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Lovelock (hair)
A Lovelock was popular amongst European "men of fashion" from the end of the 16th century until well into the 17th century. The lovelock was a long lock of hair, often plaited (braided) and made to rest over the left shoulder (the heart side) to show devotion to a loved one. Origin Most sources contemporary with the rise of the fashion (mid-1500s) thought the lovelock was an imitation of an American Indian hairstyle. People such as Francis Higginson—Salem, Massachusetts's first minister—"reported n his 1630 book ''New-Englands Plantation''speculation that the style of wearing one long lock of hair among fashionable young men in England was conscious imitation of the asymmetrical Powhatan male cut." Sir Thomas Dale, governor of Jamestown and John Rolfe, the husband of Pocahontas, also believed that the trend was a conscious imitation of Indian hairstyling. They further specified that lovelocks had arrived in England with the group of Roanoke colonists rescued by Sir Franc ...
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Sir Anthony Van Dyck - Charles I (1600-49) - Google Art Project
''Sir'' is a formal honorific address in English for men, derived from Sire in the High Middle Ages. Both are derived from the old French "Sieur" (Lord), brought to England by the French-speaking Normans, and which now exist in French only as part of "Monsieur", with the equivalent "My Lord" in English. Traditionally, as governed by law and custom, Sir is used for men titled as knights, often as members of orders of chivalry, as well as later applied to baronets and other offices. As the female equivalent for knighthood is damehood, the female equivalent term is typically Dame. The wife of a knight or baronet tends to be addressed as Lady, although a few exceptions and interchanges of these uses exist. Additionally, since the late modern period, Sir has been used as a respectful way to address a man of superior social status or military rank. Equivalent terms of address for women are Madam (shortened to Ma'am), in addition to social honorifics such as Mrs, Ms or Miss. ...
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Plica Polonica
Polish plait ( Latin: ''Plica polonica'', pl, Kołtun polski or ''plika'', ''Kołtun'' in Polish meaning matted), less commonly known in English as plica or trichoma, is a formation of hair. This term can refer to either a hairstyle or a medical condition. It also relates to the system of beliefs in European folklore, and healing practices in traditional medicine in medieval Polish–Lithuanian Commonwealth that supported, matted hair as an amulet, or as a catchment for illness leaving the body. As a medical condition Plica Polonica (synonym, ''plica neuropathica''; common name, "Polish plait") is an uncommon condition in which the hair shaft becomes entangled irreversibly, forming a mass which is matted and sometimes can be sticky and moist. In this condition, the protective layer of hair (cuticle) is damaged, and the cortex of the hair is exposed. The cortex is a more moist and sticky part of the hair than the outer layer, and the affected hairs adhere to each other and ...
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Dreadlocks
Dreadlocks, also known as locs or dreads, are rope-like strands of hair formed by locking or braiding hair. Origins Some of the earliest depictions of dreadlocks date back as far as 1600–1500 BCE in the Minoan Civilization, one of Europe's earliest civilizations, centred in Crete (now part of Greece). Frescoes discovered on the Aegean island of Thera (modern Santorini, Greece) depict individuals with long braided hair or long dreadlocks. In ancient Egypt, examples of Egyptians wearing locked hairstyles and wigs have appeared on bas-reliefs, statuary and other artifacts. Mummified remains of Egyptians with locked wigs have also been recovered from archaeological sites. During the Bronze and Iron Ages, many peoples in the Near East, Anatolia, Caucasus, East Mediterranean and North Africa such as the Sumerians, Elamites and Ancient Egyptians were depicted in art with braided or plaited hair and beards. However, braids are not dreadlocks, and it is not always possi ...
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Cavalier
The term Cavalier () was first used by Roundheads as a term of abuse for the wealthier royalist supporters of King Charles I and his son Charles II of England during the English Civil War, the Interregnum, and the Restoration (1642 – ). It was later adopted by the Royalists themselves. Although it referred originally to political and social attitudes and behaviour, of which clothing was a very small part, it has subsequently become strongly identified with the fashionable clothing of the court at the time. Prince Rupert, commander of much of Charles I's cavalry, is often considered to be an archetypal Cavalier. Etymology Cavalier derives from the same Latin root as the Italian word and the French word (as well as the Spanish word ), the Vulgar Latin word '' caballarius'', meaning 'horseman'. Shakespeare used the word ''cavaleros'' to describe an overbearing swashbuckler or swaggering gallant in Henry IV, Part 2 (c. 1596–1599), in which Robert Shallow says "I'll dri ...
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Roundhead
Roundheads were the supporters of the Parliament of England during the English Civil War (1642–1651). Also known as Parliamentarians, they fought against King Charles I of England and his supporters, known as the Cavaliers or Royalists, who claimed rule by absolute monarchy and the principle of the divine right of kings. The goal of the Roundheads was to give to Parliament the supreme control over executive branch, executive administration of the country/kingdom. Beliefs Most Roundheads sought constitutional monarchy in place of the absolute monarchy sought by Charles; however, at the end of the English Civil War in 1649, public antipathy towards the king was high enough to allow republican leaders such as Oliver Cromwell to abolish the monarchy completely and establish the Commonwealth of England. The Roundhead commander-in-chief of the first Civil War, Thomas Fairfax, remained a supporter of constitutional monarchy, as did many other Roundhead leaders such as Edward Monta ...
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English Civil War
The English Civil War (1642–1651) was a series of civil wars and political machinations between Parliamentarians ("Roundheads") and Royalists led by Charles I ("Cavaliers"), mainly over the manner of Kingdom of England, England's governance and issues of religious freedom. It was part of the wider Wars of the Three Kingdoms. The First English Civil War, first (1642–1646) and Second English Civil War, second (1648–1649) wars pitted the supporters of King Charles I of England, Charles I against the supporters of the Long Parliament, while the Third English Civil War, third (1649–1651) saw fighting between supporters of King Charles II of England, Charles II and supporters of the Rump Parliament. The wars also involved the Covenanters, Scottish Covenanters and Confederate Ireland, Irish Confederates. The war ended with Parliamentarian victory at the Battle of Worcester on 3 September 1651. Unlike other list of English civil wars, civil wars in England, which were mainly ...
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Thomas Hall (minister, Born 1610)
Thomas Hall (1610–1665) was an English clergyman and ejected minister. Life He was son of Richard Hall, clothier, by his wife Elizabeth (Bonner), and was born in St. Andrew's parish, Worcester, about 22 July 1610. He was educated at the King's School, Worcester, under Henry Bright, one of the most celebrated schoolmasters of the day. In 1624 he entered Balliol College, Oxford, as an exhibitioner. Finding himself under 'a careless tutor,' he moved to the newly founded Pembroke College as a pupil of Thomas Lushington. He graduated B.A. on 7 February 1629. Returning to Worcestershire, he became teacher of a private school, and preached in the chapels of several hamlets in the parish of Kings Norton, of which his brother, John Hall, vicar of Bromsgrove, was perpetual curate. At this period he conformed, but attendance at the puritan lecture, maintained at Birmingham, contributed to make him a presbyterian. He became curate at Kings Norton under his brother, who soon resigned the ...
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Puritan
The Puritans were English Protestants in the 16th and 17th centuries who sought to purify the Church of England of Roman Catholic practices, maintaining that the Church of England had not been fully reformed and should become more Protestant. Puritanism played a significant role in English history, especially during the Protectorate. Puritans were dissatisfied with the limited extent of the English Reformation and with the Church of England's toleration of certain practices associated with the Roman Catholic Church. They formed and identified with various religious groups advocating greater purity of worship and doctrine, as well as personal and corporate piety. Puritans adopted a Reformed theology, and in that sense they were Calvinists (as were many of their earlier opponents). In church polity, some advocated separation from all other established Christian denominations in favour of autonomous gathered churches. These Separatist and Independent strands of Puritanism bec ...
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William Prynne
William Prynne (1600 – 24 October 1669), an English lawyer, voluble author, polemicist and political figure, was a prominent Puritan opponent of church policy under William Laud, Archbishop of Canterbury (1633–1645). His views were presbyterian, but he became known in the 1640s as an Erastian, arguing for overall state control of religious matters. Early life Born at Swainswick, near Bath, Somerset, William Prynne was educated at Bath Grammar School and Oriel College, Oxford. He graduated as a BA on 22 January 1621, entered as a student of Lincoln's Inn in the same year, and was called to the bar in 1628. According to Anthony Wood, he was confirmed in his militant puritanism by the influence of John Preston, then a lecturer at Lincoln's Inn. In 1627 he published his first of over 200 works, a theological treatise titled ''The Perpetuity of a Regenerate Man's Estate''. This was followed in the next three years by three others attacking Arminianism and its teachers. In ...
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Sir Thomas Meautys White Background
''Sir'' is a formal honorific address in English for men, derived from Sire in the High Middle Ages. Both are derived from the old French "Sieur" (Lord), brought to England by the French-speaking Normans, and which now exist in French only as part of "Monsieur", with the equivalent "My Lord" in English. Traditionally, as governed by law and custom, Sir is used for men titled as knights, often as members of orders of chivalry, as well as later applied to baronets and other offices. As the female equivalent for knighthood is damehood, the female equivalent term is typically Dame. The wife of a knight or baronet tends to be addressed as Lady, although a few exceptions and interchanges of these uses exist. Additionally, since the late modern period, Sir has been used as a respectful way to address a man of superior social status or military rank. Equivalent terms of address for women are Madam (shortened to Ma'am), in addition to social honorifics such as Mrs, Ms or Miss. ...
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Antony Van Dyck
Sir Anthony van Dyck (, many variant spellings; 22 March 1599 – 9 December 1641) was a Brabantian Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired ''Iconography'' series of portrait etchings, mostly of other artists. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the archd ...
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Triple Portrait Of Charles I
''Charles I in Three Positions'', also known as the ''Triple Portrait of Charles I'', is an oil painting of Charles I of England by Flemish artist Sir Anthony van Dyck, showing the king from three viewpoints: left full profile, face on, and right three-quarter profile. It is currently part of the Royal Collection. The colours of the costumes and pattern of the lace collars are different in each portrait, though the blue riband of the Order of the Garter is present in all three. The painting was probably begun in the latter part of 1635, and was sent to Rome in 1636 to be used as a reference work for the Italian sculptor Gian Lorenzo Bernini to create a marble bust of Charles I. Bernini famously exclaimed, upon seeing the painting, it was "the portrait of a doomed man". Pope Urban VIII sent the bust to Charles's queen Henrietta Maria in 1638 in the hope of encouraging a reconciliation of the Roman Catholic Church with the Church of England. The bust was presented in 163 ...
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