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List Of Child Ballads
is the colloquial name given to a collection of 305 ballads collected in the 19th century by Francis James Child and originally published in ten volumes between 1882 and 1898 under the title ''The English and Scottish Popular Ballads.'' The ballads Following are synopses of the stories recounted in the ballads in Child's collection. Since Child included multiple versions of most ballads, the details of a story can vary widely. The synopses presented here reflect the summaries in Child's text, but also rely on other sources as well as the ballads themselves. References {{Francis James Child * Murder ballads Child Ballads The Child Ballads are 305 traditional ballads from England and Scotland, and their American variants, anthologized by Francis James Child during the second half of the 19th century. Their lyrics and Child's studies of them were published as ...
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The Three Ravens
"The Three Ravens" () is an English folk ballad, printed in the songbook ''Melismata'' compiled by Thomas Ravenscroft and published in 1611, but the song is possibly older than that. Newer versions (with different music) were recorded up through the 19th century. Francis James Child recorded several versions in his Child Ballads (catalogued as number 26). The ballad centers three scavenger birds conversing about where and what they should eat. One tells the others of a newly slain knight, but they find he is guarded by his loyal hawks and hounds. Furthermore, a "fallow doe", a metaphor for the knight's pregnant ("as great with young as she might go") lover or mistress (see " leman") comes to his body, kisses his wounds, bears him away, and buries him, leaving the ravens without a meal. The narrative ends with "God send euery gentleman / Such haukes, such hounds, and such a Leman". Text of the ballad These lyrics to "The Three Ravens" are transcribed using 1611 orthography. T ...
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The Fair Flower Of Northumberland
"The Fair Flower of Northumberland" (Roudbr>25 Child 9) is a folk ballad. Synopsis A Scottish knight is imprisoned by the Earl of Northumberland (or another high official). The knight persuades the Earl's daughter, the titular fair flower, to free him, promising to marry her in Scotland. As soon as they reach his home, he tells her to return to Northumberland as he already has a wife and children. She pleads with him to take her as a servant or to kill her, both of which he refuses. She returns to her home, either alone or with an escort hired by the Scottish knight. In some variants, her father or stepmother complains of how easily her love was won, but in all, her mother or father blames the seduction on Scottish treachery and says that she will have gold and lands to get her a husband. Commentary There are no variants of this ballad in other languages than English and Scots, though many of the elements have parallels. Parts of it parallel " The Nut-Brown Maid", where t ...
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Judas (ballad)
"Judas" ( Roud 3964, Child 23) is one of the oldest surviving English folk ballads, dating back to at least the 13th century. Francis Child numbered it No. 23 in his collection. Bertrand Harris Bronson, ''The Ballad as Song'' (1969) p. 97: "First, then, for the materials, taking the Child ballads as our convenient base. ... Whereas the earliest text among Child's ballads, the 'Judas', goes back to the mid-thirteenth century, no tune specifically attached in the record by title or ..." Synopsis Jesus gives Judas 30 pieces of silver to buy food for the Apostles; on his way to the market, Judas is waylaid by his sister, who lulls him to sleep and steals the money. Unwilling to confess his loss, Judas sells Christ to the Romans for the same amount. See also *List of the Child Ballads is the colloquial name given to a collection of 305 ballads collected in the 19th century by Francis James Child and originally published in ten volumes between 1882 and 1898 under the title '' ...
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The Maid And The Palmer
"The Maid and the Palmer" (a.k.a. "The Maid of Coldingham" and "The Well Below The Valley") (Roud 2335, Child ballad 21) is an English language medieval murder ballad with supernatural/religious overtones. Because of its dark lyrics (implying murder and, in some versions, incest), the song was often avoided by folk singers. Considered by scholars to be a "debased" version of a work more completely known in European sources as the Ballad of the Magdalene, the ballad was believed lost in the oral tradition in the British Isles from the time of Sir Walter Scott, who noted a fragment of it having heard it sung in the early years of the nineteenth century, until it was discovered in the repertoire of a living Irish singer, John Reilly, from whom it was collected in the 1960s, although subsequently other versions have surfaced from Ireland from the 1950s to the 1970s; an additional full text, collected and notated in around 1818, was also recently published in Emily Lyle's 1994 ''Sco ...
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The Cruel Mother
"The Cruel Mother" (a.k.a. "The Greenwood Side" or "Greenwood Sidey") () is a murder ballad originating in England that has since become popular throughout the wider English-speaking world. According to Roud and Bishop :''Widely collected in Britain and Ireland, and in North America, 'The Cruel Mother' has clearly struck a chord with singers over a number of generations. We will never know quite why, of course, but in performance the combination of the matter-of-fact handling of a difficult subject and the repeated rhythmic refrain often creates a stark and hypnotic tale, which is extremely effective.'' Synopsis A woman gives birth to one or two illegitimate children (usually sons) in the woods, kills them, and buries them. On her return trip home, she sees a child, or children, playing, and says that if they were hers, she would dress them in various fine garments and otherwise take care of them. The children tell her that when they were hers, she would not dress them so but m ...
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King Orfeo
''Sir Orfeo'' is an anonymous Middle English Breton lai dating from the late 13th or early 14th century. It retells the story of Orpheus as a king who rescues his wife from the fairy king. The folk song ''Orfeo'' (Roud 136, Child 19) is based on this poem. History and manuscripts ''Sir Orfeo'' was probably written in the late 13th or early 14th century in the Westminster-Middlesex area. It is preserved in three manuscripts: the oldest, Advocates 19.2.1, known as the Auchinleck MS. is dated about 1330; Harley 3810 is from about the beginning of the fifteenth century; and Ashmole 61 was compiled over the course of several years, the portion of the MS. containing ''Sir Orfeo'' dating around 1488. The beginning of the poem describes itself as a Breton lai and says it is derived from a no longer extant text, the ''Lai d'Orphey''. The story contains a mixture of the Greek myth of Orpheus with Celtic mythology and folklore concerning fairies, introduced into English via the Old Fre ...
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Sir Lionel
Lionel is a character in Arthurian legend. He is the younger son of King Bors of Gaunnes (or Gaul) and Evaine and brother of Bors the Younger. First recorded in the ''Lancelot-Grail'' cycle, he is a double cousin of Lancelot and cousin of Lancelot's younger half-brother Hector de Maris (not to be confused with the older Sir Ector, who was King Arthur's foster-father). He is also the subject of a traditional ballad. Arthurian legend When their father dies in battle against King Claudas, Lionel and Bors are rescued by the Lady of the Lake and raised in her otherworldly kingdom alongside her foster-son Lancelot. Like Bors and Lancelot, Lionel becomes a Knight of the Round Table upon reaching the age and then proving himself in heroic deeds. One day, while travelling with Lancelot as a young man, Lionel is captured by the rogue knight Turquine, who whips him with briars and throws him in the dungeon. The scenario repeats itself later while he is on the Quest for the Holy G ...
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Hind Horn
"Hind Horn" (Child 17, Roudbr>28 is a traditional English and Scottish folk ballad. Synopsis Hind Horn and the king's daughter Jean fall in love. He gives her a silver wand, and she gives him a diamond ring and tells him when the stones grow pale, he has lost her love. One day, on his travels, he sees it growing pale and sets out for her father's castle. A beggar tells him that the king's daughter is going to marry, and he persuades him to trade clothing. Hind Horn gets to the castle and begs a cup of wine; when the king's daughter gives it to him, he drops the ring in. She asks where he got it, and he told her she gave it to him. She declares she will throw off her fine clothing and beg with him from town to town, and he tells her that his clothing is only a disguise, she will be a great lady. It was tradition at the time that any beggar who came to the back door of a house to beg from the bride on a wedding day would receive whatever reasonable thing he asked for. Varian ...
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Sheath And Knife
Sheath, pronounced , may refer to: * Scabbard, a sheath for holding a sword, dagger, knife, or similar edged weapons, as well as long guns, such as rifles and shotguns. * The outer covering of an electrical cable Electricity is the set of physical phenomena associated with the presence and motion of matter possessing an electric charge. Electricity is related to magnetism, both being part of the phenomenon of electromagnetism, as described by Maxwel ... * Debye sheath, a layer of a plasma in physics * Heliosheath, the region of the heliosphere beyond the termination shock * Kosha, an element in human being makeup according to Hinduist philosophy * Koteka, a penis sheath worn by some natives of New Guinea * ''Sheath'' (album), a 2003 album by LFO * Sheath dress, a type of dress Biology * Carotid sheath, connective tissue around the neck's vascular compartment * Leaf sheath, the leaf base when it forms a vertical coating surrounding the stem * Myelin sheath, an in ...
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Leesome Brand
Leesome Brand ( Roud 3301, Child 15) is an English-language folk song. Synopsis Leesome Brand went to court when ten years old. An eleven-year-old girl fell in love with him, but nine months later, called on him to saddle horses, take her dowry, and flee with her. They headed to his mother's house, but she went into labour on the way. He went off to hunt, but violated a prohibition she laid on him, either not to hunt a milk-white hind, or to come running when called, and she and his son died. He went home and lamented this to his mother. Some variants stop there. In others, the mother gave him a horn with ointment that restored them both to life. Variants Francis James Child described this ballad as particularly ill-preserved in its Scottish form, requiring consulting foreign variants even to be sure of the plot. One of its variants was so corrupted as to be barely distinguishable from " Sheath and Knife", Child Ballad 16, which laments a death in the same language. The foreign ...
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The Bonnie Banks O Fordie
"Babylon", also called "The Bonnie Banks o' Fordie" or "The Banks o' Airdrie" (Child 14, Roud 27) is an English-language folk song. Synopsis An outlaw comes upon three sisters in the woods. He threatens each one in turn to make her marry him. The first two refuse and are killed. The third threatens him with her brother or brothers. He asks after them and discovers that he is the brother. He commits suicide. Parallels Forms of this ballad are known throughout all of Scandinavia (" Töres döttrar i Wänge"). Recordings Traditional recordings Betsy Miller of Scotland sang a traditional version of the song, presumably learnt from her Scottish family or community, with her famous son Ewan MacColl on the 1960 album ''A Garland Of Scots Folksong;'' only three other Scottish recordings were made. Helen Hartness Fladers recorded several traditional versions in the New England region of the United States, and Kenneth Peacock recorded two Canadian versions (1951 and 1960). Pop ...
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Edward (ballad)
"Edward" is a traditional murder ballad existing in several variants, categorised by Francis James Child as Child Ballad number 13 and listed as number 200 in the Roud Folk Song Index. The ballad, which is at least 250 years old (a text of its Swedish counterpart has been dated to the mid-17th century), has been documented and recorded numerous times across the English speaking world into the twentieth century. Synopsis A mother questions her son about the blood on his "sword" (most likely a hunting knife, given the era when the story is occurring). He avoids her interrogation at first, claiming that it is his hawk or his horse (or some other kind of animal depending on the variation of the song), but finally admits that it is his brother, or his father, whom he has killed. He declares that he is leaving and will never return, and various creatures (wife, children, livestock) will have to fare without him. His mother then asks what she will get from his departure. He answers "a cu ...
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