|
Lead And Follow
In some types of partner dance, lead and follow are designations for the two dancers' roles in a dance pairing. The leader is responsible for guiding the couple and initiating transitions to different dance steps and, in improvised dances, for choosing the dance steps to perform. The leader communicates choices to the follower, and directs the follower by means of subtle physical and visual signals, thereby allowing the pair to be smoothly coordinated. The amount of direction given by the leader depends on several factors, including dance style, social context of the dance, and experience and personalities of the dancers. Traditionally, the male dance partner was the leader and the female dance partner was the follower. In the 21st century, it has become increasingly common to see partnerships that buck this dynamic, particularly in more socially progressive dance styles. Gender roles Traditionally, the male dance partner is the leader and the female dance partner is the follow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balboa Competition Finals At Lindy Focus 2023
Balboa may refer to: Boats * Balboa 16, an American sailboat design * Balboa 20, an American sailboat design * Balboa 21, an American sailboat design * Balboa 22, an American sailboat design * Balboa 23, an American sailboat design * Balboa 24, an American sailboat design Places * Balboa, Cauca, a town and municipality in Colombia * Balboa, León, a Spanish village and municipality * Balboa, Panama, a port city in Panama ** Balboa District of Panamá Province in Panama * Balboa, Risaralda, a town and municipality in Colombia * Balboa (Los Angeles Metro station), on the Los Angeles Metro Orange Line * Balboa (lunar crater), located near the western limb of the Moon * Balboa High School (California), an American public high school of San Francisco, California * Balboa Island, Newport Beach, California, a harborside community in Newport Beach * Balboa Park (other), any of several * Balboa Peninsula, Newport Beach, California, a neighborhood of the city of Newport Beach * N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glossary Of Partner Dance Terms
This is a list of dance terms that are not names of dances or types of dances. See List of dances and List of dance style categories for those. This glossary lists terms used in various types of ballroom partner dances, leaving out terms of highly evolved or specialized dance forms, such as ballet Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of ..., tap dancing, and square dancing, which have their own elaborate terminology. See also: * Glossary of ballet terms * Glossary of dance moves Abbreviations *3T – Three Ts *CBL – Cross-body lead *CBM – Contra body movement *CBMP – Contra body movement position *COG – Center of gravity *CPB – Center point of balance *CPP – Counter promenade position *DC – Diagonally to center *DW – Direction of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cha-cha-cha (dance)
The cha-cha-cha (also called cha-cha) is a dance of Cuban origin. It is danced to cha-cha-cha music introduced by the Cuban composer and violinist Enrique Jorrin in the early 1950s. This rhythm was developed from the danzón-mambo. The name of the dance is an onomatopoeia derived from the shuffling sound of the dancers' feet when they dance two consecutive quick steps that characterize the dance. In the early 1950s, Enrique Jorrín worked as a violinist and composer with the charanga group Orquesta América. The group performed at dance halls in Havana where they played danzón, danzonete, and danzon-mambo for dance-oriented crowds. Jorrín noticed that many of the dancers at these gigs had difficulty with the syncopated rhythms of the danzón-mambo. To make his music more appealing to dancers, Jorrín began composing songs where the melody was marked strongly on the first downbeat and the rhythm was less syncopated. When Orquesta América performed these new compositions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhumba
Rhumba, also known as ballroom rumba, is a genre of ballroom music and ballroom dance, dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cubano, but also conga (music), conga and Cuban rumba, rumba. Although taking its name from the latter, ballroom rumba differs completely from Cuban rumba in both its music and its dance. Hence, authors prefer the Americanized spelling of the word (''rhumba'') to distinguish between them. Music Although the term ''rhumba'' began to be used by American record companies to label all kinds of Latin music (genre), Latin music between 1913 and 1915, the history of rhumba as a specific form of ballroom music can be traced back to May 1930, when Don Azpiazú and his Havana Casino Orchestra recorded their song "El manisero" (The Peanut Vendor) in New York City. This single, released four months later by Victor Talking Machine Company, Victor, be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Promenade Position
The promenade position (abbreviated as PP in dance diagrams) is a dance position in ballroom and other dances. It is described differently in various dance categories. Connection The promenade position is a V-shaped dance position with the leader's right hip and the follower's left hip in contact at the point of the "V", and with the leader's left side and the follower's right side slightly open. The direction of travel is toward the openside. The leader and follower stand in front of each other in body contact, slightly offset to the left, with the middle of the follower's front connected to the leader's right front. The connection begins at the upper thighs and should continue all of the way up to the middle of the torso. The leader's left hand holds the follower’s right hand, palm to palm in an upper-hand clasp, with fingers and thumbs closed around partner's hand. The leader's right hand must rest on the follower’s back, loosely cupped with fingers and thumb together ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Foxtrot
The foxtrot is a smooth, progressive dance characterized by long, continuous flowing movements across the dance floor. It is danced to big band (usually vocal) music. The dance is similar in its look to waltz, although the rhythm is in a time signature instead of . Developed in the 1910s, the foxtrot reached its height of popularity in the 1930s and remains practiced today. History The dance was premiered in 1914, quickly catching the eye of the husband and wife duo Vernon and Irene Castle, who gave the dance its signature grace and style. The origin of the name of the dance is unclear, although one theory is that it took its name from its popularizer, the vaudevillian Harry Fox. Two sources, Vernon Castle and dance teacher Betty Lee, credit African American dancers as the source of the foxtrot. Castle saw the dance, which "had been danced by negroes, to his personal knowledge, for fifteen years, ta certain exclusive colored club". W. C. Handy ("Father of the Blues" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quickstep
The quickstep is a light-hearted dance of the standard ballroom dances. The movement of the dance is fast and powerfully flowing and sprinkled with syncopations. The upbeat melodies that quickstep is danced to make it suitable for both formal and informal events. Its origins are in combination of slow foxtrot combined with the Charleston (dance), Charleston, a dance which was one of the precursors to what today is called swing dancing. History The quickstep evolved in the 1920s from a combination of the foxtrot, Charleston (dance), Charleston, Collegiate shag (dance), shag, Peabody (dance), peabody, and One-Step, one-step. The dance is English in origin and was standardized in 1927. While it evolved from the foxtrot, the quickstep now is quite separate. Unlike the modern foxtrot, the lead and follow, leader often closes his feet, and syncopated steps are regular occurrences (as was the case in early foxtrot). Three characteristic dance figures of the quickstep are the chassés, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glossary Of Dance Moves
A–K Apple Jacks A step on the spot, with twisting foot and the weight on the heel, likthis Ball change Ball change is a movement where the dancer shifts the weight from the ball of one foot to the other and back. This is mostly used in jazz and jive. Basic (step / figure / movement / or pattern) A basic figure is the very basic step that defines the character of a dance. Often it is called just thus: "basic movement", "basic step" or the like. For some dances it is sufficient to know the basic step performed in different handholds and dance positions to enjoy it socially. Body roll / body wave In this the dancer moves the body like a wave in standing position from head to legs, likthis Box step The box step is a dance figure named so because the steps rest in the four corners of a square. It is used, e.g., in American Style ballroom dances: rumba, waltz, bronze-level foxtrot. The leader begins with the left foot and proceeds as follows. :''First half-b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Dance
Modern dance is a broad genre of western concert dance, concert or theatrical dance which includes dance styles such as ballet, folk, ethnic, religious, and social dancing; and primarily arose out of Europe and the United States in the late 19th and early 20th centuries. It was considered to have been developed as a rejection of, or rebellion against, classical ballet, and also a way to express social concerns like socioeconomic and cultural factors. In the late 19th century, modern dance artists such as Isadora Duncan, Maud Allan, and Loie Fuller were pioneering new forms and practices in what is now called improvisational or free dance. These dancers disregarded ballet's strict movement vocabulary (the particular, limited set of movements that were considered proper to ballet) and stopped wearing corsets and pointe shoes in the search for greater freedom of movement. Throughout the 20th century, sociopolitical concerns, major historical events, and the development of other art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Partner Dance
file:Tanzturnier 28.JPG, Ballroom dancers performing the tango. file:dance-At-Bougival.jpg, upPartner dance, ''Dance at Bougival'' by Pierre-Auguste Renoir, 1883 Partner dances are dances whose basic choreography involves coordinated dancing of two partners. As such it occupies a middle ground between Solo dance, individuals dancing alone or individually in a non-coordinated manner, and groups of people dancing simultaneously in a coordinated manner. United States dance history Prior to the 20th century, many ballroom dance and folk dances existed in America. As jazz music developed at the start of the 20th century, Black American communities in tandem developed the Charleston (dance), Charleston and eventually the Lindy Hop by the end of the 1920s. Many cities had regular local competitions such as the Savoy Ballroom which accelerated the development and popularization of the dance. The dances were introduced to wider public through movies and regular performances such as thos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contact Improvisation
Contact Improvisation (CI) is a postmodern dance practice that explores movement through shared weight, touch, and physical awareness. Originating in the United States in 1972, contact improvisation was developed by dancer and choreographer Steve Paxton, drawing on influences from modern dance, aikido, and somatic practices. Contact Improvisation emphasizes the interplay of gravity, momentum, and improvisation, fostering an experimental approach to movement that invites both professional dancers and newcomers into its global community.Novack, Cynthia Jean., ''Sharing the dance'', Univ. Of Wisconsin Press, 1 January 1990 ( , read online), chapters 2, 3, and 4. The practice involves continuous physical touch between dancers, where gravity, momentum, inertia, and friction shape their interactions. The dance is further described by Paxton: "The exigencies of the form dictate a mode of movement which is relaxed, constantly aware and prepared, and onflowing". Known for its open ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weight Transfer (dancing)
{{unreferenced, date=January 2011 A weight transfer or weight change is dancer's movement so that their weight is moved from one supporting foot (or supporting limb/body part) to another one fully or partially. Walking, for example, involves shifting of the body's weight from one foot to another, so freeing the first so that it may be lifted and moved forward. This process is a 'natural' movement in humans and other animals, but is in effect a complex process of biomechanics. In the full weight transfer, the center of gravity becomes vertically projected onto another body part (e.g., foot) freeing the first one so that it may be freely lifted or moved. (In fact, lifting the foot off the ground is a simple test often suggested for the beginners to ensure that they have completed the practiced dance move and their weight is on the proper foot.) In partial weight transfer the center of gravity is shifted to project between the old and new support body part. In some dance moves, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
