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Le Roi Arthus
''Le roi Arthus'' (''King Arthur'') is an opera in three acts by the French composer Ernest Chausson to his own libretto. It was composed between 1886 and 1895, and first performed 30 November 1903 at the Théâtre de la Monnaie, Brussels, after long delays. The musical style is heavily influenced by the works of Richard Wagner, particularly ''Tristan und Isolde'' and ''Parsifal'', as well as César Franck. The scenery at the premiere was designed by Albert Dubosq and the symbolist painter Fernand Khnopff; it was executed by Dubosq's atelier together with Chausson's brother-in-law Henry Lerolle and under the supervision of Chausson's widow. The opera was revived at the Paris Opera in May 2015 with Thomas Hampson in the title role, Sophie Koch as Genièvre and Roberto Alagna as Lancelot, conducted by Philippe Jordan, in a production by Graham Vick. Roles Synopsis ;Act 1: Fresh from his defeat of the Saxons, King Arthur praises the fighting prowess of the Knights of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graham Vick
Sir Graham Vick (30 December 1953 – 17 July 2021) was an English opera director known for his experimental and revisionist stagings of traditional and modern operas. He worked in many of the world's leading opera houses and was artistic director of the Birmingham Opera Company. Life and career Vick was born on 30 December 1953 in Birkenhead, the youngest son of Arnold and Muriel (née Hynes) Vick. He studied at the Royal Northern College of Music in Manchester. At age 24, he directed a production of Gustav Holst's '' Savitri'' for the Scottish Opera and became the company's director of productions in 1984. From 1994 to 2000, Vick was director of productions at Glyndebourne Opera. In 1987, he founded the Birmingham Opera Company and remained its artistic director. Vick's productions with Birmingham Opera included the first UK production of '' Othello'' to feature a black tenor in the title role in 2009, and the 2012 world premiere of Karlheinz Stockhausen's notorious ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mordred
Mordred or Modred ( or ; Welsh: ''Medraut'' or ''Medrawt'') is a major figure in the legend of King Arthur. The earliest known mention of a possibly historical Medraut is in the Welsh chronicle ''Annales Cambriae'', wherein he and Arthur are ambiguously associated with the Battle of Camlann in a brief entry for the year 537. Medraut's figure seemed to have been regarded positively in the early Welsh tradition and may have been related to that of King Arthur's family, Arthur's son. As Modredus, Mordred was depicted as Arthur's traitorous nephew and a legitimate son of King Lot in the pseudo-historical work ''Historia Regum Britanniae'', which then served as the basis for the subsequent evolution of the legend from the 12th century. Later variants most often characterised Mordred as Arthur's villainous bastard son, born of an incestuous relationship with Morgause, his half-sister, the queen of Lothian or Orkney named either Anna, Orcades, or Morgause. The accounts presented in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Merlin
The Multi-Element Radio Linked Interferometer Network (MERLIN) is an interferometer array of radio telescopes spread across England. The array is run from Jodrell Bank Observatory in Cheshire by the University of Manchester on behalf of UK Research and Innovation. The array consists of up to seven radio telescopes and includes the Lovell Telescope at Jodrell Bank, Mark II, Cambridge, Defford in Worcestershire, Knockin in Shropshire, and Darnhall and Pickmere (previously known as Tabley) in Cheshire. The longest baseline is therefore 217 km and MERLIN can operate at frequencies between 151 MHz and 24 GHz. At a wavelength of 6 cm (5 GHz frequency), MERLIN has a resolution of 40 milliarcseconds which is comparable to that of the HST at optical wavelengths. Some of the telescopes are occasionally used for European VLBI Network (EVN) and Very Long Baseline Interferometry (VLBI) observations in order to create an interferometer with even larger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lancelot
Lancelot du Lac (French for Lancelot of the Lake), alternatively written as Launcelot and other variants, is a popular character in the Matter of Britain, Arthurian legend's chivalric romance tradition. He is typically depicted as King Arthur's close companion and one of the greatest Knights of the Round Table, as well as a secret lover of Arthur's wife, Guinevere. In his most prominent and complete depiction, Lancelot is a beautiful orphaned son of King Ban of the lost kingdom of Benoïc. He is raised in a fairy realm by the Lady of the Lake while unaware of his real parentage prior to joining Arthur's court as a young knight and discovering his origins. A hero of many battles, quests and tournaments, and famed as a nearly unrivalled Swordsmanship, swordsman and Jousting, jouster, Lancelot soon becomes the lord of the castle Joyous Gard and personal champion of Queen Guinevere, to whom he is devoted absolutely. He also develops a close relationship with Galehaut and suffers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano (, ), or mezzo ( ), is a type of classical music, classical female singing human voice, voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Georges Bizet, Bizet's ''Carmen'', Angelina (Cinderella) in Gioachino Rossini, Rossini's ''La Cenerentola'', and Rosina in Rossini's ''The Barber of Seville, Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guinevere
Guinevere ( ; ; , ), also often written in Modern English as Guenevere or Guenever, was, according to Arthurian legend, an early-medieval queen of Great Britain and the wife of King Arthur. First mentioned in literature in the early 12th century, nearly 700 years after the purported times of Arthur, Guinevere has since been portrayed as everything from a fatally flawed, villainous, and opportunistic traitor to a noble and virtuous lady. The variably told motif of abduction of Guinevere, or of her being rescued from some other peril, features recurrently and prominently in many versions of the legend. The earliest datable appearance of Guinevere is in Geoffrey of Monmouth's pseudo-historical British chronicle ''Historia Regum Britanniae'', in which she is seduced by Mordred during his ill-fated rebellion against Arthur. In a later medieval Arthurian romance tradition from France, a major story arc is the queen's tragic love affair with her husband's best knight and trusted f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Albers
Henri Albers, born Johan Hendrik Albers (1 February 1866 – 12 September 1926), was a Dutch-born opera singer who later became a French citizen. He sang leading baritone roles in an international career that spanned 37 years and was a prominent singer at the Théâtre de la Monnaie in Brussels and the Opéra-Comique in Paris, which was his base from 1900 until his death. He also sang in 36 performances with the Metropolitan Opera company from 1898 to 1899. He made many recordings for Pathé Records and specialised in the heavier baritone and ''basso cantante'' repertoire.Humbley, John (2003)Liner notes: ''Les Frères Danilo'', Pathé Opera Series vol. 5. Marston Records. Retrieved 26 December 2013 Life and career Albers was born in Amsterdam and initially trained and worked as an actor. He then studied singing at the Conservatorium van Amsterdam and was engaged by Johannes George De Groot to sing with his newly established Hollandsche Opera company. He made his operatic debut in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Arthur
According to legends, King Arthur (; ; ; ) was a king of Great Britain, Britain. He is a folk hero and a central figure in the medieval literary tradition known as the Matter of Britain. In Wales, Welsh sources, Arthur is portrayed as a leader of the Sub-Roman Britain, post-Roman Britons in battles against the Anglo-Saxons in the late-5th and early-6th centuries. He first appears in two early medieval historical sources, the ''Annales Cambriae'' and the ''Historia Brittonum'', but these date to 300 years after he is supposed to have lived, and most historians who study the period Historicity of King Arthur, do not consider him a historical figure.Tom Shippey, "So Much Smoke", ''review'' of , ''London Review of Books'', 40:24:23 (20 December 2018) His name also occurs in early Welsh-language literature, Welsh poetic sources, such as ''Y Gododdin''. The character developed through Welsh mythology, appearing either as a great warrior defending Britain from human and supernatura ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sylvain Dupuis
Joseph Michel Sylvain Dupuis (; 9 October 1856 – 28 September 1931) was a Belgian conducting, conductor, composer, oboist, and music educator. Life Born in Liège, Dupuis was trained at the Royal Conservatory of Liège. After graduating in 1878, he was appointed to that school's faculty as a professor of harmony. In 1911 he succeeded Jean-Théodore Radoux as the director of the conservatory. Among his notable pupils were Charles Houdret and Joseph Jongen. Dupuis worked actively as a composer during the early part of his career, but later became more heavily involved in his work as an opera conductor and music teacher. As a result, the majority of his works date from before 1900. In 1879 he won the Prix de Rome (Belgium), Belgian Prix de Rome for his cantata ''Le Chant de la Création''. In the 1880s he composed two operas, ''Moîna'' and ''Coûr d'ognon''. His other compositions include several secular cantatas, the symphonic poem ''Macbeth'', a Concertino (composition), co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
