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List Of Alfred Hitchcock Cameo Appearances
English film director Alfred Hitchcock made cameo appearances in 40 of his films. They began during production of '' The Lodger: A Story of the London Fog'' when an actor failed to show up, and the director filled in for him. History The playful gesture became one of Hitchcock's trademarks, with fans making a sport of trying to spot his cameos. In his earliest appearances, he filled in as an obscure extra in crowds or walking through scenes in long camera shots. His later appearances became more prominent, such as when he turns to see Jane Wyman's disguise as she passes him in ''Stage Fright'', and in stark silhouette in his final film '' Family Plot''. As a recurring theme, he would carry a musical instrument, like the double bass he wrestles onto the locomotive at the beginning of '' Strangers on a Train''. His longest cameos are in ''Blackmail'' and '' Young and Innocent''.Walker, Michael. ''Hitchcock's Motifs''. Amsterdam University Press, 2006. In his discussion with Franço ...
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Blackmail (1929) Hitchcock Cameo
Blackmail is a criminal act of coercion using a threat. As a criminal offense, blackmail is defined in various ways in common law jurisdictions. In the United States, blackmail is generally defined as a crime of information, involving a threat to do something that would cause a person to suffer embarrassment or financial loss. By contrast, in the Commonwealth its definition is wider: for example the laws of England and Wales and Northern Ireland state that: In popular culture, 'blackmail' involves a threat to reveal or publicize either substantially true or false information about a person or people unless certain demands are met. It is often damaging information, and it may be revealed to family members or associates rather than to the general public. Acts of blackmail can also involve using threats of physical, mental or emotional harm, or of criminal prosecution, against the victim or someone close to the victim. It is normally carried out for personal gain, most common ...
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Dial M For Murder
''Dial M for Murder'' is a 1954 American crime thriller film directed by Alfred Hitchcock, starring Ray Milland, Grace Kelly, Robert Cummings, Anthony Dawson, and John Williams. Both the screenplay and the successful stage play on which it was based were written by English playwright Frederick Knott. The play premiered in 1952 on BBC Television, before being performed on stage in the same year in London's West End in June, and then New York's Broadway in October. Originally intended to be shown in dual-strip polarized 3-D, the film played in most cinemas in ordinary 2-D owing to the loss of interest in the 3-D process (the projection of which was difficult and error-prone) by the time of its release. The film earned an estimated $2.7 million in North American box office sales in 1954. Plot Tony Wendice, a retired English professional tennis player, is married to wealthy socialite Margot, who has been having an affair with Mark Halliday, an American crime-fiction writer. U ...
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The Man Who Knew Too Much (1956 Film)
''The Man Who Knew Too Much'' is a 1956 American mystery thriller film directed and produced by Alfred Hitchcock, starring James Stewart and Doris Day. It is Hitchcock's second film using this title, following his own 1934 film of the same name but featuring a significantly altered plot and script. In the book-length interview '' Hitchcock/Truffaut'' (1966), in response to fellow filmmaker François Truffaut's assertion that aspects of the remake were by far superior, Hitchcock replied, "Let's say the first version is the work of a talented amateur and the second was made by a professional." The film won an Academy Award for Best Original Song for " Que Sera, Sera (Whatever Will Be, Will Be)", sung by Day. It premiered at the Cannes Film Festival on April 29, 1956. Plot An American family – Dr. Benjamin "Ben" McKenna, his wife, popular singer Josephine "Jo" Conway McKenna, and their son Henry "Hank" McKenna – are vacationing in French Morocco. Traveling from Casablanca ...
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The Man Who Knew Too Much (1934 Film)
''The Man Who Knew Too Much'' is a 1934 British spy thriller film directed by Alfred Hitchcock, featuring Leslie Banks and Peter Lorre, and released by Gaumont British. It was one of the most successful and critically acclaimed films of Hitchcock's British period. The film is Hitchcock's first film using this title and was followed later with his own 1956 film using the same name featuring a significantly different plot and script with some modifications. The second film featured James Stewart and Doris Day, and was made for Paramount Pictures. The two films are very similar in tone. In the book-length interview ''Hitchcock/Truffaut'' (1967), in response to filmmaker François Truffaut's assertion that aspects of the remake were by far superior, Hitchcock replied, "Let's say the first version is the work of a talented amateur and the second was made by a professional." However, some critics have concluded that Hitchcock's statement should not be taken at face value. The 1934 ...
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Lifeboat (1944 Film)
''Lifeboat'' is a 1944 American survival film directed by Alfred Hitchcock from a story by John Steinbeck. It stars Tallulah Bankhead and William Bendix, alongside Walter Slezak, Mary Anderson (actress, born 1918), Mary Anderson, John Hodiak, Henry Hull, Heather Angel (actor), Heather Angel, Hume Cronyn and Canada Lee. The film is set entirely on a Lifeboat (shipboard), lifeboat launched from a tramp steamer, freighter torpedoed and sunk by a Nazi U-boat. The first in Hitchcock's "limited-setting" films, the others being ''Rope (film), Rope'' (1948), ''Dial M for Murder'' and ''Rear Window'' (both 1954), it is the only film Hitchcock made for 20th Century Fox. The film received three Academy Awards, Oscar nominations for Academy Award for Best Director, Best Director, Academy Award for Best Original Screenplay, Best Original Story and Academy Award for Best Cinematography, Best CinematographyBlack and White. Bankhead won the New York Film Critics Circle, New York Film Critics Circ ...
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London Victoria Station
Victoria station, also known as London Victoria, is a central London railway terminus and connected London Underground station in Victoria, in the City of Westminster, managed by Network Rail. Named after the nearby Victoria Street, the mainline station is a terminus of the Brighton Main Line to and and the Chatham Main Line to and Dover via . From the main lines, trains can connect to the Catford Loop Line, the Dartford Loop Line, the Sutton & Mole Valley lines to and the Oxted line to and . Southern operates most commuter and regional services to south London, Sussex and parts of east Surrey and south-east Hampshire while Southeastern operates trains to south-east London and Kent, alongside limited services operated by Thameslink. Gatwick Express trains run direct to Gatwick. The London Underground station is served by three lines: Circle, District and Victoria. On the Circle and District lines, the station is between Sloane Square and St James's Park statio ...
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The Lady Vanishes (1938 Film)
''The Lady Vanishes'' is a 1938 British mystery thriller film directed by Alfred Hitchcock, starring Margaret Lockwood and Michael Redgrave. Written by Sidney Gilliat and Frank Launder, based on the 1936 novel ''The Wheel Spins'' by Ethel Lina White, the film is about an English tourist travelling by train in continental Europe who discovers that her elderly travelling companion seems to have disappeared from the train. After her fellow passengers deny ever having seen the elderly lady, the young woman is helped by a young musicologist, the two proceeding to search the train for clues to the old lady's disappearance. ''The Lady Vanishes'' was filmed at the Gainsborough Studios in Islington, London. Hitchcock caught Hollywood's attention with the film and moved to Hollywood soon after its release. Although the director's three previous efforts had done poorly at the box office, ''The Lady Vanishes'' was widely successful, and confirmed American producer David O. Selznick's b ...
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I Confess (film)
''I Confess'' is a 1953 American film noir directed by Alfred Hitchcock, starring Montgomery Clift as Catholic priest Father Michael William Logan, Anne Baxter as Ruth Grandfort, and Karl Malden as Inspector Larrue. The film is based on a 1902 French play by Paul Anthelme titled ''Nos deux consciences'' (''Our Two Consciences''), which Hitchcock saw in the 1930s. The screenplay was written by George Tabori. Filming took place largely on location in Quebec City with numerous shots of the city landscape and interiors of its churches, especially St. Zéphirin's and other emblematic buildings, such as the Château Frontenac. Plot Father Logan is a devout Catholic priest in Ste. Marie's Church in Quebec City. He employs German immigrant married couple Otto and Alma Keller as caretaker and housekeeper, respectively. Otto Keller also works part-time as a gardener for a shady lawyer, Villette. The film begins late one evening as a man wearing a cassock walks away from Villette's hom ...
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Bowler Hat
The bowler hat, also known as a Coke hat, billycock, bob hat, bombín (Spanish) or derby (United States), is a hard felt hat with a rounded crown, originally created by the London hat-makers Thomas and William Bowler in 1849 and commissioned by Lock & Co. Hatters of St James's Street, London. It has traditionally been worn with semi-formal and informal attire. The bowler, a protective and durable hat style, was popular with the British, Irish, and American working classes during the second half of the 19th century, and later with the middle and upper classes in the United Kingdom, Ireland, and the east coast of the United States. It became the quintessential attire of City of London gents in the early 1900s, a tradition that lasted until the 1970s. Origins The bowler hat was designed in 1849 by the London hat-makers Thomas and William Bowler to fulfill an order placed by the company of hatters James Lock & Co. of St James's, which had been commissioned by a customer to de ...
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Aerial Shot
This article contains a list of cinematic techniques that are divided into categories and briefly described. Basic definitions of terms ;180-degree rule :A continuity editorial technique in which sequential shots of two or more actors within a scene are all shot with the camera on one side of the two actors so that a coherent spatial relationship and eyeline match are maintained. ;Airborne shot :A shot taken from an aerial device, generally while moving. This technique has gained popularity in recent years due to the popularity and growing availability of drones. ;Arc :A dolly shot where the camera moves in an arc along a circular or elliptical radius in relation to the subject ("arc left" or "arc right") ; Backlighting (lighting design) :The main source of light is behind the subject, silhouetting it, and directed toward the camera. ;Bridging shot :A shot used to cover a jump in time or place or other discontinuity. Examples are a clock face showing advancing time, falling c ...
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Frenzy
''Frenzy'' is a 1972 British thriller film directed by Alfred Hitchcock. It is the penultimate feature film of his extensive career. The screenplay by Anthony Shaffer is based on the 1966 novel '' Goodbye Piccadilly, Farewell Leicester Square'' by Arthur La Bern. The film stars Jon Finch, Alec McCowen and Barry Foster and features Billie Whitelaw, Anna Massey, Barbara Leigh-Hunt, Bernard Cribbins and Vivien Merchant. The original music score was composed by Ron Goodwin. The plot centres on a serial killer in contemporary London and the ex- RAF serviceman he implicates. In a very early scene there is dialogue that mentions two actual London serial murder cases: the Christie murders in the 1940s–1950s and the Jack the Ripper murders in 1888. ''Frenzy'' was the third and final film that Hitchcock made in Britain after he moved to Hollywood in 1939. The other two were '' Under Capricorn'' in 1949 and ''Stage Fright'' in 1950. The last film he made in Britain before his ...
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Joel McCrea
Joel Albert McCrea (November 5, 1905 – October 20, 1990) was an American actor whose career spanned a wide variety of genres over almost five decades, including comedy, drama, romance, thrillers, adventures, and Westerns, for which he became best known. He appeared in over one hundred films, starring in over eighty, among them Alfred Hitchcock's espionage thriller '' Foreign Correspondent'' (1940), Preston Sturges' comedy classics '' Sullivan's Travels'' (1941), and '' The Palm Beach Story'' (1942), the romance film '' Bird of Paradise'' (1932), the adventure classic '' The Most Dangerous Game'' (1932), Gregory La Cava's bawdy comedy ''Bed of Roses'' (1933), George Stevens' six-time Academy Award nominated romantic comedy '' The More the Merrier'' (1943), William Wyler's '' These Three'', '' Come and Get It'' (both 1936) and '' Dead End'' (1937), Howard Hawks' ''Barbary Coast'' (1935), and a number of Westerns, including '' Wichita'' (1955) as Wyatt Earp and Sam Peckinpah' ...
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