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Lazy Bird (album)
''Lazy Bird'' is an album by guitarist Doug Raney recorded in 1984 and released on the Danish label, SteepleChase. accessed March 23, 2017 Reception Scott Yanow of called it "Excellent modern mainstream straight-ahead jazz".Track listing All compositions by Doug Raney except where noted. # "Walking the Duck" – 3:42 Bonus track on CD reissue # "Reggie of Chester" ( |
Doug Raney
Doug Raney (August 29, 1956 – May 1, 2016) was an American jazz guitarist. He was the son of jazz guitarist Jimmy Raney. Career Raney was born in New York City. He began to play the guitar when he was 14, beginning with rock and blues. He was given lessons by guitarist Barry Galbraith and became more interested in jazz. When he was 18, he played at a club in New York with pianist Al Haig. In 1977, he accompanied his father, jazz guitarist Jimmy Raney, in a duo. They toured Europe, and then Doug Raney moved to Copenhagen, Denmark. When he was 21, he recorded his first album as a leader, '' Introducing Doug Raney'', for SteepleChase in 1977. Beginning in 1979, he recorded several albums with his father. During his career, he worked with Chet Baker, George Cables, Joey DeFrancesco, Kenny Drew, Tal Farlow, Tomas Franck, Dexter Gordon, Johnny Griffin, Billy Hart, Hank Jones, Clifford Jordan, Duke Jordan, Jesper Lundgaard, Red Mitchell, Adam Nussbaum, Niels-Henning Ørsted Pedersen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music took on an increasingly spiritual dimension, as exemplified on his most acclaimed album '' A Love Supreme'' (1965) and others. Decades after his death, Coltrane remains influential, and he has received numerous posthumous awards, including a special Pulitzer Prize, and was canoniz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doug Raney Albums
Doug is a male personal name (or, depending on which definition of "personal name" one uses, part of a personal name). It is sometimes a given name (or "first name"), but more often it is hypocorism (affectionate variation of a personal name) which takes the place of a given name, usually Douglas. Notable people with the name include: Douglas Grosch, ex. People A–C * Doug Allison (1846–1916), American baseball player * Doug Anderson (other), multiple people * Doug Applegate (other), multiple people * Doug Armstrong (born 1964), Canadian National Hockey League team general manager * Doug Armstrong (broadcaster) (1931–2015), New Zealand cricketer, television sports broadcaster and politician * Doug Baldwin (born 1988), American football player * Doug Baldwin (ice hockey) (1922–2007), Canadian ice hockey player * Doug Bennett (other), multiple people * Doug Bereuter (born 1939), American former politician * Doug Bing (born 1950/51), Canadian p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ole Jacob Hansen
Ole Jacob Hansen (16 April 1940 in Oslo, Norway – 6 March 2000) was a Norwegian jazz musician (drums), known from a number recordings and international cooperation. Career Hansen established himself on the Oslo jazz scene first in Tore Sandnæs, Tore Sandnæs Big Band (1958), Mikkel Flagstad, Mikkel Flagstad Quintet (1959), Bjørn Jacobsen, Bjørn Jacobsen Septet (1958–60), Arild Wikstrøm, Arild Wikstrøm Quartet (1961) and within Kjell Karlsen's various ensembles including at Moldejazz (1962), Bjørn Johansen (artist), Bjørn Johansen Quartet (1962). He was subsequently within Bernt Rosengren, Bernt Rosengren Orchestra in Stockholm (1963–64), with Idrees Sulieman (1964), and in Paris with Eric Dolphy and Donald Byrd. At the Metropol Jazz Club he played with a number of the world's leading jazz musicians. During the 1970s, he contributed to several recordings with Ditlef Eckhoff, Paul Weeden and Terje Bjørklund, as well as within Adonis (74–75) with several gigs at C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesper Lundgaard
Jesper Lundgaard (born 12 June 1954) is a Danish jazz bassist, bandleader, composer and record producer. Since his debut in the mid-1970s, he has been among the most prominent bassists in Danish jazz and as a sideman he has appeared on more than 400 albums both with Danish and leading American jazz musicians. Biography Jesper Lundgaard was born in 1954 in Hillerød, Denmark. After first playing guitar for a few years, he started to play bass at age 16. In 1976 he began to study music at Århus University and the same year he became part of Århus' jazz scene when he joined Bent Eriksen's trio. There he met Danish jazz musicians such as Thomas Clausen, Alex Riel, Niels Jørgen Steen, Finn Ziegler, Jesper Thilo, Jørgen Emborg and Jan Zum Vohrde as well as many American musicians, including Dexter Gordon, Harry Sweets Edison, Eddie Lockjaw Davis, Joe Newman, Benny Waters, Hal Singer, Thad Jones, Mel Lewis, Pepper Adams, Howard McGhee, Roy Eldridge and Doug and Jimmy Raney. Lundg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ben Besiakov
Ben Besiakov, also Ben Besiakow (born October 27, 1956, Copenhagen) is a Danish jazz pianist and keyboardist. Besiakov played in jazz and jazz fusion ensembles starting in the early 1970s, including the groups Buki-Yamaz, Creme Fraiche, Engine, Soul Service, and Space Train. He led his own trio ensemble, which recorded for Steeplechase Records, and in 1990 was awarded the Ben Webster Prize. He also played in groups led by Bent Jaedig, Jonas Johansen, Uffe Markussen, and Jens Winther. Besiakov has performed and recorded with musicians such as Richard Boone, Johnny Dyani, Al Foster, Tomas Franck, Joe Henderson, Dave Liebman, Celso Mendes, James Moody, Caecilie Norby, Adam Nussbaum, Doug Raney, Conny Sjöqvist, Steve Swallow, and Jesper Thilo. He also played at the Copenhagen Club La Fontaine in the 60s and 70s. Discography As leader *''You Stepped Out Of A Dream'' (SteepleChase, 1990) *''Hey, Why Don’t We Play Mack The Knife Real Slow And In B Minor'' (Stunt, 1991) *''Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognize ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernt Rosengren
Bernt Rosengren (born 24 December 1937, in Stockholm, Sweden) is a Swedish jazz tenor saxophonist. His recordings earned him five Gyllene Skivan awards in Sweden over more than forty years. Biography Rosengren first played professionally at age 19, as a member of the Jazz Club 57, and two years later in 1959 he played in the Newport Jazz Band. Roman Polanski's film score composer Krzysztof Komeda used Rosengren in the performance of his jazz score for Polanski's film ''Knife in the Water'' (1962). Rosengren recorded a string of highly regarded albums in the 1960s and 1970s, including ''Stockholm Dues'' (1965), ''Improvisations'' (1969), and ''Notes from Underground'' (1974). He played in a sextet led by George Russell in the 1960s in Europe. Later in the decade, he moved from hard bop into post-bop experimentation, playing with Don Cherry; in the 1970s, as a member of Sevda led by trumpeter Muvaffak "Maffy" Falay, he began working with elements of Turkish and Middle Eastern m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam Rivers (jazz Musician)
Samuel Carthorne Rivers (September 25, 1923 – December 26, 2011) was an American jazz musician and composer. Though most famously a tenor saxophonist, he also performed on soprano saxophone, bass clarinet, flute, harmonica, piano and viola. Active in jazz since the early 1950s, he earned wider attention during the mid-1960s spread of free jazz. With a thorough command of music theory, orchestration and composition, Rivers was an influential and prominent artist in jazz music. Early life Rivers was born in El Reno, Oklahoma, United States. His father was a gospel musician who had sung with the Fisk Jubilee Singers and the Silverstone Quartet, exposing Rivers to music from an early age. His grandfather was Marshall W. Taylor, a religious leader from Kentucky. Rivers was stationed in California in the 1940s during a stint in the Navy. Here he performed semi-regularly with blues singer Jimmy Witherspoon. Rivers moved to Boston, Massachusetts in 1947, where he studied at the B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lazy Bird
Lazy Bird is a musical composition by John Coltrane, first appearing on his 1958 album '' Blue Train''. Its name is most likely a play on the title of the Tadd Dameron composition " Lady Bird": Coltrane biographer Lewis Porter has proposed a harmonic relationship between "Lady Bird" and the A section of "Lazy Bird". (The bridge of Coltrane's song is apparently a variation on the standard "Lover Man"). The chord progression of "Lady Bird" may be transformed into that of "Lazy Bird" through chord substitution using the backdoor progression and tritone substitution.Lyon, Jason (2007)"Coltrane's Substitution Tunes" i See also *Tadd Dameron turnaround In jazz, the Tadd Dameron turnaround, named for Tadd Dameron, "is a very common turnaround in the jazz idiom",Coker, et al (1982). ''Patterns for Jazz: A Theory Text for Jazz Composition and Improvisation'', p.118. . derived from a typical I� ... Sources Chord substitution Compositions by John Coltrane Hard bop jazz standar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
