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List Of Oratorios
This is a chronological list of oratorios from the 16th century to the present. Unless otherwise indicated, all dates are those when the work was first performed. In some cases only the date of composition is known. In others, the oratorio has only been heard on a recording. There is considerable overlap between the oratorio and the cantata, especially during the 19th century. The works listed below are those that have most often been referred to as oratorios. 16th century *Emilio de' Cavalieri – ''Rappresentatione di Anima, et di Corpo'' (1600) 17th century *Pietro della Valle – ''Oratorio della Purificatione'' (1640, the earliest documented use of the word "oratorio" to describe a musical composition) *Cornelis Thymenszoon Padbrué – ''De tranen Petri ende Pauli'' (published 1647, only partial score survives) *Giacomo Carissimi **''Jephte (Carissimi), Jephte'' (before 16 June 1648) **''Baltazar'' (mid-17th century) **''Diluvium universale'' (mid-17th century) **''Dives ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV 248 Autograph
The (, ; BWV) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990 and the third edition in 2022.Bach-Werke-Verzeichnis (BWV). Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach, 3rd expanded edn. Edited by Christine Blanken, Christoph Wolff and Peter Wollny The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. In part this reflects that fact that some compositions cannot be dated. However, an approximate or precise date can be assigned to others: for example, BWV 992 was composed many years before BWV 1. Alternative classifications The BWV classification is open to criticism, and the Bach scholar Christoph Wolff was involved in the design of an alternative, the Bach Compendium. Publication of the Bach Compendium began in 1985. The BWV, however, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hallelujah Score 1741
''Hallelujah'' (; , Modern ) is an interjection from the Hebrew language, used as an expression of gratitude to God. The term is used 24 times in the Tanakh (in the book of Psalms), twice in deuterocanonical books, and four times in the Christian Book of Revelation. The phrase is used in Judaism as part of the Hallel prayers, and in Christian prayer, where since the earliest timesScott Nash, "Hallelujah" in ''Mercer Dictionary of the Bible'' (Mercer University Press 1990 ), p. 355 it is used in various ways in , especially those of the |
Easter Oratorio
The ''Easter Oratorio'' (; ), 249, is an oratorio by Johann Sebastian Bach. He wrote an autograph score in Leipzig in 1738 under this title, matching his ''Christmas Oratorio'' and '' Ascension Oratorio''. Bach had already composed the work in 1725, when he used most of its music for two compositions, the congratulatory '' Shepherd Cantata'', BWV 249a (BWV 249.1), and a church cantata for Easter Sunday, ('Come, go and hurry'), BWV 249.3, that later became the oratorio. Both works are musical dramas involving characters: in the secular cantata two shepherds and two shepherdesses, and in the Easter cantata four Biblical figures from the Easter narratives in the Gospel of Luke and other Evangelists. Bach performed the ''Shepherd Cantata'' on 23 February 1725 for his patron Christian, Duke of Saxe-Weissenfels. Its text was written by Picander, in his first documented collaboration with Bach. Picander may also have adapted his text for the Easter cantata that Bach first performed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann David Heinichen
Johann David Heinichen (17 April 1683 – 16 July 1729) was a German Baroque composer and music theorist who brought the musical genius of Venice to the court of Augustus II the Strong in Dresden. After he died, Heinichen's music attracted little attention for many years. As a music theorist, he is credited as one of the inventors of the circle of fifths. Biography Johann David Heinichen was born in 1683 in the small village of Krössuln (currently part of the town Teuchern, in Saxony-Anhalt) near Weissenfels. His father, Michael Heinichen, had studied music at the celebrated Thomasschule Leipzig associated with the Thomaskirche, served as cantor in Pegau and was pastor of the village church in Krössuln. Johann David also attended the Thomasschule Leipzig. There he studied music with Johann Schelle and later received organ and harpsichord lessons with Johann Kuhnau. The future composer Christoph Graupner was also a student of Kuhnau at the time. Heinichen enrolled in 1702 t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St John Passion
The ''Passio secundum Joannem'' or ''St John Passion'' (), BWV 245, is a Passion or oratorio by Johann Sebastian Bach, the earliest of the surviving Passions by Bach. It was written during his first year as director of church music in Leipzig and was first performed on 7 April 1724, at Good Friday Vespers at the St. Nicholas Church. The structure of the work falls in two halves, intended to flank a sermon. The anonymous libretto draws on existing works (notably by Barthold Heinrich Brockes) and is compiled from recitatives and choruses narrating the Passion of Christ as told in the Gospel of John, ariosos and arias reflecting on the action, and chorales using hymn tunes and texts familiar to a congregation of Bach's contemporaries. Compared with the '' St Matthew Passion'', the ''St John Passion'' has been described as more extravagant, with an expressive immediacy, at times more unbridled and less "finished". The work is most often heard today in the 1739–1749 versi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (German: Help:IPA/Standard German, [ˈjoːhan zeˈbasti̯an baχ]) ( – 28 July 1750) was a German composer and musician of the late Baroque music, Baroque period. He is known for his prolific output across a variety of instruments and forms, including the orchestral ''Brandenburg Concertos''; solo instrumental works such as the Cello Suites (Bach), cello suites and Sonatas and Partitas for Solo Violin (Bach), sonatas and partitas for solo violin; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the ' and the Toccata and Fugue in D minor, BWV 565, Toccata and Fugue in D minor; and choral works such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Reception of Johann Sebastian Bach's music, Bach Revival, he has been widely regarded as one of the greatest composers in the history of Western music. The Bach family had already produced several composers when Joh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sub Olea Pacis Et Palma Virtutis
''Sub olea pacis et palma virtutis conspicua orbi regia Bohemiae Corona: Melodrama de Sancto Wenceslao '' (''Under the Olive Tree of Peace and the Palm Tree of Virtue the Crown of Bohemia Splendidly Shines Before the Whole World: Melodrama to Saint Wenceslaus''), ZWV 175, is an extensive composition, written in 1723 by Czech baroque composer Jan Dismas Zelenka. History The opus was composed for the coronation of Charles VI in 1723. The work was commissioned in 1722 by Prague Jesuits who were involved in the grand preparation for the coronation act. The composer came to Prague in 1723 to complete, rehearse and perform his work. It was performed in the presence of the imperial couple at the Jesuit Clementinum in Prague in the afternoon of 12 September 1723, with Zelenka himself as conductor. Besides the eight soloists and musicians of the orchestra, a further 142 persons, including dancers and walk-on actors, were involved in that grandiose performance. Vocal soloists were select ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Dismas Zelenka
Jan Dismas Zelenka (16 October 1679 – 23 December 1745), baptised Jan Lukáš Zelenka was a Bohemian composer and musician of the Baroque period. His music is admired for its harmonic inventiveness and mastery of counterpoint. Zelenka was raised in Central Bohemia, educated in Prague and Vienna, and spent his professional life in Dresden. The greatest success during his career was the performance of the extensive composition '' Sub olea pacis et palma virtutis'' in the presence of the Emperor Charles VI, shortly after his coronation as king of Bohemia in 1723. Life Early life Zelenka was born in Louňovice pod Blaníkem, a market town southeast of Prague, in Bohemia. He was the eldest of eight children born to Marie Magdalena (née Hájek) and Jiří Zelenka. The middle name Dismas is probably his confirmation name. Zelenka's father Jiří was a schoolmaster and organist in Louňovice, and was likely his first music teacher. Nothing more is known with certainty ab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juditha Triumphans
''Juditha triumphans devicta Holofernis barbarie'' (Latin: 'Judith triumphant after defeating the barbarity of Holofernes'), RV 644, is an oratorio by Antonio Vivaldi. Although the rest of the oratorio survives completely intact, the overture has been lost. The Latin libretto was written by Iacopo Cassetti based upon the Book of Judith. The exact date of composition and performance of ''Juditha triumphans'' are not known, but the allegorical treatment of the Venetian defense of Corfu dominated public discussion in Venice throughout 1716. This work was an allegorical description of the victory of the Venetians (the Christians) over the Turks in August 1716. The work was commissioned to celebrate the victory of the Republic of Venice over the Turks during the siege of Corfu: in July 1716, the Turks had landed on Corfu and set siege to the island. The population resisted the occupation and, in August, Venice signed an alliance with the Holy Roman Emperor. On 18 August, under the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist, impresario of Baroque music and Roman Catholic priest. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and Program music, programmatic music. He consolidated the emerging concerto form, especially the solo concerto, into a widely accepted and followed idiom. Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as Sacred Music, sacred choral works and List of operas by Antonio Vivaldi, more than fifty operas. His best-known work is a series of violin concertos known as ''The Four Seasons (Vivaldi), The Four Seasons''. Many of his compositions were written for the all-female music ensemble of the , a home for abandoned children. Vivaldi b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brockes Passion (Handel)
The ''Brockes Passion'', or ' (English: ''The Story of Jesus, Suffering and Dying for the Sins of the World''), is a German oratorio, libretto by Barthold Heinrich Brockes, first published in 1712 and seeing 30 or so more editions over the following 15 years. The most famous musical setting of Brockes' text is that by George Frideric Handel, HWV 48. The text was also set by Reinhard Keiser (1712), Georg Philipp Telemann (1716), Johann Mattheson (1718), Gottfried Heinrich Stölzel (1725), Johann Friedrich Fasch (1723) and several other composers. Brockes' text Barthold Heinrich Brockes was an influential German poet who re-worked the traditional form of a Passion oratorio, adding reflective and descriptive poetry, sometimes of a highly-wrought and emotional kind, into the texture of his Passion. The Brockes Passion was much admired and set to music numerous times in Baroque Germany, although to other ages and in other countries some of Brockes' poetry has seemed in poor t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Maria Veracini
Francesco Maria Veracini (1 February 1690 – 31 October 1768) was an Italian composer and violinist, perhaps best known for his sets of violin sonatas. As a composer, according to Manfred Bukofzer, "His individual, if not subjective, style has no precedent in baroque music and clearly heralds the end of the entire era", while Luigi Torchi maintained that "he rescued the imperiled music of the eighteenth century", His contemporary, Charles Burney, held that "he had certainly a great share of whim and caprice, but he built his freaks on a good foundation, being an excellent contrapuntist". The asteroid 10875 Veracini was named after him. Life Francesco Maria Veracini was born at about 8:00 a.m. on 1 February 1690 in the family house on the via Palazzuolo, parish of San Salvatore, Ognissanti, Florence. The second and only surviving son of Agostino Veracini, a pharmacist and undertaker (and ironically one of the few Veracinis who was not a violinist, even as an amateur), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
