Leagros Group
The Leagros Group was a group of Attic black-figure vase painters active during the last two decades of the 6th century BC. The name given to the group by modern scholars is a conventional one, derived from a series of name vases. The Leagros Group was the final important group of Attic vase painters in the black-figure style to paint large-format images on vases. Their significance is so great that their time of activity is also known as the ''Leagros period''. About 400 vases are ascribed to the group; most of them are '' hydriaI'' and neck amphorae, constituting about half of the group's surviving products. Additionally, they painted other types of amphorae, kraters, ''lekythoi'', and, in small amounts, some other shapes. The group's conventional name is derived from five vases with kalos-inscriptions mentioning the ephebe Leagros. ''Hydriai'' by the group resemble those by the Antimenes Painter, feature more widely flayed lips and shallower broader shoulders. The earlie ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Psykter Symposion Staatliche Antikensammlungen SL461
A psykter (in Greek ψυκτήρ "cooler") is a type of Greek vase that is characterized by a bulbous body set on a high, narrow foot. It was used as a wine cooler, and specifically as part of the elite sympotic set in the ancient Greek symposium. The psykter, as distinct from other coolers, is a vase which has a mushroom-shaped body, and was produced for only a short period of time during the late-sixth to mid-fifth centuries, with almost all of this type dating to between 520 and 480 BCE. The fact of its brevity combined with there being a number of simpler methods of cooling wine suggests that this shape was merely a fad. It is possible that it came about as a response to avoiding mixing contaminated snow-ice directly in wine, as it was known that this could cause illness, but this is unlikely as the alcohol in wine has useful sterilizing properties. Even proportionately to other wine utensils of its time it is comparatively rare, with few examples being found. Although the psyk ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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White Ground Technique
White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica, dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main techniques of black-figure and red-figure vase painting. Nevertheless, a wide range of subjects are depicted. Technique and style In white-ground pottery, the vase is covered with a light or white slip of kaolinite. A similar slip had been used as carrier for vase paintings in the Geometric and Archaic periods. White-ground vases were produced, for example, in Ionia, Laconia and on the Cycladic islands, but only in Athens did it develop into a veritable separate style beside black-figure and red-figure vase painting. For that reason, the term "white-ground pottery" or "white-ground vase painting" is usually used in reference to the Attic m ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Euthymides
Euthymides was an ancient Athenian potter and painter of vases, primarily active between 515 and 500 BC. He was a member of the Greek art movement later to be known as the Pioneer Group for their exploration of the new decorative style known as red-figure pottery. Euthymides was the teacher of another Athenian red-figure vase painter, the Kleophrades Painter. Euthymides was admired for his portrayal of human movement and studies of perspective, his painted figures being amongst the first to show foreshortened limbs. He was more minimalist than others in the movement, and his tendency was to draw relatively few figures, and only rarely overlap them. His works were normally inscribed "Euthymides painted me". Euthymides was a rival of his fellow Athenian Euphronios, and one of his amphorae is additionally marked with the playful taunt ''"hos oudepote Euphronios"'', words which have been variously interpreted as "as never Euphronios ould do, or "this wasn't one of Euphronios". On ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Phintias (painter)
Phintias was an ancient Greek vase painter; along with Euphronios and Euthymides, he was one of the most important representatives of the Pioneer Group of Athenian red-figure vase painters. Ten works from the period between 525 BC and 510 BC bearing his signature survive: seven vase paintings and three pottery works. Since his career began before the time of the Pioneer Group, his paintings look somewhat more old-fashioned than those of the other Pioneers; and the influence of earlier red-figure painters such as Psiax or Oltos is strong. Even during the Pioneer Group period he continued to use certain techniques of the black-figure style, e.g. outlines reinforced by scratching and black-figure ornamental borders. His paintings have been called clear, concise, and exact, but also static and somewhat stiff. Phintias' repertoire, however, is rich. He drew everyday scenes such as '' hetaerae'', symposia and music lessons, but also mythological scenes. Like the other major members of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Euphronios
Euphronios ( el, Εὐφρόνιος; c. 535 – after 470 BC) was an ancient Greek vase painter and potter, active in Athens in the late 6th and early 5th centuries BC. As part of the so-called "Pioneer Group," (a modern name given to a group of vase painters who were instrumental in effecting the change from black-figure to red-figure pottery), Euphronios was one of the most important artists of the red-figure technique. His works place him at the transition from Late Archaic to Early Classical art, and he is one of the first known artists in history to have signed his work. General considerations The discovery of Greek vase painters In contrast to other artists, such as sculptors, no Ancient Greek literature sources refer specifically to vase painters. The copious literary tradition on the arts hardly mention pottery. Thus, reconstruction of Euphronios's life and artistic development—like that of all Greek vase painters—can only be derived from his works. Modern ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ajax The Great
Ajax () or Aias (; grc, Αἴας, Aíās , ''Aíantos''; archaic ) is a Greek mythological hero, the son of King Telamon and Periboea, and the half-brother of Teucer. He plays an important role, and is portrayed as a towering figure and a warrior of great courage in Homer's '' Iliad'' and in the Epic Cycle, a series of epic poems about the Trojan War, being second only to Achilles among Greek heroes of the war. He is also referred to as "Telamonian Ajax" (, in Etruscan recorded as ''Aivas Tlamunus''), "Greater Ajax", or "Ajax the Great", which distinguishes him from Ajax, son of Oileus, also known as Ajax the Lesser. Family Ajax is the son of Telamon, who was the son of Aeacus and grandson of Zeus, and his first wife Periboea. Through his uncle Peleus (Telamon's brother), he is the cousin of Achilles, and is the elder half-brother of Teucer. The etymology of his given name is uncertain. By folk etymology his name was said to come from the root of ''aiaz ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Achilles
In Greek mythology, Achilles ( ) or Achilleus ( grc-gre, Ἀχιλλεύς) was a hero of the Trojan War, the greatest of all the Greek warriors, and the central character of Homer's '' Iliad''. He was the son of the Nereid Thetis and Peleus, king of Phthia. Achilles' most notable feat during the Trojan War was the slaying of the Trojan prince Hector outside the gates of Troy. Although the death of Achilles is not presented in the ''Iliad'', other sources concur that he was killed near the end of the Trojan War by Paris, who shot him with an arrow. Later legends (beginning with Statius' unfinished epic '' Achilleid'', written in the 1st century AD) state that Achilles was invulnerable in all of his body except for one heel, because when his mother Thetis dipped him in the river Styx as an infant, she held him by one of his heels. Alluding to these legends, the term "Achilles' heel" has come to mean a point of weakness, especially in someone or something with an other ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Herakles
Heracles ( ; grc-gre, Ἡρακλῆς, , glory/fame of Hera), born Alcaeus (, ''Alkaios'') or Alcides (, ''Alkeidēs''), was a divine hero in Greek mythology, the son of Zeus and Alcmene, and the foster son of Amphitryon.By his adoptive descent through Amphitryon, Heracles receives the epithet Alcides, as "of the line of Alcaeus (mythology), Alcaeus", father of Amphitryon. Amphitryon's own, mortal son was Iphicles. He was a great-grandson and half-brother (as they are both sired by the god Zeus) of Perseus, and similarly a half-brother of Dionysus. He was the greatest of the Greek heroes, the ancestor of royal clans who claimed to be Heracleidae (), and a champion of the Twelve Olympians, Olympian order against chthonic monsters. In Roman mythology, Rome and the modernity, modern western world, West, he is known as Hercules, with whom the later Roman emperors, in particular Commodus and Maximian, often identified themselves. The Romans adopted the Greek version of his life ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Trojan War
In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans (Greeks) after Paris of Troy took Helen from her husband Menelaus, king of Sparta. The war is one of the most important events in Greek mythology and has been narrated through many works of Greek literature, most notably Homer's ''Iliad''. The core of the ''Iliad'' (Books II – XXIII) describes a period of four days and two nights in the tenth year of the decade-long siege of Troy; the '' Odyssey'' describes the journey home of Odysseus, one of the war's heroes. Other parts of the war are described in a cycle of epic poems, which have survived through fragments. Episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets including Virgil and Ovid. The ancient Greeks believed that Troy was located near the Dardanelles and that the Trojan War was a historical event of the 13th or 12th century BC, but by the mid-19th century AD, both ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Greek Mythology
A major branch of classical mythology, Greek mythology is the body of myths originally told by the ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the origin and nature of the world, the lives and activities of deities, heroes, and mythological creatures, and the origins and significance of the ancient Greeks' own cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of myth-making itself. The Greek myths were initially propagated in an oral-poetic tradition most likely by Minoan and Mycenaean singers starting in the 18th century BC; eventually the myths of the heroes of the Trojan War and its aftermath became part of the oral tradition of Homer's epic poems, the '' Iliad'' and the '' Odyssey''. Two poems by Homer's near contemporary Hesiod, the '' Theogony'' and the '' Works and Days'', contain accounts of the genes ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chiusi Painter
The Chiusi Painter was an Attic black-figure vase painter, active in the last quarter of the sixth century BC. His real name is not known. The Chiusi Painter was part of the so-called Leagros Group, the last major important group of painters in the black-figure style. He is characterised by what John Boardman calls a "boring delicateness" John Boardman: ''Schwarzfigurige Vasen aus Athen'', p. 121 compared to other artists of the group, failing to reach the standards of the Acheloos Painter for example. See also * List of Greek vase painters A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of the Jewish Theological Seminary of America * SC Germania List, German rugby union ... Bibliography * John Boardman: ''Schwarzfigurige Vasen aus Athen. Ein Handbuch'', Mainz 1977, , p. 121 References {{Authority control Ancient Greek vase painters ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Acheloos Painter
The Acheloos Painter, active around 525–500 BCE in Athens, was a vase painter of the black-figure style. His scenes were like those of the Leagros Group; however, unlike their work, his themes are comic episodes, like modern cartoons. Herakles was a favorite topic, as were banqueting scenes. His banqueters were portrayed satirically: overweight, aging, huge, jutting noses, and so on. The heroic is made anti-heroic by parody. His preferred vase forms are amphorae and hydriae. Name vase He received his name from a representation of a fight between the river god, Achelous, Acheloos, and Heracles, on formerly Amphora F 1851 in the Antikensammlung Berlin, Berlin Antique collection, now missing. In this comic depiction, the screaming and frightened river god, in the form of a horned centaur, is being kept from escaping by an unflustered Herakles pulling him back by the horns. Hermes, stock messenger of the gods, sits at ease. His long, projecting beard juts out parallel to his long, pr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |