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List Of Artistic Works With Orientalist Influences
This is an incomplete list of artistic works with Orientalist influences. Art * David Roberts, ''The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia'' (1842) * Théodore Chassériau, ''Arab Chiefs Challenging each other to Single Combat under the Ramparts of a City'' (1852) * Léon Belly, ''Pélerins allant à La Mecque'' (1861) * Gustave Guillaumet, ''Evening Prayer in the Sahara'' (1863) * Alfred Dehodencq, ''Boabdil’s Farewell to Granada'' (1869) * Henri Regnault, ''Summary Execution under the Moorish Kings of Granada'' (1870) * Jean-Joseph Benjamin-Constant, '' Le jour des funérailles - Scène du Maroc'' (1889) Literature * ''The Travels of Marco Polo'', 13th century * ''Travels of Sir John Mandeville'', 14th century invented account of travels * Fernão Mendes Pinto, '' Peregrinação'' (1556), the most complete of the early Portuguese written accounts of the Indic, southeast Asia, China and Japan * Christopher Marlowe, ''Tamburlaine'', 1588/89 * John Dryden, ''Au ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orientalism
In art history, literature and cultural studies, Orientalism is the imitation or depiction of aspects in the Eastern world. These depictions are usually done by writers, designers, and artists from the Western world. In particular, Orientalist painting, depicting more specifically the Middle East, was one of the many specialisms of 19th-century academic art, and the literature of Western countries took a similar interest in Oriental themes. Since the publication of Edward Said's '' Orientalism'' in 1978, much academic discourse has begun to use the term "Orientalism" to refer to a general patronizing Western attitude towards Middle Eastern, Asian, and North African societies. In Said's analysis, the West essentializes these societies as static and undeveloped—thereby fabricating a view of Oriental culture that can be studied, depicted, and reproduced in the service of imperial power. Implicit in this fabrication, writes Said, is the idea that Western society is developed, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fernão Mendes Pinto
Fernão Mendes Pinto (; c.1509 – 8 July 1583) was a Portuguese explorer and writer. His voyages are recorded in ''Pilgrimage'' ( pt, Peregrinação) (1614), his autobiographical memoir. The historical accuracy of the work is debatable due to the many events that seem far-fetched or at least exaggerated, earning him the nickname "Fernão Mentes Minto" (wordplay with the Portuguese verb ''mentir'' 'lie', meaning "Fernão, are you lying? I am lying."). Many aspects of the work can be verified, particularly through records of Pinto's service to the Portuguese crown and by his association with Jesuit missionaries. Early life Pinto was born in about 1509, in Montemor-o-Velho, Portugal to a poor rural family (or perhaps to a family of minor nobility who had fallen on hard times). Pinto had two brothers and two sisters (and possibly other siblings). In 1551, a brother, Álvaro, was recorded in Portuguese Malacca. Letters also record that a brother died a martyr in Malacca. In 155 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Pétis De La Croix
François Pétis de la Croix (1653–1713) was a French orientalist. He was born in Paris, the son of the Arabic interpreter of the French court and author, also named François Pétis de la Croix (1622–1695) and inherited this office at his father's death, afterwards transmitting it to his own son, Alexandre Louis Marie, who also became a notable orientalist. At an early age, François was sent by Colbert to the East; during the ten years he spent in Syria, Persia and Turkey he learned Arabic, Persian and Turkish and collected materials which he would use in future writings. Travel in the Middle East In 1670 Pétis de la Croix, age seventeen, travelled to the Middle East on an extended language course as part of a program devised by Colbert to create a pool of capable foreign officials - les Jeunes de Langues. After a study period in Aleppo, he arrived in 1674 in Isfahan where he stayed until June 1676. From a short description of his stay we learn of his deep inter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabian Nights
''One Thousand and One Nights'' ( ar, أَلْفُ لَيْلَةٍ وَلَيْلَةٌ, italic=yes, ) is a collection of Middle Eastern folk tales compiled in Arabic during the Islamic Golden Age. It is often known in English as the ''Arabian Nights'', from the first English-language edition (), which rendered the title as ''The Arabian Nights' Entertainment''. The work was collected over many centuries by various authors, translators, and scholars across West, Central and South Asia, and North Africa. Some tales trace their roots back to ancient and medieval Arabic, Egyptian, Sanskrit, Persian, and Mesopotamian literature. Many tales were originally folk stories from the Abbasid and Mamluk eras, while others, especially the frame story, are most probably drawn from the Pahlavi Persian work ( fa, هزار افسان, lit. ''A Thousand Tales''), which in turn relied partly on Indian elements. Common to all the editions of the ''Nights'' is the framing device of the stor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Mille Et Une Nuits
''Les mille et une nuits, contes arabes traduits en français'' ("The Thousand and One Nights, Arab stories translated into French"), published in 12 volumes between 1704 and 1717, was the first European version of ''The Thousand and One Nights'' tales. The French translation by Antoine Galland (1646–1715) derived from an Arabic text of the Syrian recension of the medieval work as well as other sources. It included stories that are not found in the original Arabic manuscripts—the so-called "orphan tales"—such as the famous "Aladdin" and "Ali Baba and the Forty Thieves", which first appeared in print in Galland's form. Immensely popular at the time of initial publication, and enormously influential later, subsequent volumes were introduced using Galland's name although the stories were written by unknown persons at the behest of a publisher wanting to capitalize on their popularity. History Galland had come across a manuscript of " The Tale of Sindbad the Sailor" in Consta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Galland
Antoine Galland (; 4 April 1646 – 17 February 1715) was a French orientalist and archaeologist, most famous as the first European translator of ''One Thousand and One Nights'', which he called '' Les mille et une nuits''. His version of the tales appeared in twelve volumes between 1704 and 1717 and exerted a significant influence on subsequent European literature and attitudes to the Islamic world. Jorge Luis Borges has suggested that Romanticism began when his translation was first read. Life and work Galland was born at Rollot in Picardy (now in the department of Somme). After completing school at Noyon, he studied Greek and Latin in Paris, where he also acquired some Arabic. In 1670 he was attached to the French embassy at Istanbul because of his excellent knowledge of Greek and, in 1673, he travelled in Syria and the Levant, where he copied a great number of inscriptions, sketched and—in some cases—removed historical monuments. After a brief visit to France, wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aurangzeb
Muhi al-Din Muhammad (; – 3 March 1707), commonly known as ( fa, , lit=Ornament of the Throne) and by his regnal title Alamgir ( fa, , translit=ʿĀlamgīr, lit=Conqueror of the World), was the sixth emperor of the Mughal Empire, ruling from July 1658 until his death in 1707. Under his emperorship, the Mughals reached their greatest extent with their territory spanning nearly the entirety of South Asia. Widely considered to be the last effective Mughal ruler, Aurangzeb compiled the Fatawa 'Alamgiri and was amongst the few monarchs to have fully established Sharia and Islamic economics throughout South Asia.Catherine Blanshard Asher, (1992"Architecture of Mughal India – Part 1" Cambridge university Press, Volume 1, Page 252. Belonging to the aristocratic Timurid dynasty, Aurangzeb's early life was occupied with pious pursuits. He held administrative and military posts under his father Shah Jahan () and gained recognition as an accomplished military commander. Aur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mughal Emperor
The Mughal emperors ( fa, , Pādishāhān) were the supreme heads of state of the Mughal Empire on the Indian subcontinent, mainly corresponding to the modern countries of India, Pakistan, Afghanistan and Bangladesh. The Mughal rulers styled themselves as " padishah", a title usually translated from Persian as " emperor". They began to rule parts of India from 1526, and by 1707 ruled most of the sub-continent. After that they declined rapidly, but nominally ruled territories until the Indian Rebellion of 1857. The Mughals were a branch of the Timurid dynasty of Turco-Mongol origin from Central Asia. Their founder Babur, a Timurid prince from the Fergana Valley (modern-day Uzbekistan), was a direct descendant of Timur (generally known in western nations as Tamerlane) and also affiliated with Genghis Khan through Timur's marriage to a Genghisid princess. Many of the later Mughal emperors had significant Indian Rajput and Persian ancestry through marriage alliances as e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heroic Drama
Heroic drama is a type of play popular during the Restoration era in England, distinguished by both its verse structure and its subject matter. The subgenre of heroic drama evolved through several works of the middle to later 1660s; John Dryden's '' The Indian Emperour'' (1665) and Roger Boyle's ''The Black Prince'' (1667) were key developments. Dryden in 1670 The term "heroic drama" was invented by Dryden for his play, ''The Conquest of Granada'' (1670). For the ''Preface'' to the printed version of the play, Dryden argued that the drama was a species of ''epic poetry'' for the stage, that, as the epic was to other poetry, so the heroic drama was to other plays. Consequently, Dryden derived a series of rules for this type of play. First, the play should be composed in heroic verse (closed couplets in iambic pentameter). Second, the play must focus on a subject that pertains to national foundations, mythological events, or important and grand matters. Third, the hero of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aureng-zebe
''Aureng-zebe'' is a Restoration drama by John Dryden, written in 1675. It is based loosely on the figures of Aurangzeb (Aureng-zebe), the then-reigning Mughal Emperor of India; his brother, Murad Baksh (Morat); and their father, Shah Jahan (Emperor). The piece is the last drama that Dryden wrote in rhymed verse. It is considered his best tragic work. The premiere production by the King's Company featured Charles Hart in the title role, Michael Mohun as the Old Emperor, Edward Kynaston as Morat, William Wintershall as Arimant, Rebecca Marshall as the Empress Nourmahal, Elizabeth Cox Elizabeth "Betty" Cox was an English stage actress of the seventeenth century. Life Her debut was in March 1671 when she acted Lydia in William Wycherley's '' Love in a Wood'', for the King's Company, based at the Theatre Royal, Drury Lane.Hi ... as Indamora, and Mary Corbett as Melesinda. John Downes, ''Roscius Anglicanus'', London, 1708, Montague Summers, ed., London, Fortune Press ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Dryden
'' John Dryden (; – ) was an English poet, literary critic, translator, and playwright who in 1668 was appointed England's first Poet Laureate. He is seen as dominating the literary life of Restoration England to such a point that the period came to be known in literary circles as the Age of Dryden. Romanticist writer Sir Walter Scott called him "Glorious John". Early life Dryden was born in the village rectory of Aldwincle near Thrapston in Northamptonshire, where his maternal grandfather was the rector of All Saints. He was the eldest of fourteen children born to Erasmus Dryden and wife Mary Pickering, paternal grandson of Sir Erasmus Dryden, 1st Barone t (1553–1632), and wife Frances Wilkes, Puritan landowning gentry who supported the Puritan cause and Parliament. He was a second cousin once removed of Jonathan Swift. As a boy, Dryden lived in the nearby village of Titchmarsh, where it is likely that he received his first education. In 1644 he was sent to West ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamburlaine (play)
''Tamburlaine the Great'' is a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor Timur (Tamerlane/Timur the Lame, d. 1405). Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's ''The Spanish Tragedy'', it may be considered the first popular success of London's public stage. Marlowe, generally considered the best of that group of writers known as the University Wits, influenced playwrights well into the Jacobean period, and echoes of the bombast and ambition of ''Tamburlaine''s language can be found in English plays all the way to the Puritan closing of the theatres in 1642. While ''Tamburlaine'' is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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