List Of Renaissance Composers
Renaissance music flourished in Europe during the 15th and 16th centuries. The second major period of Western classical music, the lives of Renaissance composers are much better known than earlier composers, with even letters surviving between composers. Renaissance music saw the introduction of written instrumental music, although vocal works still reigned in popularity. There is no strict division between period, so many later medieval and earlier Baroque composers appear here as well. Renaissance composers , , English , Has works preserved in the first layer of the Old Hall Manuscript and elsewhere. His identity is unclear; probably English, but possibly from France. , , - , , , , , French , , , - , , , , , English , , , - , , , , , Italian , Also known as Gratiosus de Padua , , - , , , , , Italian , Also known as Antonius de Civitate Austrie , , - , , , , , French , , , - , , , , , German , , , - , , , , , Italian ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century ''ars nova'', the music of the Trecento, Trecento music was treated by musicology as a coda to medieval music and the new era dated from the rise of triad (music), triadic harmony and the spread of the ''contenance angloise'' style from the British Isles to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque music, Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410s or '20s–1497) and Josquin des Prez (late 1450s–1521), and culminating during the Counter-Reformat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pierre Fontaine (composer)
Pierre Fontaine (; c. 1380 – c. 1450) was a French composer of the transitional era between the late Middle Ages and early Renaissance, and a member of the Burgundian School of composers. While he was well known at the time, most of his music has probably been lost. All of his surviving music is secular, and all his compositions are chansons. Life He was born in Rouen and is presumed to have had his early musical training there. By 1403 he was a singer at the large and splendid chapel of Philip the Bold, and after it was disbanded in 1404 he became a clerk at Ste. Chapelle in Bourges, where he served at least until 1407. He was a singer at the court chapel of Burgundy when it was reconstituted, after a period of inactivity, by John the Fearless, the new Duke of Burgundy in 1415. When John died in 1419 Fontaine left the chapel and went to northern Italy, joining the singers in the chapel of Pope Martin V, where he probably remained through the early 1420s. Around the end of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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John Dunstaple
John Dunstaple (or Dunstable; – 24 December 1453) was an English composer whose music helped inaugurate the transition from the medieval to the Renaissance periods. The central proponent of the ''Contenance angloise'' style (), Dunstaple was the leading English composer of his time, and is often coupled with William Byrd and Henry Purcell as England's most important early music composers. His style would have an immense influence on the subsequent music of continental Europe, inspiring composers such as Du Fay, Binchois, Ockeghem and Busnois. Information on Dunstaple's life is largely non-existent or speculative, with the only certain date of his activity being his death on Christmas Eve of 1453. Probably born in Dunstable in Bedfordshire during the late 14th-century, Dunstaple was associated with Humphrey, Duke of Gloucester and Joan of Navarre, and, through them, St Albans Abbey. Another important patron was John, Duke of Bedford, with whom Dunstaple may have trave ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Johannes De Limburgia
Johannes de Limburgia (also Johannes de Lymburgia or Johannes Vinandi; fl. 1408–1430) was a Franco-Flemish School composer. History His name indicates that he is from the Duchy of Limburg (or perhaps the city itself). He worked at churches in Liège in 1408–19, was succentor at Saint-Jean-l'Évangéliste there in 1426, and in Italy c. 1430, perhaps in Venice, or Vicenza and/or Padua, for which cities he wrote motets. Like Arnold and Hugo de Lantins he stands out among his contemporaries by virtue of the large number of his surviving works: about 50 in the Q15 Manuscript (Bologna Bologna ( , , ; ; ) is the capital and largest city of the Emilia-Romagna region in northern Italy. It is the List of cities in Italy, seventh most populous city in Italy, with about 400,000 inhabitants and 150 different nationalities. Its M ..., International museum and library of music) and a Mass Ordinary in the Trent Codices. References Renaissance composers Belgian male classical ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Roy Henry
Roy Henry ("King" Henry) () was an English composer, almost certainly the pseudonym of an English King: probably Henry V, but also possibly Henry IV. His music, two compositions in all, appears in a position of prominence in the Old Hall Manuscript. Identity Musicologists have not been able to agree on which English monarch wrote the two mass movements which appear, at the head of their respective sections, in the Old Hall Manuscript. Henry IV, who reigned from 1399 to 1413, was in his early forties when the music was most likely written, since stylistic evidence places it around 1410. However, by 1410 Henry IV was suffering from a disfiguring disease and struggling to maintain his regal power. Therefore, it is unlikely that he, albeit a talented musician, could be the composer of the two pieces. Whereas Henry V, despite being extremely 'busy on campaigns' after his succession, was recorded to never have ceased in his fondness for music. In 1420 the Pell Rolls recorded payments ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Johannes Cesaris
Johannes Cesaris (fl. 1406 – 1417) was a French composer of the late Medieval era and early Renaissance. He was one of the composers of the transitional style between the two epochs, and was active at the Burgundian court in the early 15th century. Life and career Little is known about his life, excepting the years he was active in Bourges. He was a cleric for the Duke of Berry in Bourges in 1406, and ''maître des enfants'' (choirmaster to the boys) at the cathedral there from 1407 to 1409. In 1417 he was probably the organist at Angers cathedral. A Pierre Cesaris, possibly a relative, was active in Bourges until 1443. There is a reference in a contemporary poem, ''Le champion des dames'' by Martin le Franc to Johannes Cesaris being a popular composer in Paris in the early part of the century (this is the same manuscript that contains the famous portraits of Guillaume Dufay and Gilles Binchois). Music Of his works, one motet, two ballades, and five rondeaux survive, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bartolomeo Da Bologna
Bartolomeo da Bologna (fl. 1405 – 1427) was an Italian composer of the transitional period between the late medieval style of the Trecento and the early Renaissance. Life Little is known with certainty about his life, but he was probably from Bologna or nearby, and seems to have spent part of his life in Ferrara. He was a Benedictine, and may have been the prior of San Nicolò in Ferrara; in addition he was the organist there in 1407, and he is documented in that cathedral at the beginning of 1427. He also seems to have been connected with the chapel of John XXIII in Bologna, since one of his ballades (''Arte psalentes'') is probably addressed to the singers in his choir. (He is frequently referred to in manuscripts with the Latin form of his name, "Bartolomeus de Bononia") Music Bartolomeo is one of only a few native Italian composers of the early 15th century of whom works have survived with reliable attribution; many of the musicians in Italy during the 15th century w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Beltrame Feragut
Beltrame Feragut or Bertrand d'Avignon (Avignon 1385c. 1450) was a French composer. He was one of several French composers who worked in Italy; at Florence and Vicenza. Bertrand was either a priest or monk, since that was then a requirement to become ''maestro di cappella'' at Milan Cathedral Milan Cathedral ( ; ), or Metropolitan Cathedral-Basilica of the Nativity of Saint Mary (), is the cathedral church of Milan, Lombardy, Italy. Dedicated to the Nativity of Mary, Nativity of St. Mary (), it is the seat of the Roman Catholic Archdi ... (1426–1430).''Acta musicologica'' 28–29 International Musicological Society – 1956 "... cioè a Don Beltrame o Bertrand Feragut. Del quale dunque possiamo oramai stabilire: 1° che era nato ad Avignone, 2° che era sacerdote, prête o frate che fosse, 3° che era giunto a Milano nel 1425 per volere del Duca e vi era rimasto" Recordings *''Francorum nobilitati'' – Ensemble Perlaro, PAN, 2010 References External links * {{DEFAULT ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jacobus Vide
Jacobus Vide (French: ''Jacques Vide''; fl. 1405–1433) was a Franco-Flemish composer of the transitional period between the medieval period and early Renaissance. He was an early member of the Burgundian School, during the reigns of John the Fearless and Philip the Good. The earliest mention of him is from the archives of the Cathedral of Notre Dame in Paris Paris () is the Capital city, capital and List of communes in France with over 20,000 inhabitants, largest city of France. With an estimated population of 2,048,472 residents in January 2025 in an area of more than , Paris is the List of ci ..., in 1405, where he was probably a choirboy (some uncertainty exists with regard to the name). In 1410 he held a position at the church of St Donatian in Bruges, and around the same time he may have been a singer in the chapel of Antipope John XXIII. His service to the Burgundian court began sometime between then and 1423, when he was listed as a '' valet de cham ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Guillaume Legrant
Guillaume Legrant (Guillaume Lemacherier, Le Grant) (fl. 1405–1449) was a French composer of the early Renaissance, active in Flanders, Italy, and France. He was one of the first composers in writing polyphony to distinguish between passages for solo and multiple voices on each part.Wright, Grove online Life and music Nothing is known about his early life, but his real name (Lemacherier) suggests a French origin. His first appearance in church records is in 1405, when he was a singer at Bourges. In 1407 he became a chaplain there, and he remained in Bourges until 1410. The next eight years contain no record of his activities, but he was in Rome by October 1418, at which time he entered the papal chapel as a singer, at that time under Pope Martin V; he stayed there until 1421. While no musical activity of his has been documented in France, he had been given benefices there, in the diocese of Rouen. Since he kept at least one until 1449 he is presumed to have still been alive ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nicolaus Ricii De Nucella Campli
Nicolaus Savini Mathei alias Ricci de Nucella Campli, (fl. 1401–1425; d. 1438 or after), also Niccolò Ricci and Nucella, was an Italian composer, singer, and scribe of the late fourteenth and early fifteenth centuries. Only a single work by Nicolaus is known, the ballata ''De bon parole''. Life Nothing was known of this composer until the discoveries of Giuliano Di Bacco and John Nádas, published in summary form in 1998 and more completely in 2004. From his name it seems he was born or active in Abruzzo, since "Nucella" or " Nocella" is a small località less than 2 km south-east of Campli. He is documented as a member of the papal chapels of Popes Boniface IX, Innocent VII, and Gregory XII of the Roman obedience from 1401–1410. He was listed as "cantor dnp" (singer for the lord, the pope) and "prepositus ecclesie S. Victorie de Nucella Campli Aprutin. dioc." (" Provost of the church of Saint Victoria of Nocella, Campli in the diocese of Teramo") in a document ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ugolino Da Forlì
Ugolino is an Italian masculine given name that is a diminutive form of Ugo. It may also refer to: Artists and musicians * Ugolino di Nerio (1280?–1349), Italian painter active in Siena and Florence * Ugolino di Tedice (died after 1277), Italian painter * Ugolino di Prete Ilario, 14th-century Italian painter from Siena * Ugolino of Forlì (c. 1380–c. 1457), Italian composer and musical theorist Other people * Pope Gregory IX (born Ugolino di Conti; before 1170–1241)) * Ugolino da Gualdo Cattaneo (1200–1260), Italian Roman Catholic professed religious and friar of the Order of Saint Augustine * Ugolino della Gherardesca (–1289), Italian nobleman who features prominently in Canto 32 of Dante's ''Inferno'' * Ugolino of Gallura (Nino Visconti; died 1298), Sardinian judge * Ugolino Brunforte (c. 1262–c. 1348), Italian Friar Minor and chronicler * Ugolino de Vivaldo __NOTOC__ Vandino (sometimes Vadino or Guido) and Ugolino Vivaldi (sometimes Ugolino de Vivaldo) (fl ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |