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Laure Cinti-Damoreau
Laure Cinti-Damoreau (6 February 1801 – 25 February 1863) was a French soprano particularly associated with Rossini roles. Life and career Born Laure-Cinthie Montalant in Paris, she studied in Paris with Charles-Henri Plantade, tenor Giulio Marco Bordogni and soprano Angelica Catalani, who devised her stage name of Cinti by italianizing her middle name and engaged her at the Théâtre-Italien in Paris. There she made her professional debut in ''Una cosa rara'' by Vicente Martin y Soler on 8 January 1816. When Catalani's management went bankrupt in 1818, she was reengaged by the new company that had been formed at the Théâtre Louvois, where her roles included Cherubino and Rosina. In 1822 she appeared at the King's Theatre in London.Robinson. After complementary studies with composer Gioachino Rossini, she sang in the Paris premiere of ''Elisabetta, regina d'Inghilterra'' and created the role of Countess Folleville in ''Il viaggio a Reims''. She made her debut at the ...
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Laure Cinti-Damoreau By Louis Desprez
Laure may refer to: * ''Laure'' (film), a 1976 Italian erotic film in the Emmanuelle universe * ''Doxocopa laure'', commonly known as the Laure, a butterfly People * Laura (given name) (French variant) * Laure (art model) (fl. 1859–1867), French model for Édouard Manet * Laure (Nepalese rapper), Aashish Rana (born 1989), Nepalese rapper and actor * Laure (footballer) (born 1985) or Laure, Spanish football player * Colette Peignot (1903–1938), pen name Laure, French author See also * * Lauer (other) * Laur (surname) * Laura (other) * Laurel (other) * Lauren (other) * Laurer * Lauret (other) * Laurey (other) * Laurie (other) Laurie may refer to: Places * Laurie, Cantal, France, a commune * Laurie, Missouri, United States, a village * Laurie Island, Antarctica Music * Laurie Records, a record label * ''Laurie'' (EP), a 1992 album by Daniel Johnston * "Laurie (S ...
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Mosè In Egitto
''Mosè in Egitto'' (; "''Moses in Egypt''") is a three-act opera written by Gioachino Rossini to an Italian language, Italian libretto by Andrea Leone Tottola, which was based on a 1760 play by Francesco Ringhieri, ''L'Osiride''. It premièred on 5 March 1818 at the recently reconstructed Teatro San Carlo in Naples, Italy. In 1827 Rossini revised and greatly enlarged the work to a four-act French libretto: ''Moïse et Pharaon, ou Le passage de la Mer Rouge'' (; "''Moses and Pharaoh, or The Crossing of the Red Sea''"). This was written by Luigi Balocchi and Victor-Joseph Étienne de Jouy. The première took place in the Salle Le Peletier of the Paris Opera on 26 March that year. Riccardo Muti and many scholars consider ''Moïse et Pharaon'', along with ''William Tell (opera), Guillaume Tell'', to be among Rossini's greatest achievements: :I prefer it because Rossini himself preferred it. Don't get me wrong. ''Mosè in Egitto'' is a wonderful opera, but it remains very much a me ...
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Anna Thillon
Sophie Anne Hunt, known by the name of Anna Thillon (Calcutta or London, 1812 or 1813 or 22 June 1817 or circa 1819; Torquay, 5 May 1903), was an operatic singing sensation in the United States, based in San Francisco, California and then New York, New York. She performed in the former city's first professional season. Her parents were Elisa(beth) and Joseph Hunt. Mrs. Hunt came from a noble family, thanks to which, for her daughter, all the doors of aristocratic houses were opened. Mr. Hunt was a rich merchant, possibly also from a noble family, as The Musical World of 1840 states that Sophie Ann Hunt belonged to one of the aristocratic families of England. But by the 14th birthday of the future singer, mr. Hunt went bankrupt. This was the reason for mrs. Hunt, taking her daughters with her, to leave for France. Sophie Ann Hunt had much of her training in France where she studied with Marco Bordogni, Giovanni Tadolini and Claude Thomas Thillon, conductor of the Havre Philhar ...
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Les Diamants De La Couronne
''Les diamants de la couronne'' (''The Crown Diamonds'') is an ''opéra comique'' by the French composer Daniel Auber, first performed by the Opéra-Comique at the second Salle Favart in Paris on 6 March 1841. The libretto (in three acts) is by Auber's regular collaborator, Eugène Scribe with the help of Jules-Henri Vernoy de Saint-Georges. Performance history The opera was performed at the Opéra-Comique 379 times up to 1889, under the title ''Les diamants de la reine'', and was revived in Marseilles on 20 March 1896. Outside France it was first performed in Brussels on 25 November 1841, New Orleans on 31 March 1842, Munich on 15 July 1842 (in a German translation by V. A. Swoboda), Prague on 13 August 1842 (in German), Hamburg on 29 October 1842 (in German), Riga in 1843 (in German), Amsterdam in 1843 (in French), Berlin at the Hofoper on 11 February 1843 (in German), Copenhagen on 17 February 1843 (in a Danish translation by T. H. Reynoldson), New York City on 14 July 1843 ...
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Le Domino Noir
''Le domino noir'' (''The Black Domino'') is an ''opéra comique'' by the French composer Daniel Auber, first performed on 2 December 1837 by the Opéra-Comique at the Salle de la Bourse in Paris.Wild and Charlton (2005), p. 226. The libretto to the three-act piece is by Auber's usual collaborator, Eugène Scribe. It was one of Auber's most successful works, clocking up 1,207 performances by 1909. It received its UK premiere in 1838 and appeared in the USA the following year. Some of Auber's music has a Spanish flavour to reflect its setting. In 1869, Pyotr Ilyich Tchaikovsky provided recitatives to replace the spoken dialogue for a proposed production of ''Le domino noir'' by an Italian opera company visiting Russia. No performances are believed to have taken place, but four of Tchaikovsky's recitatives were included in Richard Bonynge's recording of the opera. Performance history There was a production of the opera by Pierre Jourdan at the Théâtre Imperial at Compièg ...
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L'ambassadrice
''L'ambassadrice'' is an opera or opéra comique in 3 acts by composer Daniel Auber. The work's French language libretto was written by Eugène Scribe and Jules-Henri Vernoy de Saint-Georges. The opera's world premiere was staged by the Opéra-Comique at the Théâtre des Nouveautés in Paris Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. ... on 21 December 1836. It was revived in Paris on 4 January 2013 by the opera company Les Frivolités Parisiennes at the initiative of two research fellows who specialized in nineteenth-century historically informed performance, Pierre Girod (vocal coach) and Charlotte Loriot (stage director). Roles References {{DEFAULTSORT:Ambassadrice French-language operas Opéras comiques Operas by Daniel Auber Operas 1836 operas Opera world ...
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Opéra-Comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to e ...
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Robert Le Diable (opera)
''Robert le diable'' (''Robert the Devil'') is an opera in five acts composed by Giacomo Meyerbeer between 1827 and 1831, to a libretto written by Eugène Scribe and Germain Delavigne. ''Robert le diable'' is regarded as one of the first grand operas at the Paris Opéra. It has only a superficial connection to the medieval legend of ''Robert the Devil''. The opera was immediately successful from its first night on 21 November 1831 at the Opéra; the dramatic music, harmony and orchestration, its melodramatic plot, its star singers and its sensational stage effects compelled Frédéric Chopin, who was in the audience, to say, "If ever magnificence was seen in the theatre, I doubt that it reached the level of splendour shown in ''Robert''...It is a masterpiece...Meyerbeer has made himself immortal".Brown, ''Robert le diable'', p. 572 ''Robert'' initiated the European fame of its composer, consolidated the fame of its librettist, Scribe, and launched the reputation of the new dire ...
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Meyerbeer
Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera '' Robert le diable'' and its successors, he gave the genre of grand opera 'decisive character'. Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard which helped to maintain Paris as the opera capital of the nineteenth century. Born to a rich Jewish family, Meyerbeer began his musical career as a pianist but soon decided to devote himself to opera, spending several years in Italy studying and composing. His 1824 opera '' Il crociato in Egitto'' was the first to bring him Europe-wide reputation, ...
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La Muette De Portici
''La muette de Portici'' (''The Mute Girl of Portici'', or ''The Dumb Girl of Portici''), also called ''Masaniello'' () in some versions, is an opera in five acts by Daniel Auber, with a libretto by Germain Delavigne, revised by Eugène Scribe. The work has an important place in music history as the earliest French grand opera. It is also known for its alleged role in the Belgian Revolution of 1830. Background The opera was first given at the Salle Le Peletier of the Paris Opéra on 29 February 1828. The role of Masaniello was taken by the famous tenor Adolphe Nourrit and Princess Elvire was sung by Laure Cinti-Damoreau. The dancer Lise Noblet played the mute title role, a part later taken by other dancers such as Marie Taglioni, Fanny Elssler and Pauline Leroux, also the actress Harriet Smithson (the future wife of Hector Berlioz). Alphonse was created by Alexis Dupont, who was Lise Noblet's brother-in-law. The conductor at the premiere was Henri Valentino.; ; ; . ...
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Daniel Auber
Daniel-François-Esprit Auber (; 29 January 178212 May 1871) was a French composer and director of the Paris Conservatoire. Born into an artistic family, Auber was at first an amateur composer before he took up writing operas professionally when the family's fortunes failed in 1820. He soon established a professional partnership with the librettist Eugène Scribe that lasted for 41 years and produced 39 operas, most of them commercial and critical successes. He is mostly associated with opéra-comique and composed 35 works in that genre. With Scribe he wrote the first French grand opera, ''La Muette de Portici'' (The Dumb Woman of Portici) in 1828, which paved the way for the large-scale works of Giacomo Meyerbeer. Auber held two important official musical posts. From 1842 to 1871 he was director of France's premier music academy, the Paris Conservatoire, which he expanded and modernised. From 1852 until the fall of the Second Empire in 1870 he was director of the imperial chap ...
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