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Live-action Animation
Live-action animation is a film genre that combines live action, live-action filmmaking with animation. Projects that are both live-action and Computer animation, computer animation tend to have fictional characters or figures represented and characterized by cast members through motion capture and then animated and modeled by animators. Films that are live-action and traditional animation use hand-drawn, computer-generated imagery (CGI), or Stop motion, stop-motion animation. History Origins of combining live-action and animation The origins of live-action animation date back to the early 20th century, with pioneers such as the Frenchman Georges Méliès. Méliès is often credited with creating the first examples of this genre through his innovative use of special effects, animation, and live-action footage. His 1902 film, "A Trip to the Moon", although not a live-action animated film by the modern definition, laid the groundwork for the integration of imaginative elements i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alice's Wonderland (1923)
''Alice's Wonderland'' is a 1923 Walt Disney short silent film, produced in Kansas City, Missouri by Laugh-O-Gram Studio. The black-and-white short was the first in a series of Walt Disney's famous ''Alice Comedies'' and had a working title of ''Alice in Slumberland''. The film was never shown theatrically, but was instead shown to prospective film distributors. Plot Alice ( Virginia Davis) visits the Laugh-O-Gram Studio, where the animators (including Walt Disney) show her various scenes on their drawing boards. A few of them: a cat dancing to a cat band; a mouse poking at a cat until it moves; a couple of mice boxing, while the animators crowd around cheering and acting as corner-men. That night, she dreams of taking a train to cartoon-land, where a red carpet reception awaits. She appears in live action. They have a welcoming parade, with Alice riding on an elephant. The cartoons dance for her, and she dances for them. Meanwhile, lions break out of the zoo. The lions chase he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oswald The Lucky Rabbit
Oswald the Lucky Rabbit (also known as Oswald the Rabbit, Oswald Rabbit, and Ozzie) is an animated series, animated cartoon character created in 1927 by Walt Disney and Ub Iwerks for Universal Pictures. He starred in several animated short films released to theaters from 1927 to 1938. Twenty-seven animated Oswald shorts were produced at the Walt Disney Animation Studios, Walt Disney Studio. After Universal took control of Oswald's character in 1928, Disney created Mickey Mouse as a replacement to Oswald. In 2003, Buena Vista Games pitched a concept for an Oswald-themed video game to then-Disney President and future-CEO Bob Iger, who became committed to acquiring the rights to Oswald. In 2006, The Walt Disney Company acquired the trademark of Oswald (with NBCUniversal effectively trading Oswald for the services of Al Michaels as play-by-play announcer on ''NBC Sunday Night Football''). Oswald returned in Disney's 2010 video game, ''Epic Mickey''. The game's metafiction plot para ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Gulliver
''The New Gulliver'' (, ''Novyy Gullivyer'') is a Soviet stop motion-animated cartoon, and the first to make such extensive use of puppet animation, running almost all the way through the film (it begins and ends with short live-action sequences). The film was released in 1935 to widespread acclaim and earned director Aleksandr Ptushko a special prize at the International Cinema Festival in Milan. The part of Gulliver was played by Vladimir Konstantinov, who was born in 1920 and died in 1944 near Tallinn in the Second World War. This was his first and only film role. Plot The story, a Communist re-telling of the 1726 novel ''Gulliver's Travels'' by Jonathan Swift, is about a young boy who dreams of himself as a version of Gulliver who has landed in Lilliput suffering under capitalist inequality and exploitation. The pioneer Petya Konstantinov (Vladimir Konstantinov), as an award for the best young OSVOD member of Artek, receives his favorite book — ''Gulliver's Travels'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lost World (1925 Film)
''The Lost World'' is a 1925 American Silent film, silent Fantasy film, fantasy Monster movie, giant monster adventure film, directed by Harry O. Hoyt and written by Marion Fairfax, adapted from Arthur Conan Doyle's 1912 The Lost World (Arthur Conan Doyle), novel of the same name. Produced and distributed by First National Pictures, a major Hollywood studio at the time, the film stars Wallace Beery as Professor Challenger and features pioneering stop motion special effects by Willis O'Brien, a forerunner of his work on ''King Kong (1933 film), King Kong'' (1933). Doyle appears in a frontispiece to the film, absent from some extant prints. In 1998, ''The Lost World'' was deemed "culturally, historically or aesthetically significant" by the Library of Congress and selected for preservation in the United States National Film Registry. Due to its age, the film is now in the public domain. Plot From a lost expedition to a plateau in the borders of Peru, Brazil and Colombia, Paula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feature Film
A feature film or feature-length film (often abbreviated to feature), also called a theatrical film, is a film (Film, motion picture, "movie" or simply “picture”) with a running time long enough to be considered the principal or sole presentation in a commercial entertainment theatrical program. The term ''feature film'' originally referred to the main, full-length film in a cinema program that included a short film and often a newsreel. Matinee programs, especially in the United States and Canada, in general, also included cartoons, at least one weekly serial film, serial and, typically, a second feature-length film on weekends. The first narrative feature film was the 70-minute ''The Story of the Kelly Gang'' (1906). Other early feature films include ''Les Misérables (1909 film), Les Misérables'' (1909), ''L'Inferno'', ''Defence of Sevastopol, The Adventures of Pinocchio (1911 film), The Adventures of Pinocchio'' (1911), ''Oliver Twist (1912 American film), Oliver Twist'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eastern Europe
Eastern Europe is a subregion of the Europe, European continent. As a largely ambiguous term, it has a wide range of geopolitical, geographical, ethnic, cultural and socio-economic connotations. Its eastern boundary is marked by the Ural Mountains, and its western boundary is defined in various ways. Narrow definitions, in which Central Europe, Central and Southeast Europe are counted as separate regions, include Belarus, Russia and Ukraine. In contrast, broader definitions include Moldova and Romania, but also some or all of the Balkans, the Baltic states, the Caucasus, and the Visegrád Group, Visegrád group. The region represents a significant part of Culture of Europe, European culture; the main socio-cultural characteristics of Eastern Europe have historically largely been defined by the traditions of the Slavs, as well as by the influence of Eastern Christianity as it developed through the Byzantine Empire, Eastern Roman Empire and the Ottoman Empire. Another definition was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Švankmajer
Jan Švankmajer (born 4 September 1934) is a Czech retired film director, animator, writer, playwright and artist. He draws and makes free graphics, collage, ceramics, tactile objects and assemblages.Nádvorníková A, in: NEČVU, Dodatky, 2006, s. 769 In the early 1960s, he explored Czech Informel, informel, which later became an important part of the visual form of his animated films.Interview With Jan Švankmajer, Karolína Bartošová, Loutkář 1, 2016, p. 3-8 He is a leading representative of late Czech surrealism. In his film work, he created an unmistakable and quite specific style, determined primarily by a compulsively unorthodox combination of externally disparate elements. The anti-artistic nature of this process, based on collage or assemblage, functions as a meaning-making factor. The author himself claims that the intersubjective communication between him and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karel Zeman
Karel Zeman (3 November 1910 – 5 April 1989) was a Czech film director, artist, production designer and animator. He is best known for directing fantasy films combining live-action footage with animation, including '' Journey to the Beginning of Time'' (1955) and '' Invention for Destruction'' (1958). Because of his creative use of special effects and animation in his films, he has often been called the "Czech Méliès". Life Zeman was born on 3 November 1910 in Ostroměř, Bohemia, Austria-Hungary (present-day Czech Republic). Published online: At his parents' insistence, he studied business at high school in Kolín. In the 1920s, he studied at a French advertising school, and worked at an advertising studio in Marseille until 1936. It was in France that he first worked with animation, filming an ad for soap. He then returned to his home country (by now the First Czechoslovak Republic, known as Czechoslovakia), after visiting Egypt, Yugoslavia, and Greece. Back in Czechoslo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aleksandr Ptushko
Aleksandr Lukich Ptushko (, – 6 March 1973) was a Soviet animation and fantasy film director, and a People's Artist of the USSR (1969). Ptushko is frequently (and somewhat misleadingly) referred to as "the Soviet Walt Disney," because of his prominent early role in animation in the Soviet Union, though a more accurate comparison would be to Willis H. O'Brien or Ray Harryhausen. Some critics, such as Tim Lucas and Alan Upchurch, have also compared Ptushko to Italian filmmaker Mario Bava, who made fantasy and horror films with similarities to Ptushko's work and made similarly innovative use of color cinematography and special effects. He began his film career as a director and animator of stop motion short films, and became a director of feature-length films combining live action, stop motion, creative special effects, and Russian mythology. Along the way he would be responsible for a number of firsts in Russian film history (including the first feature-length animated film, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Harryhausen
Raymond Frederick Harryhausen (June 29, 1920 – May 7, 2013) was an American-British animator and special effects creator who is regarded as one of the most influential figures in the history of both fields. In a career spanning more than 40 years, he built upon the techniques of his mentor, Willis H. O’Brien, to develop a form of stop motion model animation known as "Dynamation" and advance the field of cinematic special effects. Though not credited as a writer or director on any of the feature films he worked on, the role he played in shaping those he made during his peak years has led to him being regarded as “cinema’s sole visual effects auteur,” and the creatures and sequences he animated are considered some of the most iconic in the history of cinema. Inspired by O’Brien’s work on '' The Lost World'' (1925) and '' King Kong'' (1933), Harryhausen spent his adolescence developing his skills with stop motion, leading to him working under O’Brien on '' Mighty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willis O'Brien
Willis Harold O'Brien (March 2, 1886 – November 8, 1962), known as Obie O'Brien, was an American motion picture special effects and stop-motion animation pioneer, who according to ASIFA-Hollywood "was responsible for some of the best-known images in cinema history," and is best remembered for his work on ''The Lost World (1925 film), The Lost World'' (1925), ''King Kong (1933 film), King Kong'' (1933), ''The Last Days of Pompeii (1935 film), The Last Days of Pompeii'' (1935) and ''Mighty Joe Young (1949 film), Mighty Joe Young'' (1949), for which he won the 1950 Academy Award for Best Visual Effects. Biography O'Brien was born in Oakland, California. He first left home at the age of eleven to work on cattle ranches, and again at the age of thirteen when he took on a variety of jobs including farmhand, factory worker, fur trapper, cowboy, and bartender. During this time he also competed in rodeos and developed an interest in dinosaurs while working as a guide to palaeontolo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
