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Last Exit (Last Exit Album)
''Last Exit'' is the eponymously titled live performance debut album of the free jazz group Last Exit. It was released in 1986 by Enemy Records. Reception In a review for AllMusic, Brian Olewnick wrote: "Entirely improvised, Last Exit nonetheless based most of its pieces on blues forms, even if highly abstracted. This bedrock allowed the musicians, particularly Brötzmann and Sharrock... to freely explore the outer boundaries of their instruments, sublimely soaring over the down to earth and dirty rhythm team of Laswell and Jackson. This tension... reached almost unbearable degrees; its release when they would slide back into a groove leaves the listener utterly drained. Subsequent albums... would come close to attaining this level of intensity and creativity, but ''Last Exit'' ranks as a pinnacle both in Laswell's career and in the rock/free improv genre it spawned. A classic release, one that should be in the collection of anyone interested in either contemporary free improvis ...
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Last Exit (free Jazz Band)
Last Exit was an American free jazz supergroup, composed of electric guitarist Sonny Sharrock, drummer/occasional vocalist Ronald Shannon Jackson, saxophonist Peter Brötzmann, and bass guitarist Bill Laswell. They were active from 1986 to the early 1990s, releasing primarily live albums recorded in Europe. Sharrock's death in 1994 caused the dissolution of the band, though touring of the band had not occurred for several years before his demise. The band is unrelated to the 1970s British jazz fusion band of the same name. History The band was known for its uncompromising musical ferocity, fueled by the band members' confrontational attitudes. Greg Kot wrote that they brought a level of "volume and violence that makes most rock bands sound tame." Their music was largely improvised; John Dugan wrote "Granted, one person's free improvisation is another's tuneless chaos, but Last Exit, due primarily to the skill of its individuals, only infrequently fell off the precipice into the n ...
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Drum Kit
A drum kit or drum set (also known as a trap set, or simply drums in popular music and jazz contexts) is a collection of drums, cymbals, and sometimes other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The drummer typically holds a pair of matching Drum stick, drumsticks or special wire or nylon brushes; and uses their feet to operate hi-hat and bass drum pedals. A standard kit usually consists of: * A snare drum, mounted on a snare drum stand, stand * A bass drum, played with a percussion mallet, beater moved by one or more foot-operated pedals * One or more Tom drum, tom-toms, including Rack tom, rack toms or floor tom, floor toms * One or more Cymbal, cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be played with a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock music ...
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Compact Disc
The compact disc (CD) is a Digital media, digital optical disc data storage format co-developed by Philips and Sony to store and play digital audio recordings. It employs the Compact Disc Digital Audio (CD-DA) standard and was capable of holding of uncompressed stereo audio. First released in Japan in October 1982, the CD was the second optical disc format to reach the market, following the larger LaserDisc (LD). In later years, the technology was adapted for computer data storage as CD-ROM and subsequently expanded into various writable and multimedia formats. , over 200 billion CDs (including audio CDs, CD-ROMs, and CD-Rs) had been sold worldwide. Standard CDs have a diameter of and typically hold up to 74 minutes of audio or approximately of data. This was later regularly extended to 80 minutes or by reducing the spacing between data tracks, with some discs unofficially reaching up to 99 minutes or which falls outside established specifications. Smaller variants, such ...
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Audio Mastering
Mastering is a form of audio post production which is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device called a master recording, the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years, digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, their skills, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy— ...
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Howie Weinberg
Howie Weinberg is an American audio mastering engineer. Over the course of his career, he has received over 2,257 mastering credits, three TEC Awards, 21 Grammy Awards, two Juno Awards, and one Mercury Prize. Career Weinberg mastered Herbie Hancock's 1983 album ''Future Shock''. Other mastering works include the Beastie Boys' '' Licensed to Ill'' and Nirvana's ''Nevermind''. Weinberg began working in the mail room at Masterdisk in 1977, delivering recording tapes in New York City. Mastering engineer Bob Ludwig acted as his mentor. In January 2011, he left Masterdisk to set up his own mastering company in Los Angeles, Howie Weinberg Mastering, which appeared in ''Voyage LA''s "Most Inspiring Stories" on February 11, 2021. In 1982, Weinberg worked on the Payolas' song " Eyes of a Stranger". In 1997, ''Polythene'' by Feeder was met with critical acclaim and made the UK Top 75. He appeared on a panel discussion at the 2009 SXSW music festival titled Producers "On Making Class ...
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Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound *Audio signal, an electrical representation of sound * Audio frequency, a frequency in the audio spectrum *Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing * Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment * AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 * Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD *"Audios", a song by Black Eyed Peas from ''Elevation'' Computing * HTML audio, identified by the tag See ...
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Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of classical music. Eighteenth century J. S. Bach frequently made arrangements of his own and other composers' p ...
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Nicky Skopelitis
Nicky Skopelitis (born January 19, 1960) is an American guitarist and composer of Greek descent. He also has performed on banjo, oud, lute, keyboards and other instruments. Although Skopelitis has recorded few albums as a bandleader, he has appeared on many more recordings, often collaborating with prolific bass guitarist and producer Bill Laswell. Discography As leader * '' Next to Nothing'' (Venture, 1989) * '' Ekstasis'' (Axiom, 1993) * ''EKSTASIS "wake up and dream"'' (CyberOctave, 1998) * ''Revelator'' (Douglas Music, 1998) As sideman With Ginger Baker * '' Horses & Trees'' (Celluloid, 1986) * '' No Material'' (ITM, 1989) * ''Middle Passage'' (Axiom, 1990) * ''Live in Munich Germany 1987'' (Voiceprint, 2010) With Afrika Bambaataa * ''Frantic Situation'' (Tommy Boy, 1984) * '' Beware'' (DBK, 1986) * '' The Light'' (EMI, 1988) With Manu Dibango * ''Electric Africa'' (Celluloid, 1985) * ''Pata Piya'' (Celluloid, 1985) * ''Afrijazzy'' (Enemy, 1986) With The Golden Palomino ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a ...
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Robert Musso
Robert Musso is a New York City-based guitarist, composer, engineer, and producer. He is the founder of the independent record label MuWorks as well as the record label - MussoMusic.com. Over the course of a 40 - year career, Musso has produced, mixed, remixed, played on, written, or contributed to over 2000 records, CDs, movie soundtracks, on every continent in the world except Antarctica. Biography After graduating from Rutgers University with two degrees (Economics and Recording Engineering), Musso began obtaining studio work as a musician, engineer and producer. During this period, he worked with a wide variety of artists, including Stevie Wonder, Bob Dylan, Mick Jagger, the Dalai Lama, Miles Davis, Al Green, Bob Marley, Herbie Hancock, Sting, Carlos Santana, Jimi Hendrix, The Seventy Sevens, David Bowie, George Clinton, Dave Matthews, Ornette Coleman, John Zorn, Peter Gabriel, The Ramones, Iggy Pop, Blondie, Whitney Houston, Sly & Robbie, Fine Young Cannibals, Pharoah Sander ...
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Design
A design is the concept or proposal for an object, process, or system. The word ''design'' refers to something that is or has been intentionally created by a thinking agent, and is sometimes used to refer to the inherent nature of something – its design. The verb ''to design'' expresses the process of developing a design. In some cases, the direct construction of an object without an explicit prior plan may also be considered to be a design (such as in arts and crafts). A design is expected to have a purpose within a specific context, typically aiming to satisfy certain goals and constraints while taking into account aesthetic, functional and experiential considerations. Traditional examples of designs are architectural and engineering drawings, circuit diagrams, sewing patterns, and less tangible artefacts such as business process models.Dictionary meanings in the /dictionary.cambridge.org/dictionary/english/design Cambridge Dictionary of American English at /www. ...
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Record Producer
A record producer or music producer is a music creating project's overall supervisor whose responsibilities can involve a range of creative and technical leadership roles. Typically the job involves hands-on oversight of recording sessions; ensuring artists deliver acceptable and quality performances, supervising the technical engineering of the recording, and coordinating the production team and process. The producer's involvement in a musical project can vary in depth and scope. Sometimes in popular genres the producer may create the recording's entire sound and structure. However, in classical music recording, for example, the producer serves as more of a liaison between the conductor and the engineering team. The role is often likened to that of a film director, though there are important differences. It is distinct from the role of an executive producer, who is mostly involved in the recording project on an administrative level, and from the audio engineer who operates the re ...
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