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Letter Notation
In music, letter notation is a system of representing a set of pitches, for example, the notes of a scale, by letters. For the complete Western diatonic scale, for example, these would be the letters A-G, possibly with a trailing symbol to indicate a half-step raise (''sharp'', ) or a half-step lowering (''flat'', ). This is the most common way of specifying a note in speech or in written text in English or German. In Germany, Scandinavia, and parts of Central and Eastern Europe, H is used instead of B, and B is used instead of B. In traditional Irish music, where almost all tunes are restricted to two octaves, notes in the lower octave are written in lower case while those in the upper octave are written in upper case. If we consider the chromatic scale, new sounds are obtained by lowering or raising the seven diatonic notes by a semitone by means of flats (♭) and sharps (♯). Use of solfege or letter names depends on language. For a more complete table and explanation, see M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C Major Scale Letter Notation
C, or c, is the third Letter (alphabet), letter of the Latin alphabet, used in the English alphabet, modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is English alphabet#Letter names, ''cee'' (pronounced ), plural ''cees''. History "C" comes from the same letter as "G". The Semitic people, Semites named it gimel. The sign is possibly adapted from an Egyptian hieroglyphs, Egyptian hieroglyph for a Staff-sling, staff sling, which may have been the meaning of the name ''gimel''. Another possibility is that it depicted a camel, the Semitic name for which was ''gamal''. Barry B. Powell, a specialist in the history of writing, states "It is hard to imagine how gimel = "camel" can be derived from the picture of a camel (it may show his hump, or his head and neck!)". In the Etruscan language, plosive consonants had no contrastive phonation, voicing, so the Greek language, Greek 'Gamma, Γ' (Gamma) was adopted int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Flute
The alto flute is an instrument in the Western concert flute family, pitched below the standard C flute and the uncommon flûte d'amour. It is the third most common member of its family after the standard C flute and the piccolo. It is characterized by its rich, mellow tone in the lower portion of its range. The bore of the alto flute is considerably larger in diameter and longer than the C flute and requires a larger column of air (volume of air) from the player, though it also requires a slower airspeed. This gives it a greater dynamic presence in the bottom octave and a half of its range. Its range is from G3 (the G below middle C) to G6 (4 ledger lines above the treble clef staff) plus an altissimo register stretching to D♭7. It uses the same fingerings as the C flute and piccolo, but is a transposing instrument in G (sounding a perfect fourth lower than written). British music that uses this instrument often refers to it as a bass flute, which can be confusing since ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Notation
Musical notation is any system used to visually represent music. Systems of notation generally represent the elements of a piece of music that are considered important for its performance in the context of a given musical tradition. The process of interpreting musical notation is often referred to as reading music. Distinct methods of notation have been invented throughout history by various cultures. Much information about ancient music notation is fragmentary. Even in the same time frames, different styles of music and different cultures use different music notation methods. For example, classical performers most often use sheet music using staves, time signatures, key signatures, and noteheads for writing and deciphering pieces. But even so, there are far more systems just that, for instance in professional country music, the Nashville Number System is the main method, and for string instruments such as guitar, it is quite common for tablature to be used by player ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keyboard Tablature
Keyboard tablature is a form of musical notation for keyboard instruments. Widely used in some parts of Europe from the 15th century, it co-existed with, and was eventually replaced by modern staff notation in the 18th century. The defining characteristic of the best known type, German organ tablature, is the use of letters to indicate pitch (with added stems or loops to indicate accidentals) as well as beams for rhythm. Spain and Portugal used a slightly different cipher tablature, called ''cifra.'' Historical details The earliest extant music manuscripts written in German tablature date from the first half of the 15th century, with the oldest example, a German manuscript dating from 1432, containing the earliest known setting of a partial organ mass as well as a piece based on a cantus firmus. These manuscripts used letters ( the same as today) to identify pitch, with the upper voice typically written on a staff in mensural notation. This style was also present in other German- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helmholtz Pitch Notation
Helmholtz pitch notation is a system for naming musical notes of the Western chromatic scale. Fully described and normalized by the German scientist Hermann von Helmholtz, it uses a combination of upper and lower case letters (A to G), and the sub- and super- prime symbols ( ͵ or ) to denote each individual note of the scale. It is one of two formal systems for naming notes in a particular octave, the other being scientific pitch notation. History Helmholtz proposed this system in order to accurately define pitches in his classical work on acoustics ''Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik'' (1863) translated into English by A.J. Ellis as '' On the Sensations of Tone'' (1875). Helmholtz based his notation on the practice of German organ builders for labelling their pipes, itself derived from the old German organ tablature in use from late medieval times until the early 18th century. His system is widely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abc Notation
ABC notation is a shorthand form of musical notation for computers. In basic form it uses the letter notation with –, –, and , to represent the corresponding notes and rests, along with other elements used to place added value on these – sharp, flat, raised or lowered octave, the note length, key, and ornamentation. This form of notation began from a combination of Helmholtz pitch notation and using ASCII characters to imitate standard musical notation (bar lines, tempo marks, etc.) that could facilitate the sharing of music online, and also added a new and simple language for software developers, not unlike other notations designed for ease, such as tablature and solfège. The earlier ABC notation was built on, standardized, and changed by Chris Walshaw to better fit the keyboard and an ASCII character set, with the help and input of others. Originally designed to encode folk and traditional Western European tunes (''e.g.'', from England, Ireland, and Scotlan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Of Volpiano
William is a masculine given name of Germanic origin. It became popular in England after the Norman conquest in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will or Wil, Wills, Willy, Willie, Bill, Billie, and Billy. A common Irish form is Liam. Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie). Female forms include Willa, Willemina, Wilma and Wilhelmina. Etymology William is related to the German given name ''Wilhelm''. Both ultimately descend from Proto-Germanic ''*Wiljahelmaz'', with a direct cognate also in the Old Norse name ''Vilhjalmr'' and a West Germanic borrowing into Medieval Latin ''Willelmus''. The Proto-Germanic name is a compound of *''wiljô'' "will, wish, desire" and *''helmaz'' "helm, helmet".Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antiphonary Of St
An antiphonary or antiphonal is one of the liturgical books intended for use (i.e. in the liturgical choir), and originally characterized, as its name implies, by the assignment to it principally of the antiphons used in various parts of the Latin liturgical rites. Medieval antiphonaries varied with regional liturgical tradition. In 1570, following the Council of Trent, the Roman Rite antiphonary was declared universal. The Roman Antiphonary (''Antiphonale Romanum'') contains the chants for the canonical hours for the hours of Lauds, Prime, Terce, Sext, None, Vespers and Compline for every day of the year. The ''Vesperale Romanum'' is an excerpt of the Antiphonary containing the chants sung at Vespers. The music for use at the Mass is contained in the Roman Gradual (''Graduale Romanum''), the chants of the ordinary are also edited as an excerpt from the Gradual, the ''Kyriale Romanum''. The ''Antiphonale Romanum'' was substantially revised in 1910–11 in the course of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonic Sol-fa
Tonic sol-fa (or tonic sol-fah) is a pedagogical technique for teaching sight-singing, invented by Sarah Anna Glover (1786–1867) of Norwich, England and popularised by John Curwen, who adapted it from a number of earlier musical systems. It uses a system of musical notation based on movable do solfège, whereby every note is given a name according to its relationship with other notes in the key: the usual staff notation is replaced with anglicized solfège syllables (e.g. the syllable ''la'' for the submediant) or their abbreviations (''l'' for ''la''). "''Do''" is chosen to be the tonic of whatever key is being used (thus the terminology ''moveable Do'' in contrast to the ''fixed Do'' system used by John Pyke Hullah). The original solfège sequence started with " Ut", the first syllable of the hymn '' Ut queant laxis'', which later became "Do". Overview Glover developed her method in Norwich from 1812, resulting in the "Norwich Sol-fa Ladder" which she used to teach childre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slavic Languages
The Slavic languages, also known as the Slavonic languages, are Indo-European languages spoken primarily by the Slavs, Slavic peoples and their descendants. They are thought to descend from a proto-language called Proto-Slavic language, Proto-Slavic, spoken during the Early Middle Ages, which in turn is thought to have descended from the earlier Proto-Balto-Slavic language, linking the Slavic languages to the Baltic languages in a Balto-Slavic languages, Balto-Slavic group within the Indo-European family. The current geographical distribution of natively spoken Slavic languages includes the Balkans, Central and Eastern Europe, and all the way from Western Siberia to the Russian Far East. Furthermore, the diasporas of many Slavic peoples have established isolated minorities of speakers of their languages all over the world. The number of speakers of all Slavic languages together was estimated to be 315 million at the turn of the twenty-first century. It is the largest and most d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
