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Lola Artôt De Padilla
Lola Artôt de Padilla (5 October 1876 or 1880 - 12 April 1933) was a French-Spanish soprano, renowned in Germany, where she mainly sang. Biography Lola Artôt de Padilla was born in Sèvres near Paris as Dolores de Padilla. Her year of birth is given as either 1880 or 1876. Her mother was the Belgian-born soprano Désirée Artôt (de Padilla), and her father was a well-known Spanish baritone, Mariano Padilla y Ramos. (They had married in 1869 while Désirée Artôt was still informally engaged to Pyotr Ilyich Tchaikovsky, but she did not inform him she had changed her mind.) Her godmother was her mother's singing teacher Pauline Viardot. She exhibited her vocal ability at a young age, but not her mother's fiery temperament. Her mother was her sole singing teacher. She made an unofficial debut in Paris and her major debut at the Hoftheater Wiesbaden in 1902 in the title role of Thomas's ''Mignon'' and from 1905 until 1908 she sang at the Komische Oper Berlin. From 1909 unt ...
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Lola Artôt De Padilla Portrait (5612859886) (cropped)
Lola may refer to: Places * Lolá, a or subdistrict of Panama * Lola Township, Cherokee County, Kansas, United States * Lola Prefecture, Guinea * Lola, Guinea, a town in Lola Prefecture * Lola Island, in the Solomon Islands People * Lola (footballer) (born 1950), Brazilian association football player * Lola Astanova (born 1985), Uzbek-American pianist * Lola Beltrán (1932–1996), Mexican singer * Lola Índigo (born 1992), Spanish singer * Lola Kutty, alter ego of Indian entertainer Anuradha Menon * Lola Montez (1821–1861), stage name of Irish-born actress, dancer and courtesan Marie Dolores Eliza Rosanna Gilbert, Countess of Landsfeld * Lola Yoʻldosheva (born 1985), Uzbek singer, songwriter and actress Film and television * ''Lola'' (1961 film), by Jacques Demy * ''Lola'' (1969 film), starring Charles Bronson * ''Lola'' (1974 film), by David Hemmings * ''Lola'' (1981 film), by Rainer Werner Fassbinder * ''Lola'' (2019 film), by Laurent Micheli * ''Grandmother'' ( ...
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Turandot (Busoni)
''Turandot'' is a 1917 opera with spoken dialogue and in two acts by Ferruccio Busoni. Busoni prepared his own libretto, in German, based on the play by Count Carlo Gozzi. The music for Busoni's opera is based on the incidental music, and the associated ''Turandot Suite'' ( BV 248), which Busoni had written in 1905 for a production of Gozzi's play. The opera is often performed as part of a double bill with Busoni's earlier one-act opera '' Arlecchino''. Composition of the music for ''Turandot'' Source and previous versions Carlo Gozzi's play '' Turandot'' first appeared in 1762. It was originally written to be performed in the small theatre of San Samuele in Venice, and was deliberately written in the ''Commedia dell'arte'' style as a reaction to the more modern, realistic plays of Goldoni and others. Schiller made an adapted translation of ''Turandot'' which was published in 1802. Weber wrote his ''Incidental music for Turandot'', Op. 37, for a production of this play. It ...
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Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical canon; the " Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery gypsy Carmen. José abandons his childho ...
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Georges Bizet
Georges Bizet (; 25 October 18383 June 1875) was a French composer of the Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, '' Carmen'', which has become one of the most popular and frequently performed works in the entire opera repertoire. During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he began many ...
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Werther
''Werther'' is an opera (''drame lyrique'') in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann (who used the pseudonym Henri Grémont). It is loosely based on Goethe's epistolary novel ''The Sorrows of Young Werther'', which was based both on fact and on Goethe's own early life. Earlier examples of operas using the story were made by Kreutzer (1792) and Pucitta (1802). Milnes R. Werther. In: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. Performance history Massenet started composing ''Werther'' in 1885, completing it in 1887. He submitted it to Léon Carvalho, the director of the Paris Opéra-Comique, that year, but Carvalho declined to accept it on the grounds that the scenario was too serious. With the disruption of the fire at the Opéra-Comique and Massenet's work on other operatic projects (especially '' Esclarmonde''), it was put to one side, until the Vienna Opera, pleased with the ...
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Jules Massenet
Jules Émile Frédéric Massenet (; 12 May 1842 – 13 August 1912) was a French composer of the Romantic music, Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are ''Manon'' (1884) and ''Werther'' (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music. While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, Drame lyrique, lyric dramas, as well as oratorios, cantatas and ballets. Masse ...
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The Bartered Bride
''The Bartered Bride'' ( cz, Prodaná nevěsta, links=no, ''The Sold Bride'') is a comic opera in three acts by the Czech composer Bedřich Smetana, to a libretto by Karel Sabina. The work is generally regarded as a major contribution towards the development of Czech music. It was composed during the period 1863 to 1866, and first performed at the Provisional Theatre, Prague, on 30 May 1866 in a two-act format with spoken dialogue. Set in a country village and with realistic characters, it tells the story of how, after a late surprise revelation, true love prevails over the combined efforts of ambitious parents and a scheming marriage broker. The opera was not immediately successful, and was revised and extended in the following four years. In its final version, premiered in 1870, it rapidly gained popularity and eventually became a worldwide success. Until this time, the Czech national opera had only been represented by minor, rarely performed works. This opera, Smetana's seco ...
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Bedřich Smetana
Bedřich Smetana ( , ; 2 March 1824 – 12 May 1884) was a Czech composer who pioneered the development of a musical style that became closely identified with his people's aspirations to a cultural and political "revival." He has been regarded in his homeland as the father of Czech music. Internationally he is best known for his 1866 opera '' The Bartered Bride'' and for the symphonic cycle '' Má vlast'' ("My Fatherland"), which portrays the history, legends and landscape of the composer's native Bohemia. It contains the famous symphonic poem " Vltava", also popularly known by its German name "Die Moldau" (in English, "The Moldau"). Smetana was naturally gifted as a composer, and gave his first public performance at the age of 6. After conventional schooling, he studied music under Josef Proksch in Prague. His first nationalistic music was written during the 1848 Prague uprising, in which he briefly participated. After failing to establish his career in Prague, he left for Swe ...
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Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court ...
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Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a '' dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as '' opera buffa''). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the succ ...
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The Marriage Of Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' ( opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, ''La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out ...
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Königskinder
' (German for ''King's Children'' or “Royal Children”) is a stage work by Engelbert Humperdinck that exists in two versions: as a melodrama and as an opera or more precisely a ''Märchenoper''. The libretto was written by Ernst Rosmer (pen name of Else Bernstein-Porges), adapted from her play of the same name. In 1894, Heinrich Porges asked Humperdinck to write incidental music for his daughter Else's play. Humperdinck was interested in making the story into an opera but since Else Bernstein-Porges initially refused, he opted for the play to be staged as a melodrama – that is with spoken dialogue taking place along with an instrumental backdrop. (The work also included operatic arias and choruses, as well as unaccompanied dialogue.) In the melodramatic passages, Humperdinck designed an innovative hybrid notation that called for a text delivery somewhere between singing and speech. With this notation, the singer was expected to deliver a substantial portion of the text w ...
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