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Louis Ponet
Louis Ponet (1776 in Paris – May 1845 in Paris) called Portelette, was a French novelist and playwright during the first half of the 19th century. The son of a cook, he joined as an employee in the Treasury and then entered the administration of the Cirque-Olympique. His plays were presented inter alia at the Théâtre de l'Ambigu-Comique and the Cirque-Olympique. Works *1801: ''La Vaccine'', folie-vaudeville, in 1 act and in prose, with Charles François Jean Baptiste Moreau, 1801 *1801: ''L'Hermite de vingt ans'', novel *1801: ''Les Flibustiers ou la Prise de Panama'', melodrama in 2 acts *1802: ''Aménaïde, ou les martyrs de la foi'', historical novel *1802: ''Adolphe et Jenny'', historical fact *1803: ''La Fausse Isaure, ou Le château des Alpes'', drama in 3 acts, in prose and extravaganza *1803: ''Fanchon toute seule, ou Un moment d'humeur'', vaudeville in 1 act *1805: ''Jules et Améline, ou l'Orphelin de Venise'', novel *1806: ''Se fâchera-t-il ? ou le Pari imp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-Maurice Descombes
Charles-Maurice Descombes, real name Jean Charles François Maurice, (26 March 1782 – 7 September 1869) was a 19th-century French playwright, theatre critic and writer. Biography François Guizot's private secretary, literary critic, founder, owner, printer, chief editor and director of the ''Le Camp-volant'' (1819-1820), the ''Journal des théâtres, de la littérature et des arts'' (1820-1823), the ''Le Coureur des spectacles'' (1842-1849), he was managing editor of the ''Courrier des théâtres, de la littérature, des arts, des modes'' from 12 April 1823 to 14 May 1842 and of the ''Nouvelles des théâtres, de la littérature et des arts'' from 13 July 1842 to 17 September 1842. An author of theoretical works on theater, he showed himself a staunch opponent of the romantic school. His plays were presented on the most important Parisian stage of his time including the Théâtre de la Porte-Saint-Martin and the Théâtre de l'Impératrice. He married Geneviève Isabell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1776 Births
Events January–February * January 1 – American Revolutionary War – Burning of Norfolk: The town of Norfolk, Virginia is destroyed, by the combined actions of the British Royal Navy and occupying Patriot forces. * January 10 – American Revolution – Thomas Paine publishes his pamphlet ''Common Sense'', arguing for independence from British rule in the Thirteen Colonies. * January 20 – American Revolution – South Carolina Loyalists led by Robert Cunningham sign a petition from prison, agreeing to all demands for peace by the formed state government of South Carolina. * January 24 – American Revolution – Henry Knox arrives at Cambridge, Massachusetts, with the artillery that he has transported from Fort Ticonderoga. * February 17 – Edward Gibbon publishes the first volume of '' The History of the Decline and Fall of the Roman Empire''. * February 27 – American Revolution – Battle of Moore's Creek Bri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century French Novelists
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century French Dramatists And Playwrights
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Marie Quérard
Joseph is a common male given name, derived from the Hebrew Yosef (יוֹסֵף). "Joseph" is used, along with "Josef", mostly in English, French and partially German languages. This spelling is also found as a variant in the languages of the modern-day Nordic countries. In Portuguese and Spanish, the name is "José". In Arabic, including in the Quran, the name is spelled '' Yūsuf''. In Persian, the name is "Yousef". The name has enjoyed significant popularity in its many forms in numerous countries, and ''Joseph'' was one of the two names, along with ''Robert'', to have remained in the top 10 boys' names list in the US from 1925 to 1972. It is especially common in contemporary Israel, as either "Yossi" or "Yossef", and in Italy, where the name "Giuseppe" was the most common male name in the 20th century. In the first century CE, Joseph was the second most popular male name for Palestine Jews. In the Book of Genesis Joseph is Jacob's eleventh son and Rachel's first son, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolphe Franconi
Henri Adolphe Franconi (1801 – 2 November 1855) was a French playwright and circus performer. A grandson of Antonio Franconi and son of Henri Franconi, he succeeded him in 1827 as managing director of the Cirque-Olympique. He specialized in training horses. In 1835, he forged an association with Louis Dejean in order to establish a circus tent on the Champs-Élysées, at the Carré Marigny. He died of a heart attack at the Cirque-Olympique in 1855. Works *1819: ''Le Soldat laboureur'', mimodrama en 1 act *1828: ''Le Chien du régiment, ou l'Exécution militaire'', melodrama in 1 act, with Henri Franconi *1828: ''Le Drapeau'', military melodrama in 2 acts, a show with Louis Ponet and Auguste Anicet-Bourgeois *1828: ''L'éléphant du roi de Siam'', mimodrama in nine tableaux, with Léopold Chandezon and Ferdinand Laloue, ( mise-en-scène) *1830, ''L'Empereur'', historical events in 5 actes and 18 tableaux, with Ferdinand Laloue and Auguste Lepoitevin de L'Égreville Augu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auguste Anicet-Bourgeois
Auguste Anicet, later Auguste Anicet-Bourgeois (25 December 1806 – 12 January 1871) was a French dramatist. He was born in Paris. The first play to bear his name is ''L'Ami et le mari, ou le Nouvel Amphitryon'', a vaudeville in one act. It was produced in 1825, when the author was still in his teens. Over the course of his career he was credited in the writing of nearly 200 plays, as many as ten a year. However the nature of theatrical collaboration at this time was such that the extent of his contribution to any given play is debatable. In fact it is known that he assisted Alexandre Dumas in the writing of several plays (''Térésa, Angèle, Le Mari de la Veuve, La Vénitienne''), sometimes without acknowledgement. He is the subject of an anecdote in Dumas's "''Comment je devins auteur dramatique''" ("How I became a Dramatist"), published in 1833 in '' Revue des Deux Mondes''. Other writers with whom he worked were Philippe Dumanoir, Julien de Mallian, Victor Ducange, F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Franconi
Henri Franconi, full name Jean Gérard Henri Franconi, (4 November 1779 – 22 July 1849) was a French playwright and circus performer of the early 19th century. A son of Antonio Franconi, in 1807 he became with his brother Laurent director of the Cirque-Olympique (1807-1837). An actor, a mime, an esquire, nicknamed ''Minette'', he authored pantomimes, dramas and vaudeville. Works *1808: ''Les Quatre fils Aymons'', equestrian scenes in 2 parts *1808: ''Cavalo-Dios, ou le Cheval génie bienfaisant'', equestrian scenes, mingled with féeries, in 2 parts, with Cuvelier *1808: ''Barberousse le Balafré, ou les Valaques'',equestrian and chivalrous scenes, in 2 parts, extravaganza, with Jean-Guillaume-Antoine Cuvelier *1808: ''Fra Diavolo, ou le Frère diable, chef de bandits dans les Alpes'', equestrian scenes in 2 parts, with Cuvelier *1808: ''La Prise de la Corogne, ou les Anglais en Espagne'', equestrian scenes *1810: ''Les chevaux vengés, ou Parodie de la parodie de Fernand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benjamin Antier
Benjamin Antier, real name Benjamin Chevrillon, (21 March 1787 – 25 April 1870), was a 19th-century French playwright. An author of melodramas and vaudevilles written in collaboration with other dramatists, he is mostly known for his drama ''L'Auberge des Adrets'', premiered in 1823. The play featured the villain Robert Macaire, played on stage by Frédérick Lemaître, who, in 1835, wrote with Antier a second play called ''Robert Macaire''. The character was then popularized by Daumier's caricatures to become, after James Rousseau's word in his ''Physiologie du Robert Macaire'', "the embodiment of our positive, selfish, greedy, liar, boastful era... basically blagueuse. In 1945, ''L'Auberge des Adrets'' would be the basis of Marcel Carné's film, '' Children of Paradise'', with Jean-Louis Barrault and Arletty. Most of his plays were signed "Benjamin", as it was then customary for melodrama writers and actors to make them known by their first names. He was made chevalier de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Playwright
A playwright or dramatist is a person who writes plays. Etymology The word "play" is from Middle English pleye, from Old English plæġ, pleġa, plæġa ("play, exercise; sport, game; drama, applause"). The word "wright" is an archaic English term for a craftsman or builder (as in a wheelwright or cartwright). The words combine to indicate a person who has "wrought" words, themes, and other elements into a dramatic form—a play. (The homophone with "write" is coincidental.) The first recorded use of the term "playwright" is from 1605, 73 years before the first written record of the term "dramatist". It appears to have been first used in a pejorative sense by Ben Jonson to suggest a mere tradesman fashioning works for the theatre. Jonson uses the word in his Epigram 49, which is thought to refer to John Marston: :''Epigram XLIX — On Playwright'' :PLAYWRIGHT me reads, and still my verses damns, :He says I want the tongue of epigrams ; :I have no salt, no bawdry he doth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand Laloue
Ferdinand Laloue (1794 in Passy – 27 September 1850) was a French dramatist, librettist and theatre producer. Administrator of the Théâtre du Cirque-Olympique, he also was director of the Hippodrome and the théâtre des Délassements comiques. His onerous plays with fastuous settings were performed on the most important Parisian stages (Théâtre des Folies-Dramatiques, Théâtre de la Porte-Saint-Martin, Théâtre du Châtelet, Théâtre des Variétés etc.). Works * ''Le Fort de la halle'', vaudeville in 1 act, with Michel-Nicolas Balisson de Rougemont and Pierre Carmouche, 1821 * ''Le Petit Georges, ou la Croix d'honneur'', comedy in 1 act, 1821 * ''La Bataille de Bouvines, ou le Rocher des tombeaux'', mimodrame in 3 acts, with René Perin, 1822 * ''L'Arabe hospitalier'', melodrama in 1 act, 1822 * ''La diligence attaquée, or L'auberge des Cévennes'', with Constant Ménissier and Ernest Renaud, 1822 * ''La Fille à marier ou La Double éducation'', comédie en vaude ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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