Lord Baker (song)
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Lord Baker (song)
"Lord Baker" is the name of a traditional folk song (Roud 40), sung in English and recorded and collected by Tom Munnelly from the singing of John Reilly. It is also recorded in English by Sinéad O'Connor, Susan McKeown and Christy Moore. Although collected in Ireland, the song is closely related to a number of songs from the British tradition including " Lord Bateman" and "Young Beichan "Young Beichan", also known as "Lord Bateman", "Lord Bakeman", "Lord Baker", "Young Bicham" and "Young Bekie", is a traditional folk ballad categorised as Child ballad 53 and Roud 40. The earliest versions date from the late 18th century, but ...". References Lyrics Irish folk songs {{Folk-song-stub ...
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Traditional Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk re ...
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Folk Song
Folk music is a music genre that includes #Traditional folk music, traditional folk music and the Contemporary folk music, contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by Convention (norm), custom over a long period of time. It has been contrasted with popular music, commercial and art music, classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith ...
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Roud Folk Song Index
The Roud Folk Song Index is a database of around 250,000 references to nearly 25,000 songs collected from oral tradition in the English language from all over the world. It is compiled by Steve Roud. Roud's Index is a combination of the Broadside Index (printed sources before 1900) and a "field-recording index" compiled by Roud. It subsumes all the previous printed sources known to Francis James Child (the Child Ballads) and includes recordings from 1900 to 1975. Until early 2006, the index was available by a CD subscription; now it can be found online on the Vaughan Williams Memorial Library website, maintained by the English Folk Dance and Song Society (EFDSS). A partial list is also available at List of folk songs by Roud number. Purpose of index The primary function of the Roud Folk Song Index is as a research aid correlating versions of traditional English-language folk song lyrics independently documented over past centuries by many different collectors across (especially) ...
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Tom Munnelly
Tom Munnelly (25 May 1944 – 30 August 2007) was an Irish folk-song collector. Early years Tom Munnelly was born in Rathmines in Dublin, and went to Clogher Road Technical College. He took up factory work at the age of 15. At a scout camp he became interested in folk songs. To enlarge his own repertoire he acquired a tape recorder. In 1965 Munnelly met an Irish Traveller John Reilly and recorded "The Maid and the Palmer". He called it "The Well Below The Valley". It was the first time this song had been collected from oral tradition in 150 years. Christy Moore in the magazine "Swing 51" (1989) recalled that "British folklorists ... wouldn't accept that it was genuine. They reckoned it was a put-up and they couldn't accept that this song had appeared in the West of Ireland because it had never appeared there before." In 1972, Munnelly played the tape to Christy Moore who subsequently performed it on Planxty's album "The Well Below The Valley". Planxty also sang " The Raggle ...
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John Reilly (singer)
John "Jacko" Reilly, (1926–1969) was a traditional Irish singer. He was a settled Irish Traveller who lived in Boyle, County Roscommon, but hailed originally from Carrick-on-Shannon, County Leitrim. He was a profound influence on many popular folk and traditional singers, based largely on recordings of his singing by the Irish song collector Tom Munnelly, which were not released until after his death in 1969. Biography Reilly was born at Carrick-on-Shannon, County Leitrim in 1926 to an Irish Traveller family that included seven sisters and a brother. His parents were both singers and passed on much of their repertoire to him. The family travelled the roads of Leitrim, Sligo and Roscommon where after the manner of the times, the travellers would thatch, sweep chimneys, and do various odd jobs. They also assisted with haymaking or harvesting on farms, although Reilly was frequently passed over in favour of stronger-looking workers on account of his slight build and relatively fra ...
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Sinéad O'Connor
Shuhada' Sadaqat (born Sinéad Marie Bernadette O'Connor; , ; 8 December 1966 – 26 July 2023) was an Irish singer, songwriter, record producer and activist. Her debut studio album, ''The Lion and the Cobra'', was released in 1987 and achieved international chart success. Her 1990 album, ''I Do Not Want What I Haven't Got'', was her biggest commercial success, selling over seven million copies worldwide. Its lead single, "Nothing Compares 2 U", was named the top world single of the year at the Billboard Music Awards, ''Billboard'' Music Awards. O'Connor achieved chart success with ''Am I Not Your Girl?'' (1992) and ''Universal Mother'' (1994), both certified gold in the UK, as well as ''Faith and Courage'' (2000), certified gold in Australia. ''Throw Down Your Arms'' (2005) achieved gold status in Ireland. Her career encompassed songs for films, collaborations with numerous artists, and appearances at charity fundraising concerts. O'Connor's memoir, ''Rememberings,'' was relea ...
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Susan McKeown
Susan McKeown (born February 6, 1967) is an Irish folk singer, songwriter, arranger and producer. She won the 2007 Grammy Award for Best Contemporary World Music Album as a member of The Klezmatics. Early years Susan McKeown was born on February 6, 1967, in Terenure, Dublin, Ireland. She briefly attended the Municipal College of Music, Chatham Row, Dublinnow incorporated into the Dublin Institute of Technology)as a teenager before abandoning a potential career in opera order to sing folk and rock. Together with John Doyle, McKeown formed The Chanting House in 1989. Mainly performing as a duo, they toured Europe with Donogh Hennessy and other musicians, playing original songs and traditional tunes. They released a cassette-only album titled ''The Chanting House'' in 1990. Move to New York Upon graduating from University College Dublin, McKeown was awarded a scholarship to attend the American Musical and Dramatic Academy in Manhattan. In 1990, with a bursary from the Arts Counc ...
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Christy Moore
Christopher Andrew "Christy" Moore (born 7 May 1945) is an Irish folk singer, songwriter and guitarist. He was one of the founding members of the bands Planxty and Moving Hearts and has had significant success as a solo artist. His first album, ''Paddy'' ''on the Road'', was recorded with Dominic Behan in 1969. Moore is best known for his political and social commentary and left-wing, Irish republican views. In 2007, he was named as Ireland's greatest living musician in RTÉ's People of the Year Awards. Early life Moore was born in Newbridge, County Kildare, Ireland, son of Andy Moore and Nancy (nee Power). He attended Newbridge College. His mother was a Fine Gael election candidate. Moore originally worked as a bank employee. He wanted to express himself using traditional music, and during a bank strike in 1966, which lasted twelve weeks, he went to England, as many striking officials did, but did not return when the strike was settled. "I had a wild and wonderful time ...
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Lord Bateman
Baron Bateman, of Shobdon in the County of Hereford, was a title in the Peerage of the United Kingdom. It was created on 30 January 1837 for William Bateman, previously member of Parliament for Northampton. Born William Hanbury, he was the grandson of William Hanbury and Sarah, daughter of William Western and Anne, sister of William Bateman, 1st Viscount Bateman (a title which became extinct in 1802). Lord Bateman was succeeded by his eldest son, the second Baron. He held minor political office and served as Lord-Lieutenant of Herefordshire for many years. The title became extinct on the death of his childless son, the third Baron, in 1931. Charles Bateman-Hanbury-Kincaid-Lennox, younger son of the first Baron, was a politician. Barons Bateman (1837) * William Hanbury Bateman, 1st Baron Bateman (1780–1845) * William Bateman Bateman-Hanbury, 2nd Baron Bateman (1826–1901) *William Spencer Bateman-Hanbury, 3rd Baron Bateman (1856–1931) Arms See also *Viscount ...
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Young Beichan
"Young Beichan", also known as "Lord Bateman", "Lord Bakeman", "Lord Baker", "Young Bicham" and "Young Bekie", is a traditional folk ballad categorised as Child ballad 53 and Roud 40. The earliest versions date from the late 18th century, but it is probably older, with clear parallels in ballads and folktales across Europe. The song was popular as a broadside ballad in the nineteenth century, and survived well into the twentieth century in the oral tradition in rural areas of most English speaking parts of the world, particularly in England, Scotland and Appalachia. Synopsis Beichan, who is often born in London, travels to far lands. He is taken prisoner, with different captors appearing in different variations, usually being a Moor or a Turk, though sometimes the king of France, before falling in love with his captor’s daughter. Lamenting his fate, Beichan promises to be a son to any married woman who will rescue him, or a husband to an unmarried one. She rescues him, an ...
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