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Lekythoi
A lekythos (; : lekythoi) is a type of ancient Greek vessel used for storing oil, especially olive oil. It has a narrow body and one handle attached to the neck of the vessel, and is thus a narrow type of jug, with no pouring lip; the oinochoe is more like a modern jug. In the "shoulder" and "cylindrical" types which became the most common, especially the latter, the sides of the body are usually vertical by the shoulder, and there is then a sharp change of direction as the neck curves in; the base and lip are normally prominent and flared. However, there are a number of varieties, and the word seems to have been used even more widely in ancient times than by modern archeologists. They are normally in pottery, but there are also carved stone examples. Lekythoi were especially associated with funerary rites, and with the white ground technique of vase painting, which was too fragile for most items in regular use. Because of their handle they were normally only decorated with one im ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White-ground
White-ground technique is a style of white ancient Pottery of ancient Greece, Greek pottery and the Greek vase painting, painting in which figures appear on a white background. It developed in the region of Attica, dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main techniques of Black-figure pottery, black-figure and Red-figure pottery, red-figure vase painting. Nevertheless, a wide range of subjects are depicted. Technique and style In white-ground pottery, the vase is covered with a light or white slip (ceramics), slip of kaolinite. A similar slip had been used as carrier for vase paintings in the Geometric art, Geometric and Archaic Greece, Archaic periods. White-ground vases were produced, for example, in Ionia, Laconia and on the Cyclades, Cycladic islands, but only in Athens did it develop into a veritable separate style beside black-figure and red-fig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White Ground Technique
White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica, dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main techniques of black-figure and red-figure vase painting. Nevertheless, a wide range of subjects are depicted. Technique and style In white-ground pottery, the vase is covered with a light or white slip of kaolinite. A similar slip had been used as carrier for vase paintings in the Geometric and Archaic periods. White-ground vases were produced, for example, in Ionia, Laconia and on the Cycladic islands, but only in Athens did it develop into a veritable separate style beside black-figure and red-figure vase painting. For that reason, the term "white-ground pottery" or "white-ground vase painting" is usually used in reference to the Attic m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red-figure Pottery
Red-figure pottery () is a style of Pottery of ancient Greece, ancient Greek pottery in which the background of the pottery is painted black while the figures and details are left in the natural red or orange color of the clay. It developed in Athens around 520 BC and remained in use until the late 3rd century AD. It replaced the previously dominant style of black-figure pottery within a few decades. Its modern name is based on the figural depictions in red color on a black background, in contrast to the preceding black-figure style with black figures on a red background. The most important areas of production, apart from Attica, were in Magna Graecia, Southern Italy. The style was also adopted in other parts of Greece. Etruria became an important center of production outside the Ancient Greece, Greek World. Attic red-figure vases were exported throughout Greece and beyond. For a long time, they dominated the market for fine ceramics. Few centers of pottery production could compe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pottery Of Ancient Greece
Pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek Society#Politics and society, Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout History of the Mediterranean, the Mediterranean, such as the Etruscan civilization, Etruscans in Italy.John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds), ''The Oxford Companion to Archaeology, Vol 1: Ache-Hoho'', 2nd Edition, 641–644. O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diosphos Painter
The Diosphos Painter was an Athenian Attic black-figure vase painter thought to have been active from 500–475 BCE, many of whose surviving works are on lekythoi. The Diosphos Painter was a pupil of the Edinburgh Painter, who also trained the Sappho Painter. He was first identified by C.H.E. Haspels in her ''Attic Black-figure Lekythoi'' (Paris, 1936). See also * List of Greek vase painters The following is a list of ancient Greek vase painters who have been identified either by name or by style. Because of the research of academics like John Davidson Beazley, Arthur Dale Trendall, Robert Manuel Cook, Darrell A. Amyx and Conrad ... External links Works by the Diosphos Painterat the Metropolitan Museum of Art {{Authority control Ancient Greek vase painters Archaic Greek art Ancient Athenians ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gnathia Vases
Gnathia vases are a type of pottery belonging to ancient Apulian vase painting of the 4th century BC. They are named after the ancient city of Gnathia (now Egnazia) in Eastern Apulia. There, the first examples of the style were discovered in the mid-19th century. Their production began in Apulia around 370/360 BC, in parallel to the local version of the red-figure style which developed tendencies towards polychromy around that time. Typical of Gnathia vases is the application of different paints directly onto the glazed vase body. Additionally, internal details could be added by incision. The themes depicted include erotes, images from the life of women, theatre scenes and dionysiac motifs. Figural, painting is often limited to the upper half of the vessel body, while the bottom half often bears only ornamental decoration. The most common shapes were bell kraters, '' pelikes'', '' oinochoai'' and '' skyphoi''. The most important artists are the Konnakis Painter and the Rose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hypnos
In Greek mythology, Hypnos (; Ancient Greek: , 'sleep'), also spelled Hypnus, is the personification of sleep. The Roman equivalent is Somnus. His name is the origin of the word hypnosis. Pausanias (geographer), Pausanias wrote that Hypnos was the dearest friend of the Muses. Etymology According to the Dutch linguist Robert S. P. Beekes, the god's name derives from the Proto-Indo-European language, Proto-Indo-European root ''*sup-no-'' 'sleep'. Description Hypnos is usually the fatherless son of Nyx ("The Night"), although sometimes Nyx's consort Erebus ("The Darkness") is named as his father. His twin brother is Thanatos ("Death"). Both siblings live in the Greek underworld, underworld (Hades). According to rumors, Hypnos lived in a big cave, which the river Lethe ("Forgetfulness") comes from and where night and day meet. They call this area the Land of dreams (mythology), Land of Dreams. His bed is made of ebony, and on the entrance of the cave grow several Poppy, poppies a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funerary Art
Funerary art is any work of art forming, or placed in, a repository for the remains of the death, dead. The term encompasses a wide variety of forms, including cenotaphs ("empty tombs"), tomb-like monuments which do not contain human remains, and communal memorials to the dead, such as war memorials, which may or may not contain remains, and a range of prehistoric megalithic constructs. Funerary art may serve many cultural functions. It can play a role in burial rites, serve as an article for use by the dead in the afterlife, and celebrate the life and accomplishments of the dead, whether as part of kinship-centred practices of ancestor veneration or as a publicly directed Dynasty, dynastic display. It can also function as a reminder of the mortality of humankind, as an expression of cultural values and roles, and help to propitiate the spirits of the dead, maintaining their benevolence and preventing their unwelcome intrusion into the lives of the living. The deposit of object ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akhilleus Hektor Louvre CA601
In Greek mythology, Achilles ( ) or Achilleus () was a hero of the Trojan War who was known as being the greatest of all the Greek warriors. The central character in Homer's ''Iliad'', he was the son of the Nereid Thetis and Peleus, king of Phthia and famous Argonaut. Achilles was raised in Phthia along with his childhood companion Patroclus and received his education by the centaur Chiron. In the ''Iliad'', he is presented as the commander of the mythical tribe of the Myrmidons. Achilles' most notable feat during the Trojan War was the slaying of the Trojan prince Hector outside the gates of Troy. Although the death of Achilles is not presented in the ''Iliad'', other sources concur that he was killed near the end of the Trojan War by Paris, who shot him with an arrow. Later legends (beginning with Statius' unfinished epic ''Achilleid'', written in the first century CE) state that Achilles was invulnerable in all of his body except for one heel. According to that myth, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stele
A stele ( ) or stela ( )The plural in English is sometimes stelai ( ) based on direct transliteration of the Greek, sometimes stelae or stelæ ( ) based on the inflection of Greek nouns in Latin, and sometimes anglicized to steles ( ) or stelas ( ). is a stone or wooden slab, generally taller than it is wide, erected in the ancient world as a monument. The surface of the stele often has text, ornamentation, or both. These may be inscribed, carved in relief, or painted. Stelae were created for many reasons. Grave stelae were used for funerary or commemorative purposes. Stelae as slabs of stone would also be used as ancient Greek and Roman government notices or as boundary markers to mark borders or property lines. Stelae were occasionally erected as memorials to battles. For example, along with other memorials, there are more than half-a-dozen steles erected on the battlefield of Waterloo at the locations of notable actions by participants in battle. A traditional Wester ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronze Age
The Bronze Age () was a historical period characterised principally by the use of bronze tools and the development of complex urban societies, as well as the adoption of writing in some areas. The Bronze Age is the middle principal period of the three-age system, following the Stone Age and preceding the Iron Age. Conceived as a global era, the Bronze Age follows the Neolithic, with a transition period between the two known as the Chalcolithic. The final decades of the Bronze Age in the Mediterranean basin are often characterised as a period of widespread societal collapse known as the Late Bronze Age collapse (), although its severity and scope are debated among scholars. An ancient civilisation is deemed to be part of the Bronze Age if it either produced bronze by smelting its own copper and alloying it with tin, arsenic, or other metals, or traded other items for bronze from producing areas elsewhere. Bronze Age cultures were the first to History of writing, develop writin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afterlife
The afterlife or life after death is a purported existence in which the essential part of an individual's Stream of consciousness (psychology), stream of consciousness or Personal identity, identity continues to exist after the death of their physical body. The surviving essential aspect varies between belief systems; it may be some partial element, or the entire soul or spirit, which carries with it one's personal identity. In some views, this continued existence takes place in a Supernatural, spiritual realm, while in others, the individual may be reborn into World#Religion, this world and begin the life cycle over again in a process referred to as reincarnation, likely with no memory of what they have done in the past. In this latter view, such rebirths and deaths may take place over and over again continuously until the individual gains entry to a spiritual realm or otherworld. Major views on the afterlife derive from religion, Western esotericism, esotericism, and metaphy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
