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List Of Classical-era Composers
This is a list of composers of the Classical music era, roughly from 1730 to 1820. Prominent classicist composers include Christoph Willibald Gluck, Carl Philipp Emanuel Bach, Johann Stamitz, Joseph Haydn, Johann Christian Bach, Antonio Salieri, Muzio Clementi, Wolfgang Amadeus Mozart, Luigi Boccherini, Ludwig van Beethoven, Niccolò Paganini, Gioachino Rossini and Franz Schubert. As with the list of Romantic composers, this is a purely chronological catalogue, and includes figures not usually thought of as Classical-period composers, such as Johann Sebastian Bach, and Georg Frideric Handel, as well as figures more often regarded as belonging to the early Romantic era, such as Carl Maria von Weber. Early Galante era composers – Transition from Baroque to Classical (born before 1710) Composers in the Baroque/Classical transitional era, sometimes seen as the beginning of the Galante era, include the following listed by their date of birth: *Giacomo Antonio Perti (1661–1756) ...
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Classical Period (music)
The Classical period was an era of classical music between roughly 1750 and 1820. The classical period falls between the Baroque music, Baroque and Romantic music, Romantic periods. It is mainly Homophony, homophonic, using a clear melody line over a subordinate chordal accompaniment,Friedrich Blume, Blume, Friedrich. ''Classic and Romantic Music: A Comprehensive Survey''. New York: W. W. Norton, 1970 but counterpoint was by no means forgotten, especially in liturgical vocal music and, later in the period, secular instrumental music. It also makes use of ''Galant music, style galant'' which emphasizes light elegance in place of the Baroque's dignified seriousness and impressive grandeur. Variety and contrast within a piece became more pronounced than before, and the orchestra increased in size, range, and power. The harpsichord declined as the main keyboard instrument and superseded by the piano (or fortepiano). Unlike the harpsichord, which plucks strings with quills, pianos s ...
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Carl Maria Von Weber
Carl Maria Friedrich Ernst von Weber (5 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and Music criticism, critic in the early Romantic music, Romantic period. Best known for List of operas by Carl Maria von Weber, his operas, he was a crucial figure in the development of German ''Romantische Oper'' (German Romantic opera). Throughout his youth, his father, , relentlessly moved the family between Hamburg, Salzburg, Freiberg, Augsburg and Vienna. Consequently he studied with many teachers—his father, Johann Peter Heuschkel, Michael Haydn, Giovanni Valesi, Johann Nepomuk Kalcher, and Georg Joseph Vogler—under whose supervision he composed four operas, none of which survive complete. He had a modest output of non-operatic music, which includes two symphonies, two concertos and a Concertino for Clarinet (Weber), concertino for clarinet and orchestra, a Bassoon Concerto (Weber), bassoon concerto, a Concertino for Horn and Orchestra (Weber), horn concer ...
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Pierre Dumage
Pierre Du Mage (also Dumage; baptised 23 November 1674 – 2 October 1751) was a French Baroque organist and composer. His first music teacher was most likely his father, who was the organist at Beauvais Cathedral. At some point during his youth, Du Mage moved to Paris and studied under Louis Marchand. He also befriended Nicolas Lebègue, who in 1703 procured for him a position as the organist of the Collegiate Church of Saint-Quentin.Apel 1972, 744. In 1710, Du Mage was appointed the titular organist of Laon Cathedral. Due to strained relations with his superiors in the cathedral chapter, Du Mage left on 30 March 1719, at the age of 45, and became a civil servant.Higginbottom, Grove. He apparently neither played nor composed music professionally until his death. Du Mage's only surviving work is , published in 1708. This collection is dedicated to the chapter of Saint Quentin. It contains a single , comprising eight pieces in the traditional French forms: , , , , , , and . In t ...
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Georg Caspar Schürmann
Georg Caspar Schürmann (1672 (or early 1673), in Idensen bei Neustadt am Rübenberge – 25 February 1751, in Wolfenbüttel) was a German Baroque composer. His name also appears as Schurmann and in Hochdeutsch as Scheuermann. Life Schürmann studied music, including voice, in his native Lower Saxony. By 1693, he was singing at the Oper am Gänsemarkt as a young alto. In 1694 he composed a cantata for the inauguration of the Castle Salzdahlum in Wolfenbüttel. In 1697, he went to Lüneburg (about 50 km southeast of Hamburg) for a guest performance. His singing there so impressed Duke Anton Ulrich of Brunswick-Wolfenbüttel that the Duke hired him on the spot. From 1702 to 1707 he was principal conductor and composer for the Meiningen Court Orchestra. In 1707 Schürmann officially succeeded Reinhard Keiser as ''Cammer-Componist'' (court composer). He served the court of Brunswick, with but a few brief interruptions, for 54 years until he died at the age of 79. Work Schürm ...
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Azzolino Bernardino Della Ciaja
:''To be distinguished from an earlier Sienese composer Alessandro Della Ciaia (c. 1605 - c. 1670)'' Azzolino Bernardino della Ciaja (21 May 167115 January 1755) was an Italian organist, harpsichordist, composer and organ builder. Life Born in Siena, into a rich family, he was a member of the Pisan Cavalieri di S Stefano order. He lived in Pisa from 1703 and 1713, but kept strong connections with Florence. In 1713 he moved to Rome where he stayed till 1730. He moved then back to Pisa where he died. Expert in organ building, he worked on the organ of Santo Stefano dei Cavalieri, a large 5- manual and more than 60 stop organ. Very important are the Six Sonatas for Harpsichord published in Rome in 1727. Works Vocal works *Cantate da camera, op. 2 (Lucca, 1701) *Cantate da camera op. 3 (Bologna, 1702), lost *De suoi tormenti in seno (Pisa, 1704) *Chi non sa morire (cantata) *Bella imago (cantata) *Lungi dal caro bene (cantata), Pisa, 1709 Sacred works *Salmi concertati, op. 1 (B ...
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Tomaso Giovanni Albinoni
Tomaso Giovanni Albinoni (8 June 1671 – 17 January 1751) was an Italian composer of the Baroque era. His output includes operas, concertos, sonatas for one to six instruments, sinfonias, and solo cantatas. While famous in his day as an opera composer, he is known today for his instrumental music, especially his concertos. He is best remembered today for a work called "Adagio in G minor", attributed to him but largely written by Remo Giazotto, a 20th century musicologist and composer, who was a cataloger of the works of Albinoni. Biography Born in Venice, to Antonio Albinoni, a wealthy paper merchant, he studied violin and singing. Relatively little is known about his life, which is surprising, considering his contemporary stature as a composer and the comparatively well-documented period in which he lived. In 1694 he dedicated his Opus 1 to the fellow-Venetian, Cardinal Pietro Ottoboni (grand-nephew of Pope Alexander VIII). His first opera, '' Zenobia, regina de Palmireni'', was ...
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Richard Leveridge
Richard Leveridge (or Leueridge) (19 July 1670 – 22 March 1758) was an English bass singer of the London stage and a composer of baroque music, including many popular songs. Life Richard Leveridge was born in the parish of St Martin-in-the-Fields, London, in 1670, and in 1695 became the leading bass singer in the United Company managed by Christopher Rich at Drury Lane, after the defection of several leading singers from Rich's company. His first important role of which anything is known was as the magician Ismeron in Henry Purcell's opera '' The Indian Queen'', which included the aria "Ye twice ten hundred deities". Purcell himself remained loyal to the company, and for several months Leveridge worked closely with him. It is likely that "Arise, ye subterranean winds" in the music (attributed to Purcell) for ''The Tempest'' was written for him. After Purcell's death he continued to work with composers Daniel Purcell and Jeremiah Clarke, and took a leading part in Clarke's Ode up ...
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Louis De Caix D'Hervelois
Louis may refer to: People * Louis (given name), origin and several individuals with this name * Louis (surname) * Louis (singer), Serbian singer Other uses * Louis (coin), a French coin * HMS ''Louis'', two ships of the Royal Navy See also * Derived terms * King Louis (other) * Saint Louis (other) * Louis Cruise Lines * Louis dressing, for salad * Louis Quinze, design style Associated terms * Lewis (other) * Louie (other) * Luis (other) * Louise (other) * Louisville (other) Associated names * * Chlodwig, the origin of the name Ludwig, which is translated to English as "Louis" * Ladislav and László - names sometimes erroneously associated with "Louis" * Ludovic, Ludwig, Ludwick, Ludwik Ludwik () is a Polish given name. Notable people with the name include: * Ludwik Czyżewski, Polish WWII general * Ludwik Fleck (1896–1961), Polish medical doctor and biologist * Ludwik Gintel (1899–1973), Polish-Isra ...
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Giuseppe Avitrano
Giuseppe Antonio Avitrano (Naples Naples ( ; ; ) is the Regions of Italy, regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 908,082 within the city's administrative limits as of 2025, while its Metropolitan City of N ..., c. 1670 – Naples, 19 March 1756) was an Italian composer and violinist. Avitrano came from a family of musicians. From about 1690 until his death he was member of the Neapolitan court orchestra. Works * 10 Sonatas for 2 violins, violone, organ, Op. 1 (Naples, 1697) * 10 Sonatas for 2 violins, violone, organ, Op. 2 (Naples, 1703) * 12 Sonata a quattro, for 3 violins and basso continuo, Op. 3 (Naples, 1713)Giuseppe A. Avitrano, Compositions
AllMusic. Retrieved 3 October 2013. * 7 cantatas for soprano and basso continuo * M ...
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Johann Nicolaus Bach
Johann Nicolaus Bach (or Johann Nikolaus Bach) ( – 4 November 1753) was a German composer of the Baroque period. Johann Nicolaus was the eldest son of Johann Christoph Bach and the second cousin of Johann Sebastian Bach. He was educated at the University of Jena, where he later became organist. He was probably born at Eisenach, where his father was employed as a musician, attended the Eisenach Latin school until 1689, and was a student of the Jena city organist J.M. Knüpfer, a son of Sebastian Knüpfer; after an Italian sojourn in 1696, he became organist at the Stadtkirche and the Kollegiatkirche in Jena. He was influenced by Antonio Lotti. He later joined the Danish army. He then returned to Jena where he lived for the rest of his life. Few of his compositions survive. He was also a maker of harpsichords and organs. Surviving pieces include a mass, two chorale preludes on "" and a Singspiel ''Der jenaische Wein- und Bierrufer'', this in the form of a quodlibet A quo ...
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Johann Christoph Pepusch
Johann Christoph Pepusch (; 1667 1752), also known as John Christopher Pepusch () and Dr Pepusch, was a German-born composer who spent most of his working life in England. He was born in Berlin, son of a vicar, and was married to Margherita de l'Epine who also performed in some of his theatrical productions. Early life Pepusch studied music theory under Martin Klingenberg, cantor of the Marienkirche in Berlin. At the age of 14, he was appointed to the Prussian court where he gave music lessons to the future Frederick William I of Prussia. He resigned this position in 1698 after witnessing the execution of an officer without trial. He then first went to Amsterdam. In 1704, he settled in England, but he continued to publish in Amsterdam until 1718. Career At first, Pepusch earned a living playing the viola, then as a theatre director, music theoretician, teacher and organist. In 1726, Pepusch founded The Academy of Vocal Music with others; in around 1730–1, it was ren ...
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Michele Mascitti
Michele Mascitti (1664 in Villa Santa Maria (from Chieti); 24 April 1760 in Paris) was an Italian violinist and Baroque composer. Life Mascitti was educated by a relative, Pietro Marchitelli (1643-1729), a violinist in the royal court orchestra in Naples, and at the "Teatro San Bartolomeo", possibly by Corelli. Mascitti found a temporary position in the royal orchestra, but soon left. He traveled through Italy, and later throughout Europe, spending time in Germany and the Netherlands. He was under the protection of Cardinal Ottoboni and the reigning Duke of Bavaria. In 1704, he settled in Paris and took the Frenchified given name of Michel. He was naturalized French in 1739. Philippe d'Orléans was a patron, allowing Mascitti early appearances at the court of Versailles. Mascitti published all nine of his sonata collections in Paris. The four concertos from Op. 7 follow the ''concerto grosso'' style of Corelli. During his lifetime, Mascitti enjoyed similar fame to Albino ...
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