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Laughing Stock (album)
''Laughing Stock'' is the fifth and final studio album by English band Talk Talk, released in 1991. Following their previous release '' Spirit of Eden'' (1988), bassist Paul Webb left the group, which reduced Talk Talk to the duo of singer/multi-instrumentalist Mark Hollis and drummer Lee Harris. Talk Talk then acrimoniously left EMI and signed to Polydor, who released the album on their newly revitalised jazz-based Verve Records label. ''Laughing Stock'' was recorded at London's Wessex Sound Studios from September 1990 to April 1991 with producer Tim Friese-Greene and engineer Phill Brown. Like ''Spirit of Eden'' the album featured improvised instrumentation from a large ensemble of musicians. The demanding sessions were marked by Hollis' perfectionist tendencies and desire to create a suitable recording atmosphere. Engineer Phill Brown stated that the album, like its predecessor, was "recorded by chance, accident, and hours of trying every possible overdub idea." The band ...
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Polydor
Polydor Limited, also known as Polydor Records, is a British record label that operates as part of Universal Music Group. It has a close relationship with Universal's Interscope Geffen A&M Records label, which distributes Polydor's releases in the United States. In turn, Polydor distributes Interscope releases in the United Kingdom. Polydor Records Ltd. was established in London in 1954 as a British subsidiary of German company Deutsche Grammophon, Deutsche Grammophon/Schallplatte Grammophon GmbH. It was renamed Polydor Ltd. in 1972. The company is usually mentioned as "Polydor Ltd. (UK)", or a similar form, for holding copyrights. Notable current and past artists signed to the label include Rainbow (rock band), Rainbow, Siouxsie and the Banshees, Yngwie J. Malmsteen, the Cure, James Brown, Ray, Goodman & Brown, Atlanta Rhythm Section, John Mayall, Deep Purple, Cream (band), Cream, the Moody Blues, the Who, Jimi Hendrix, Bee Gees, Lana Del Rey, Stephen Fretwell, the Jam, Style C ...
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Court Of Appeal Of England And Wales
The Court of Appeal (formally "His Majesty's Court of Appeal in England", commonly cited as "CA", "EWCA" or "CoA") is the highest court within the Senior Courts of England and Wales, and second in the legal system of England and Wales only to the Supreme Court of the United Kingdom. The Court of Appeal was created in 1875, and today comprises 39 Lord Justices of Appeal and Lady Justices of Appeal. The court has two divisions, Criminal and Civil, led by the Lady Chief Justice and the Master of the Rolls respectively. Criminal appeals are heard in the Criminal Division, and civil appeals in the Civil Division. The Criminal Division hears appeals from the Crown Court, while the Civil Division hears appeals from the County Court, High Court of Justice and Family Court. Permission to appeal is normally required from either the lower court or the Court of Appeal itself; and with permission, further appeal may lie to the Supreme Court. Its decisions are binding on all courts, ...
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Andrew Morritt
Sir Robert Andrew Morritt, CVO (born 5 February 1938), is a former British judge who served as Chancellor of the High Court of England and Wales. Life and career Morritt was educated at Eton College and Magdalene College, Cambridge, and was called to the bar at Lincoln's Inn in 1962. He was appointed Queen's Counsel in 1977 and was Attorney-General to the Prince of Wales from 1978 to 1988. On 15 April 1988, he was appointed a Justice of the High Court, receiving the customary knighthood, and assigned to the Chancery Division. He served from 1991 to 1994 as Vice-Chancellor of the County Palatine of Lancaster, the judge responsible for Chancery Division business in the North and North East of England. On 3 October 1994, he was appointed to the Court of Appeal, and received the customary appointment to the Privy Council. He was appointed Vice-Chancellor of the Supreme Court (in effect the head of the Chancery Division of the High Court) on 17 July 2000. On 1 October 2005, his ...
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Musical Improvisation
Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of Emotion, emotions and Musical technique, instrumental technique as well as spontaneous response to other musicians. Sometimes musical ideas in improvisation are spontaneous, but may be based on Chord (music), chord changes in classical music and many other kinds of music. One definition is a "performance given extempore without planning or preparation". Another definition is to "play or sing (music) extemporaneously, by inventing Variation (music), variations on a melody or creating new melodies, rhythms and harmonies". ''Encyclopædia Britannica'' defines it as "the extemporaneous composition or free performance of a musical passage, usually in a manner conforming to certain stylistic norms but unfettered by the prescriptive features of a specific musical text." Improvisation is often done within ...
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Art Pop
Art pop (also typeset art-pop or artpop) is a loosely defined style of pop music influenced by art theory, art theories as well as ideas from other art mediums, such as fashion, fine art, film, cinema, and avant-garde literature. The genre draws on pop art's integration of high culture, high and low culture, and emphasizes signs, style, and gesture over personal expression. Art pop musicians may deviate from traditional pop audiences and rock music conventions, instead exploring postmodern approaches and ideas such as pop's status as commercial art, notions of artifice and the self, and questions of historical authenticity. Starting in the mid-1960s, British and American pop musicians such as Brian Wilson, Phil Spector, and the Beatles began incorporating the ideas of the pop art movement into their recordings. English art pop musicians drew from their art school studies, while in America the style drew on the influence of pop artist Andy Warhol and the affiliated band the Velv ...
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Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the band would be a major inf ...
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The Colour Of Spring
''The Colour of Spring'' is the third studio album by English band Talk Talk, released on 17 February 1986. Written by Mark Hollis and producer Tim Friese-Greene, the album combines elements of jazz and art pop in an effort by Hollis to embrace more organic instrumentation and production values. Unlike previous Talk Talk albums, synthesizers are rarely featured on the album, being replaced by guitar, piano, and organ. The album went on to become Talk Talk's greatest commercial success, spawning the hit singles " Life's What You Make It" and " Living in Another World" and reaching the Top 20 in numerous countries (topping the Dutch charts), including the UK, where it reached No. 8 and stayed in the UK charts for 21 weeks.David Roberts ''British Hit Singles and Albums'', Guinness World Records Limited Background ''The Colour of Spring'' is commonly viewed as a bridge between Talk Talk's earlier, synthesized pop sound, and their later, more improvisation-based work. Despite the ...
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Stylus Magazine
''Stylus Magazine'' was an American online music and film magazine, launched in 2002 and co-founded by Todd L. Burns. It featured long-form music journalism, four daily music reviews, movie reviews, podcasts, an MP3 blog, and a text blog. Additionally, ''Stylus'' had daily features like "The Singles Jukebox", which looked at pop singles from around the globe, and "Soulseeking", a column focused on personal responses in listening. Even though they never reached the readership of other music magazines such as PopMatters or Pitchfork, they still had a very consistent and fired-up audience . In 2006, the site was chosen by the '' Observer Music Monthly'' as one of the Internet's 25 most essential music websites. ''Stylus'' closed as a business on 31 October 2007. On 4 January 2010, with the blessing of former editor Todd Burns, ''Stylus'' senior writer Nick Southall launched ''The Stylus Decade'', a website with a new series of lists and essays reviewing music from the previous ten ...
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List Of 1990s Albums Considered The Best
This is a list of 1990s music albums that multiple music journalists, magazines, and professional music review websites have considered to be among the best of the 1990s and of all time, separated into the years of each album's release. The albums listed here are included on at least four separate "best/greatest of the 1990s/all time" lists from different professional publications (inclusive of all genres and nationalities) as chosen by their editorial staffs or by a sample size of an entire publication's audience, and/or hall of fame awards and historical preservation measures. List 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 See also * List of 1970s albums considered the best * List of 1980s albums considered the best * List of best-selling albums * List of fastest-selling albums This is a list of the world's fastest-selling albums of recorded music. To appear on the list, the figure must have been published by a reliable s ...
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Pitchfork (website)
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music magazine founded in 1996 by Ryan Schreiber in Minneapolis. It originally covered alternative and independent music, and expanded to cover genres including pop, hip-hop, jazz and metal. ''Pitchfork'' is one of the most influential music publications to have emerged in the internet age. In the 2000s, ''Pitchfork'' distinguished itself from print media through its unusual editorial style, frequent updates and coverage of emerging acts. It was praised as passionate, authentic and unique, but criticized as pretentious, mean-spirited and elitist, playing into stereotypes of the cynical hipster. It is credited with popularizing acts such as Arcade Fire, Broken Social Scene, Bon Iver and Sufjan Stevens. ''Pitchfork'' relocated to Chicago in 1999 and Brooklyn, New York, in 2011. It expanded with projects including the annual Pitchfork Music Festival (launched in Chicago in 2006), the video site ''Pitchf ...
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Post-rock
Post-rock is a subgenre of experimental rock that emphasizes Texture (music), texture, atmosphere, and non-traditional song structures over conventional rock techniques. Post-rock artists often combine rock instrumentation and rock stylings with Electronic musical instrument, electronics and digital production as a means of enabling the exploration of textures, timbres and different styles. Vocals, when present, are often used as an instrumental layer, with many bands opting for entirely instrumental compositions. The genre began in Indie music scene, indie and underground music scenes, but deviated. The term ''post-rock'' was coined by music journalist Simon Reynolds, being popularized in a review of Bark Psychosis' 1994 album ''Hex (Bark Psychosis album), Hex'', and he later expanded the concept as music "using rock instrumentation for non-rock purposes". The term has since developed to refer to bands oriented around dramatic and suspense-driven instrumental rock, making the t ...
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