, Walton Street, Oxford, opposite Somerville College, Oxford, Somerville College, in the inner suburb of Jericho, Oxford, Jericho. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Luigi Cagnola
Marchese Luigi Cagnola (9 June 1762 – 14 August 1833) was a Neoclassical architecture, Neoclassical Italian architect. Biography Early years and education Cagnola was born in Milan. He was sent at the age of fourteen to the Clementine College at Rome, and afterwards studied law at the University of Pavia. He was intended for the legal profession, but his passion for architecture was too strong, and after holding some government posts at Milan, he entered as a competitor for the construction of the Porta Orientale. His designs were commended, but were not selected on account of the expense their adoption would have involved. In 1792 Cagnola contributed a series of measured drawings to the first volume of Angelo Fumagalli’s ''Delle antichità longobardico-milanesi''. Napoleonic period From an early date in his career it was clear that when working on historic buildings his guiding principle was to conform to the style of the original architecture, whatever its period. He fo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ionic Order
The Ionic order is one of the three canonic classical order, orders of classical architecture, the other two being the Doric order, Doric and the Corinthian order, Corinthian. There are two lesser orders: the Tuscan order, Tuscan (a plainer Doric), and the rich variant of Corinthian called the composite order. Of the three classical canonic orders, the Corinthian order has the narrowest columns, followed by the Ionic order, with the Doric order having the widest columns. The Ionic capital is characterized by the use of volutes. Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform while the cap is usually enriched with egg-and-dart. The ancient architect and architectural historian Vitruvius associates the Ionic with feminine proportions (the Doric representing the masculine). Description Capital The major features of the Ionic order are the volutes of its capital (architecture), capital, which have been the subject of mu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Piazzale Flaminio
Piazzale Flaminio is a square in Rome (Italy) and the starting point of the Via Flaminia. It divides the Flaminio (Rome), Flaminio and the Pinciano quarters. Description The square extends just outside the Aurelian Walls. Porta del Popolo, on its south side, connects it to Piazza del Popolo. On its east side there are the neoclassical propylaeum, propylaea giving access to Villa Borghese gardens, Villa Borghese, designed by Luigi Canina. Transports * Bus stop (ATAC SpA, ATAC) * Metro stop (''Flaminio – Piazza del Popolo (Rome Metro), Flaminio - Piazza del Popolo'', Line A (Rome Metro), line A) * Railway station (''Piazzale Flaminio railway station (Rome), Piazzale Flaminio station'') Image gallery File:Rom, Piazzale Flaminio, das Propylon zur Viale Giorgio Washington.JPG, The propylaea of Villa Borghese File:Roma--rom-atac-sl-747706.jpg, The access to the metro stop Piazzas in Rome, Flaminio Rome Q. I Flaminio {{Rome-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Arch Of Septimius Severus
The Arch of Septimius Severus () at the northwestern end of the Roman Forum is a white marble triumphal arch dedicated in 203 AD to commemorate the Roman–Parthian Wars, Parthian victories of Emperor Septimius Severus and his two sons, Caracalla and Publius Septimius Geta, Geta, in the two campaigns against the Parthian Empire, Parthians of 194-195 and 197–199. After the death of Septimius Severus, his sons Caracalla and Geta were initially joint Emperors. Caracalla had Geta assassinated in Rome; in the practice now known as ''damnatio memoriae'', Geta's memorials were destroyed and all images or mentions of him were removed from street buildings and monuments. Accordingly, Geta's image and inscriptions referring to him were removed from the arch. The Severan dynasty were avid builders of triumphal or honorary arches, especially in the Roman Empire; the Arch of Septimius Severus (Leptis Magna), Arch of Septimius Severus in the emperor's hometown of Leptis Magna, Libya was built ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Obelisk
An obelisk (; , diminutive of (') ' spit, nail, pointed pillar') is a tall, slender, tapered monument with four sides and a pyramidal or pyramidion top. Originally constructed by Ancient Egyptians and called ''tekhenu'', the Greeks used the Greek term to describe them, and this word passed into Latin and ultimately English. Though William Thomas used the term correctly in his ''Historie of Italie'' of 1549, by the late sixteenth century (after reduced contact with Italy following the excommunication of Queen Elizabeth), Shakespeare failed to distinguish between pyramids and obelisks in his plays and sonnets. Ancient obelisks are monolithic and consist of a single stone; most modern obelisks are made of several stones. Ancient obelisks Egyptian Obelisks were prominent in the architecture of the ancient Egyptians, and played a vital role in their religion placing them in pairs at the entrance of the temples. The word "obelisk" as used in English today is of Greek rathe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Propylaea
In ancient Greek architecture, a propylaion, propylaeon or, in its Latinized form, ''propylaeum''—often used in the plural forms propylaia or propylaea (; Greek: προπύλαια)—is a monumental gateway. It serves as a partition, separating the secular and religious parts of a city. The prototypical Greek example is the propylaea that served as the entrance to the Acropolis of Athens. The Greek Revival Brandenburg Gate of Berlin and the Propylaea in Munich both evoke the central portion of the Athens Propylaea. Etymology The Greek word , ''propylaeon'' (''propylaeum'' is the Latin version), is the union of the prefix προ-, ''pro-'', "before, in front of", plus the plural of πύλη, ''pyle'', "gate", meaning literally "that which is before the gates", but the word has come to mean simply "gate building". Propylaea of the Athenian Acropolis The propylaea were the monumental gates to the Acropolis, commissioned by the Athenian leader Pericles in order to rebuild th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |