Les XX
''Les XX'' ( French; "''Les Vingt''"; ; ) was a group of twenty Belgian painters, designers and sculptors, formed in 1883 by the Brussels lawyer, publisher, and entrepreneur Octave Maus. For ten years, they held an annual exhibition of their art; each year 20 other international artists were also invited to participate in their exhibition. Painters invited include Camille Pissarro (1887, 1889, 1891), Claude Monet (1886, 1889), Georges Seurat (1887, 1889, 1891, 1892), Paul Gauguin (1889, 1891), Paul Cézanne (1890), and Vincent van Gogh (1890, 1891 retrospective). ''Les XX'' was in some ways a successor to another group, L'Essor. The rejection of James Ensor's '' The Oyster Eater'' in 1883 by L'Essor Salon, following the earlier rejection by the Antwerp Salon, was one of the events that led to the formation of ''Les XX''. The ideal of the group responded to the theories of Viollet le Duc, in particular that of the integration of the so-called minor arts (decorative arts) with ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Quatuor Ysaÿe
In music, a quartet (, , , , ) is an ensemble of four singers or instrumental performers. Classical String quartet In classical music, one of the most common combinations of four instruments in chamber music is the string quartet. String quartets most often consist of two violins, a viola, and a cello. The particular choice and number of instruments derives from the registers of the human voice: soprano, alto (voice), alto, tenor and Bass (voice type), bass (SATB). In the string quartet, two violins play the soprano and alto vocal registers, the viola plays the tenor register and the cello plays the bass register. Composers of notable string quartets include Joseph Haydn (List of string quartets by Joseph Haydn, 68 compositions), Wolfgang Amadeus Mozart (23), Ludwig van Beethoven (16), Franz Schubert (15), Felix Mendelssohn (6), Johannes Brahms (3), Antonín Dvořák (14), Alexander Borodin (2), Béla Bartók (6), Elizabeth Maconchy (13), Darius Milhaud (18), Heitor Villa-Lobo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Alfred William Finch
Alfred William (Willy) Finch (1854 –1930) was a Ceramics (art), ceramist and Painting, painter in the Pointillism, pointillist and Neo-Impressionism, Neo-Impressionist style. Born in Brussels to British parents, he spent most of his creative life in Finland. Life and work Alfred William Finch was born on 28 November 1854 in Brussels, Belgium to British parents, Joseph Finch (a businessman) and Emma Finch (née Holach). He spent his youth in Ostend. When he was twenty-four he began studying for one year in Brussels at the Académie Royale des Beaux-Arts. On 28 October 1883 he became a founding member of Les XX, a group of twenty Belgian painters, designers and sculptors, who rebelled against the prevailing artistic standards and outmoded academism. He was impressed by the works of Georges Seurat and Paul Signac and changed his own painting style from a more realistic approach into a pointillistic style. In the following years, Finch became one of the leading representati ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Fernand Khnopff
Fernand Edmond Jean Marie Khnopff (12 September 1858 – 12 November 1921) was a Belgian symbolist painter. Life Youth and training Fernand Khnopff was born to a wealthy family that was part of the high bourgeoisie for generations. Khnopff's ancestors had lived in the Vossenhoek area of Grembergen Flanders since the early 17th century but were of Austrian and Portuguese descent. Most male members of his family had been lawyers or judges, and young Fernand was destined for a juridical career. In his early childhood (1859–1864), he lived in Bruges where his father was appointed Substitut Du Procureur Du Roi. His childhood memories of the medieval city of Bruges would play a significant role in his later work. In 1864, the family moved to Brussels. In his childhood Khnopff spent part of his summer holidays in the hamlet of Tillet not so far from Bastogne in the Luxemburg province where his maternal grandparents owned an estate. He painted several views of this village. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Théo Van Rysselberghe
Théophile "Théo" van Rysselberghe (23 November 1862 – 13 December 1926) was a Belgian Neo-impressionism, neo-impressionist Painting, painter, who played a pivotal role in the European art scene at the turn of the twentieth century. Biography Early years Born in Ghent to a French-speaking bourgeois family, he studied first at the Academy of Ghent under Theo Canneel and from 1879 at the Académie Royale des Beaux-Arts in Brussels under the directorship of Jean-François Portaels. The North African paintings of Portaels had started an orientalist fashion in Belgium. Their impact would strongly influence the young Théo van Rysselberghe. Between 1882 and 1888, he made three trips to Morocco, staying there in total a year and a half. Age only eighteen, he had already participated at the Salon of Ghent, showing two portraits. Soon afterwards followed his ''Self-portrait with pipe'' (1880), painted in somber colours in the Belgian realistic tradition of the times. His ''Ch ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
L'Art Moderne
''L'Art Moderne'' was a weekly review of the arts and literature published in Brussels from March 1881 until the outbreak of the First World War in August 1914. It was established by a number of lawyers based in Brussels who felt the need for a regular overview of the cultural life of the capital. The leading figures in the founding group were Edmond Picard and Octave Maus.Jane Block, "Les XX and La Libre Esthétique", in ''Impressionism to Symbolism: The Belgian Avant-Garde, 1880-1900'', edited by MaryAnne Stevens with Robert Hoozee (Royal Academy of Arts, London, in association with Ludion Press, Ghent, 1994), p. 41. The poet and art critic Émile Verhaeren (also a lawyer) soon became a frequent contributor. Each issue was eight pages long, and reviews were unsigned. Initially the review's editorial line opposed "Art for art's sake" (promoted by the rival ''La Jeune Belgique'') under the alternative slogan ''l'art social'' ("social art"), insisting that art should serve progr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Emile Verhaeren
Emile or Émile may refer to: * Émile (novel) (1827), autobiographical novel based on Émile de Girardin's early life * Emile, Canadian film made in 2003 by Carl Bessai * '' Emile: or, On Education'' (1762) by Jean-Jacques Rousseau, a treatise on education; full title ''Émile ou de l'education'' People * Emile (producer), American hip hop producer Emile Haynie * Emil (given name), includes people and characters with given name Emile or Émile * Barbara Emile, British television producer * Chris Emile, American dancer * Jonathan Emile, stage name of Jamaican-Canadian singer, rapper and record producer Jonathan Whyte Potter-Mäl (born 1986) * Yonan Emile Yonan Emile was an Iraqi basketball player. He competed in the men's tournament at the 1948 Summer Olympics The 1948 Summer Olympics, officially the Games of the XIV Olympiad and officially branded as London 1948, were an international mul ..., Iraqi Olympic basketball player * Emile Witbooi. South African soccer pla ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Edmond Picard
Edmond Picard (15 December 1836 – 19 February 1924) was a Belgian jurist and writer. He was a leading theoretician of antisemitism and racism in Belgium, as well as a champion of Belgian nationalism through his notions of the "Belgian soul" and Belgian martyrdom in World War I. He was nominated for the Nobel Prize in Literature five times. Career He was lawyer at the court of appeal and the Court of Cassation of Belgium. He was also head of the Belgian bar association, professor of law, playwright and journalist. Involved in politics, he was senator for the Belgian Labour Party. He also was a patron of the arts. The Symbolist poet Émile Verhaeren frequented Picard's literary salon and worked as a law intern at Picard's office between 1881 and 1884 before abandoning his legal career in favour of writing; Verhaeren too went on to receive multiple nominations for the Nobel Prize in Literature. Views Picard propagated virulent racism and antisemitism in his works, such as '' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Paul Verlaine
Paul-Marie Verlaine ( ; ; 30 March 1844 – 8 January 1896) was a French poet associated with the Symbolism (movement), Symbolist movement and the Decadent movement. He is considered one of the greatest representatives of the ''fin de siècle'' in international and French poetry. Biography Early life Born in Metz, Verlaine was educated at the ''Lycée Impérial Bonaparte'' (now the Lycée Condorcet) in Paris and then took up a post in the civil service. He began writing poetry at an early age, and was initially influenced by the Parnassien movement and its leader, Leconte de Lisle. Verlaine's first published poem was published in 1863 in ''La Revue du progrès'', a publication founded by poet Louis-Xavier de Ricard. Verlaine was a frequenter of the salon of the Marquise de Ricard (Louis-Xavier de Ricard's mother) at 10 Boulevard des Batignolles and other social venues, where he rubbed shoulders with prominent artistic figures of the day: Anatole France, Emmanuel Chabrier, inve ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Théodore De Wyzewa
Théodore is the French version of the masculine given name Theodore. Given name * Théodore Caruelle d'Aligny (1798–1871), French landscape painter and engraver * Théodore Anne (1892–1917), French playwright, librettist, and novelist * Théodore Année (1810 – after 1865), French horticulturist * Théodore Aubanel (1829–1886), Provençal poet *Théodore Aubert (1878–1963), Swiss lawyer and writer * Théodore Bachelet (1820–1879), French historian and musicologist * Théodore Bainconneau (fl. 1920), French wrestler * Théodore Ballu (1817–1885), French architect *Théodore de Banville (1823–1891), French poet and writer * Théodore Baribeau (1870–1937), Quebec politician * Théodore Baron (1840–1899), Belgian painter *Théodore Barrière (1823–1877), French dramatist *Théodore Baudouin d'Aubigny (1780–1866), French playwright *Théodore de Bèze (1519–1605), French Protestant theologian *Théodore Botrel (1868–1925), French singer-songwriter, poet and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Stéphane Mallarmé
Stéphane Mallarmé ( , ; ; 18 March 1842 – 9 September 1898), pen name of Étienne Mallarmé, was a French poet and critic. He was a major French Symbolist poet, and his work anticipated and inspired several revolutionary artistic schools of the early 20th century, such as Cubism, Futurism, Dadaism, and Surrealism. Biography Mallarmé was born in Paris. He was a boarder at the '' Pensionnat des Frères des écoles chrétiennes à Passy'' between 6 or 9 October 1852 and March 1855. He worked as an English teacher and spent much of his life in relative poverty but was famed for his '' salons'', occasional gatherings of intellectuals at his house on the rue de Rome for discussions of poetry, art and philosophy. The group became known as ''les Mardistes,'' because they met on Tuesdays (in French, ''mardi''), and through it Mallarmé exerted considerable influence on the work of a generation of writers. For many years, those sessions, where Mallarmé held court as judge, jester ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Symbolism (arts)
In works of art, literature, and narrative, a symbol is a concrete element like an object, character, image, situation, or action that suggests or hints at abstract, deeper, or non-literal meanings or ideas.Johnson, Greg; Arp, Thomas R. (2018). ''Perrine's Literature: Structure, Sound and Sense, Third Edition''. Cengage Learning. pp. 286-7: "A literary symbol is something that means more than what it suggests on the surface. It may be an object, a person, a situation, an action, or some other element that has a literal meaning in the story but that suggests or represents other meanings as well."Kennedy, X. J.; Gioia, Dana (2007). ''Literature: An Introduction to Fiction, Poetry, Drama, and Writing, Tenth Edition''. Pearson Longman. p. 292: " a symbol: in literature, a thing that suggests more than its literal meaning. Symbols generally do not 'stand for' any one meaning, nor for anything absolutely definite; they point, they hint, or, as Henry James put it, they cast long shadows ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |