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Latin Rhythms
The music of Latin America refers to music originating from Latin America, namely the Spanish and Portuguese-speaking regions of the Americas south of the United States. Latin American music highly incorporates its African influences into the music of Latin America, as well as indigenous music of Latin America. Due to its highly syncretic nature, Latin American music encompasses a wide variety of styles, including influential genres such as cumbia, bachata, bossa nova, merengue, rumba, salsa, samba, son, candombe and tango. During the 20th century, many styles were influenced by the music of the United States giving rise to genres such as Latin pop, rock, jazz, hip hop, and reggaeton. Geographically, it usually refers to the Spanish and Portuguese-speaking regions of Latin America, but sometimes includes Francophone countries and territories of the Caribbean and South America as well. It also encompasses Latin American styles that have originated in the United States such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Spain
In Spain, music has played an important role in the development of Western music, and has greatly influenced Latin American music. Spanish music is often associated with traditional styles such as flamenco and classical guitar. While these forms of music are common, there are many different traditional musical and dance styles across the regions. For example, music from the north-west regions is heavily reliant on bagpipes, the Jota (music), jota is widespread in the centre and north of the country, and flamenco originated in the south. Spanish music played a notable part in the early developments of western classical music, from the 15th through the early 17th century. The breadth of musical innovation can be seen in composers like Tomás Luis de Victoria, styles like the zarzuela of Spanish opera, the ballet of Manuel de Falla, and the classical guitar music of Francisco Tárrega. Nowadays, in Spain as elsewhere, the different styles of commercial popular music are dominant. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cha-cha-cha (music)
Cha cha cha may refer to: * ''Cha-cha-chá'' (music), a style of Cuban dance music * Cha-cha-cha (dance), a Latin American dance accompanying the music Film and television * ''Cha Cha Cha'' (film), a 2013 Italian crime film * ''Cha Cha Cha'' (1964 film), a 1964 Indian film * ''Cha Cha Cha'' (TV series), a TV show from Argentina * Cha Cha Cha Films, a film production company Music * ''Cha Cha Cha'' (album), a 1995 album by EMF * ''Cha Cha Cha'', 1955 album by Monchito and the Mambo Royals * ''Cha Cha Cha'', 1982 album by Anne Linnet Band * ''Cha Cha Cha'', 1977 album by Irwin Goodman * ''Cha Cha Cha'', 2014 album by Abelardo Barroso * "Cha Cha Cha" (MC Lyte song), 1989 * "Cha Cha Cha" (Käärijä song), 2023, the Finnish entry in the Eurovision Song Contest 2023 * " The Cha-Cha-Cha", a 1962 song by Bobby Rydell * "Cha Cha Cha", by The Little Ones, 2006 Other * Cha Cha Cha (restaurant), a restaurant chain in Portland, Oregon, United States * Cha Cha Cha Township, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danzón
Danzón is the official genre and dance of Cuba.Urfé, Odilio 1965. ''El danzón''. La Habana. It is also an active musical form in USA and Puerto Rico. Written in time, the danzón is a slow, formal partner dance, requiring set footwork around syncopated beats, and incorporating elegant pauses while the couples stand listening to virtuoso instrumental passages, as characteristically played by a charanga or típica ensemble. The danzón evolved from the Cuban contradanza, or habanera ( 'Havana-dance'). The contradanza, which had English and French roots in the country dance and contredanse, was probably introduced to Cuba by the Spanish, who ruled the island for almost four centuries (1511–1898), contributing many thousands of immigrants. It may also have been partially seeded during the short-lived British occupation of Havana in 1762. Haitian refugees fleeing the island's revolution of 1791–1804 brought the French-Haitian kontradans, contributing their own ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danza
Danza is a musical genre that originated in Ponce, a city in southern Puerto Rico. It is a popular turn-of-the-twentieth-century ballroom dance genre slightly similar to the waltz. Both the danza and its cousin the contradanza are sequence dances, performed to a pattern, usually of squares, to music that was instrumental. Neither the contradanza nor the danza were sung genres; this is a contrast to, for example, the habanera, which was a sung genre. There is some dispute as to whether the danza was in any sense a different dance from the contradanza, or whether it was just a simplification of the name. Through the first part of the 19th century the dance and its music became steadily more creolized. The music and the dance is creolized because composers were consciously trying to integrate African and European ideas because many of the people themselves were creoles, that is, born in the Caribbean; accepting their islands as their true and only homeland. Some well-known compose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cumbia
Cumbia refers to a number of musical rhythms and folk dance traditions of Latin America, generally involving musical and cultural elements from American Indigenous peoples, Europeans, and Africans during colonial times. Cumbia is said to have come from funeral traditions in the Afro-Colombian community. Cumbia traditionally uses three drums ('' tambora'', ' and ''llamador''), three flutes (''gaita hembra'' and ''gaito macho'', both forms of , and '' flauta de millo'') and has a or meter. The sound of cumbia can be characterized as having a simple "chu-chucu-chu" rhythm created by the guacharaca. The genre frequently incorporates brass instruments and piano. In order to properly understand the interlocking relationship between cumbia's roots, its Pan-American (and then global) routes, and its subgenres, Colombia's geocultural complexities must be taken into account. Most Hispanic American countries have made their own regional version of Cumbia, some of them with their own part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cueca
Cueca () is a family of musical styles and associated dances from Chile, Argentina, and Bolivia. In Chile, the cueca holds the status of national dance, where it was officially declared as such by the Pinochet dictatorship on September 18, 1979. Origins While cueca's origins are not clearly defined, it is considered to have mostly European Spanish and arguably indigenous influences. The most widespread version of its origins relates it with the zamacueca which arose in Peru as a variation of Spanish Fandango dancing with ''criollo''. The dance is then thought to have passed to Chile and Bolivia, where its name was shortened and where it continued to evolve. Due to the dance's popularity in the region, the Peruvian evolution of the zamacueca was nicknamed "la chilena", "the Chilean", due to similarities between the dances. Later, after the Pacific War, the term marinera, in honor of Peru's naval combatants and because of hostile attitude towards Chile, was used in place ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuarteto
Cuarteto (), sometimes called cuartetazo, is a musical genre born in Córdoba, Argentina. The roots of the cuarteto ensemble are in Italian and Spanish dance ensembles. The name was coined because the early dance-hall numbers were invariably four-piece bands (violin-piano-accordion-bass). Cuarteto is almost always upbeat; its rhythm range is similar to that of modern Dominican merengue. In the 1970s, cuarteto became one of the cornerstones of Córdoba's cultural identity—together with ''Hortensia'' magazine. Both reflected a local brand of popular culture overlooked by the establishment, and proposed an alternative to the Buenos Aires-centered culture that television was spreading to the rest of the country. Cuarteto was one of the genres that gave birth to the Buenos Aires ''tropical'' scene, which was renamed as '' bailanta'' in the 1990s following the usage of Corrientes province. Famous Names Cuarteto Leo was the leading cuarteto band for almost 30 years, bac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corrido
The corrido (Spanish pronunciation: Help:IPA/Spanish, [koˈriðo]) is a famous narrative metrical tale and poetry that forms a Ballad (music), ballad. The songs often feature topics such as oppression, history, daily life for criminals, the vaquero lifestyle, and other socially relevant themes. Corridos were widely popular during the Mexican Revolution and in the Southwestern United States, Southwestern American frontier as it was also a part of the development of Tejano music, Tejano and New Mexico music, which later influenced Western music (North America), Western music. The ''corrido'' derives mainly from the Romance (heroic literature), romance and, in its most known form, consists of a salutation from the singer, a prologue to the story, the story itself, and a moral and farewell from the singer. In Mexico, it is still a popular genre today. Outside Mexico, corridos are popular in Chilean national celebrations of Fiestas Patrias (Chile), Fiestas Patrias. History Corrido ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contradanza
''Contradanza'' (also called ''contradanza criolla'', ''danza'', ''danza criolla'', or ''habanera'') is the Spanish and Spanish-American version of the contradanse, which was an internationally popular style of music and dance in the 18th century, derived from the English country dance and adopted at the court of France. Contradanza was brought to America and there took on folkloric forms that still exist in Bolivia, Mexico, Venezuela, Colombia, Peru, Panama and Ecuador. In Cuba during the 19th century, it became an important genre, the first written music to be rhythmically based on an African rhythm pattern and the first Cuban dance to gain international popularity, the progenitor of danzón, mambo and cha-cha-cha, with a characteristic "habanera rhythm" and sung lyrics. Outside Cuba, the Cuban contradanza became known as the ''habanera'' – the dance of Havana – and that name was adopted in Cuba itself subsequent to its international popularity in the later 19th cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conjunto
The term ''conjunto'' (, literally 'group', 'ensemble') refers to several types of small musical ensembles present in different Latin American musical traditions, mainly in Mexico and Cuba. While Mexican conjuntos play styles such as '' norteño'' and ''tejano'', Cuban ''conjuntos'' specialize in the '' son'', as well as its derivations such as '' salsa''. Mexican Mexican conjunto music, also known as ''conjunto tejano'', was born in south Texas at the end of the 19th century, after German settlers introduced the button accordion. The '' bajo sexto'' has come to accompany the button accordion and is integral to the ''conjunto'' sound. Many ''conjuntos'' are concentrated in the Southwestern portion of the United States, primarily in Texas and California. In Mexico, the term ''conjunto'' is associated with '' norteño'' and ''tejano'' music. Since ''tejano'' was bred out of ''norteño'' music originally, this association is not entirely false. However, due to various cultural an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conga (music)
The term conga refers to the music groups within Cuban comparsas and the music they play. Comparsas are large ensembles of musicians, singers and dancers with a specific costume and choreography which perform in the street carnivals of Santiago de Cuba, Camaguey, and Havana.Millet, José and Brea Rafael 1989. Del carnival santiaguero: congas y paseos. In Oscar Ruiz Miyares (ed) ''Guía cultural de Santiago de Cuba''. The instrumentation differs between ''congas santiagueras'' and ''congas habaneras''. ''Congas santiagueras'' include the ''Trompeta china, corneta china'' (Chinese cornet), which is an adaptation of the Cantonese suona introduced in Oriente Province, Oriente in 1915, and its percussion section comprises bocúes (similar to African ashiko drums), the quinto (drum), quinto (highest pitched conga drum), galletas and the pilón, as well as brakes which are struck with metal sticks. ''Congas habaneras'' lack the ''corneta china'' but include trumpets, trombones and saxoph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choro
''Choro'' (, "cry" or "lament"), also popularly called ''chorinho'' ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as ''chorões''. Choro instruments Originally ''choro'' was played by a trio of flute, guitar and cavaquinho (a small chordophone with four strings). Other instruments commonly played in choro are the mandolin, clarinet, saxophone, trumpet and trombone. These melody instruments are backed by a rhythm section composed of 6-string guitar, seven-string guitar (playing bass lines) and light percussion, such as a pandeiro. The cavaquinho appears sometimes as a melody instrume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
