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Last Words (band)
The Last Words were an Australian punk rock group formed in 1977 by mainstays Malcolm Baxter on lead vocals (briefly also on drums), and his song writing partner, Andy Groome on guitar (briefly on bass guitar). Their debut single, "Animal World" (March 1978), was released on their own label, Remand Records. A self-titled album appeared in December 1980 but the group disbanded in the following year. History The Last Words were an Australian punk rock group formed in Sydney in 1977 by Malcolm Baxter (vocals), Andy Groome (guitar), Mick Smith (bass guitar) and ex- the Saints' Jeffrey Wegener (drums). Baxter, Groome and Smith had been living in suburban, Liverpool when they met Wegener. Wegener left soon after formation and Smith exited before the end of the year. Their debut single, "Animal World" (March 1978), was recorded by the two remaining members with Baxter on lead vocals and drums and Groome on guitar and bass guitar; and it was co-written by the pair. Note: For addition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rough Trade Records
Rough Trade Records is an independent record label based in London, England. It was formed in 1976 by Geoff Travis who had opened a record store off Ladbroke Grove. Having successfully promoted and sold records by punk rock and early post-punk and indie pop bands such as the Normal and Desperate Bicycles, Travis began to manage acts and distribute bands such as Scritti Politti and began the label, which was informed by left-wing politics and structured as a co-operative. Soon after, Rough Trade also set up a distribution arm that serviced independent retail outlets across Britain, a network that became known as the Cartel. In 1983, Rough Trade signed the Smiths. Interest and investment of major labels in the UK indie scene in the late 1980s, as well as overtrading on behalf of Rough Trade's distribution wing, led to cash flow problems, and eventually to bankruptcy, forcing the label into receivership. However, Travis resurrected the label in the late 1990s, finding success ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White Rabbit (song)
"White Rabbit" is a song written by Grace Slick and recorded by the American rock band Jefferson Airplane for their 1967 album ''Surrealistic Pillow''. It draws on imagery from Lewis Carroll's 1865 book ''Alice's Adventures in Wonderland'' and its 1871 sequel ''Through the Looking-Glass''. It was released as a single and became the band's second top-10 success, peaking at number eight on the ''Billboard'' Hot 100. The song was ranked number 478 on ''Rolling Stone'''s list of the 500 Greatest Songs of All Time in 2004, number 483 in 2010, and number 455 in 2021 and appears on The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. History "White Rabbit" was written and performed by Grace Slick while she was still with The Great Society. Slick quit them and joined Jefferson Airplane to replace their departing female singer, Signe Toly Anderson, who left the band with the birth of her child. The first album Slick recorded with Jefferson Airplane was ''Surrealisti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Groups Disestablished In 1981
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) Musica (Latin), or La Musica (Italian) or Música (Portuguese and Spanish) may refer to: Music Albums * '' Musica è'', a mini album by Italian funk singer Eros Ramazzotti 1988 * ''Musica'', an album by Ghaleb 2005 * ), a German album by Giov ... * Musicality, the ability to perceive music or to create music * {{Music disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hal Leonard Corporation
Hal Leonard LLC (formerly Hal Leonard Corporation) is an American music publishing and distribution company founded in Winona, Minnesota, by Harold "Hal" Edstrom, his brother, Everett "Leonard" Edstrom, and fellow musician Roger Busdicker. Currently headquartered in Milwaukee, Wisconsin, it is the largest sheet music publisher in the world. History 1947 to 2016 The company produces sheet music, songbooks, and method book (with audio) packs, and band, orchestra, and choral arrangements, reference books, instructional videos, and instrumental accompaniments. In addition, they distribute other brands, such as Gibraltar, Gretsch Drums, Avid, Blue Microphones, and many more. In 1989, Hal Leonard acquired Jenson Publications and its catalog of band, orchestra, and choral titles. In 1995, Hal Leonard began distributing Homespun Music Instruction instructional video and audio materials. In 1997, Hal Leonard and Music Sales Group founded SheetMusicDirect.com, the world's first websi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Killing Joke
Killing Joke are an English rock band from Notting Hill, London, England, formed in 1979 by Jaz Coleman (vocals, keyboards), Paul Ferguson (drums), Geordie Walker (guitar) and Youth (bass). Their first album, '' Killing Joke'', was released in 1980. After the release of ''Revelations'' in 1982, bassist Youth was replaced by Paul Raven. The band achieved mainstream success in 1985 with both the album '' Night Time'' and the single " Love Like Blood". The band's musical style emerged from the post-punk scene, but stood out due to their heavier approach, and has been cited as a key influence on industrial rock. Their style evolved over many years, at times incorporating elements of gothic rock, synth-pop and electronic music, often baring Walker's prominent guitar and Coleman's "savagely strident vocals". Killing Joke have influenced many later bands and artists, such as Metallica, Nirvana, Nine Inch Nails and Soundgarden. Although Coleman and Walker have been the only const ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock-O-Rama
Rock-O-Rama was a German record label started in 1980 by Herbert Egoldt. The label folded in 1994 after a police raid. History Egoldt bootlegged 1950s rockabilly recordings in the early 1970s before starting the Rock-O-Rama mail order service, which was the first significant source for English and American punk records in Germany. The label was originally an outlet for (more or less left-wing) German punk bands such as the Vomit Visions and the Razors. These early bands sang in English, which led to the following comment by John Peel, who wrote to Egoldt in May 1980: "One thing about the records. Why do German singers sing in English? Is it because it is fashionable? Or is it a marketing consideration? Whichever it is, I think they should sing in German anyway."''Same Old Song'' zine, No. 29, June 1980 In the mid-1980s, Rock-O-Rama was best known for white power rock bands like Skrewdriver. By then, the label had left its punk roots behind and concentrated on records by neo-N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adrian Sherwood
Adrian Maxwell Sherwood (born 20 January 1958, London, England) is an English record producer specialising in the genre of dub music. He has created a distinctive production style based on the application of dub effects and dub mixing techniques to other forms of electronic dance music and popular music outside of the genre. He has worked extensively with a variety of reggae artists as well as the musicians Keith LeBlanc, Doug Wimbish and Skip McDonald. Sherwood has remixed tracks by Coldcut, Depeche Mode, The Woodentops, Primal Scream, Pop Will Eat Itself, Sinéad O'Connor, and Skinny Puppy. In his role as a record producer he has worked with a variety of record labels; however, his best-known label is On-U Sound Records which he founded in 1979. Sherwood has been a member of the band Tackhead. He considers himself tone deaf, and focuses on making sounds and noises rather than melody. Career Sherwood was co-founder of Carib Gems and Pressure Sounds, and founder of H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ian McFarlane
Ian McFarlane (born 1959) is an Australian music journalist, music historian and author, whose best known publication is the ''Encyclopedia of Australian Rock and Pop'' (1999), which was updated for a second edition in 2017. As a journalist he started in 1984 with '' Juke'', a rock music newspaper. During the early 1990s he worked for Roadrunner Records while he published a music guide, ''The Australian New Music Record Guide Volume 1: 1976–1980'' (1992). He followed with two fanzines, ''Freedom Train'' and ''Prehistoric Sounds'', both issued during 1994 to 1996. McFarlane's ''The Encyclopedia of Australian Rock and Pop'' is described by the ''Australian Music Guide'' as "the most exhaustive and wide-ranging encyclopedia of Australian music from the 1950s onwards". Subsequently, he was a writer for ''The Australian'' and worked for Raven Records, a reissue specialist label, preparing compilations, writing liner notes and providing research. He fulfilled a similar role at Az ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Saints (Australian Band)
The Saints were an Australian rock band, originating in Brisbane, Queensland in 1973. The band was founded by Chris Bailey (singer-songwriter, later guitarist), Ivor Hay (drummer), and Ed Kuepper (guitarist-songwriter). They were initially labeled a punk band because, like American punk rock band the Ramones, the Saints were employing the fast tempos, raucous vocals and "buzzsaw" guitar that characterised early punk rock – although this only reflects a portion of their overall sound. With their debut single " (I'm) Stranded" in September 1976, they became the first punk band outside the US to release a record, ahead of better-known acts the Damned, the Sex Pistols and the Clash. They are considered one of the first and most influential groups of the genre, particularly within Australia. Aside from mainstay Bailey, the group also had numerous line-up changes – in early 1979, Ivor Hay and Ed Kuepper left, while Bailey continued under the moniker with new musicians. Althou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australasian Mechanical Copyright Owners Society
APRA AMCOS consists of Australasian Performing Right Association (APRA) and Australasian Mechanical Copyright Owners Society (AMCOS), both copyright management organisations or copyright collectives which jointly represent over 100,000 songwriters, composers and music publishers in Australia and New Zealand. The two organisations work together to license public performances and administer performance, communication and reproduction rights on behalf of their members, who are creators of musical works, aiming to ensure fair payments to members and to defend their rights under the '' Australian Copyright Act (1968)''. APRA, which formed in 1926, represents songwriters, composers, and music publishers, providing businesses with a range of licences to use copyrighted music. This covers music that is communicated or performed publicly including on radio, television, online, live gigs in pubs and clubs etc. APRA distributes the royalties from these licence fees back to their composer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australasian Performing Right Association
APRA AMCOS consists of Australasian Performing Right Association (APRA) and Australasian Mechanical Copyright Owners Society (AMCOS), both copyright management organisations or copyright collectives which jointly represent over 100,000 songwriters, composers and music publishers in Australia and New Zealand. The two organisations work together to license public performances and administer performance, communication and reproduction rights on behalf of their members, who are creators of musical works, aiming to ensure fair payments to members and to defend their rights under the '' Australian Copyright Act (1968)''. APRA, which formed in 1926, represents songwriters, composers, and music publishers, providing businesses with a range of licences to use copyrighted music. This covers music that is communicated or performed publicly including on radio, television, online, live gigs in pubs and clubs etc. APRA distributes the royalties from these licence fees back to their comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
