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Le Roi Et Le Batelier
''Le Roi et le batelier'' (''The King and the oarsman'') is a one-act opéra comique by Fromental Halévy and Victor Rifaut, to a libretto by Saint-Georges. It was first performed on 8 November 1827 at the Opéra Comique in Paris. Background ''Le Roi et le batelier'' was the second of Halévy's operatic works to receive public performance. The music was written in collaboration with Victor Rifaut, who had won the Prix de Rome in 1821, two years after Halévy himself. The premiere took place on the birthday of King Charles X, and some flattering comparison of the King to the opera's hero Henri IV was obviously intended. The opera had thirteen performances, and has apparently never been revived. A review of the original production in the English music journal ''The Harmonicon ''The Harmonicon'' was an influential monthly journal of music published in London from 1823 to 1833. It was edited at one period by William Ayrton (1777–1858.) Issues contained articles on diverse top ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne), M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Harmonicon
''The Harmonicon'' was an influential monthly journal of music published in London from 1823 to 1833. It was edited at one period by William Ayrton (1777–1858.) Issues contained articles on diverse topics, including reviews of musical compositions, reviews of concert and opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libre ... performances, news of contemporary musicians and composers, features on music theory and the physics of sound, and biographical sketches of important musical figures. References The Harmonicon archive at HathiTrust 1823 establishments in the United Kingdom 1833 disestablishments in the United Kingdom Monthly magazines published in the United Kingdom Music magazines published in the United Kingdom Defunct magazines published in the United Kingdom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas Set In Paris
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Fromental Halévy
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1827 Operas
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper commonly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis-Barthélémy Pradher
Louis-Barthélémy Pradher (16 December 1782 – 19 October 1843) was a French composer, pianist and music educator. Life Born in Paris, Pradher was the son of a violinist of the Prince de Condé. He received his first music lessons from his father and Louis Gobert at the École royale de musique. After the school was closed during the Revolution, he was a student of Hélène de Montgeroult. From 1797, he took lessons at the Conservatoire de Paris, piano with Gobert and harmony with Henri Montan Berton, until the completion of his training in 1798. He married the singer and pianist Elyse (Elisabeth-Charlotte) Philidor (1776–1819) in 1799. She was the daughter of the composer François-André Danican Philidor and the niece of the singer Louis-Augustin Richer. In 1802, he took musical composition courses with Étienne-Nicolas Méhul and in 1802 took over the piano class of Louis Emmanuel Jadin at the Paris Conservatoire and, from 1803, he was full professor at the successio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor (voice)
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry IV Of France
Henry IV (french: Henri IV; 13 December 1553 – 14 May 1610), also known by the epithets Good King Henry or Henry the Great, was King of Navarre (as Henry III) from 1572 and King of France from 1589 to 1610. He was the first monarch of France from the House of Bourbon, a cadet branch of the Capetian dynasty. He was assassinated in 1610 by François Ravaillac, a Catholic zealot, and was succeeded by his son Louis XIII. Henry was the son of Jeanne III of Navarre and Antoine de Bourbon, Duke of Vendôme. He was baptised as a Catholic but raised in the Protestant faith by his mother. He inherited the throne of Navarre in 1572 on his mother's death. As a Huguenot, Henry was involved in the French Wars of Religion, barely escaping assassination in the St. Bartholomew's Day massacre. He later led Protestant forces against the French royal army. Henry became king of France in 1589 upon the death of Henry III, his brother-in-law and distant cousin. He was the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fromental Halévy
Jacques-François-Fromental-Élie Halévy, usually known as Fromental Halévy (; 27 May 179917 March 1862), was a French composer. He is known today largely for his opera ''La Juive''. Early career Halévy was born in Paris, son of the cantor Élie Halfon Halévy, who was the secretary of the Jewish community of Paris and a writer and teacher of Hebrew, and a French Jewish mother. The name Fromental (meaning 'oat grass'), by which he was generally known, reflects his birth on the day dedicated to that plant: 7 Prairial in the French Revolutionary calendar, which was still operative at that time. He entered the Conservatoire de Paris at the age of nine or ten (accounts differ), in 1809, becoming a pupil and later protégé of Cherubini. After two second-place attempts, he won the Prix de Rome in 1819: his cantata subject was ''Herminie''. As he had to delay his departure to Rome because of the death of his mother, he was able to accept the first commission that brought him to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles X Of France
Charles X (born Charles Philippe, Count of Artois; 9 October 1757 – 6 November 1836) was King of France from 16 September 1824 until 2 August 1830. An uncle of the uncrowned Louis XVII and younger brother to reigning kings Louis XVI and Louis XVIII, he supported the latter in exile. After the Bourbon Restoration in 1814, Charles (as heir-presumptive) became the leader of the ultra-royalists, a radical monarchist faction within the French court that affirmed rule by divine right and opposed the concessions towards liberals and guarantees of civil liberties granted by the Charter of 1814. Charles gained influence within the French court after the assassination of his son Charles Ferdinand, Duke of Berry, in 1820 and succeeded his brother Louis XVIII in 1824. Munro Price, ''The Perilous Crown: France between Revolutions'', Macmillan, pp. 185–187. His reign of almost six years proved to be deeply unpopular amongst the liberals in France from the moment of his coronati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
