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Leone Leoni (composer)
Leone Leoni (c. 1560 – 1627) was a North Italian polyphonic composer who served as ''maestro di cappella'' at Vicenza Cathedral from 1588. He composed motets for antiphonal choirs, some in many parts, with instrumental accompaniment. As would be expected of a cathedral ''maestro di cappella'', he also produced masses, psalms, magnificats and other liturgical music, some published in his ''Cantici sacri'' (1608) as well as sacred and secular madrigals. Leoni succeeded Giammateo Asola, his master, as ''maestro di capella'' when Asola returned to Venice; he contributed to the anthology ''Psalmodia vespertina'' dedicated to Palestrina Palestrina (ancient ''Praeneste''; , ''Prainestos'') is a modern Italian city and ''comune'' (municipality) with a population of about 22,000, in Lazio, about east of Rome. It is connected to the latter by the Via Prenestina. It is built upon ... by Asola and published at Venice. Several books of his motets were printed under the title ''Sacri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giammateo Asola
Giammateo Asola (also spelled Gian Matteo, Giovanni Matteo; Asula, Asulae; 1532 or earlier – 1 October 1609) was an Italian composer of the late Renaissance. He was a prolific composer of sacred music, mostly in a conservative style, although he may have been one of the first composers to write a part for basso continuo. Life He was born in Verona, and began studying at San Giorgio in Alga in 1546 in the congregation of secular canons. While in Verona he most likely studied with Vincenzo Ruffo. In 1569 he became a secular parish priest, and in 1577 became ''maestro di cappella'' at Treviso Cathedral; however, in 1578 he went to Vicenza Cathedral to take the equivalent job there, where the pay and musical opportunities were greater. He only stayed there four years, going to Venice in 1582, which was the center of activity in northern Italy for sacred music. Except for a short return to Verona c. 1590–1591, he lived in Venice until his death, working at the church of S Sev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venice
Venice ( ; ; , formerly ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 islands that are separated by expanses of open water and by canals; portions of the city are linked by 438 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). As of 2025, 249,466 people resided in greater Venice or the Comune of Venice, of whom about 51,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Italian Composers
The 17th century lasted from January 1, 1601 (represented by the Roman numerals MDCI), to December 31, 1700 (MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Italian Composers
The 16th century began with the Julian calendar, Julian year 1501 (represented by the Roman numerals MDI) and ended with either the Julian or the Gregorian calendar, Gregorian year 1600 (MDC), depending on the reckoning used (the Gregorian calendar introduced a lapse of 10 days in October 1582). The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the Copernican heliocentrism, heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the SN 1572, 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion of the new sciences, invented the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1627 Deaths
Events January–March * January 26 – The Netherlands, Dutch ship '''t Gulden Zeepaert (schip, 1626), 't Gulden Zeepaert'', skippered by François Thijssen, makes the first recorded sighting of the coast of South Australia. * February 15 – The administrative rural parish of Iisalmi () is established in Savonia (historical province), Savonia, by order of King Gustavus Adolphus, Gustavus Adolphus of Sweden. * February 17 – England lands the first European settlers on Barbados. * March 3 – After the First Manchu invasion of Korea, the Joseon dynasty of Korea becomes a tributary state of the Manchu people, Manchus, but still pays respects to the Ming dynasty of China. After rejecting a Manchu alteration to the original diplomatic terms in 1636, the Manchus invade again in 1637. * March 17 – Maurice, Landgrave of Hesse-Kassel, is forced to abdicate after his spending brings Hesse-Kassel to bankruptcy. His son takes over as William V, Landgrav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1560 Births
Year 1560 ( MDLX) was a leap year starting on Monday of the Julian calendar. Events January–March * January 7 – In the Kingdom of Scotland, French troops commanded by Henri Cleutin and Captain Corbeyran de Cardaillac Sarlabous sail across the Firth of Forth from Leith, which they are occupying, and fight with the Lords of the Congregation at Pettycur Bay near Kinghorn. * February 27 – Treaty of Berwick: Terms are agreed upon with the Lords of the Congregation in Scotland, for forces of the Kingdom of England to enter Scotland, to expel French troops defending the Regency of Mary of Guise. * March 7 – A Spanish-led expedition, commanded by Juan de la Cerda, 4th Duke of Medinaceli, overruns the Tunisian island of Djerba. * March 17 – Leaders of the Amboise conspiracy, including Godefroy de Barry, seigneur de La Renaudie, make an unsuccessful attempt to storm the château of Amboise, where the young French king and queen are residing. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovico Balbi
Ludovico Balbi (c. 1545 – 1604) was a Venetian singer and composer, and conductor. He was a pupil of Costanzo Porta and a choirmaster at Padua. Among his compositions are masses, motets, canzoni, madrigals, and others. Surviving compositions date as early as 1570.Pratt, Waldo Selden. ''The History of Music''. New York: G. Schirmer, Inc., 1907. p. 120. Biography Balbi was born in Venice around 1545. In 1565, he became a student of the great Italian composer Costanzo Porta. From 1570 to 1578, Balbi sang at St. Mark's Cathedral and was appointed ''maestro di cappella'' at the monastery S. Maria Glorioso del Frari. In 1582, Balbi declined an offer to be maestro at Milan Cathedral and instead referred one of his underlings, offending some high-ranking officials of the Roman Church. In 1585, Balbi accepted an offer to be maestro of the Cappella Anotoniana in Padua, although he wished to be maestro of Padua Cathedral. After moving to Feltre Cathedral in 1593 and later Treviso Cathed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Olimpico
The ("Olympic Theatre") is a theatre in Vicenza, northern Italy, constructed in 1580–1585. It was the final design by the Italian Renaissance architect Andrea Palladio and was not completed until after his death. The ''trompe-l'œil'' onstage scenery, designed by Vincenzo Scamozzi to give the appearance of long streets receding to a distant horizon, was installed in 1585 for the first performance held in the theatre, and is the oldest surviving theatrical scenery, stage set still in existence. The full Roman-style ''scaenae frons'' back screen across the stage is made from wood and stucco imitating marble. It was the home of the Accademia Olimpica, which was founded there in 1555. The is, along with the Teatro all'antica in Sabbioneta and the Teatro Farnese in Parma, one of only three Renaissance theatres remaining in existence. Both these theatres were based, in large measure, on the . It is still used several times a year. Since 1994 the , together with other Palladian bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Pierluigi Da Palestrina
Giovanni Pierluigi da Palestrina (between 3 February 1525 and 2 February 1526 – 2 February 1594) was an Italian composer of late Renaissance music. The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de Victoria, Palestrina is considered the leading composer of late 16th-century Europe. Born in the town of Palestrina in the Papal States, Palestrina moved to Rome as a child and underwent musical studies there. In 1551, Pope Julius III appointed him '' maestro di cappella'' of the Cappella Giulia at St. Peter's Basilica. He left the post four years later, unable to continue as a layman under the papacy of Paul IV, and held similar positions at St. John Lateran and Santa Maria Maggiore in the following decade. Palestrina returned to the Cappella Giulia in 1571 and remained at St Peter's until his death in 1594. Primarily known for his masses and motets, which number over 105 and 250 respectively, Palestrina had a long-lasting influence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madrigal (music)
A madrigal is a form of secular vocal music most typical of the Renaissance music, Renaissance (15th–16th centuries) and early Baroque music, Baroque (1580–1650) periods, although revisited by some later European composers. The Polyphony, polyphonic madrigal is Accompaniment, unaccompanied, and the number of voices varies from two to eight, but the form usually features three to six voices, whilst the Metre (music), metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung. Madrigals written by Italianized Franco–Flemish composers in the 1520s in music, 1520s partly originated from the three-to-four voice frottola (1470–1530); partly from composers' renewed interest in poetry writt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice ( monophony) or a texture with one dominant melodic voice accompanied by chords ( homophony). Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liturgical Music
Liturgical music originated as a part of religious ceremony, and includes a number of traditions, both ancient and modern. Liturgical music is well known as a part of Catholic Mass, the Anglican Holy Communion service (or Eucharist) and Evensong, the Lutheran Divine Service (Lutheran), Divine Service, the Eastern Orthodox Church, Orthodox liturgy, and other Christian services, including the Liturgy of the Hours, Divine Office. The qualities that create the distinctive character of liturgical music are based on the notion that liturgical music is conceived and composed according to the norms and needs of the various historic liturgy, liturgies of particular Religious denomination, denominations. Roman Catholic church music The interest taken by the Catholic Church in music is shown not only by practitioners, but also by numerous enactments and regulations calculated to foster music worthy of Divine service. Contemporary Catholic official church policy is expressed in the documen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
