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Lauda Sion Salvatorem
"Lauda Sion" is a sequence prescribed for the Roman Catholic Mass for the feast of Corpus Christi. It was written by St. Thomas Aquinas around 1264, at the request of Pope Urban IV for the new Mass of this feast, along with Pange lingua, Sacris solemniis, and Verbum supernum prodiens, which are used in the Divine Office. Overview The Gregorian melody of the Lauda Sion is borrowed from the eleventh-century sequence ''Laetabundi iubilemus'' attributed to Adam of Saint Victor. The hymn tells of the institution of the Eucharist and clearly expresses the belief of the Roman Catholic Church in transubstantiation and in Real presence, that is, that the bread and wine truly become permanently and irreversibly the Body and Blood of Christ when consecrated by a validly-ordained priest or bishop during the Mass. The fact that the hymn had been composed for the Holy Mass is testified by the sixth stanza: ''Dies enim solemnis agitur / In qua mensæ prima recolitur / Hujus institutio'' - ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friesach - Dominikanerkirche - Hochaltar - Hl Thomas Von Aquin1
Friesach () is a historic town in the Sankt Veit an der Glan district of Carinthia, Austria. First mentioned in an 860 deed, it is known as the oldest town in Carinthia. Geography Location Friesach covers an area of 120.83 km2 and its mean elevation is 631 meters above sea level. It is located in northern Carinthia near the border with Styria, about north of its capital Klagenfurt. Populated places The municipality of Friesach consists of the following cadastral communities (or '' katastralgemeinden''): Friesach, St. Salvator and Zeltschach; while further subdivided into 43 populated places (with population in brackets as of 1 January 2022). * Dobritsch (13) * Dörfl (13) * Engelsdorf (377) * Friesach (Breže) (1933) * Gaisberg (77) * Grafendorf (246) * Guldendorf (4) * Gundersdorf (5) * Gunzenberg (8) * Gwerz (51) * Harold (18) * Hartmannsdorf (11) * Hundsdorf (5) * Ingolsthal (90) * Judendorf (66) * Kräuping (14) * Leimersberg (12) * Mayerhofen (8) * Moserwink ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Council Of Trent
The Council of Trent (), held between 1545 and 1563 in Trent (or Trento), now in northern Italy, was the 19th ecumenical council of the Catholic Church. Prompted by the Protestant Reformation at the time, it has been described as the "most impressive embodiment of the ideals of the Counter-Reformation.""Trent, Council of" in Cross, F. L. (ed.) ''The Oxford Dictionary of the Christian Church'', Oxford University Press, 2005 (). It was the last time an ecumenical council was organized outside the city of Rome. The Council issued key statements and clarifications of the Church's doctrine and teachings, including scripture, the biblical canon, sacred tradition, original sin, justification, salvation, the sacraments, the Mass, and the veneration of saintsWetterau, Bruce. ''World History''. New York: Henry Holt and Company, 1994. and also issued condemnations of what it defined to be heresies committed by proponents of Protestantism. The consequences of the council were als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deinem Heiland, Deinem Lehrer
"" ("Your Saviour, your teacher") is a Catholic hymn. The German text was written by Franz Xaver Riedel in 1773, a paraphrase of the Latin . The 1781 melody has been attributed to Michael Haydn. The song has appeared in regional sections of the German hymnal ''Gotteslob'', and is commonly used as a hymn sung during processions on the Feast of Corpus Christi. History , an Austrian Jesuit, wrote the text of "" in 1773 as a paraphrase of the Latin , a sequence for the Feast of Corpus Christi by Thomas Aquinas in 12 stanzas. The melody is from Salzburg, sometimes attributed to Michael Haydn. The song is still used as a processional hymn for the feast. It has appeared in regional sections of the German hymnal ''Gotteslob'', such as in the Diocese of Cologne as GL 844, and in the Diocese of Limburg as GL 866, in four stanzas, with the third stanza edited by Maria Luise Thurmair It is also part of other collections. References {{authority control Catholic hymns in German 18th-c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amen
Amen (, ; , ; , ; , ) is an Abrahamic declaration of affirmation which is first found in the Hebrew Bible, and subsequently found in the New Testament. It is used in Jewish, Christian, and Islamic practices as a concluding word, or as a response to a prayer. Common English translations of the word ''amen'' include "verily", "truly", "it is true", and "let it be so". It is also used colloquially, to express strong agreement. Pronunciations In English, the word ''amen'' has two primary pronunciations, () or (), with minor additional variation in emphasis (e.g., the two syllables may be equally stressed instead of placing primary stress on the second). In Anglophone North American usage, the ''ah-men'' pronunciation is used in performances of classical music and in churches with more formalized liturgy. The ''ay-men'' pronunciation is a product of the Great Vowel Shift (i.e., it dates from the 15th century); it is associated with Irish Protestantism and with conservative eva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
En:A Dictionary Of Music And Musicians/Lauda Sion
A, or a, is the first Letter (alphabet), letter and the first vowel letter of the Latin alphabet, used in the modern English alphabet, and others worldwide. Its name in English is ''English alphabet#Letter names, a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version is often written in one of two forms: the double-storey and single-storey . The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English, ''English articles, a'' is the indefinite article, with the alternative form ''an''. Name In English, the name of the letter is the ''long A'' sound, pronounced . Its name in most other languages matches the letter's pronunciation in open syllables. History The earliest know ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alleluia
''Hallelujah'' (; , Modern Hebrew, Modern ) is an interjection from the Hebrew language, used as an expression of gratitude to God. The term is used 24 times in the Hebrew Bible, Tanakh (in the book of Psalms), twice in deuterocanonical books, and four times in the Christian Book of Revelation. The phrase is used in Judaism as part of the Hallel prayers, and in Christianity, Christian prayer, where since the earliest timesScott Nash, "Hallelujah" in ''Mercer Dictionary of the Bible'' (Mercer University Press 1990 ), p. 355 it is used in various ways in liturgy, liturgies, especially those of the Catholic Church, the Lutheran Churches and the Eastern Orthodox Church, the three of which use the Latin form '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gradual
The gradual ( or ) is a certain chant or hymn in liturgical Christian worship. It is practiced in the Catholic Mass, Lutheran Divine Service, Anglican service and other traditions. It gets its name from the Latin (meaning "step") because it was once chanted on the step of the ambo or altar. It is customarily placed after a reading of scripture. In the Tridentine Mass, it is sung after the reading or chanting of the epistle and before the Hallelujah, or, during penitential seasons, before the tract. In the Mass of Paul VI, the gradual is usually replaced with the responsorial psalm. Although the Gradual remains an option in the Mass of Paul VI, its use is extremely rare outside monasteries. The gradual is part of the proper of the Mass. A gradual can also refer to a book collecting all the musical items of the Mass. The official such book for the Roman Rite is the Roman Gradual (). Other such books include the Dominican Gradual. History The Gradual, like the Halle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass Of Paul VI
The Mass of Paul VI, also known as the Ordinary Form or , is the most commonly used Catholic liturgy, liturgy in the Catholic Church. It was Promulgation (Catholic canon law), promulgated by Pope Paul VI in 1969 and its liturgical books were published in 1970; those books were then revised in 1975, they were revised again by Pope John Paul II in 2000, and a third revision was published in 2002. It largely displaced the Tridentine Mass, the Tridentine Mass#1962 Missal, latest edition of which had been published in 1962 under the title ('The Roman Missal restored by decree of the Most Holy Council of Trent'). The editions of the Mass of Paul VI Roman Missal (1970, 1975, 2002) have as title ('The Roman Missal renewed by decree of the Most Holy Second Ecumenical Council of the Vatican'), followed in the case of the 2002 edition by ('Promulgation (Catholic canon law), promulgated by the authority of Pope Paul VI and revised at the direction of Pope John Paul II'). It is the most- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Missal
The Roman Missal () is the book which contains the texts and rubrics for the celebration of the Roman Rite, the most common liturgy and Mass of the Catholic Church. There have been several editions. History Before the Council of Trent (1570) Before the high Middle Ages, several books were used at Mass: a Sacramentary with the prayers, one or more books for the Scriptural readings, and one or more books for the antiphons and other chants. Gradually, manuscripts came into being that incorporated parts of more than one of these books, leading finally to versions that were complete in themselves. Such a book was referred to as a ''Missale Plenum'' (). In 1223 Saint Francis of Assisi instructed his friars to adopt the form that was in use at the Papal Court (''Rule'', chapter 3). They adapted this missal further to the needs of their largely itinerant apostolate. Pope Gregory IX considered, but did not put into effect, the idea of extending this missal, as revised by the Francis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Hiley
David Hiley (born 5 September 1947) is an English musicologist. He specializes in early music, particularly plainchant, early polyphony and English music. Life and career David Hiley was born in Littleborough, Greater Manchester, England on 5 September 1947. He studied with Bernard Rose and David Wulstan at Magdalen College ( BA 1968), and with Ian Bent and Howard Mayer Brown at King's College London (PhD 1981), with a doctorate on the sacred music of Norman Sicily. After posts at Eton College (assistant music master; 1968–73) and Royal Holloway College, University of London (lecturer; 1976–86), he joined the University of Regensburg as a professor of musicology, where he has been since 1986. Hiley specializes in early music, particularly plainchant, early polyphony and English music. His publications include two book-length surveys of plainchant, ''Western Plainchant'' (1993) and ''Gregorian Chant'' (2009). Among his memberships are as honorary vice-president of the Pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater
The Stabat Mater is a 13th-century Christian hymn to the Virgin Mary that portrays her suffering as mother during the crucifixion of her son Jesus Christ. Its author may be either the Franciscan friar Jacopone da Todi or Pope Innocent III.Sabatier, Paul ''Life of St. Francis Assisi'' Charles Scribner Press, NY, 1919, page 286''The seven great hymns of the Mediaeval Church'' by Charles Cooper Nott 1868 ASIN: B003KCW2LA page 96 The title comes from its first line, "Stabat Mater dolorosa", which means "the sorrowful mother was standing". The hymn is sung at the liturgy on the memorial of Our Lady of Sorrows. The Stabat Mater has been set to music by many Western composers. Date The Stabat Mater has often been ascribed to Jacopone da Todi (ca. 1230–1306), but this has been strongly challenged by the discovery of the earliest notated copy of the Stabat Mater in a 13th-century gradual belonging to the Dominican nuns in Bologna (Museo Civico Medievale MS 518, fo. 200v-04r). The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
